User Manual
Table Of Contents
- UAD Powered Plug-Ins
- Chapter 1. Introduction 15
- Chapter 2. Installation 26
- Chapter 3. Using UAD Powered Plug-Ins 28
- Chapter 4. RealVerb Pro 74
- Chapter 5. DreamVerb 89
- Chapter 6. Plate 140 107
- Chapter 7. LA-2A and 1176LN 114
- Chapter 8. Fairchild 670 124
- Chapter 9. Precision Multiband 132
- Chapter 10. Precision Limiter 146
- Chapter 11. Precision Equalizer 153
- Chapter 12. Cambridge EQ 159
- Chapter 13. Pultec and Pultec-Pro 170
- Chapter 14. Nigel 179
- Chapter 15. CS-1 Channel Strip 208
- Chapter 16. Roland CE-1 218
- Chapter 17. Roland Dimension D 222
- Chapter 18. Roland RE-201 224
- Chapter 19. Neve 1073 Equalizer 231
- Chapter 20. Neve 33609 Compressor 236
- Chapter 21. Neve 1081 Equalizer 246
- Chapter 22. Helios Type 69 Equalizer 253
- Chapter 23. History 259
- Introduction
- Installation
- Using UAD Powered Plug-Ins
- Overview
- Launching a UAD Powered Plug-In
- UAD DSP Performance Meter Application
- Accessing Meter Functions
- Using the Meter
- UAD System Information Window
- UAD Configuration Window
- Delay Compensation
- UAD Delay Compensator plugin
- DelayComp Examples
- Compensating for Pultec EQ
- Compensating for Precision Limiter
- Compensating for Precision Equalizer
- Compensating for Precision Multiband
- UAD Track Advance
- TrackAdv Examples
- Live Processing
- DSP Usage
- Tempo Sync
- Multiple Cards
- Optional Plug-Ins
- Authorizing Multiple Cards
- Authorizations Window
- Demo Mode
- Plug-In Authorization Procedure
- RealVerb Pro
- DreamVerb
- Plate 140
- LA-2A and 1176LN
- Fairchild 670
- Precision Multiband
- Precision Limiter
- Precision Equalizer
- Cambridge EQ
- Pultec and Pultec-Pro
- Nigel
- Introducing Nigel
- Preflex Plugin
- Preflex Modules
- Gate/Comp Module
- Amp Module
- Amp Controls
- Cabinet Module
- Phasor Module
- Mod Filter Module
- TremModEcho Plugin
- Trem/Fade Module
- Mod Delay Module
- Echo Module
- CS-1 Channel Strip
- Roland CE-1
- Roland Dimension D
- Roland RE-201
- Neve 1073 Equalizer
- Neve 33609 Compressor
- Neve 1081 Equalizer
- Helios Type 69 Equalizer
- History
- Index
UAD Powered Plug-Ins - 170 - Pultec and Pultec-Pro
CHAPTER 13
Pultec and Pultec-Pro
Overview
The Pultec EQP-1A Program Equalizer and Pultec MEQ-5 plugins are faithful
electronic reproductions of the classic hardware equalizers. Our DSP wizards
have ensured that every revered sonic nuance of these vintage processors are
faithfully maintained.
UAD Pultec and UAD Pultec-Pro
The UAD Pultec plugin is the EQP-1A Program Equalizer that was introduced
in version 2.2 to much acclaim. UAD Pultec-Pro was introduced in version
3.5, and includes both the EQP-1A and MEQ-5 modules. The EQP-1A is iden-
tical in UAD Pultec and UAD Pultec-Pro.
In designing the Pultec equalizer plugins, we performed detailed analyses of
the signal path and equalization characteristics of selected well-maintained,
in-spec Pultec equalizers used regularly in professional studios. A “golden
unit” was selected, and the resulting model reproduces the measured equal-
ization and signal path characteristics to within a fraction of a dB mean error
for all knob settings.
All of the unique features of the original Pultec EQ’s are included in the plu-
gins, including the separate boost and attenuation controls, the smooth, sweet
top end, and the ability to dial in seemingly dangerous amounts of boost with-
out getting into trouble. All front panel controls are included, and all of the
knob tapers are accurately modeled. The Pultec has long been a choice of re-
cording and mastering engineers for its ability to bring out individual fre-
quency ranges without significantly altering other frequencies. In addition, the
Pultec is one of those magical pieces of gear that makes audio program
sound better just by passing through it. The sophisticated modeling technol-
ogy used in the Pultec plugins captures both of these key attributes.
Note: The Pultec and Pultec-Pro plugins always operates at a high internal
sample rate for maximum accuracy. Therefore, the UAD DSP load does not in-
crease even when processing audio at the highest sample rates.










