User Manual
Table Of Contents
- UAD Powered Plug-Ins
- Chapter 1. Introduction 15
- Chapter 2. Installation 26
- Chapter 3. Using UAD Powered Plug-Ins 28
- Chapter 4. RealVerb Pro 74
- Chapter 5. DreamVerb 89
- Chapter 6. Plate 140 107
- Chapter 7. LA-2A and 1176LN 114
- Chapter 8. Fairchild 670 124
- Chapter 9. Precision Multiband 132
- Chapter 10. Precision Limiter 146
- Chapter 11. Precision Equalizer 153
- Chapter 12. Cambridge EQ 159
- Chapter 13. Pultec and Pultec-Pro 170
- Chapter 14. Nigel 179
- Chapter 15. CS-1 Channel Strip 208
- Chapter 16. Roland CE-1 218
- Chapter 17. Roland Dimension D 222
- Chapter 18. Roland RE-201 224
- Chapter 19. Neve 1073 Equalizer 231
- Chapter 20. Neve 33609 Compressor 236
- Chapter 21. Neve 1081 Equalizer 246
- Chapter 22. Helios Type 69 Equalizer 253
- Chapter 23. History 259
- Introduction
- Installation
- Using UAD Powered Plug-Ins
- Overview
- Launching a UAD Powered Plug-In
- UAD DSP Performance Meter Application
- Accessing Meter Functions
- Using the Meter
- UAD System Information Window
- UAD Configuration Window
- Delay Compensation
- UAD Delay Compensator plugin
- DelayComp Examples
- Compensating for Pultec EQ
- Compensating for Precision Limiter
- Compensating for Precision Equalizer
- Compensating for Precision Multiband
- UAD Track Advance
- TrackAdv Examples
- Live Processing
- DSP Usage
- Tempo Sync
- Multiple Cards
- Optional Plug-Ins
- Authorizing Multiple Cards
- Authorizations Window
- Demo Mode
- Plug-In Authorization Procedure
- RealVerb Pro
- DreamVerb
- Plate 140
- LA-2A and 1176LN
- Fairchild 670
- Precision Multiband
- Precision Limiter
- Precision Equalizer
- Cambridge EQ
- Pultec and Pultec-Pro
- Nigel
- Introducing Nigel
- Preflex Plugin
- Preflex Modules
- Gate/Comp Module
- Amp Module
- Amp Controls
- Cabinet Module
- Phasor Module
- Mod Filter Module
- TremModEcho Plugin
- Trem/Fade Module
- Mod Delay Module
- Echo Module
- CS-1 Channel Strip
- Roland CE-1
- Roland Dimension D
- Roland RE-201
- Neve 1073 Equalizer
- Neve 33609 Compressor
- Neve 1081 Equalizer
- Helios Type 69 Equalizer
- History
- Index
UAD Powered Plug-Ins Manual - 259 - History
CHAPTER 23
History
LA-2A
The LA-2A leveling amplifier, a tube unit with hand wired components and
three simple controls, was introduced in the mid-1960s. It utilized a system of
electro-luminescent optical gain control that was quite revolutionary. Gain re-
duction was controlled by applying the audio voltage to a luminescent driver
amplifier, with a second matched photoconductive cell used to control the me-
tering section. With its 0 to 40 dB of gain limiting, a balanced stereo inter-
connection, flat frequency response of 0.1 dB from 30-15,000Hz and a low
noise level (better than 70 dB below plus 10 dBm output), the LA-2A quickly
became a studio standard. Originally patented by Jim Lawrence, it was pro-
duced by Teletronix in Pasadena, California, which became a division of
Babcock Electronics Corporation. in 1965. In 1967 Babcock's broadcast di-
vision was acquired by the legendary Bill Putnam's company, Studio Electron-
ics Corporation shortly before he changed the company’s name to UREI®.
Three different versions of the LA-2A were produced under the auspices of
these different companies before production was discontinued around 1969.
1176LN
It was Bill Putnam himself who, in 1966, was responsible for the initial design
of the 1176. Its circuit was rooted in the 1108 preamplifier which was also
designed by Putnam. As is evident from entries and schematics in his design
notebook, he experimented with the recently developed Field Effect Transistor
(F.E.T.) in various configurations to control the gain reduction in the circuit. He
began using F.E.T.s as voltage variable resistors, in which the resistance be-
tween the drain and the source terminals is controlled by a voltage applied to
the gate. His greatest challenge was to ensure that distortion was minimized
by operating the F.E.T.s within a linear region of operation.










