Owner manual

Connecting the Torpedo Reload

5.1 Silent REPLAY™

We shall assume here that the DI setup presented above ("3 Di recording") is already operational. On

track 1 of your sequencer you have recorded the sound sample of a dry guitar signal.

1. Route Track 1 so its output is sent to your audio interface’s output 3, if 1 & 2 are used as Master

output. It is important you use a different output from the Master one. This way you can hear the

replayed track on the Master output, while sending the dry track to another output. If you only

have 2 outputs, you can use output 1 to send track 1 and output 2 to hear the newly recorded

replayed signal.

2. Connect the interface’s output 3 into the REPLAY™ input.

3. Connect the REPLAY™ output to your ampliﬁer’s input.

4. Connect your ampliﬁer’s output to the Torpedo Reload’s speaker input.

5. Connect the Torpedo Reload’s Loadbox to your second microphone preampliﬁer (or channel

2 of the mixer, preamp 2 on the audio interface).

6. Connect the preampliﬁer to the Line channel input 2 on your audio interface.

7. Activate Track 2 for recording & live monitoring, select channel 2 as an input

8. You can insert Torpedo Wall of Sound on the track so you can perform (non-destructive) miking

while recording the dry signal of the ampliﬁer.

9. Start recording!

5.2 The full setup: DI + LOADBOX + miking

In the previous setup we decided to achieve a silent REPLAY™, but you can perform some tradi-

tional miking at the same time, with a controlled sound level thanks to the Torpedo Reload’s power

attenuator.

1. Connect a cabinet to the Torpedo Reload’s speaker output, set the appropriate volume for the

cabinet using the SPEAKER potentiometer.

24 Two Notes Audio Engineering Torpedo Reload