USB AUDIO INTERFACE EN DE FR ES IT JA
Contents Introduction............................................................3 Contents in this Operation Manual............................... 3 Features ....................................................................... 3 Panel Controls and Terminals (Details)...............5 Rear Panel.................................................................... 5 Front Panel ................................................................... 6 Panel Controls for the Software Programs .........
Introduction Introduction DSP Effect: Sweet Spot Morphing Channel Strip Contents in this Operation Manual The Sweet Spot Morphing Channel Strip (“Channel Strip” for short) is a multi-effect that combines compression and EQ. Advanced sound engineering know-how is condensed into a number of presets that can simply be recalled as required for professional results.
Introduction Class Compliant mode In Class Compliant mode, the UR824 works with the iPad through the Apple iPad Camera Connection Kit. It can be used with iOS compatible music production applications such as Steinberg Cubasis for convenient high-quality recording anywhere, at any time. A computer can also be used in CC mode. Loopback function Loopback function facilitates video delivery and other Internet related activities.
Panel Controls and Terminals (Details) Panel Controls and Terminals (Details) Rear Panel 1 DC IN 16V For connection to the AC power adaptor. 2 Grounding screw For connection to the device which transmits and receives the word clock. 6 OPTICAL A/B IN/OUT (optical) For connection to a ground wire. For connection to a digital audio device. If you have a problem with hum or noise, use this terminal to connect to ground. The noise may be reduced.
Panel Controls and Terminals (Details) Front Panel 1 MIC/LINE/HI-Z (XLR/phone type, balanced/unbalanced) For connection to a microphone, digital instrument, electric guitar, or electric bass. 2 HI-Z switch 4 SIG/PEAK lamp Indicates the input signal level of the analog input jacks (MIC/LINE/HI-Z and MIC/LINE INPUT). Lamp status Description Turns on (O) and off (N) the HI-Z of the MIC/ LINE/HI-Z.
Panel Controls and Terminals (Details) • Do not connect or disconnect a device while phantom power is applied. Doing so can damage the connected device and/or the unit itself. ) Sample rate lamp Indicates the sample rate of the device. • To protect your speaker system, leave the monitor speakers turned off when switching the phantom power on/off. It’s also a good idea to turn all output volume controls down to their minimum.
Panel Controls for the Software Programs Panel Controls for the Software Programs Introduction Panel Controls (Device name) Window This is the window for selecting the sample rate or word clock source of the device. This section explains software operations for using the UR824 with a computer. NOTE The software programs below do not apply to iPad. Control Panel of the Audio Driver This is the control panel for selecting the general settings of the audio driver.
Panel Controls for the Software Programs 3 Enable Power Management 3 Input Latency/Output Latency Select enable (checkmark) and disable (no checkmark) for automatic power off. Indicates the delay time for the audio input and output in millisecond units. The device is equipped with an automatic power off function. When this function is enabled, the power of the device will turn off automatically (after thirty minutes) when one of the following actions is performed.
Panel Controls for the Software Programs How to Open the Window 4 Scene Indicates the scene name. You can change the scene name by clicking on it. Windows [All Programs] or [All apps] [Steinberg UR824] [dspMixFx UR824] Mac [Applications] [dspMixFx UR824] When you click the button on the right side, the window for calling up the scene will open. You can call up the scene by clicking it. To cancel calling up the scene, click outside of the window.
Panel Controls for the Software Programs Channel Area This is the area for configuring the input channel settings. 5 Effect Insertion Location Selects the insertion location of an effect. Option Description MON.FX Applies an effect to only the monitor signal (sent to the device). INS.FX Applies an effect to both the monitor signal (sent to the device) and the recording signal (sent to the DAW software). 6 Effect On/Off Turns the effect on (lit) and off (dark).
Panel Controls for the Software Programs DAW Area Master Area This is the area for configuring the DAW channel settings. This is the area for configuring the master channel settings. 1 Level Meter Indicates the signal level. 2 REV-X Send On/Off Turns the REV-X on (lit) and off (dark). You can turn this on for one of MIX 1–4. 1 Level Meter Indicates the signal level. 2 Pan 3 REV-X Edit Opens (lit) and closes (dark) the “REV-X” (page 22) setup window. 4 REV-X Type Adjusts the pan.
