ARRIFLEX 235 Instruction Manual As of: May 2005 ALL THEY MUST NOT BE COPIED (E.G. ON IF CD-ROM, YOU ARE DOWNLOADING WE ARTWORK, PICTURES AND TEXTS ARE COVERED BY OUR COPYRIGHT. DISKS OR INTERNET-SITES) OR USED IN THEIR ENTIRE FORM OR IN EXCERPTS WITHOUT OUR PREVIOUS WRITTEN AGREEMENT. PDF-FILES FROM OUR INTERNET HOMEPAGE FOR YOUR PERSONAL USE, MAKE SURE TO CHECK FOR UPDATED VERSIONS. CANNOT TAKE ANY LIABILITY WHATSOEVER FOR DOWNLOADED FILES, AS TECHNICAL DATA ARE SUBJECT TO CHANGE WITHOUT NOTICE.
adjustment knob for lock for telecoping friction adjustment manual image finder arm for finder arm hook for focus tape compensation handgrip mounting point locking key for manual image compensation finder arm power supply socket ground glass eyepiece lock adjustable mirror shutter eyepiece eyecup PL-mount handgrip cover on magazine opening remote-socket shoulder magazine accessory mounting points handgrip Integrated Video Assist IVS PS/CCU-button NORM-button accessory mounting point t
2. Safety Instructions and Legal Disclaimer ..7 2.1. Safety Instructions ........................................7 Warning signs ................................................ 7 General safety instructions ............................... 7 Specific safety instructions ................................ 9 2.2 Disclaimer ..................................................10 3. General Description of the ARRIFLEX 235 ..13 4. Installation of the Camera ........................15 4.1 Packing and Transport ........
Contents 4 8. Optics ..........................................................47 8.1 Lenses .......................................................47 8.2 Viewfinder System ......................................48 The Eyepiece ................................................. 48 Adjusting the Viewfinder ................................. 49 Image Compensation ...................................... 50 9. Camera Operation .....................................53 9.1 Main Camera Switch ...........................
12. Super 35 .................................................145 Converting the Lens Mount Receptacle to Normal 35 ...145 Converting the Bridge Plateto Super 35 ............146 14. Appendix ................................................155 Loose Film Loops in the Magazine.................. 155 Fuses ........................................................... 155 15. Technical Data ........................................161 16. Order Numbers ......................................163 17. ARRI Service ...
Contents
2.1. Safety Instructions General safety instructions Please always follow these instructions to help ensure against injury to yourself and damage to the system or other objects. Read and understand all safety and operating instructions before you operate or install the system. This safety information is additional to the product-specific operating instructions in general and must be strictly observed for safety reasons. They are no substitute to settled down your own safety measures.
Safety Instructions Do not operate the system in high humidity areas or expose it to water or moisture. Do not place the system on an unstable cart, stand, tripod, bracket, or table. The system may fall, causing serious personal injury and damage to the system or other objects. Operate the system using only the type of power source indicated in the manual. Unplug the power cord by gripping the power plug, not the cord.
Never run the camera without a lens or a protective cap in the lens mount receptable! Never operate the movement locking mechanism while the camera is running! As the end-stops of the iris ring on the ARRIMACROS change when the lens is focussed, the ARRIMACROS may not be used with the ARRI Wireless Remote System (WRS) or the Lens Control System (LCS).
Safety Instructions 2.2 Disclaimer Before using the products described in this manual be sure to read and understand all respective instructions. The ARRIFLEX 235 is only available for commercial customers. The customer grants by utilization, that the ARRIFLEX 235 or other components of the system are only deployed for commercial use. Otherwise the customer has the obligation to contact ARRI preceding the utilization.
In the case one or all of the forgoing clauses are not allowed by applicable law, the fullest extent permissible clauses by applicable law are validated. ARRI is a registered trademark of Arnold & Richter Cine Technik GmbH & Co Betriebs KG. Note: This product and the accessories recommended by the manufacturer fulfill the specifications of the EU-Guideline 89/336/EWG.
