User Manual
Table Of Contents
- UAD Powered Plug-Ins
- Chapter 1. Introduction 15
- Chapter 2. Installation 26
- Chapter 3. Using UAD Powered Plug-Ins 28
- Chapter 4. RealVerb Pro 74
- Chapter 5. DreamVerb 89
- Chapter 6. Plate 140 107
- Chapter 7. LA-2A and 1176LN 114
- Chapter 8. Fairchild 670 124
- Chapter 9. Precision Multiband 132
- Chapter 10. Precision Limiter 146
- Chapter 11. Precision Equalizer 153
- Chapter 12. Cambridge EQ 159
- Chapter 13. Pultec and Pultec-Pro 170
- Chapter 14. Nigel 179
- Chapter 15. CS-1 Channel Strip 208
- Chapter 16. Roland CE-1 218
- Chapter 17. Roland Dimension D 222
- Chapter 18. Roland RE-201 224
- Chapter 19. Neve 1073 Equalizer 231
- Chapter 20. Neve 33609 Compressor 236
- Chapter 21. Neve 1081 Equalizer 246
- Chapter 22. Helios Type 69 Equalizer 253
- Chapter 23. History 259
- Introduction
- Installation
- Using UAD Powered Plug-Ins
- Overview
- Launching a UAD Powered Plug-In
- UAD DSP Performance Meter Application
- Accessing Meter Functions
- Using the Meter
- UAD System Information Window
- UAD Configuration Window
- Delay Compensation
- UAD Delay Compensator plugin
- DelayComp Examples
- Compensating for Pultec EQ
- Compensating for Precision Limiter
- Compensating for Precision Equalizer
- Compensating for Precision Multiband
- UAD Track Advance
- TrackAdv Examples
- Live Processing
- DSP Usage
- Tempo Sync
- Multiple Cards
- Optional Plug-Ins
- Authorizing Multiple Cards
- Authorizations Window
- Demo Mode
- Plug-In Authorization Procedure
- RealVerb Pro
- DreamVerb
- Plate 140
- LA-2A and 1176LN
- Fairchild 670
- Precision Multiband
- Precision Limiter
- Precision Equalizer
- Cambridge EQ
- Pultec and Pultec-Pro
- Nigel
- Introducing Nigel
- Preflex Plugin
- Preflex Modules
- Gate/Comp Module
- Amp Module
- Amp Controls
- Cabinet Module
- Phasor Module
- Mod Filter Module
- TremModEcho Plugin
- Trem/Fade Module
- Mod Delay Module
- Echo Module
- CS-1 Channel Strip
- Roland CE-1
- Roland Dimension D
- Roland RE-201
- Neve 1073 Equalizer
- Neve 33609 Compressor
- Neve 1081 Equalizer
- Helios Type 69 Equalizer
- History
- Index
UAD Powered Plug-Ins Manual - 260 - History
After several unsuccessful attempts at using F.E.T.s in gain reduction circuits,
Putnam settled upon the straightforward approach of using the F.E.T. as the
bottom leg in a voltage divider circuit, which is placed ahead of a preamp
stage.
The output stage of the 1176 is a carefully crafted class A line level amplifier,
designed to work with the (then) standard load of 600 ohms. The heart of this
stage is the output transformer, whose design and performance is critical. Its
primary function is to convert the unbalanced nature of the 1176 circuit to a
balanced line output, and to provide the proper impedance matching to drive
the line impedance of 600 ohms. These two jobs are accomplished by the pri-
mary and secondary windings whose turns' ratio defines the impedance ra-
tio.
This transformer is critical due to the fact that it uses several additional sets of
windings to provide feedback, which makes it an integral component in the
operation of the output amplifier. Putnam spent a great deal of time perfecting
the design of this tricky transformer and carefully qualified the few vendors ca-
pable of producing it.
The first major modification to the 1176 circuit was designed by Brad Plunkett
in an effort to reduce noise--hence the birth of the 1176LN, whose LN stands
for low noise. Numerous design improvements followed, resulting in at least
13 revisions of the 1176. Legend has it that the D and E blackface revisions
sound the most “authentic”.
The original Universal Audio 1176LN designed by Bill Putnam was a major
breakthrough in limiter technology – the first true peak limiter with all transis-
tor circuitry offering superior performance and a signature sound. Evolved
from the popular Universal Audio 175 and 176 vacuum tube limiters, the
1176LN retained the proven qualities of these industry leaders, and set the
standard for all limiters to follow.










