Operation Manual

Editing the Vocal Layer
VoiceLive 3 – Reference manual (updated 2015-10-20) 94
Vocal µMod effect block / tab
Pronounced “Micro Mod”, the µMod block in-
cludes effects like micro-pitch shifting (hence
Micro Mod), Flanger, Chorus, Rotor and more.
These effects can be subtle, like “Thicken”, or
quite extreme with “Tube Up” or “Alien Voice-
over”.
Vocal µMod effect block parameters
The Vocal µMod effect block has the following
parameters that allow you to adjust the effect:
► µMod Style
► Level
► Hit Control
► Speed
► Detune
► Depth
► Width
► Phase
► Wave
► Inverse Phase
► Delay Left
► Delay Right
► Low Cut Frequency
► High Cut Frequency
► Feedback Left
► Feedback Right
► Cross Feedback Left
► Cross Feedback Right
► Lead to µMod
► Harmony to µMod
► Global
Tips and tricks for working
with the Vocal µMod effect
► Try combining µMod set to one of the “Clone”,
“Wider” or “Thicken” styles with your Harmo-
ny or Double effects to increase the depth of
sound.
► Songs like “Believe” by Lenny Kravitz use
Flanger to create its iconic sound.
► If you use styles like “Cylon” or “Alien Voice-
over”, it’s probably best to use them for small
sections of a song or for a fun effect while ad-
dressing the audience, rather than a full-time
effect.
► The advanced controls allow you to determine
which other effects, like Harmony, are sent to
the µMod block. This allows you to add µMod
effects to whichever components of the signal
you would like and keep other signals “clean”.
Lead to µMod and Harm(ony) to µMod
parameters
► Remember that 0dB means “high volume” –
not “no volume”!
► Most level controls max out at 0dB, but a few
– such as Guitar Trim in the Headphone Mix –
can go higher.