General Description
The ARRIFLEX 235 is a compact, lightweight MOScamera. • Operational parameters can be set directly on the camera. • The frame rates range from 1 – 60 fps for forward and 25 fps in reverse running. • The ARRIFLEX 235 is equipped with a low-maintenance, 5-link movement with single transport claws and registration pins. • The mechanically adjustable mirror shutter on the ARRIFLEX 235 can be set to 45°, 60°, 75°, 90°, 105°, 120°, 135°, 144°, 150°, 172,8° and 180°.
Installation magazine opening cover movement in locked position 14 loop protector
4.1 Packing and Transport In order to prevent damage to the mirror shutter, a protective cap must be on the lens mount receptacle at all times. When transporting the camera, pay attention that the movement is in the locked position ➪ photo. If the ARRIFLEX 235 is transported or stored without a magazine, the magazine opening cover ➪ photo should be attached.
Installation 4.3 Riser Plate To use the ARRIFLEX 235 together with a bridge plate on a tripod, it is necessary to bring the camera into the correct position to the support rods. To do this, a riser plate is mounted to the bottom of the camera onto which the bridgeplate can be mounted. Attaching the Riser Plate mounting screws 4.4 Bridge Plates BP-8, BP-9 base plate support rods 16 • Fasten the riser plate with the two mounting screws ➪ photo using a 5mm allen key.
The upper plate of the bridge plate can be converted for use with Super 35. This ensures that the accessories are also exactly adapted to the displaced optical center of the Super 35 format. See also Chapter 12, Super 35. riser plate sliding upper plate Attaching the Bridge Plate to the Camera • Fasten the sliding upper plate ➪ photo with the two slit screws to the camera base. Both cylindrical pins ➪ photo (twist prevention) must glide into the holes.
Installation Removing the Camera from the Tripod • Before removing the camera make sure that all cables are disconnected and that the eyepiece leveling rod is detached. sliding upper plate stop pin • For fast removal of the camera from the tripod, loosen the clamping lever ➪ photo, push in the stop pin ➪ photo and then pull the camera with the upper plate ➪ photo from the base plate.
The lens support consists of the lens support LS-7 (can be snapped onto 19 mm support rods) ➪ photo or the lens support LS-8 (can be pushed onto 15 mm support rods) and the respective lens support ring ➪ photo for the lens in use. lens support lens support ring clamp screw base plate LS-8 • Mount the lens support onto the support rods from above and let it click into place by applying slight pressure (push the LS-8 onto the support rods from the front). Installation 4.
Installation 4.6 Grip System additional 3/8“ mounting point The multipurpose grip system on the ARRIFLEX 235 guarantees high stability through its fixed connection to the camera body and provides numerous possibilities for attaching accessories. 3/8“ inner threads allow attachment in various positions. The versatile system adapts to all needs depending on the magazine used with the camera.
The low mode handle is a triple post handle. It can be mounted to the camera using 3 hexagonal screws ➪ photo. handle extension block To the low mode handle various accessories can be attached using the 3/8” holes. The low mode handle can be extended with the handle extension block ➪ photo.
Installation Low Mode Support LMS-1 low mode support handle low mode riser low mode bracket hexagonal screws low mode bracket The Low Mode Support LMS-1 ➪ photo is a sturdy triple post camera handle with integrated Steadicam low mode plate that attaches to the 235 camera body. It consists of the Low Mode Bracket (K4.65142.0) ➪ photo, the Low Mode Support Handle (K4.65140.0) ➪ photo and Low Mode Riser (K4.65141.0) ➪ photo and is compatible with all magazines.
A measuring tape hook is located camera right on the Low-Mode Bracket, and both the Low-Mode Bracket and Low-Mode Riser offer diverse attachment points for additional accessories. support rods Side Bracket screws Installation With the Low-Mode Riser, plate-to-lens distance is increased, but the plate level is now above the level of the viewfinder; a longer plate attached to the Riser will not collide with the viewfinder.
