User Manual
Table Of Contents
- UAD Powered Plug-Ins
- Chapter 1. Introduction 15
- Chapter 2. Installation 26
- Chapter 3. Using UAD Powered Plug-Ins 28
- Chapter 4. RealVerb Pro 74
- Chapter 5. DreamVerb 89
- Chapter 6. Plate 140 107
- Chapter 7. LA-2A and 1176LN 114
- Chapter 8. Fairchild 670 124
- Chapter 9. Precision Multiband 132
- Chapter 10. Precision Limiter 146
- Chapter 11. Precision Equalizer 153
- Chapter 12. Cambridge EQ 159
- Chapter 13. Pultec and Pultec-Pro 170
- Chapter 14. Nigel 179
- Chapter 15. CS-1 Channel Strip 208
- Chapter 16. Roland CE-1 218
- Chapter 17. Roland Dimension D 222
- Chapter 18. Roland RE-201 224
- Chapter 19. Neve 1073 Equalizer 231
- Chapter 20. Neve 33609 Compressor 236
- Chapter 21. Neve 1081 Equalizer 246
- Chapter 22. Helios Type 69 Equalizer 253
- Chapter 23. History 259
- Introduction
- Installation
- Using UAD Powered Plug-Ins
- Overview
- Launching a UAD Powered Plug-In
- UAD DSP Performance Meter Application
- Accessing Meter Functions
- Using the Meter
- UAD System Information Window
- UAD Configuration Window
- Delay Compensation
- UAD Delay Compensator plugin
- DelayComp Examples
- Compensating for Pultec EQ
- Compensating for Precision Limiter
- Compensating for Precision Equalizer
- Compensating for Precision Multiband
- UAD Track Advance
- TrackAdv Examples
- Live Processing
- DSP Usage
- Tempo Sync
- Multiple Cards
- Optional Plug-Ins
- Authorizing Multiple Cards
- Authorizations Window
- Demo Mode
- Plug-In Authorization Procedure
- RealVerb Pro
- DreamVerb
- Plate 140
- LA-2A and 1176LN
- Fairchild 670
- Precision Multiband
- Precision Limiter
- Precision Equalizer
- Cambridge EQ
- Pultec and Pultec-Pro
- Nigel
- Introducing Nigel
- Preflex Plugin
- Preflex Modules
- Gate/Comp Module
- Amp Module
- Amp Controls
- Cabinet Module
- Phasor Module
- Mod Filter Module
- TremModEcho Plugin
- Trem/Fade Module
- Mod Delay Module
- Echo Module
- CS-1 Channel Strip
- Roland CE-1
- Roland Dimension D
- Roland RE-201
- Neve 1073 Equalizer
- Neve 33609 Compressor
- Neve 1081 Equalizer
- Helios Type 69 Equalizer
- History
- Index
UAD Powered Plug-Ins Manual - 115 - LA-2A and 1176LN
Compressor Basics
Before discussing the LA-2A and 1176LN plugins, this section will cover some
compressor basics. A compressor automatically adjusts the gain of a signal
by a predetermined ratio. In a sense, a compressor “rides” gain—much like
a recording engineer does (by hand) with a fader—keeping the volume up
during softer sections and bringing it down when the signal gets louder.
Figure 40 depicts the input and output characteristics of a compressor and
perfect amplifier. When operated within its specified range, an amplifier pro-
vides a constant amount of gain regardless of the input signal level. In
Figure 40, the signal level of a perfect amplifier is represented with a constant
output gain of 10 dB. In this example, a signal with an input level of –30 dB
results in an output level of –20 dB, which is an increase of 10 dB. Similarly,
an input level of 0 dB results in an output level of 10 dB (the gain stays fixed
at 10 dB regardless of the input level).
In contrast to an amplifier, whose function is to present a constant gain, a
compressor varies its gain in response to the level of the input signal. Large in-
put signals result in less gain, thus reducing or compressing the dynamic
range of the signal. In Figure 40, a compressed signal with an input level of
–30 dB results in an output level of –20 dB, indicating a gain of 10 dB. How-
ever, with input levels of –20 dB and –10 dB, the compressor exhibits gains
of 5 dB and 0 dB (respectively), thereby illustrating that the gain decreases as
the input signal increases. This increase in output level by 5 db for every
10 dB is defined as a compression ratio of 2:1 (reduced from 10:5).
Figure 40. Input and output characteristics of a compressor and perfect amplifier
–20
–10
0
+10
+10
–30
–10
–30 –20 0
Perfect
Amplifier
Compression
Output
Level (dB)
Input Level (dB)










