User Manual
Table Of Contents
- UAD Powered Plug-Ins
- Chapter 1. Introduction 15
- Chapter 2. Installation 26
- Chapter 3. Using UAD Powered Plug-Ins 28
- Chapter 4. RealVerb Pro 74
- Chapter 5. DreamVerb 89
- Chapter 6. Plate 140 107
- Chapter 7. LA-2A and 1176LN 114
- Chapter 8. Fairchild 670 124
- Chapter 9. Precision Multiband 132
- Chapter 10. Precision Limiter 146
- Chapter 11. Precision Equalizer 153
- Chapter 12. Cambridge EQ 159
- Chapter 13. Pultec and Pultec-Pro 170
- Chapter 14. Nigel 179
- Chapter 15. CS-1 Channel Strip 208
- Chapter 16. Roland CE-1 218
- Chapter 17. Roland Dimension D 222
- Chapter 18. Roland RE-201 224
- Chapter 19. Neve 1073 Equalizer 231
- Chapter 20. Neve 33609 Compressor 236
- Chapter 21. Neve 1081 Equalizer 246
- Chapter 22. Helios Type 69 Equalizer 253
- Chapter 23. History 259
- Introduction
- Installation
- Using UAD Powered Plug-Ins
- Overview
- Launching a UAD Powered Plug-In
- UAD DSP Performance Meter Application
- Accessing Meter Functions
- Using the Meter
- UAD System Information Window
- UAD Configuration Window
- Delay Compensation
- UAD Delay Compensator plugin
- DelayComp Examples
- Compensating for Pultec EQ
- Compensating for Precision Limiter
- Compensating for Precision Equalizer
- Compensating for Precision Multiband
- UAD Track Advance
- TrackAdv Examples
- Live Processing
- DSP Usage
- Tempo Sync
- Multiple Cards
- Optional Plug-Ins
- Authorizing Multiple Cards
- Authorizations Window
- Demo Mode
- Plug-In Authorization Procedure
- RealVerb Pro
- DreamVerb
- Plate 140
- LA-2A and 1176LN
- Fairchild 670
- Precision Multiband
- Precision Limiter
- Precision Equalizer
- Cambridge EQ
- Pultec and Pultec-Pro
- Nigel
- Introducing Nigel
- Preflex Plugin
- Preflex Modules
- Gate/Comp Module
- Amp Module
- Amp Controls
- Cabinet Module
- Phasor Module
- Mod Filter Module
- TremModEcho Plugin
- Trem/Fade Module
- Mod Delay Module
- Echo Module
- CS-1 Channel Strip
- Roland CE-1
- Roland Dimension D
- Roland RE-201
- Neve 1073 Equalizer
- Neve 33609 Compressor
- Neve 1081 Equalizer
- Helios Type 69 Equalizer
- History
- Index
UAD Powered Plug-Ins - 255 - Helios Type 69 Equalizer
Bass The Bass knob serves a dual purpose. It functions either as
a low frequency shelf filter or a low frequency peak filter.
At the “0” position, neither filter is engaged.
When Bass is set to one of the frequency values (60Hz,
100Hz, 200Hz, or 300Hz) the low band is in peak mode.
In this mode, the amount of gain (“bass boost”) applied to
the specified frequency is determined by the Bass Gain knob.
Note: Like the original hardware, simply putting this control on any frequency
will yield approximately 3.5dB in gain increase even if the Bass Gain control
is set to 0.
When this knob is set to one of the decibel values (–3, –6, –9, –12, –15 dB)
the low band is in “bass cut” shelving mode with a set frequency of 50Hz. In
this mode, the Bass Gain knob has no effect.
Bass Gain The Bass Gain knob determines the amount of low band gain
to be applied when the Bass knob is in one of the frequency
positions. Up to +15dB of boost is available.
Note: Bass Gain has no effect when the Bass knob is set to one
of the dB positions.
Mid Freq This control determines of the frequency of the midrange
band. The following frequencies can be specified: 700Hz,
1kHz, 1.4kHz, 2kHz, 2.8kHz, 3.5kHz, 4.5kHz, and 6kHz.
Note: In the graphic interface of this control, what may ap-
pear to be a dash (“-”) actually represents a decimal point.
This anomaly mimics the original hardware.
Mid Gain This control determines the amount of gain or attenuation to be
applied to the mid band. Up to 15dB of boost or cut is avail-
able.
The Q (bandwidth) on the midrange band is fairly wide and
gentle at low settings, but gets progressively narrower as the gain value is in-
creased.