Installation 4.7 Operation from the Shoulder The shoulder cushion can be used with or without the riser plate. • Attach the shoulder pad to the camera body by aligning the velcro® tapes ➪ photo. • Position the handgrip on the rosette and fasten with the fastening screw ➪ photo. velcro® tape shoulder pad • Plug the cable for starting and stopping the camera into the RS-socket.
battery NC 24/7R The acceptable voltage range is from 20.6 to 35 V DC. The power supply cable is attached to the power supply socket on the camera. Available are: • • • • the battery NC 24/7 R with charger NCL 24 R the mains unit NG 12/24 R. the mains unit NG 12/26 R ➪ photo. the on-board battery OBB-1 with charger ➪ photo. NC 12/26 NCL 24 R Power Supply 5. Power Supply • First switch on the mains unit (if used). • Connect the camera to the mains unit or to the battery.
Power Supply 5.1 Battery NC 24/7 R 5.2 Charger NCL 24 R The battery NC 24/7 R has a capacity of 7 ampere-hours. With this charger the battery NC 24/7 R can be charged. • Ensure that the main switch on the camera is off. • First check whether the correct mains voltage is set on the charger. • Plug the battery cable KC 20S or the spiral battery cable KC 29S into the power supply socket on the camera and into the battery-socket.
5.4 Mains Unit NG 12/26 R Use of the mains unit is recommended for filming in the studio and when using electronic accessories with a high power consumption. Use of the mains unit is recommended for filming in the studio and when using electronic accessories with a high power consumption. • First check that the correct mains voltage is set on the mains unit. • First check that the correct mains voltage is set on the mains unit. • Ensure that the main switch on the camera is off.
Power Supply 5.5 Accessory Power Supply 24 V Accessories The RS-sockets supply the same voltage as the camera power supply. Ensure that the accessories to be used are suited to the available voltage! 24 V accessories are normally attached to the RS-sockets ➪ photo. At 24 V, the available continuous current for both sockets together is 3 A maximum, the peak load 5 A.
In addition to the new 235 magazines, all ARRIFLEX 435, ARRIFLEX 35 III and 35 II magazines – with the exception of the shoulder magazine and all 300m/1000ft magazines – can be used. Reverse operation with the ARRIFLEX 35 III/35 II 60m and the 235 shoulder magazines can lead to damage of the magazine or the camera! Do not use any 300m/1000ft magazines as they could damage the camera. Magazine Do not use magazines that hold more than 120m/400ft loads. The camera automatically stops after a full load.
Magazines 6.1 Loading the Shoulder Magazine Loading the magazine should be practised in daylight with a piece of test film until the procedure can also be carried out confidently in a darkroom or film changing bag. Cutting the film through the middle of the perforation holes simplifies the loading process considerably. The ARRI Film Cutting Gauge ➪ photo simplifies cutting in the darkroom.
• Flip up the hinged locking clip on the feed shaft ➪ photo. • Place the film roll on the feed shaft, ensuring that the feed shaft catch engages the slot on the plastic core. • Press down the hinged locking clip on the feed shaft. • By turning the drive gear counter-clockwise, transport the film further until it reaches to the loop length marking ➪ photo. Ensure that the film is lying flat against the outside of the magazine housing.
Magazines • By again turning the drive gear counter-clockwise, transport the film inside the magazine. • Flip up the hinged locking clip on the take-up shaft ➪ photo. • Place an empty film core on the take-up shaft. Ensure that the take-up shaft catch engages the slot on the plastic core. • Press down the hinged locking clip on the take-up shaft. • Insert the film into the slit of the film core ➪ photo. • Wind the film on several revolutions until it is certain that the film is firmly seated on the film core.
Magazines Note: To tension the film in the magazine, press in both tensioning plates ➪ photo and turn outwards.
Magazines 6.2 Removing Exposed Film roller arm The following steps should be carried out in a darkroom or a changing bag! • Check if the entire film has been wound into the interior of the magazine. If not, transport the film into the magazine by turning the drive gear counter-clockwise. • To open the cover, depress the safety catch and flip the locking grip upwards. Then turn the grip counter-clock-wise. • Lift up the cover and remove it by pulling it to the left.
Magazines 6.3 Transport and Storage Loaded or empty magazines should only be transported or stored with the loop protector ➪ photo attached to avoid damage to the film stock and the magazine throat assembly. If the ARRIFLEX 235 is transported without a magazine it is recommended to attach the magazine opening cover ➪ photo.