Panel Controls for the Software Programs 6 REV-X Return Level Adjusts the return level of the REV-X. Range: -∞ dB – +6.00 dB 7 Pan Adjusts the pan. Range: L16 – C – R16 Level Meter Window This is the window for indicating the level meter of all channels on the upper part of the window. Also, this window indicates the controls of some channels on the lower part of the window. The function of the controls are the same as those described in the section “Main Window” (page 10).
Panel Controls for the Software Programs 3 DIGITAL MODE 9 KNOB MOUSE CONTROL Selects the input and output signal format of the OPTICAL A/B. Selects the method of operating the knobs on the dspMixFx UR824. Option Description Option Description ADAT This is an input and output signal format supporting up to 8 channels. Circular S/PDIF This is a 2-channel input and output signal format. Drag in a circular motion to increase and decrease the parameter.
Panel Controls for the Software Programs Information Window Screenshot This window indicates information about the dspMixFx UR824 and the device. Input Settings Window 1 Version Information Indicates the version of the firmware and software. The letters “x.x.x” and “x.xx” indicate the version number. 2 Check for update Hardware Setup Window Checks whether or not you have the latest software and firmware version, via the Internet.
Panel Controls for the Software Programs 3. Click next to the [Hardware] to show [HARDWARE] in the Mixer window. Hidden 4. Click [HARDWARE]. Visible The Input Settings window appears in the Mixer window as shown below.
Panel Controls for the Software Programs Panel Controls Input Settings Window 7 MORPH Adjusts the Channel Strip Sweet Spot Data. (Refer to the “MORPH” in the section “Channel Strip” on page 20.) When Guitar Amp Classics is selected, MORPH is not displayed. 8 Effect Insertion Location Selects the insertion location of an effect. Insertion location 1 +48V Indicates the on/off status of the phantom power function of the device. 2 Phase Turns on (lit) and off (dark) the phase inversion of the signal.
Panel Controls for the Software Programs Hardware Setup Window How to Open the Window [Devices] [Audio Hardware Setup] Headphones Window This is the window for selecting the output signal of the PHONES on the device. 4 REV-X Send Source Select Selects the send source signal which is sent to the REV-X. You can select one signal at a time. The checkmark will be on the selected signal. 5 REV-X Return Signals Selects the signal for which the return level is adjusted.
Panel Controls for the Software Programs Master Levels Window This is the window for configuring the master level of the output jacks on the device. 1 Knob Control Selects which LINE OUTPUT signal level is to be adjusted by the OUTPUT LEVEL knob on the device. You can select more than one LINE OUTPUT at the same time. Checkmarks indicate the selected LINE OUTPUT signals. 2 Master Source Indicates the LINE OUTPUT. 3 Master Level Indicates the output signal level of the LINE OUTPUT.
Panel Controls for the Software Programs Sweet Spot Morphing Channel Strip (Channel Strip) Panel Controls Common to Compressor and Equalizer Overview The Sweet Spot Morphing Channel Strip (“Channel Strip” for short) is a multi-effect that combines compression and EQ. Advanced sound engineering know-how is condensed into a number of convenient presets that can be simply and instantly recalled, for professional results.
Panel Controls for the Software Programs 1 ATTACK Equalizer Adjusts the attack time of the compressor. Range: 0.092 msec – 80.00 msec 2 RELEASE Adjusts the release time of the compressor. Range: 9.3 msec – 999.0 msec 3 RATIO Adjusts the ratio of the compressor. Range: 1.00 – ∞ 4 KNEE Selects the knee type of the compressor. Option Description SOFT Produces the most gradual change. MEDIUM Middle setting between SOFT and HARD. HARD Produces the sharpest change.
