Manual

UAD Powered Plug-Ins Manual - 114 - Chapter 9: DreamVerb
DreamVerb Presets
DreamVerb includes 100+ presets in addition to the internal factory bank.
Presets in the internal factory bank are accessed via the host application’s pre-
set menu. The additional presets are copied to disk by the UAD installer and
can be loaded using the Settings menu in the UAD Toolbar (see “Using UAD
Powered Plug-Ins” in Chapter 7 of the UAD System Manual).
Preset Design Tips
Here are some practical tips for creating useful reverbs with DreamVerb.
These are not rules of course, but techniques that can be helpful in designing
the perfect sonic environment.
General Tips (a tour):
• Start by setting a general timing on the ER and LF graphs to give a rough re-
verb size. This timing ordinarily needs to be tweaked several times along
the way.
• The materials and air density define the frequency decay of the LF, and also
the coloration of the ER if ER filtering is used (the slider on the right of the Re-
flections panel).
• Typically, materials should be blended. Try blending contrasting high fre-
quency roll-off materials with high-frequency reflecting materials or inverse
materials. This tends to add nice dimension to the LF tail. Start with one use-
ful material and experiment with blending.
• Materials can have an extreme filtering effect if no air density is used. Most
presets sound better with an air blending. If you don't want the additional
coloration of air, blend with “Ideal Gas” which performs no filtering.
• The room shapes define the ER pattern; they do not effect the LF. Solo the ER
and choose a shape that works well for your source or environment.
• Blending shapes does not always yield desirable results. Use shape blend-
ing with discretion, or to define a more complex room.
• Start with the EQ flat, set the approximate sound with the materials, then EQ
the input to cut or boost specific frequencies.
ER = Early Reflections Hf = High frequency
LF = Late-field Reverberation Lf = Low frequency