Instruction Manual

UAD Powered Plug-Ins Manual - 572 - Chapter 57: History
Jim Scott
Jim Scott shared a Grammy for Best Engineered Album for Tom Petty's Wildflowers. He's also
known for his work with Red Hot Chili Peppers, Natalie Merchant and Wilco. “I use 1176s real
conservatively and they still do amazing things,” he comments. “I'm always on the four to one
button, and the Dr. Pepper – you know, 10 o'clock, 2 o'clock, and it does everything I need.
“I always use them on vocals. I use them on room mics, on acoustic guitars- – sometimes in mix-
ing I'll sneak a little on a snare drum or a separated channel of a snare drum. I'm not one of
those guys who leaves it on everything, but I'd have to say I've used an1176 on everything at
one time or another.
“They have an equalizer kind of effect, adding a coloration that's bright and clear. Not only do
they give you a little more impact from the compression, they also sort of clear things up; maybe
a little bottom end gets squeezed out or maybe they are just sort of excitingly solid state or what-
ever they are. The big thing for me is the clarity, and the improvement in the top end.
“The 1176 has that same kind of phenomenon, where, when you patch something through a
Neve equalizer and you don't even engage the EQ, it sounds better. It's just a combination of
the amps.
“I also use LA-2As all the time. I use them on bass, and it's one of the compressors I use for re-
verb. Often I'll send a bunch of things to one LA2A and bring it back into the console like a re-
turn – it's great for drums, great for kick drum especially.
“LA-2As warm things up. They're the opposite of the
1176--they EQ all the warmth and low mids and
bass. When you put bass and drums in them they get
fatter and bigger. And unless you hit them way hard
and make the tubes sizzle they don't really distort. Of
course, you can get them to sound like an AC30 if
you want to, just turn them all the way up. They are
very loud, powerful amplifiers.
“I've also used both the 1176 and the LA-2A for ste-
reo buss compressors – you just have to be a little bit
careful that your mixes don't go one sided. Tom's
[Petty’s] records have often been mixed through
1176s. I've also done that with LA-2As – they are of
course, more inconsistent piece to piece than the
1176s, because of the tubes and the difference in fa-
tigue of the tubes.