7.1 Mechanically Adjustable Mirror Shutter The mirror shutter on the ARRIFLEX 235 can be mechanically adjusted while the camera is switched off. The shutter angle can be adjusted from 45° to 180°. The shutter locks in the following positions: 45°, 60°, 75°, 90°, 105°, 120°, 135°, 144°, 172,5°, and 180°. Setting the Mirror Shutter Angle inching knob Camera Body 7.
Camera Body shutter tool • Insert the shutter tool ➪ photo fully into the holes to unlock the shutter blade and to hold the shutter in ist position. • Turn the movement inching knob to set the shutter to the desired shutter opening. Make sure the shutter registers properly at the set opening. • Pull out the shutter tool.
When lighting scenes with HMI/CID-discharge lamps, the pulsing light intensity is dependent on the supply frequency. To achieve constant exposure, the camera’s frame rate, the supply frequency of the lighting and the angle of the mirror shutter must all relate to each other. As the camera frame rate and the supply frequency of the lighting are normally given, compensation must be carried out through the angle of the mirror shutter.
Camera Body 7.2 Exchanging the Ground Glass ground glass tongue • By briefly depressing the “PHASE”-button in standby, the shutter is positioned to protect the mirror surface from damage as far as possible ➪ photo. • Before exchanging the ground glass, switch the camera’s main switch off and disconnect the camera from the power supply! • Remove the lens or the protective cap.
The ARRIFLEX 235 features a 5-link movement, equipped with ball-bearings for low maintenance. spacer gate handle Camera Body 7.3 Movement locking lever Never operate the movement locking mechanism while the camera is running! Removing the Spacer Plate • Open the movement by turning the inching knob ➪ photo until the mark aligns with the mark on the movement and then turn the movement locking lever ➪ photo towards the “OPEN“ position. • Press the spacer plate backwards by its handle ➪ photo.
Camera Body 7.4 Attaching the Magazine, Threading the Film • Pull the magazine release lever ➪ photo back and remove the cover. • Open the camera door. • Remove the loop protector from the magazine. When attaching the magazine, pay attention that the film does not get caught between the magazine and the dovetail on the camera opening! • Position the back part of the magazine’s throat assembly on the lower dovetail of the camera opening.
The magazine drive gear engages automatically. In case it does not engage properly, turn the magazine drive gear slightly and try again. • Check that the magazine is firmly seated. • Open the movement by turning the inching knob ➪ photo until the mark aligns with the mark on the movement and then turn the movement locking lever ➪ photo towards the “OPEN“ position. • With your right hand pull the film loop downwards out of the camera ➪ photo.
Camera Body Note: Before the movement block is swung forwards, make sure that the film is correctly positioned in relation to the film gate over the entire area, otherwise the film may be damaged! • Turn the movement locking lever counter-clockwise as far as it will go. This will cause the movement block to swing forwards and to lock into position. • By turning the inching knob ➪ photo, check that the film runs smoothly. • Close the camera door.
If the film has not run through the camera completely: If the entire film has run through the camera: • Open the camera door. • Open the movement by turning the inching knob ➪ photo until the mark aligns with the mark on the movement and then turn the movement locking lever ➪ photo towards the „OPEN“ position. • Pull out the film loop sideways from between the movement block and the film gate. • Bring the loop into the area between the movement block and the magazine throat assembly.
8.1 Lenses All ARRIFLEX lenses with a PL-mount can be used. Lenses with a Ø 41 mm standard or bayonet mount cannot be used. Heavy and long lenses, such as zoom-lenses, must be supported at all times. bayonet ring index pin Optics 8. Optics Attaching Lenses • Remove the protective cap from the lens mount receptacle by turning the bayonet ring ➪ photo counter-clockwise as far as it will go and then pulling out the protective cap. Never put your fingers into the lens mount receptacle.
Optics 8.2 Viewfinder System The viewfinder system on the ARRIFLEX 235 can be swivelled in two axes. The viewfinder image is always upright and correct left-to-right when the viewfinder is swivelled within the main axes ➪ photo. knurled ring (eyepiece) eyepiece An 80/20 beamsplitter for the video assist is integrated into the camera body. The viewfinder and the video assist can be used independently from each other.
