User Manual
Table Of Contents
- English
- Table of contents
- Introduction
- Panels
- Connect your instrument and turn on the power
- Playing programs
- Creating phrases
- Overdubbing a performance by playing along with a recorded phrase
- Applying the Loop Effect to a recorded phrase
- Specifying how the loop will stop
- Resampling
- Applying the limiter to the recorded phrases
- Erasing a loop-recorded phrase
- Loop status
- About the Pre Effect and the Loop Effect
- Control pedal settings
- Restoring the factory settings
- Auto Power-Off function
- Troubleshooting
- Block diagram
- Main specifications
- Français
- Sommaire
- Introduction
- Panneaux
- Connexion de l’instrument et mise sous tension
- Jouer avec des programmes
- Créer des phrases
- Ajout d’un nouvel enregistrement à une phrase
- Traiter une phrase enregistrée avec un effet de boucle
- Mode d’arrêt de la boucle
- Rééchantillonnage (Resampling)
- Traiter les phrases enregistrées avec le limiteur
- Effacer la phrase d’une boucle
- Etat de la boucle (Loop Status)
- Pré-effets et effets de boucle
- Réglages de la pédale d’expression
- Rétablir les réglages d’usine
- Coupure automatique d’alimentation
- Dépannage
- Schéma de principe
- Fiche technique
- Deutsch
- Inhaltsübersicht
- Vorweg
- Bedienelemente
- Anschließen des Instruments und einschalten
- Spielen von Programmen
- Aufzeichnen von Phrasen
- Ergänzen einer Phrase um weitere Parts
- Bearbeiten aufgezeichneter Phrasen mit dem Loop-Effekt
- Festlegen, wie die Schleife endet
- Resampling
- Bearbeiten aufgezeichneter Phrasen mit dem Limiter
- Löschen einer Loop-Phrase
- Loop-Status
- Über den Pre- und Loop-Effekt
- Einstellungen für das Expression-Pedal
- Laden der Werkseinstellungen
- Energiesparfunktion
- Fehlersuche
- Blockschaltbild
- Wichtigste technische Daten
31
About the Pre Effect and the Loop Effect
Stt: STUTTER
This effect produces a tremolo-like impression by applying a
tempo-synchronized gate to the input sound. You can create
rhythmic phrases by using the control pedal to control the
gate’s duty cycle (the duration that the gate is open, relative
to one complete cycle of the gate opening and closing).
This is effective when applied to input sounds that have a
consistent loudness, such as sounds processed by
compression or distortion.
• EDIT knob: Specifies the time signature. The gate will
open and close in synchronization with the tempo and the
time signature you specify here.
1-2: (two beats = half note) 1-8: (eighth notes)
3-8: (one and a half beats) 1-12: 3 (eighth note triplets)
1-3: 3 (half note triplets) 1-16: (16th notes)
1-4: (1 beat = quarter note) 1-24: 3 (16th note triplets)
3-16:
(
dotted eighth notes)
1-32: (32nd notes)
1-6: 3 (quarter note triplets) 1-64: (64th notes)
• Control pedal: Controls the duty cycle that opens and
closes the gate. Advancing the pedal will shorten the
duration that the sound is heard.
Eq: EQ
This models a four-band equalizer.
• EDIT knob: Selects the equalizer type.
LC:Cuts the low-frequency range.
LF: Boosts/cuts the low-frequency range.
CF: Boosts/cuts the mid-frequency range.
CF2: Boosts/cuts the mid-frequency range, and cuts other
ranges.
HF: Boosts/cuts the high-frequency range.
HC:Cuts the high-frequency range.
• PRE FX button + EDIT knob: Adjusts the gain.
• Control pedal: Controls the output level.
dLy: DELAY
This models a delay effect.
• EDIT knob: Selects the delay type.
Sho: Models a short (slap) delay.
dL1: Models a clean-sounding delay.
dL2: Models a tempo-synchronized delay.
An1: Models an analog delay using BBD, distinctive for its
warm distortion.
An2:Models a tempo-synchronized analog delay.
tP1: Models a delay that includes wow, flutter, and
distortion reminiscent of a classic tape echo unit.
tP2: Models a tempo-synchronized tape echo.
• PRE FX button + EDIT knob: Adjusts the delay time.
If you’ve selected the short delay or a delay type that is
not tempo-synchronized, use this parameter to specify the
delay time as a value in the range of 0–10.