Acoustics

ManualsBrandsTC Electronic ManualsEffects and Signal ProcessorsHigh-Definition 19 Rack Unit with 24 Channels of Simultaneous Uncorrelated Reverb Supporting Extreme Surround Formats

High-Denition 19 Rack Unit with

24 Channels of Simultaneous Uncorrelated

Reverb Supporting Extreme Surround Formats

Multi-Eects Processors

REVERB TWENTYFOUR

Page 1 of 4

985-40000-00750 Rev.A

2017-07-20

Reverb TwentyFour Acoustics Enhancement

The state of the art Reverb TwentyFour is a high-denition multichannel reverb that lets you create and manipulate reverb for up to 24 channels

simultanously, so you can deliver powerful content for even the most extreme surround formats.

The Reverb TwentyFour features a high degree of de-correlation between the reverb channels, in addition to the amazing sonic detail and

exibility of its rst-class algorithm. This makes the Reverb TwentyFour an excellent choice for changing the acoustics in a multi-purpose venue.

Typical Venues for the Reverb TwentyFour

Here are some typical venues where you might use the Reverb TwentyFour to electrically change the acoustics to suit the performance type:

House of Worship

Here the acoustics can be

changed to suit various

aspects of church life and

services, such as concerts

of various genres, singing,

choir music, in addition

to the spoken word

and readings. Wooden churches and small chapels can benet

by sounding more like classical stone churches and for concerts,

performances and speech.

Concert Halls

Those that are intended

for a wide variety of uses,

such as rock, theatre, jazz,

opera, and classical music.

Outdoor Concerts

Here you may want to add

the sound of a concert

hall for example, or other

acoustical enhancements in

an outdoor environment.

Museums

Here you can add all sorts of

sound changes to the exhibit

environment, and enhance

the museum experience

for visitors.

Cruise ships

Here the acoustics can be

changed to suit a wide

range of indoor and on-deck

entertainment including

song, dance, concerts,

lectures, children’s shows,

and musicals.

Summary of content (4 pages)

PAGE 1
Multi-Effects Processors REVERB TWENTYFOUR High-Definition 19 Rack Unit with 24 Channels of Simultaneous Uncorrelated Reverb Supporting Extreme Surround Formats Reverb TwentyFour Acoustics Enhancement The state of the art Reverb TwentyFour is a high-definition multichannel reverb that lets you create and manipulate reverb for up to 24 channels simultanously, so you can deliver powerful content for even the most extreme surround formats.
PAGE 2
Multi-Effects Processors REVERB TWENTYFOUR High-Definition 19 Rack Unit with 24 Channels of Simultaneous Uncorrelated Reverb Supporting Extreme Surround Formats Acoustics Enhancement Presets A Typical Acoustics Enhancement System The Reverb TwentyFour supports acoustics enhancement with a Presets group called “F5: Acoustics, RT60.” This group contains 6 presets for different decay times: 0.6, 0.8, 1.2, 1.8, 2.2 and 2.7 sec RT60.
PAGE 3
Multi-Effects Processors REVERB TWENTYFOUR High-Definition 19 Rack Unit with 24 Channels of Simultaneous Uncorrelated Reverb Supporting Extreme Surround Formats The Reverb Preset Settings: • Reverb level is important and it should be adjusted individually for each installation. There is a fine balance between “hearing” the reverb and making it “fit” the venue and music genre.
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Multi-Effects Processors REVERB TWENTYFOUR High-Definition 19 Rack Unit with 24 Channels of Simultaneous Uncorrelated Reverb Supporting Extreme Surround Formats • In order to ensure maximum de-correlation of the audience speakers, use the E1, E2, and E3 - REV pages and adjust the No of Channels and Assignment parameters so they are set differently in all 3 engines. Note: the E1, E2, and E3 engines have “Bottom,” “Mid,” and “Top” settings respectively, in order to have the de-correlation set to “max”.