Panel Controls for the Software Programs REV-X Panel Controls Overview REV-X is a digital reverb platform developed by Yamaha for pro audio applications. One REV-X effect is included in this unit. Input signals can be sent to the REV-X effect, and the REV-X effect is applied only to the monitor outputs. Three types of REV-X are available: Hall, Room, and Plate. The hardware REV-X equipped with the device and REV-X of the VST Plug-in version have essentially the same parameters.
Panel Controls for the Software Programs 5 Diffusion Adjusts the spread of the reverberation. Range: 0 – 10 6 HPF Adjusts the cutoff frequency of the high pass filter. Range: 20 Hz – 8.0 kHz 7 LPF Adjusts the cutoff frequency of the low pass filter. Range: 1.0 kHz – 20.0 kHz % Time Axis Setting Select the display range of the time (horizontal axis) on the graph. Display range: 500 msec – 50 sec ^ Zoom Out Zooms out the display range of the time (horizontal axis) on the graph.
Panel Controls for the Software Programs Guitar Amp Classics 4 PRESENCE Can be adjusted to emphasize the high frequencies and overtones. Overview Guitar Amp Classics are guitar amp effects that make extensive use of advanced Yamaha modeling technology. Four amp types with different sonic characteristics are provided. Please note that you cannot use the Guitar Amp Classics when the sample rate is set to 176.4 kHz or 192 kHz.
Panel Controls for the Software Programs DRIVE 1 LEAD 2 3 4 5 6 The DRIVE amp type provides a selection of distortion sounds that simulate the tonal character or several high-gain tube amplifiers. From mildly overdriven crunch to heavy distortion suitable for hard rock, heavy metal, or hardcore styles, this model offers a wide range of sonic capabilities. 1 AMP TYPE Six amplifier types are provided.
Usage Examples Usage Examples Connection Example Computer Monitor speakers Introduction This section introduces some usage examples of the device. It is assumed that the audio driver settings on the DAW software have been properly configured according to the “Basic Operation” section in the Getting Started manual. If you have not configured them yet, refer to the section “Basic Operation” to complete the configuration.
Usage Examples 6. While singing into the microphone, adjust the output signal level of the headphones by the PHONES knob on the device. 7. Set the Channel Strip settings and REV-X settings on the Input Settings window. Select the Channel Strip Insertion Location depending on the desired insert point. The default setting is “Lower” (applied to both the monitor signal and the recording signal).
Usage Examples Connecting the Mic Preamp This section shows how to increase the number of analog input channels you can record by connecting an eight-channel mic preamp. In this example, you can record via up to sixteen channels by connecting up to sixteen mics to the devices. Use the OPTICAL A IN (ADAT) on the device to input the audio signal, and use the WCLK OUT on the device to output the word clock signal to the mic preamp. 4.
Usage Examples Using the Device with an iPad 4. Enter a project name and tap [OK] in the [New project] window. 5. Tap [+AUDIO] to add an AUDIO track. 6. Tap on the far left of your screen to show the track menu, with [Audio input] at the top. Introduction This section covers basic instructions for operating with Cubasis (an iPad app sold by Apple). For the latest Cubasis information, see the Steinberg web site below. http://www.steinberg.net/ NOTE iOS applications may not be supported in your area.
Usage Examples 7. Tap to show the details window and set the input bus for the track by tapping a number. dspMixFx for iPad From your iPad, you conveniently control built-in DSP mixer functions and DSP effects by using dspMixFx for iPad. For details on dspMixFx for iPad, see the Steinberg web site below. http://www.steinberg.net/ 8. Tap 9. Adjust the input signal level of the microphone with the [INPUT GAIN] knob on the device. to turn monitoring on (lit).
Appendix Appendix Glossary MIX MIX refers to the stereo output signals which flow in the device. The input signals to the device flow to each MIX. You can assign any MIX to any analog output jack or any digital output jack. VST Plug-in VST (Virtual Studio Technology) is a technology developed by Steinberg which allows the integration of virtual effect processors and instruments into your digital audio environment. VST Plug-ins are instrument- and effect-based software of VST format.
