MX SERIES MIXER
The mains plug or an appliance coupler is used as the disconnect device, the disconnect device shall remain readily operable.
TABLE OF CONTENTS 1. INTRODUCTION..................................................................................4 2. FEATURES..........................................................................................4 3. USEFUL DATA......................................................................................4 4. HOOKUP DIAGRAM.............................................................................5 4. CONTROL ELEMENTS.........................................................................
INTRODUCTION Thank you for purchasing the MX series mixing console. This series include several mixers (MX.5 V2,MX.6/USB V2, MX.10/USB V2, MX.12/USB V2). There is 2-band EQ on all mono channels (MX.5 V2), and 3-band EQ on mono channels, stereo channels (MX.6/USB V2, MX.10/USB V2, MX.12/USB V2), and built-in stereo USB V2/ Audio interface(MX.6USB V2, MX.10USB V2, MX.12USB V2). These mixers are really ideal for small club gigs.
HOOKUP DIAGRAM Small Club Gig Microphones 1 and 2 Mono in/Stereo out Reverb Drum Machine Headphones Active Speakers DAT CD Player Keyboard DAT Recorder Computer Set-up MIC 1 Drum Machine Active Studio Monitors Headphones Digital Audio Interface Direct Box Guitar Digital Audio Workstation 5
5 TONTROL ELEMENTS 1- Mono MIC Input The MX series is equipped with one or more low-noise microphone preamplifiers with optional phantom power providing up to 50dB of amplification. You can connect almost any type of microphone. Dynamic microphones do not need phantom power. Use phantom power only with condenser microphones but make sure that the phantom power switch is disengaged before connecting the microphone.
5 CONTROL ELEMENTS 6- LOW EQ This is the bass control. It is used to boost male voice, kick-drum or bass guitar. Your system will sound much bigger than what it is. The gain range goes from -15 dB to +15 dB and the center frequency is 80 Hz. 7- 75 Hz Low-Cut Switch (MX.10/USB V2, MX.12/USB V2 only) By pressing this button you will activate a 75Hz low frequency filter that cuts the bass frequency below 75Hz.
5 CONTROL ELEMENTS 12- LEVEL This control will adjust the overall level of this channel. If you set the LEVEL control in max, it's usually a sign that your GAIN is set too low. If set the LEVEL control in min, your GAIN may be too high. 13- CD/TAPE INPUTS Use the Tape Input if you wish to listen to your mixer from a Taper Recorder or DAT.
5 CONTROL ELEMENTS 18- CTRL ROOM/PHONES Control (PHONES control on the MX.5 V2) This control is used to adjust the signal level going to the CONTROL ROOM/PHONES outputs. And it won't affect the Main Mix output. 19- MASTER AUX SEND Control (except MX.5 V2) This knob is used to determine the master AUX SEND levels. The adjustable range is from - to +15 dB. When the external effect unit connected to mixer has no input gain control, you can get a further +15 dB gain available from these AUX SEND outputs.
5 CONTROL ELEMENTS 26- AUX SEND OUT These 1/4" TRS are used to send out the signal from the AUX bus to external device such as effects equipment. Each channel has an AUX SEND control knob that adjusts how much of that channel's signal appear at each of the output. This output is affected by the channel LEVEL, but not MAIN MIX control. 27- PHONES OUTPUT 26 This jack is used to send out the mix signal to a pair of headphones, and the signal is the same as the CTRL RM OUTS outputs.
INSTALLATION TIPS 1- Speakers should be placed in a position that allows for unobstructed sound projection. In many instances is beneficial for speakers to be elevated on tripod stands to achieve maximum dispersion and reach. 6 2- Use professional advice or service when hanging and installing speakers. Please take precautions to secure them to prevent them from falling and hurting someone. Care should be taken as to not damage the cabinet or its components. Please comply with all pertinent Regulations.
7 WIRE CONNECTIONS Either the 1/4" TRS phone jack or XLR connector can be wired in balanced and unbalanced modes, which will be determined by the actual application status, please wire your system as the following wiring examples: For 1/4" Phone jack + - + Tip + Tip Ring Ring Sleeve Sleeve Sleeve TRS Type Balanced TS Type Unbalanced Tip TRS Type Unbalanced For XLR Connector Pin2 (+) Pin2 (+) Pin3 (-) Pin3 (-) (Linked to Pin1 manually, ) Pin1 ( ) Pin1 ( ) XLR Type Unbalanced XLR Type
8 BLOCK DIAGRAM MX.
TAPE IN L This section only for MX.6 USB V2 TAPE OUT R TAPE OUT L TAPE IN R Built-in USB V2/Audio interface TAPE IN R TAPE OUT R TAPE IN L TAPE OUT L 8 BLOCK DIAGRAM MX.
TAPE OUT L TAPE IN L This section only for MX.10 USB V2 TAPE OUT R TAPE IN R Built-in USB V2/Audio interface TAPE IN R TAPE OUT R TAPE IN L TAPE OUT L BLOCK DIAGRAM 8 MX.
TAPE OUT L TAPE IN L This section only for MX.12 USB V2 TAPE OUT R TAPE IN R Built-in USB V2/Audio interface TAPE IN R TAPE IN L TAPE OUT R TAPE OUT L 8 BLOCK DIAGRAM MX.
9 TECHNICAL SPECIFICATION Model Number MX SERIES MIXER Frequency Response Mic Input to any Output(Gain @ 0dB, Rated output level) Distortion (THD&N) Mic Input to MAIN Output (Gain@ 0 dB, Rated output level @ 20 Hz-20 kHz bandwidth, A-weighted) 0.01% 0.01% 0.01% 0.01% MIC EIN(Equivalent Input Noise) Input: Channel INPUT MIC(Rs=150 , Gain @ Max., 20 Hz-20 kHz bandwidth) 117dBu 118dBu 117dBu 117dBu CMRR(Common Mode Rejection Ratio) Mic in to main out (Gain @ Max.
9 TECHNICAL SPECIFICATION Model Number MX SERIES MIXER MX.5 V2 MX.6/USB V2 MX.10/USB V2 MX.12/USB V2 15dB @12 kHz 15dB @12 kHz 15dB @12 kHz 15dB @2.5 kHz 15dB @2.5 kHz 15dB @2.5 kHz 15dB @80 Hz 15dB @80 Hz 15dB @80 Hz Mono channels High 15dB @12 kHz Mid Low Equalization Stereo channels High 15dB @12 kHz Mid 15dB @2.
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