Optics Adjusting the Diopter The diopter compensation is fitted with a scale ➪ photo of 1 to 12. Position “6” is normal focus. • To adjust, turn the ring right/left until the ground glass markings are totally in focus. Adjusting the Viewfinder Turning the Eyepiece The eyepiece can be rotated 360° around the viewfinder arm. The eyepiece is held in position by friction. • To set friction, turn the knurled knob ➪ photo right/ left until the desired friction has been reached.
Optics Note: The unlocking key can be locked in ist open position by turning it. Extending the Viewfinder Arm viewfinder arm knurled ring The viewfinder arm can be telescoped continuously by approx. 40 mm. • Turn the knurled ring ➪ photo towards the “LOOSE” position. • Pull the viewfinder arm ➪ photo out to the desired length. • Retighten the knurled ring. Image Compensation The viewfinder system is fitted with an automatic image compensation mechanism.
Optics Reactivating Image Compensation • Turn the adjustment knob ➪ photo until it locks in position. Do not depress the locking key. Note: The automatic image compensation locks in two positions, 180° apart. This allows the image compensation to be set to provide an upright image when using a finder extension. If the viewfinder image is inverted without the finder extension, the image compensation must be adjusted to the opposite locking position.
Optics
Camera Operation 9. Camera Operation 9.1 Main Camera Switch • First switch on the mains unit (if used). • Connect the camera to the mains unit or to the battery. • Push the “ON/OFF” button ➪ photo to turn the camera on. Push the “ON/OFF” button for approx. 3 seconds to turn the camera off again. Note: When the camera power cable is unplugged and then plugged in again, the camera will be on or off depending on ist state before the camera cable was unplugged. ON/OFF button RUN button 9.
Camera Operation • Briefly depress the “RUN”-button. While the camera is running up, the operation control indicator ➪ photo glows red. Once the set frame rate has been reached, the operation control indicator turns green. ON/OFF button Stopping the Camera • Again depress the “RUN”-button ➪ photo briefly. While the camera is running down the operation control indicator glows red. The mirror shutter automatically stops in a position that enables unrestricted viewing through the viewfinder.
Inching can be started by depressing the “PHASE”-button while the camera is in standby. If the “PHASE”-button is only briefly depressed, the mirror shutter rotates half a revolution to enable an unrestricted view of the film gate (e.g. for checking the gate). If the “PHASE”-button is held depressed longer, the camera will inch forward at approx. 1 fps. The upper line of the display indicates the measured shutter angle, the lower line the measured voltage of the power supply.
Camera Operation Overview of Display Modes Mode 1 is displayed: after switching on the camera, after depressing the “RUN”-button or 30 seconds after the last operation.
Symbol Meaning glows The display is in Mode 1. bat glows Battery voltage too low asy glows Asynchronous operation fps glows display shows current frame rate blinks ESU is connected (camera is not running at set frame rate) and no sync-frequency is available 8 7 6..
Camera Operation Film Counter Displaying the Film Counting Values (Modes 1 and 3) Mode 1 Mode 3 take length or total exposed film total exposed film or takelength Film counting values are shown in Modes 1 and 3. Two different counting values are shown respectively: • the total amount of exposed film or • the take length (amount of film used in an individual take) A “t” in the first digit of the upper display line indicates the display of take length.
The display configuration can be set individually. The two shown combinations are possible: The desired display configuration can be set in Mode 3: • Change from Mode 1 to Mode 3 by depressing the “MODE”-button twice. • Depress the “SEL”-button twice; the first digit in the upper display line blinks. • Within three seconds, depress the “SET”-button. • The currently set counting value of Mode 3 is displayed. The corresponding counting value in Mode 1 is automatically altered.
Camera Operation 60 Frame Rates PS/CCU button NORM button The ARRIFLEX 235 offers the possibility to set and store two frame rates. It is possible to select and store: • a standard frame rate (23.976, 24, 25, 29.97 and 30 fps), • and a freely programmed frame rate in increments of 0.001 fps. The frame rate is activated via the “NORM PS/CCU”buttons ➪ photo on the right of the camera. The “NORM”-setting corresponds to the standard frame rate, the “PS/CCU”-position to the freely programmed frame rate.
