User Manual
Table Of Contents
- UAD Powered Plug-Ins
- Chapter 1. Introduction 15
- Chapter 2. Installation 26
- Chapter 3. Using UAD Powered Plug-Ins 28
- Chapter 4. RealVerb Pro 74
- Chapter 5. DreamVerb 89
- Chapter 6. Plate 140 107
- Chapter 7. LA-2A and 1176LN 114
- Chapter 8. Fairchild 670 124
- Chapter 9. Precision Multiband 132
- Chapter 10. Precision Limiter 146
- Chapter 11. Precision Equalizer 153
- Chapter 12. Cambridge EQ 159
- Chapter 13. Pultec and Pultec-Pro 170
- Chapter 14. Nigel 179
- Chapter 15. CS-1 Channel Strip 208
- Chapter 16. Roland CE-1 218
- Chapter 17. Roland Dimension D 222
- Chapter 18. Roland RE-201 224
- Chapter 19. Neve 1073 Equalizer 231
- Chapter 20. Neve 33609 Compressor 236
- Chapter 21. Neve 1081 Equalizer 246
- Chapter 22. Helios Type 69 Equalizer 253
- Chapter 23. History 259
- Introduction
- Installation
- Using UAD Powered Plug-Ins
- Overview
- Launching a UAD Powered Plug-In
- UAD DSP Performance Meter Application
- Accessing Meter Functions
- Using the Meter
- UAD System Information Window
- UAD Configuration Window
- Delay Compensation
- UAD Delay Compensator plugin
- DelayComp Examples
- Compensating for Pultec EQ
- Compensating for Precision Limiter
- Compensating for Precision Equalizer
- Compensating for Precision Multiband
- UAD Track Advance
- TrackAdv Examples
- Live Processing
- DSP Usage
- Tempo Sync
- Multiple Cards
- Optional Plug-Ins
- Authorizing Multiple Cards
- Authorizations Window
- Demo Mode
- Plug-In Authorization Procedure
- RealVerb Pro
- DreamVerb
- Plate 140
- LA-2A and 1176LN
- Fairchild 670
- Precision Multiband
- Precision Limiter
- Precision Equalizer
- Cambridge EQ
- Pultec and Pultec-Pro
- Nigel
- Introducing Nigel
- Preflex Plugin
- Preflex Modules
- Gate/Comp Module
- Amp Module
- Amp Controls
- Cabinet Module
- Phasor Module
- Mod Filter Module
- TremModEcho Plugin
- Trem/Fade Module
- Mod Delay Module
- Echo Module
- CS-1 Channel Strip
- Roland CE-1
- Roland Dimension D
- Roland RE-201
- Neve 1073 Equalizer
- Neve 33609 Compressor
- Neve 1081 Equalizer
- Helios Type 69 Equalizer
- History
- Index
UAD Powered Plug-Ins - 113 - Plate 140
Cut Filter The Cut Filter is an equalizer that is used to reduce low frequency content in
the reverb. On hardware plate systems, the cut filter setting is rarely modified
because it is found at the plate amplifier unit itself and is not easily accessed
from the control room.
Note: There is one Cut Filter per plugin instance. Each plate model (A, B, C)
within a preset cannot have a unique Cut Filter value.
Plate 140 contains two types of cut filters: original EMT electronics, and Mar-
tech electronics which was/is a common plate system retrofit.
In the modeled source units at The Plant, plates A and B use the EMT electron-
ics while Plate C utilizes the Martech electronics. In Plate 140, you can use ei-
ther cut type with any of the three available plates.
The values prefaced with an “E” designate the original electronics
model. This is a cut filter centered at 80Hz, with three available
levels of attenuation: –4dB, –10dB, and –16dB.
The values prefaced with an “M” designate the Martech electron-
ics model. This is a shelf filter (all frequencies below the frequency
are reduced). Six shelving frequencies are available: 90Hz,
125Hz, 180Hz, 250Hz, 270Hz, and 360Hz.
Balance Control This stereo control balances the level between the left and right channels of
the reverb return. Rotating the knob to the left attenuates the right channel,
and vice versa (it is not a mono pan control).
Modulation The Plate 140 reverb time can be modulated by a low frequency oscillator us-
ing rate and depth controls. The effect is subtle but it can increase dispersion
and reduce ringing on some source material, such as loud signals with sud-
den endings and percussive content.
Mod Rate Mod Rate controls the rate of reverb time modulation. The available range is
from 0.01Hz to 1.0Hz.
Mod Depth This parameter controls the amount of reverb time modulation. The available
range is from 0 – 10 cents.
Note: The Plate 140 distills 1800+ pounds of sound into a single plugin.
Exercise caution when lifting.










