User Manual
Table Of Contents
- UAD Powered Plug-Ins
- Chapter 1. Introduction 15
- Chapter 2. Installation 26
- Chapter 3. Using UAD Powered Plug-Ins 28
- Chapter 4. RealVerb Pro 74
- Chapter 5. DreamVerb 89
- Chapter 6. Plate 140 107
- Chapter 7. LA-2A and 1176LN 114
- Chapter 8. Fairchild 670 124
- Chapter 9. Precision Multiband 132
- Chapter 10. Precision Limiter 146
- Chapter 11. Precision Equalizer 153
- Chapter 12. Cambridge EQ 159
- Chapter 13. Pultec and Pultec-Pro 170
- Chapter 14. Nigel 179
- Chapter 15. CS-1 Channel Strip 208
- Chapter 16. Roland CE-1 218
- Chapter 17. Roland Dimension D 222
- Chapter 18. Roland RE-201 224
- Chapter 19. Neve 1073 Equalizer 231
- Chapter 20. Neve 33609 Compressor 236
- Chapter 21. Neve 1081 Equalizer 246
- Chapter 22. Helios Type 69 Equalizer 253
- Chapter 23. History 259
- Introduction
- Installation
- Using UAD Powered Plug-Ins
- Overview
- Launching a UAD Powered Plug-In
- UAD DSP Performance Meter Application
- Accessing Meter Functions
- Using the Meter
- UAD System Information Window
- UAD Configuration Window
- Delay Compensation
- UAD Delay Compensator plugin
- DelayComp Examples
- Compensating for Pultec EQ
- Compensating for Precision Limiter
- Compensating for Precision Equalizer
- Compensating for Precision Multiband
- UAD Track Advance
- TrackAdv Examples
- Live Processing
- DSP Usage
- Tempo Sync
- Multiple Cards
- Optional Plug-Ins
- Authorizing Multiple Cards
- Authorizations Window
- Demo Mode
- Plug-In Authorization Procedure
- RealVerb Pro
- DreamVerb
- Plate 140
- LA-2A and 1176LN
- Fairchild 670
- Precision Multiband
- Precision Limiter
- Precision Equalizer
- Cambridge EQ
- Pultec and Pultec-Pro
- Nigel
- Introducing Nigel
- Preflex Plugin
- Preflex Modules
- Gate/Comp Module
- Amp Module
- Amp Controls
- Cabinet Module
- Phasor Module
- Mod Filter Module
- TremModEcho Plugin
- Trem/Fade Module
- Mod Delay Module
- Echo Module
- CS-1 Channel Strip
- Roland CE-1
- Roland Dimension D
- Roland RE-201
- Neve 1073 Equalizer
- Neve 33609 Compressor
- Neve 1081 Equalizer
- Helios Type 69 Equalizer
- History
- Index
UAD Powered Plug-Ins Manual - 52 - Using UAD Powered Plug-Ins
Compensating for Precision Limiter
The Precision Limiter has a 1.5ms look-ahead window to ensure clipping does
not occur. This look-ahead function results in a slightly larger latency than
other UAD plugins. This is not normally an issue because the Precision Limiter
is designed to be used for program material on the output bus, where latency
is not a consideration. However, if the Precision Limiter is used elsewhere in
the signal chain and the host does not automatically compensate for latency
at that point in the signal chain, it requires slightly more compensation to re-
main perfectly synchronized with other tracks.
Therefore, when using the DelayComp or TrackAdv plugin to manually com-
pensate for the Precision Limiter, enter the Samples value from Table 3 below
(in addition to the appropriate Plugs value) for each instance of Precision Lim-
iter. Since the maximum Samples value in one DelayComp instance is 128,
more than one DelayComp instance will be required (in series) if the sample
rate is 88.2kHz or higher.
Important: Compensating for Precision Limiter is not required if the host ap-
plication supports full plugin delay compensation throughout the entire signal
path, or when it is used only on the outputs. See “Host PDC Implementation”
on page 46.
The compensation value to use depends on the session sample rate. Use the
Table 3 values in DelayComp to compensate for Precision Limiter latency
when using it on track inserts or buses.
Precision Limiter
Group/Bus
Examples
Situation: You have a song with bass, drums, guitar, and 2 horn tracks. The
session is running at 44.1kHz.You want to maximize the level for the horns so
you put both horn tracks on a group/bus and apply one instance of Precision
Limiter to the horn bus. Result: The horn tracks play late in relation to the other
instrument tracks.
Table 3. Precision Limiter Latency Compensation Values
Session Sample Rate UAD DelayComp “Samples” Value
44.1kHz 64 Samples
48kHz 69 Samples
88.2kHz 129 Samples
96kHz 140 Samples
176.4kHz 259 Samples
192kHz 281 Samples










