Universal Audio Volt 76 series
U
ntil now, UA
seemed happy to
cater to the ‘pro’
market alone. That
changes with the
release of the Volt
interfaces, which
arrive to disrupt the more affordable
end of the audio interfacing world.
Here, we’re focusing on two of the
more eye-catching designs, the Volt
176 and 276.
In the box you’ll fi nd the interface
itself, a USB cable for connection
and another to provide power; whilst
the interfaces are bus-powered, the
option to plug in may be reassuring
for some. Installation is simple.
Follow a link to the UAD website to
download UA Connect, which then
lets you register, install fi rmware
updates, and then download any
items of the bundled software you
like. These include Ableton Live Lite,
Melodyne Essential and assorted
instruments and effects including
LABS from Spitfi re Audio. But let’s be
immediately clear; not only are the
Volt interfaces a departure from the
cost of previous UA designs, they
have a very different remit too.
There’s no UAD plugin hosting,
onboard software processing nor
Console software to confi gure
recording setups. Instead, the Volts
are plug-and-play USB-C interfaces
which offer UA’s excellent preamps
and, in the case of the two units on
review, the added benefi t of some
onboard analogue processing to bring
the fl avour of two legendary Universal
Audio designs to the tracking stage.
To focus on the 276, the interface
is a desktop module, with combo
XLR/TRS inputs on the front panel,
with phantom power (one button for
both inputs), Instrument switches and
a headphone port (with generous
gain), alongside a headphone volume
dial. The upper panel is where the
main action is, with Gain dials per
channel, plus the option to switch in
76 Compressor and Vintage options.
The fi rst speaks for itself, with an
analogue circuit enabling you to
choose 1176-style Vocal, Guitar, Fast
or Off one-button compression at the
recording stage. Whilst the Vintage
option is less explicitly named, it
provides the tube emulation, gentle
saturation, top-end lift of UA’s classic
610 channel. No additional controls
are available for either option; you
won’t fi nd Ratio switch options for the
76 Compressor, for instance. But all
budget interface market with a great
design, a plug-and-play workfl ow and
hard-to-beat audio conversion.
three compression settings give a
characteristic fl avour without going
overboard. Otherwise, the dominant
Monitor dial controls output volume
to speakers, and a blue-lit Direct
button enables direct monitoring by
routing the inputs to the outputs.
Round the back, you’ll fi nd stereo
outputs, the USB connector and MIDI
In/Out ports.
The 176 offers all of the above
but limits itself to one input channel.
The Volts are a radical departure
for UA, offering an affordable taste of
the brand’s key ingredients. They’re
incompatible with plugins from the
UAD store and don’t even work with
UA’s LUNA software. But they
absolutely deserve to shake up the
THE PROS & CONS
+
Classic UA recording
channels with
Vintage and 76
Compressor
embellishments
UA quality at an
affordable price
Attractive, intuitive,
easy to use, plug-
and-play design
-
No scope for
expansion beyond
the limited I/O
If you’re attracted by
UAD’s plugins, the
Volts are not for you
FM VERDICT
9.0
B ad news for other
affordable interface makers:
these are great, with a spritz
of hard-to-resist recording
history magic on top
Brings the fl avour of two
legendary UA designs to the
tracking stage
Universal Audio Volt 76 series | Reviews
75
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