Standby Operation • Change from Mode 1 to Mode 2 by depressing the “MODE”-button once. • Depress the “SEL”-button repeatedly until the digit to be set blinks. • Depress the “SET”-button repeatedly until the desired value is reached. • Repeat this procedure until all digits are set to the desired values. A final confirmation of the set frame rate is not necessary. Note: The frame rate can be set between 1 and 60 fps forward and 25 fps reverse.
Camera Operation Fine-Tuning the Programmed Frame Rate (PS-Mode) PS/CCU button NORM button Shifting Phase To film quartz-synchronized monitors, hold the “PHASE”button ➪ photo depressed after the camera has run up until the horizontal bar is no longer visible in the viewfinder. The frame rate will increase by 0.2 fps while the button is depressed.
Setting the brightness of the button illumination • Change from Mode 1 to Mode 4 by depressing the “MODE”-button three times. • Depress the “SEL”-button three times to activate the display for setting the button illumination. • Select the desired brightness using the “SET”-button. 0…off 3…maximum brightness Camera Operation Displaying the Power Supply Voltage (Mode 3) • Change from Mode 1 to Mode 3 by depressing the “MODE”-button twice. The power supply voltage is shown in the lower line of the display.
Camera Operation 64 Display Warning tone on start Warning tone on stop LS _ _ off off LS – _ on off LS _ – off on LS – – on on Switching On and Off the Warning Signal for Asynchronous Running (Mode 4) Standby Operation • Change from Mode 1 to Mode 4 by depressing the “MODE”-button three times. • By depressing the “SEL”-button once, activate the display for setting the warning signal. • Within three seconds, depress the “SET”-button to select one of the four settings.
setting Changing the Run up Speed: LO 25f/s2 HI 40f/s2 In menu 5 the run up speed can be changed in two steps. The faster run up speed uses less film, but sometimes when Steadicams or a very long power cable is used a longer run up time is easier on the batteries. • Depress the “SEL“-key until the desired run up speed blinks. • Select the desired run up speed by pressing the “SEL”button. Displaying software versions • Press “SET“ for three seconds in the rampspeed menu: the first line will display Sxx.
Camera Operation flicker-free on/off white balance gain control outdoor/indoor activate on screen program mode or store position of inserted window or store user text outdoor/manual increase gain or cursor up or move inserted window up or increase blue increase format numbers or go to submenu or increase values or increase red Y-adjustment X-adjustment decrease format numbers or go into submenu or decrease values or decrease red È/C decrease gain or cursor down mini-monitor clean video or move in
image rotation focus 10.1 General Description of the IVS The Integrated Video-Assist System (IVS) for the ARRIFLEX 235 brings the highly praised video assist systems from the ARRIFLEX 435 and ARRICAM to the ARRIFLEX 235. It reassembles the IVS 435 control structure and of course offers the same unsurpassed image quality combined with a state-of-the-art inserter to add frame lines, camera status and text to the video image.
Video-Assist-System 68 • Full white balance control In addition to the standard indoor white balance setting witch 3200 K, an outdoor setting with 5600 K and an automatic adjustment, red and blue channel can be fine tuned for manual white balance • Camera status display Camera status information, e.g. camera speed and film counter data are passed on a bus interface from the camera to the video assist and can be displayed in a camera status line on the monitor.
• Image compare function It is possible to store a particular image and compare it against other images. This clearly shows the difference between the images, e.g. during stop effect shots. • Automatic and manual gain control The gain is controlled automatically to its best value but can also be set manually. • Mini monitor connector The IVS offers a connector for a 12 V LCD mini monitor with an even increased output power up to 1.5 A. Note: The IVS package already includes a lens for Super 35, a 1.
Video-Assist-System 70 10.2 Setup 10.2.1 Installation A 1.5 mm allen key and a 3 mm allen key are used. Take the handle and the transport cover off the camera. handle • To take the handle off, open the two screws on the base of the handle ➪ photo with a 3 mm allen key and remove the handle. screws for handle • To take the transport cover off, open the two screws ➪ photo with a 3 mm allen key and remove the transport cover.