Appendix Contents of the Getting Started Section PRECAUTIONS Introduction A Message from the Development Team Included Accessories How to Read the Manual Panel Controls and Terminals Rear Panel Front Panel Setup Setting up the Power Supply Installing TOOLS for UR824 Downloading the Licenses (Activation) Basic Operations Introduction Connection Example Configuring Audio Driver Settings on the DAW Software Troubleshooting Appendix Contents of the UR824 Operation Manual Uninstalling TOOLS for UR824 Specif
Appendix Signal Flow The following chart indicates the signal flow in the device. NOTE •The controllers on the device, such as the HI-Z switch, INPUT GAIN knob, and OUTPUT LEVEL knob, are not included in this chart. •To configure each parameter, use the “dspMixFx UR824” (page 9) or “Dedicated Windows for Cubase Series” (page 15). • Please note that you cannot use the built-in Channel Strip (Ch. Strip) and Guitar Amp Classics when the sample rate is set to 176.4 kHz or 192 kHz.
Appendix *1The following chart indicates an effect insertion location. Upper (INS.FX) Lower (MON.FX) Not applied (OFF) From input on the device From input on the device From input on the device Effect To DAW input To DAW input To DAW input Effect To output on the device To output on the device To output on the device *2 One of the MIX 1–4 signals can be sent to the REV-X. *3 The built-in REV-X is equipped with an “FX Bus” which is used for sending the signal from DAW software to the REV-X.
㪬㪪㪙 㪉㪍㩷㪠㪥㪧㪬㪫㪆㪉㪋㩷㪦㪬㪫㪧㪬㪫 㪛㪠㪩 㪛㪠㪩 㪛㪜㪚㪦㪛㪜㪩 㪜㪥㪚㪦㪛㪜㪩 㪏㩷㩿㫆㫉㩷㪉㪀 㪏㩷㩿㫆㫉㩷㪉㪀 㪛㪘㪮㩷㪠㪥㪧㪬㪫㪆㪦㪬㪫㪧㪬㪫 㪠㪥㪧㪬㪫㩷㪙 㪠㪥㪧㪬㪫㩷㪘 㪚㪟㪈㪄㪈㪍 㪘㪆㪛 㪇 㪉㪍 㪦㪥 㪟㫀㪄㪱 㪚㪟㪈㪃㩷㪉㩷㫆㫅㫃㫐 㪦㪝㪝 㪘㪛㪘㪫㪆㪦㪧㪫㪠㪚㪘㪣㩷㪠㪥㪧㪬㪫 㪥㫆㫄㫀㫅㪸㫃㩷㪠㫅㫇㫌㫋 㪲㪄㪍㪇㪻㪙㫌䌾㪂㪈㪇㪻㪙㫌㪴 㪚㪟㪈㪄㪏 㪤㪠㪚㪆㪣㪠㪥㪜㩷㪠㪥㪧㪬㪫 㪤㪜㪫㪜㪩 㪤㪜㪫㪜㪩 㪟㪧㪝 㪩㪜㪭㪜㪩㪙㩷㪣 㪩㪜㪭㪜㪩㪙㩷㪩 㪊㪙㪸㫅㪻㩷㪜㪨 㪩㪜㪭㪄㪯 㪚㪦㪤㪧 㩿㪞㪸㫀㫅㩷㪩㪼㪻㫌㪺㫋㫀㫆㫅㪀 㪤㪜㪫㪜㪩 㪞㪅㪘㪅㪚㫃㪸㫊㫊㫀㪺㫊 㪣㪜㪭㪜㪣 㪤㪜㪫㪜㪩 㪞㪅㪘㪅㪚㫃㪸㫊㫊㫀㪺㫊㩷㪙㫃㫆㪺㫂㩷㫏㪈㩷 㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼 㪝㪩㪦㪤㩷㪛㪘㪮㩷㪐 㪝㪩㪦㪤㩷㪛㪘㪮㩷㪈㪇 㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼 㪝㪩㪦㪤㩷㪛㪘㪮㩷㪎 㪝㪩㪦㪤㩷㪛㪘㪮㩷㪏 㪣㪜㪭㪜㪣 㪙㪘㪣 㪤㪜㪫㪜㪩 㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼㩷 㪝㪩㪦㪤㩷㪛㪘㪮㩷㪌 㪝㪩㪦㪤㩷㪛㪘㪮㩷㪍 㪤㪬㪫㪜 㪋 㪪㪜
㪬㪪㪙 㪈㪏㩷㪠㪥㪧㪬㪫㪆㪈㪍㩷㪦㪬㪫㪧㪬㪫 㪛㪘㪮㩷㪠㪥㪧㪬㪫㪆㪦㪬㪫㪧㪬㪫 㪠㪥㪧㪬㪫㩷㪙 㪠㪥㪧㪬㪫㩷㪘 㪚㪟㪈㪄㪏 㪛㪠㪩 㪛㪠㪩 㪛㪜㪚㪦㪛㪜㪩 㪜㪥㪚㪦㪛㪜㪩 㪋㩷㩿㫆㫉㩷㪉㪀 㪋㩷㩿㫆㫉㩷㪉㪀 㪤㪜㪫㪜㪩 㪤㪜㪫㪜㪩 㪟㪧㪝 㪩㪜㪭㪜㪩㪙㩷㪣 㪩㪜㪭㪜㪩㪙㩷㪩 㪤㪜㪫㪜㪩 㪊㪙㪸㫅㪻㩷㪜㪨 㪩㪜㪭㪄㪯 㪚㪦㪤㪧 㩿㪞㪸㫀㫅㩷㪩㪼㪻㫌㪺㫋㫀㫆㫅㪀 㪤㪜㪫㪜㪩 㪣㪜㪭㪜㪣 㪞㪅㪘㪅㪚㫃㪸㫊㫊㫀㪺㫊 㪤㪜㪫㪜㪩 㪞㪅㪘㪅㪚㫃㪸㫊㫊㫀㪺㫊㩷㪙㫃㫆㪺㫂㩷㫏㪈㩷 㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼 㪝㪩㪦㪤㩷㪛㪘㪮㩷㪎 㪝㪩㪦㪤㩷㪛㪘㪮㩷㪏 㪪㪜㪣㪜㪚㪫 㪤㪜㪫㪜㪩 㪩㪜㪭 㪤㪜㪫㪜㪩 㪩㪜㪭㪜㪩㪙㩷㪣 㪩㪜㪭㪜㪩㪙㩷㪩 㪤㪠㪯㩷㪦㪬㪫㩷㪈㪣㪆㪩 㪤㪠㪯㩷㪦㪬㪫㩷㪉㪣㪆㪩 㪤㪠㪯㩷㪦㪬㪫㩷㪊㪣㪆㪩 㪤㪠㪯㩷㪦㪬㪫㩷㪋㪣㪆㪩 㪣㪦㪦㪧㪙㪘㪚㪢 㪫㪦㩷㪛㪘㪮㩷㪉 㪫㪦㩷㪛㪘㪮㩷㪊㪆㪋 㪫㪦㩷㪛㪘㪮㩷㪌㪆㪍 㪫㪦㩷㪛㪘㪮㩷㪎㪆㪏 㪫㪦㩷㪛㪘㪮㩷㪐㪆㪈㪇 㪫㪦㩷㪛㪘㪮㩷㪈㪈㪆㪈㪉 㪫㪦㩷㪛㪘㪮㩷㪈㪊㪆㪈㪋 㪫㪦㩷㪛㪘㪮㩷㪈㪌㪆㪈㪍 㪫㪦㩷㪛㪘㪮㩷㪈 㪦
㪬㪪㪙 㪈㪉㩷㪠㪥㪧㪬㪫㪆㪈㪉㩷㪦㪬㪫㪧㪬㪫 㪛㪘㪮㩷㪠㪥㪧㪬㪫㪆㪦㪬㪫㪧㪬㪫 㪠㪥㪧㪬㪫㩷㪙 㪠㪥㪧㪬㪫㩷㪘 㪚㪟㪈㪄㪋 㪉 㪉 㪛㪜㪚㪦㪛㪜㪩 㪜㪥㪚㪦㪛㪜㪩 㪛㪠㪩 㪛㪠㪩 㪤㪜㪫㪜㪩 㪤㪜㪫㪜㪩 㪟㪧㪝 㪩㪜㪭㪄㪯 㪩㪜㪭 㪤㪜㪫㪜㪩 㪩㪜㪭㪜㪩㪙㩷㪣 㪩㪜㪭㪜㪩㪙㩷㪩 㪤㪠㪯㩷㪦㪬㪫㩷㪈㪣㪆㪩 㪤㪠㪯㩷㪦㪬㪫㩷㪉㪣㪆㪩 㪤㪠㪯㩷㪦㪬㪫㩷㪊㪣㪆㪩 㪤㪠㪯㩷㪦㪬㪫㩷㪋㪣㪆㪩 㪣㪦㪦㪧㪙㪘㪚㪢 㪫㪦㩷㪛㪘㪮㩷㪉 㪫㪦㩷㪛㪘㪮㩷㪊㪆㪋 㪫㪦㩷㪛㪘㪮㩷㪌㪆㪍 㪫㪦㩷㪛㪘㪮㩷㪎㪆㪏 㪫㪦㩷㪛㪘㪮㩷㪐㪆㪈㪇 㪫㪦㩷㪛㪘㪮㩷㪈㪈㪆㪈㪉 㪫㪦㩷㪛㪘㪮㩷㪈 㪉 㪉 㪦㪬㪫㪧㪬㪫㩷 㪣㪜㪭㪜㪣 㪛㪆㪘 㪛㪆㪘 㪛㪆㪘 㪛㪆㪘 㪛㪆㪘 㪛㪆㪘 㪣㪜㪭㪜㪣 㪣㪜㪭㪜㪣 㪛㪠㪫 㪛㪠㪫 㪛㪆㪘 㪛㪆㪘 㪲㪂㪋㪻㪙㫌㪴 㪲㪂㪋㪻㪙㫌㪴 㪣㪠㪥㪜㩷㪦㪬㪫㪉 㪣㪠㪥㪜㩷㪦㪬㪫㪈 㪤㪠㪯㩷㪦㪬㪫㪈㩷㪣㪆㪩 㩿㪃㪤㪠㪯㩷㪦㪬㪫㪉㩷㪣㪆㪩㩷㩷㪃㪤㪠㪯㩷㪦㪬㪫㪊㩷㪣㪆㪩㩷㪃㪤㪠㪯㩷㪦㪬㪫㩷㪋㩷㪣㪆㪩㪀 㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪉 㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪊㪆㪋 㪛
㪬㪪㪙 㪏㩷㪠㪥㪧㪬㪫㪆㪏㩷㪦㪬㪫㪧㪬㪫 㪛㪜㪚㪦㪛㪜㪩 㪜㪥㪚㪦㪛㪜㪩 㪉㪍 㪦㪝㪝 㪘㪆㪛 㪇 㪟㫀㪄㪱 㪚㪟㪈㪃㩷㪉㩷㫆㫅㫃㫐 㪦㪥 㪛㪘㪮㩷㪠㪥㪧㪬㪫㪆㪦㪬㪫㪧㪬㪫 㪥㫆㫄㫀㫅㪸㫃㩷㪠㫅㫇㫌㫋 㪲㪄㪍㪇㪻㪙㫌䌾㪂㪈㪇㪻㪙㫌㪴 㪚㪟㪈㪄㪏 㪟㪧㪝 㪩㪜㪭㪜㪩㪙㩷㪣 㪩㪜㪭㪜㪩㪙㩷㪩 㪤㪜㪫㪜㪩 㪊㪙㪸㫅㪻㩷㪜㪨 㪩㪜㪭㪄㪯 㪚㪦㪤㪧 㩿㪞㪸㫀㫅㩷㪩㪼㪻㫌㪺㫋㫀㫆㫅㪀 㪤㪜㪫㪜㪩 㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼 㪞㪅㪘㪅㪚㫃㪸㫊㫊㫀㪺㫊 㪣㪜㪭㪜㪣 㪤㪜㪫㪜㪩 㪞㪅㪘㪅㪚㫃㪸㫊㫊㫀㪺㫊㩷㪙㫃㫆㪺㫂㩷㫏㪈㩷 㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼 