Instruction Manual

5
C TO CUE Controls the C IN mono or stereo line level to the Cue Mixer outputs through 63 steps of 1dB. When turned
to the OFF position, the C IN audio feed to the Cue Mixer is muted (see "Configuring the Remote Preamp"
to switch the C IN between Lo and Hi operating levels).
REVERB The REVERB knob blends the selected Room, Hall or Plate effect with the A TO CUE and B TO CUE feeds to
the Cue Mixer outputs - no REVERB is applied to Pre Outputs. The REVERB amount is shown in the digital
display as the knob is turned. When turned to the OFF position the REVERB is muted. When turned up to
100, the selected A TO CUE and B TO CUE knobs feed the Cue Mix outputs with 100% REVERB and 0%
dry signal.
Turn on the REVERB switch to select from the menu of 9 presets shown below - using the -/+ keys to
place the name of the desired REVERB in the digital display. The REVERB switch will turn itself off after
no selection has been made for 1 minute.
REVERB PRESETS
St.1 Studio Room Reverb (small)
St.2 Studio Room Reverb (medium)
St.3 Studio Room Reverb (large)
Co.1 Concert Hall Reverb (bright)
Co.2 Concert Hall Reverb (dark)
PL.1 Plate Reverb (large)
PL.2 Plate Reverb (med)
PL.3 Plate Reverb (small)
St.C Studio Room Reverb (medium) with Chorus
Hold the REVERB switch 2 seconds to begin cycling the REVERB source between Preamp Channel A only,
Preamp Channel B only, or both A & B as indicated by the LEDs next to the REVERB knob. The REVERB
source will continue to cycle as long as the switch is held. These LEDs only light when the REVERB knob
is turned up past the OFF position to indicate which Preamp channel is being sent to the REVERB. Note
that when STEREO is turned on, the REVERB is sourced from A & B.
Note: While the Remote Preamp’s REVERB is intended for monitoring only, some users may wish to record
with the onboard effects. Therefore, the Remote Preamp provides two separate paths for the Pre Outputs,
direct and monitor, so that two needs may be satisfied with minimum complexity.
In addition, the Remote Preamp offers two other ways of adding REVERB to the performer's self-monitor
mix without affecting the performer's Pre Outputs to the recorder or mixer:
• REVERB knob is turned up to 100%, CUE IN contains dry self-monitor as mixed from the workstation
or mixer, A/B TO CUE knobs add self-REVERB
• A/B Stereo feeds outboard effect, C IN returns effected signal to monitor mix
EQ Controls the amount of frequency-selective boost or cut applied to the Cue Mixer outputs in the digital
display when either the LO EQ or HI EQ switches are turned on. Use the -/+ keys to boost or cut the
selected LO or HI frequency band. Both bands are specially voiced band-pass filters with the LO EQ fixed
at 85 Hz, and the HI EQ fixed at 14 kHz. The EQ display will turn off after no adjustment has been made
for 1 minute.
If EQ is active on either band, the corresponding switch will light. The EQ may be bypassed at any time
by pressing the LO
and HI switches simultaneously. The EQ affects the MIXER outputs (A TO CUE and B
TO CUE audio with REVERB, C IN, and CUE IN) but does NOT affect the Pre Outputs.
Vocal Performance: Cut LO-EQ to guard against flat singing without taking the feel out of hard-driving
rock or pop mixes - essential for inspiring vocalists. Or similarly, cut HI-EQ for sharp singers.
Compensate Mixes, Headphones or Monitors: Boost HI-EQ to brighten dull mixes without adding
harshness. Cut HI-EQ to soften brightness or harshness of headphones or monitors to reduce ear-fatigue
without loosing "musicality". Boost LO-EQ to add "punch" to the mix without adding muddiness.
CUE VOL Controls the Cue Mixer output volume sent to the CUE OUT/Phones jack and the SPKR OUT jacks through
63 steps of 1dB. When turned to the OFF position, all Cue Mixer audio is muted.