User Manual

• Rotary - Because you can’t fit a Leslie speaker on your pedalboard. Type I aims for that traditional
watery sound of a well-oiled Leslie speaker. Type II only spins the horn but still plays the sound out
of the drum. Type III only spins the drum but still plays sound from the horn.
o Type 1: Horn + Drum (Traditional Rotary Speaker)
o Type 2: Horn Only
o Type 3: Drum Only
o X: Cab Simulation - Controls the mix of a physical rotary cabinet model into your signal.
o Depth: Horn width - Controls the width of the two spinning horns. Set lower for a closer
spacing resulting in a more subtle effect and high for wider spacing and a more dramatic effect.
o Rate: Fast/Slow Tune - Use this knob to tune the fast and slow speeds of the speaker. When the
speaker is running slow, use the knob to tune the slow speed up or down slightly. When it is
running fast, use this knob to tune the fast speed up or down slightly.
o Sym: Distance - Controls the amount of distance between the microphones and the rotary
speaker. Also increases the size of the room effect introduced by space.
o Space: Room - For Rotary only, the Lo-Fi parameter space transforms into a tight room simulation.
o Tap/Skip: Fast/Slow/Brake - Press to toggle the rotary speaker between its fast and slow speeds.
Press and hold to brake.
MODULATION PROGRAMS
• Filter - Add tone-shaping movement to your signal with different modulated filters. Type I is
a lowpass filter good for modulated darker tones. Type II is a highpass filter used to creatively
modulate your low frequencies.Type III is a bandpass filter forming a sliding “window” of
frequencies.Drive the filter frequency with the main LFO or do things like set the depth to zero
and turn up the Lo-Fi envelope control to drive the filter frequency with your playing dynamics.
o Type 1: Lowpass Filter
o Type 2: Highpass Filter
o Type 3: Bandpass Filter
o X: Filter resonance - Set low for no resonance and turn up for an audible resonate peak at the
filter’s cutoff frequency.
o Tone: Center frequency: Use the Tone knob to set the selected filter’s center frequency. For
example, in Type I LPF, the lower the Tone knob the darker the tone
o Env: Only on the Filter program is the Envelope effect tied to the filter’s center frequency.
This allows you to create traditional envelope filter effects if desired. Engage the Envelope to
add expressive movement to the filter’s cutoff frequency.
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