User Manual
Table Of Contents
- UAD Powered Plug-Ins
- Chapter 1. Introduction 15
- Chapter 2. Installation 26
- Chapter 3. Using UAD Powered Plug-Ins 28
- Chapter 4. RealVerb Pro 74
- Chapter 5. DreamVerb 89
- Chapter 6. Plate 140 107
- Chapter 7. LA-2A and 1176LN 114
- Chapter 8. Fairchild 670 124
- Chapter 9. Precision Multiband 132
- Chapter 10. Precision Limiter 146
- Chapter 11. Precision Equalizer 153
- Chapter 12. Cambridge EQ 159
- Chapter 13. Pultec and Pultec-Pro 170
- Chapter 14. Nigel 179
- Chapter 15. CS-1 Channel Strip 208
- Chapter 16. Roland CE-1 218
- Chapter 17. Roland Dimension D 222
- Chapter 18. Roland RE-201 224
- Chapter 19. Neve 1073 Equalizer 231
- Chapter 20. Neve 33609 Compressor 236
- Chapter 21. Neve 1081 Equalizer 246
- Chapter 22. Helios Type 69 Equalizer 253
- Chapter 23. History 259
- Introduction
- Installation
- Using UAD Powered Plug-Ins
- Overview
- Launching a UAD Powered Plug-In
- UAD DSP Performance Meter Application
- Accessing Meter Functions
- Using the Meter
- UAD System Information Window
- UAD Configuration Window
- Delay Compensation
- UAD Delay Compensator plugin
- DelayComp Examples
- Compensating for Pultec EQ
- Compensating for Precision Limiter
- Compensating for Precision Equalizer
- Compensating for Precision Multiband
- UAD Track Advance
- TrackAdv Examples
- Live Processing
- DSP Usage
- Tempo Sync
- Multiple Cards
- Optional Plug-Ins
- Authorizing Multiple Cards
- Authorizations Window
- Demo Mode
- Plug-In Authorization Procedure
- RealVerb Pro
- DreamVerb
- Plate 140
- LA-2A and 1176LN
- Fairchild 670
- Precision Multiband
- Precision Limiter
- Precision Equalizer
- Cambridge EQ
- Pultec and Pultec-Pro
- Nigel
- Introducing Nigel
- Preflex Plugin
- Preflex Modules
- Gate/Comp Module
- Amp Module
- Amp Controls
- Cabinet Module
- Phasor Module
- Mod Filter Module
- TremModEcho Plugin
- Trem/Fade Module
- Mod Delay Module
- Echo Module
- CS-1 Channel Strip
- Roland CE-1
- Roland Dimension D
- Roland RE-201
- Neve 1073 Equalizer
- Neve 33609 Compressor
- Neve 1081 Equalizer
- Helios Type 69 Equalizer
- History
- Index
UAD Powered Plug-Ins Manual - 117 - LA-2A and 1176LN
Most modern compressors provide a control that adjusts the threshold di-
rectly. In the case of the LA-2A, the Peak Reduction control adjusts both the
threshold and the amount of gain reduction. Similarly, the 1176LN uses its In-
put control to adjust the threshold and amount of gain reduction.
Teletronix LA-2A Leveling Amplifier
Background Audio professionals passionate about their compressors revere the LA-2A.
The original was immediately acknowledged for its natural compression char-
acteristics. A unique electro-optical attenuator system allows instantaneous
gain reduction with no increase in harmonic distortion – an accomplishment
at the time, still appreciated today.
The LA-2A is known for adding warmth (such as for vocals, guitar, or synths)
and fatness (such as for drums or bass) to signals.
LA-2A Signal
Flow
A functional block diagram of the LA-2A Leveling Amplifier is provided in
Figure 42. The input transformer provides isolation and impedance matching.
After this the signal is fed into both the side-chain circuit and the gain reduc-
tion circuit. The side-chain is comprised of a voltage amplifier, a pre-emphasis
filter, and a driver stage that provides the voltage necessary to drive the elec-
tro-luminescent panel. This signal controls the gain of the compressor. After
the gain reduction circuit, the signal is sent through an Output Gain control
and a two-stage output amplifier, followed by the output transformer.










