Operation Manual

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Time and Pitch Manipulation
Ifwhilesingingasustainednoteyoupressandholdtheclockiconatthetopleft,
yourvoicewillbefrozenintimeuntilyoureleaseyourfinger.It’sagreatspecial
effect.Themusicalnotecontrolopensupaverticalslidercontrolthatcanbeused
foreithergenderbendingorpitchbendingdependingontheselectedvocaleffect.
Dragthecontrolhigherorlowertoadjustthepitch.Somevocaleffectssnapthe
pitchbacktocenterlikeatraditionalpitchbendcontrolwhileothersallowyouto
shiftthepitchandkeepittherewhenyouletgo.
Mixer
Themixerletsyousetlevel,pan,andfilterforeachtrackandforthemetronome
independently.
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It'sveryusefultoindependentlycontroltheseparametersduringyourperformance.Turnthe
filterdowntogetthatelectroniclowpasscutoffeffect.Increasethe“q”toincrease
resonanceinthelowpassfilterwhichaccentuatestheclassicelectronicfiltereffect.
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Youcancontrolthevariousknobsbyholdingyourfingeronthemandeithermovingupand
down,orlefttoright.
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Tip:Avoidmovingdiagonally.Up,orRightmeansturntheknobclockwise,whileleftordown
meansturnitcounterclockwise.Diagonalmovementswillnotturntheknobsasyouwould
expect.
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Tip:Ifyoutaponaknob,itwillslowlychangefromwhereyouhaditsettoOfforPanCentre.
OnceatOfforPanCentre,tappingitagainwillslowlychangethemback.Tappingagain
whileit'smovingwillcausetheautomationtocompleteimmediately.Youcaninitiatethistype
ofautomationformultipleknobssimultaneously,forexampletofadeoutalltracksatonce.
Youcansetthefadeouttimebygoingtothesettingsmenu.
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Note:WithAudioBusconnectedyoucanroutethemicrophonethroughthelooptracksandan
externalappthroughthemetronometrack.Thatwayyoucouldusea3rdpartydrum
machineinsteadofthebuiltinmetronomesounds.RefertothesectiononAudioBusformore
details.
Sessions
Althoughaloopingpuristmightarguethateveryperformanceyougiveshouldbe“from
scratch”withnopreexistingmaterial,VoiceJamStudioletsyousaveyourworkanyway.
Whenyousaveasessionyouarestoringthecontentofall4looptracksplusthestateoftheir
fourindependentundo/redosessions.Sessionsalsostorethemastertempo,thepositionof
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