User Manual

UAD Powered Plug-Ins - 226 - Roland RE-201
Note: The Peak lamp and VU meter measure signal just after the input volume
control. However, like the original hardware, echo intensity (feedback) is ap-
plied just before the level detection circuit. For this reason, the Intensity control
will affect the level readings.
Echo Pan Echo Pan determines the placement of the echo signal in the ste-
reo panorama when the plugin is used in mono-in/stereo-out and
stereo-in/stereo-out configurations. When the RE-201 is used in a
mono-in/mono-out configuration, this control is disabled.
Reverb Pan Reverb Pan determines the placement of the reverb signal in the
stereo panorama when the plugin is used in mono-in/stereo-out
and stereo-in/stereo-out configurations. When the RE-201 is
used in a mono-in/mono-out configuration, this control is dis-
abled.
Input Volume This control determines the signal level that is input to the plugin.
Unity gain is at the 12 o’clock position.
Like the original hardware, clipping distortion at the input to the
plugin affects the tone of the echo and reverb. Clipping is often
used as part of the desired effect. At unity gain clipping can be
easily induced. However if a cleaner sound is desired, reduce the input vol-
ume below unity and increase the plugin output volume to compensate.
Mode Selector The RE-201 is a combination of a tape echo and a
spring reverb effect. Echo, reverb, or both can be se-
lected with the Mode Selector to determine which ef-
fect(s) are active.
The original Space Echo has three tape playback
heads. By changing the combination and positions of
the heads, a total of 12 different echo variations can be
obtained (4 echo only, 7 echo/reverb, and 1 reverb
only). These modes are faithfully reproduced with the UAD Roland RE-201.
Note: The RE-201 uses less UAD DSP in reverb-only or echo-only modes versus
when both modes are used simultaneously.
The affect of each knob position is detailed in Table 26 on page 227.