㪝㪩㪦㪤㩷㪛㪘㪮㩷㪎 㪝㪩㪦㪤㩷㪛㪘㪮㩷㪏 㪣㪜㪭㪜㪣 㪙㪘㪣 㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼 㪤㪬㪫㪜 㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼 㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼 㪋 㪧㪘㪥 㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼 㪣㪜㪭㪜㪣 㪝㪩㪦㪤㩷㪛㪘㪮㩷㪊 㪝㪩㪦㪤㩷㪛㪘㪮㩷㪋 㪚㪿㪅㪪㫋㫉㫀㫇㩷㪙㫃㫆㪺㫂㩷㫏㪏㩷 㪤㪜㪫㪜㪩 㩷㩷㪝㪯㩷㪠㪥㪪㪜㪩㪫 㪤㪬㪫㪜 㪝㪩㪦㪤㩷㪛㪘㪮㩷㪌 㪝㪩㪦㪤㩷㪛㪘㪮㩷㪍 㪝㪩㪦㪤㩷㪛㪘㪮
㪬㪪㪙 㪏㩷㪠㪥㪧㪬㪫㪆㪏㩷㪦㪬㪫㪧㪬㪫 㪛㪜㪚㪦㪛㪜㪩 㪜㪥㪚㪦㪛㪜㪩 㪉㪍 㪦㪝㪝 㪘㪆㪛 㪇 㪟㫀㪄㪱 㪚㪟㪈㪃㩷㪉㩷㫆㫅㫃㫐 㪦㪥 㪛㪘㪮㩷㪠㪥㪧㪬㪫㪆㪦㪬㪫㪧㪬㪫 㪥㫆㫄㫀㫅㪸㫃㩷㪠㫅㫇㫌㫋 㪲㪄㪍㪇㪻㪙㫌䌾㪂㪈㪇㪻㪙㫌㪴 㪚㪟㪈㪄㪏 㪟㪧㪝 㪩㪜㪭㪜㪩㪙㩷㪣 㪩㪜㪭㪜㪩㪙㩷㪩 㪩㪜㪭㪄㪯 㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼 㪣㪜㪭㪜㪣 㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼 㪝㪩㪦㪤㩷㪛㪘㪮㩷㪎 㪝㪩㪦㪤㩷㪛㪘㪮㩷㪏 㪣㪜㪭㪜㪣 㪙㪘㪣 㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼 㪤㪬㪫㪜 㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼 㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼 㪋 㪧㪘㪥 㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼 㪣㪜㪭㪜㪣 㪝㪩㪦㪤㩷㪛㪘㪮㩷㪊 㪝㪩㪦㪤㩷㪛㪘㪮㩷㪋 㪤㪜㪫㪜㪩 㩷㩷㪝㪯㩷㪠㪥㪪㪜㪩㪫 㪤㪬㪫㪜 㪝㪩㪦㪤㩷㪛㪘㪮㩷㪌 㪝㪩㪦㪤㩷㪛㪘㪮㩷㪍 㪝㪩㪦㪤㩷㪛㪘㪮㩷㪈 㪝㪩㪦㪤㩷㪛㪘㪮㩷㪉 㪝㪩㪦㪤㩷㪛㪘㪮㩷㪈㪄㪏 㪫㪦㩷㪛㪘㪮㩷㪈㪄㪏 㱂 㪞㪘㪠㪥 㪟㪘 㪤㪜㪫㪜㪩 㪧㪘㪛 㪲㪄㪍㪇㪻㪙㫌䌾㪄㪈㪍㪻㪙㫌㪴 㪲㪄㪊㪋㪻㪙㫌䌾㪂㪈㪇㪻㪙㫌㪴 㩷㩷㪝㪯㩷㪠㪥㪪㪜㪩㪫 㪋
Steinberg Web Site http://www.steinberg.net/ C.S.G.
