User Manual
Table Of Contents
- UAD Powered Plug-Ins
- Chapter 1. Introduction 15
- Chapter 2. Installation 26
- Chapter 3. Using UAD Powered Plug-Ins 28
- Chapter 4. RealVerb Pro 74
- Chapter 5. DreamVerb 89
- Chapter 6. Plate 140 107
- Chapter 7. LA-2A and 1176LN 114
- Chapter 8. Fairchild 670 124
- Chapter 9. Precision Multiband 132
- Chapter 10. Precision Limiter 146
- Chapter 11. Precision Equalizer 153
- Chapter 12. Cambridge EQ 159
- Chapter 13. Pultec and Pultec-Pro 170
- Chapter 14. Nigel 179
- Chapter 15. CS-1 Channel Strip 208
- Chapter 16. Roland CE-1 218
- Chapter 17. Roland Dimension D 222
- Chapter 18. Roland RE-201 224
- Chapter 19. Neve 1073 Equalizer 231
- Chapter 20. Neve 33609 Compressor 236
- Chapter 21. Neve 1081 Equalizer 246
- Chapter 22. Helios Type 69 Equalizer 253
- Chapter 23. History 259
- Introduction
- Installation
- Using UAD Powered Plug-Ins
- Overview
- Launching a UAD Powered Plug-In
- UAD DSP Performance Meter Application
- Accessing Meter Functions
- Using the Meter
- UAD System Information Window
- UAD Configuration Window
- Delay Compensation
- UAD Delay Compensator plugin
- DelayComp Examples
- Compensating for Pultec EQ
- Compensating for Precision Limiter
- Compensating for Precision Equalizer
- Compensating for Precision Multiband
- UAD Track Advance
- TrackAdv Examples
- Live Processing
- DSP Usage
- Tempo Sync
- Multiple Cards
- Optional Plug-Ins
- Authorizing Multiple Cards
- Authorizations Window
- Demo Mode
- Plug-In Authorization Procedure
- RealVerb Pro
- DreamVerb
- Plate 140
- LA-2A and 1176LN
- Fairchild 670
- Precision Multiband
- Precision Limiter
- Precision Equalizer
- Cambridge EQ
- Pultec and Pultec-Pro
- Nigel
- Introducing Nigel
- Preflex Plugin
- Preflex Modules
- Gate/Comp Module
- Amp Module
- Amp Controls
- Cabinet Module
- Phasor Module
- Mod Filter Module
- TremModEcho Plugin
- Trem/Fade Module
- Mod Delay Module
- Echo Module
- CS-1 Channel Strip
- Roland CE-1
- Roland Dimension D
- Roland RE-201
- Neve 1073 Equalizer
- Neve 33609 Compressor
- Neve 1081 Equalizer
- Helios Type 69 Equalizer
- History
- Index
UAD Powered Plug-Ins Manual - 124 - Fairchild 670
CHAPTER 8
Fairchild 670
Overview
In the annals of compressor history, the products produced by Fairchild are
some of the best built and most highly prized on the vintage market. The most
famous Fairchild products produced were the 660 and 670 compressor/lim-
iters, which are famous for their fantastic sound quality.
The stereo Fairchild 670 is probably the “Holy Grail” of compressors in studio
gear esoterica, not only because of its price (known to fetch $30,000 and be-
yond on the vintage market), but also its extreme rareness and the difficulties
in maintaining such a unit. With its 14 transformers, 20 vacuum tubes, 6 rack-
space encompassing girth and weighing in at 65 pounds, the Fairchild 670
is truly the heavyweight champion of compression.
Originating from the early 1950’s, the design of the 670 uses a single push-
pull stage of amplification with an extremely high control voltage. The Fair-
child 670 is a variable-mu tube limiter. Variable-mu limiters are unique in that
they use tubes for gain reduction, and not just as amplifiers. The audio path
is quite simple, and compression happens directly in the audio path, rather
than sending out to a separate compression circuit.
The unit can be used as a limiter or compressor, depending upon personal
taste and program material. It can go from a 2:1 ratio as a compressor to a
peak limiter with a 30:1 ratio. The unit can also be adjusted to operate any-
where between these two extremes using the Threshold and DC Bias controls.
The UAD Fairchild was created by meticulously modeling (down to the com-
ponent level as usual) a carefully selected hardware unit. Our “golden unit”
was the Fairchild 670 (SN #505) at Ocean Way Recording in Hollywood.
The Fairchild was advertised as “The World Accepted Standard for Level
Control” back in the 1950’s when it was originally sold. It is still revered for
its extremely smooth, artifact-free sound, and now Universal Audio has made
it easily accessible to you. And you don’t have to let it warm up for 30 minutes
before use!










