Specifications

GoPro HD Motorsports Hero $299.99/$379.98
Ease of Operation:
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Video Quality:
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Audio Quality:
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Mounting Options:
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Features:
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(w/LCD BacPac
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Accessories
:
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Value:
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(w/LCD BacPac
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Comment:
Highly competent but missing a couple of key features
Sensor Size: 5 MP Resolution: 1080p, 960p, 720p Frame Rate: 30fps (1080p,
960p, 720p), 60fps (720p)
Focal Range: .6m to infinity Aperture: f/2.8 Field of View: 127°
(1080p), 170
°
(720p)
Battery Charge Life: 2.25 hours (claimed)
Card Type: SD/SDHC (32GB maximum) Record Time: 6.4 hours in 1080p on 32GB card (claimed)
Computer Compatibility: Windows ME, XP, Vista, 7, Mac OS X 10.2 and higher Warranty: 1 year
Included with camera: Waterproof housing with swivel/quick-release mount; suction-cup mount with articulated arm; 2 curved
and 3 flat adhesive base-plates; 3-way pivot arm; USB, analog and digital A/V cables; Li-Ion battery
o
all the cameras capable of maintaining proper focus at distances
less than the minimums specified by their manufacturers.
A lens’s aperture rating is basically the amount of light that can
e
nter the camera; lower numbers mean the camera can still “see”
in dimmer light. Some cams also offer metering choices for
c
ontrol over how they regulate their light sensitivity. Center-
weighted metering, for example, gives exposure priority to the
m
iddle of the frame, even if it means under- or over-exposing the
edges. This will preserve image details straight ahead while
riding under a bright sky or through a dark corridor. Exposure
compensation, which allows for an overall increase or decrease
in light sensitivity, is available on some models.
Field of view (FOV), defines how much of the scene a lens
will capture. Wider angles require less precise aiming and
include more of what we normally see with our peripheral
vision, but they also make any one thing (like the rider ahead)
smaller and less distinct. Ultra-wide angles also cause some
“fish-eye” distortion.
Two more lens issues: First, since a lens on a moving vehicle
is subject to impact from vegetation or airborne debris, it’s worth
noting that the GoPro and V.I.O. cover theirs with easily replace-
able shields. Extra protection is available for the Contour and
both Drifts in the form of optional waterproof cases. Lens replace-
ment kits are also available for the GoPro, Contour and the
updated Drift HD.
Second, given that these cams may be mounted at lots of odd
angles, it’s important that most can rotate their lenses to get the
horizon level, independent of camera tilt. The Contour and both
Drifts have lenses that swivel on their cases, and the tubular cam-
era bodies of the V.I.O. and MotoComm can be rotated in their
mounting brackets. The GoPro’s clever mounting brackets have
swiveling hinges, some at right angles to each other, that allow the
camera body to be tilted through wide arcs. This makes leveling
possible, but can also cause the camera to stick out farther—
either an advantage or a liability, depending on the situation.
Finally, because HD recordings are very data-rich, recording
and playback can be compromised by the use of low-grade mem-
ory cards. High-speed cards are more expensive, but they allow
the cams to fully exploit high-resolution and fast frame- and
bit-rate settings. Look for cards rated at least “Class 4” and even
faster cards in some cases (e.g. V.I.O. recommends Class 6 for
its “high” bit-rate setting, and a Class 10 for “very high”).
The Contenders
O
ur selections aren’t the only helmet-cams available, and
comparing some of these to each other is an “apples to oranges”
a
ffair. We deliberately tried to get a broad sample, thinking
that different designs would win out in different applications.
Before you choose your own winner, make sure to visit each
manufacturer’s website to see the accessories available. All
but MotoComm and Liquid Image offer lots of extras, and the
addition of one or more of those may change which cam suits
you best.
All but the MotoComm record video using the H.264 codec
and save files in the common .mov and/or .mp4 format, which
can be played back with most any multimedia software already on
your computer (i.e. Quicktime). The MotoComm uses the .avi file
format, which is also readily utilized. All connect to computers (PC
or Mac) via included USB cables, and all but the Contour supply
A/V cables for playback on adequately equipped TVs. All include
rechargeable Li-Ion batteries except the V.I.O., which comes with
four alkaline AA batteries (upgrade to Li-Ion rechargeable batter-
ies at your own expense). Finally, all use either a MicroSD/SDHC
or SD/SDHC memory card, most with 32GB maximums. Some
come with (modest capacity) cards, others don’t.
Every cam here has some degree of protection against mois-
ture, ranging from the 60-meter depth rating on the GoPro’s
waterproof case to the “water-resistant” Contour and Liquid
Image units. The others are claimed to be waterproof at shallow
depths for limited times. They should all hold up fine against the
occasional splash. But, regardless of weatherproofing, using any
of them in really wet conditions isn’t practical because any water
droplets on their lenses will blur the scene.
Differences in video quality turn out to be rather subtle among
the cams here capable of 1080p. We figure buyers will make
their selections based more on feature sets and available options,
so we’ll cover those in greater depth and dispense with splitting
hairs about picture quality.
Visit us at WWW.MCNEWS.COM
DECEMBER 2011
25
Total Score: 61 or 64 w/BacPac
GoPro Impressions:
The GoPro is the smallest of the self-contained units, although
its case (required for all mounting configurations) and our pre
-
ferred suction-cup mount make it the bulkiest and heaviest once
mounted on a helmet. Basic operation is simple, with two buttons
that are easy to locate and use with gloves on. However, reading
its tiny LCD screen icons and cryptic codes during setup can be
challenging; we had to keep referring to the GoPro’s instructions
long after we’d dispensed with such aids for the other cams.
We can understand GoPro’s placement of the Hero’s “shutter”
(rec/stop) button at the top-right, in the location people would
expect, given that it’s shaped like a regular hand-held camera and
right-handed operation would be preferred by the vast majority of
non-motorcycling users. But this means we either have to take
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