• Pull off the plastic cover over the contacts. • Attach the video assist onto the ARRIFLEX 235 by moving it in the marked direction. The wedge on the IVS should mate with the matching dovetail on the camera body ➪ photo. dovetail cover on the IVS plastic cover for contacts Video-Assist-System • To get the transport cover of the video assist off, open the screws on the IVS ➪ photo with a 3 mm allen key and remove the transport cover to the rear.
Video-Assist-System • Push the IVS as shown until the gap between the camera and the IVS closes. handle • Close the screws on the IVS ➪ photo with a 3 mm allen key. • Remount the handle ➪ photo and close the screws on the base of the handle with a 3 mm allen key. screws for IVS 10.2.
Composite video is only available if the output is switched to VBS out. • To switch to composite video (VBS mode), enter the main menu by pressing the Enter/Insert key Ñ for more than 3 seconds. Go to sub menu VIDEO/TEXT ADJUST. The menu line BNC OUT can be switched between VBS and Y/C. See chapter 10.4 Inserter Facilities for information on the on-screen program mode. MENU VIDEO/TEXT ADJUST -> - FLICKERFREE - LINE INTERP. - BNC OUT Y/C DATA - MINI MON DATA ON ON VBS - TXT WHITE LEV.
Video-Assist-System 74 MENU VIDEO/TEXT ADJUST -> - FLICKERFREE LINE INTERP. BNC OUT Y/C DATA MINI MON DATA - TXT WHITE LEV. - TXT INVERS - TXT FINE POS. - EXIT ON ON Y/C ON 2 ON 2 Y/C Output In comparison to the composite outputs, the Y/C outputs offer the even better S-VHS quality. There are also normal video and video with data signals available. Y/C video is only available if the output is switched to Y/C out. • Use the on-screen program mode to switch between composite and Y/C.
• To switch between normal video and video with data, use the on-screen program mode. Enter the main menu by pressing the Enter/Insert key Ñ for more than 3 seconds. Go to sub menu VIDEO/TEXT ADJUST. The menu line Y/C DATA, which can only be reached if BNC OUT is on Y/C, switches between normal video and video with data on the Y/C signal. The line displays Y/C DATA ON or OFF. See chapter 10.4 Inserter Facilities for information on the on-screen program mode.
Video-Assist-System 76 MENU VIDEO/TEXT ADJUST -> - FLICKERFREE LINE INTERP. BNC OUT Y/C DATA MINI MON DATA - TXT WHITE LEV. - TXT INVERS - TXT FINE POS. - EXIT ON ON Y/C ON ON 2 ON 2 Black and White Output The Y part of the Y/C output is a standard black and white signal. To get black and white, use a standard BNC cable with 75 Ω connected to the É/Y output and switch to Y/C out. Black and white or Y signal is only available if the output is switched to Y/C out.
In the normal video output almost no electronic information is inserted. Only a rolling bar at the lower left corner of the video image indicates a running film camera. In the video with data output, additional data such as format marks or camera status information can be inserted. The É/Y socket is standard BNC for 75 Ω video outputs ➪ photo. Video-Assist-System • To switch between normal video and video with data, use the on-screen program mode.
Video-Assist-System MENU VIDEO/TEXT ADJUST -> - FLICKERFREE LINE INTERP. BNC OUT Y/C DATA MINI MON DATA - TXT WHITE LEV. - TXT INVERS - TXT FINE POS. - EXIT ON ON Y/C ON ON 2 ON 2 Mini Monitor Output The IVS has a connector for a standard mini-monitor. As there is only one mini monitor connector, it is possible to switch between normal video and video with data on this output. • To switch between normal video and video with data on the mini monitor output, use the on-screen program mode.
The IVS can be used like a standard video assist if no inserter features are used. Note: switch All currently used settings are stored even if the IVS or the camera is switched off. After restarting the IVS the settings are unchanged, except for the image stored mode, which will always come up in live mode. 10.3.1 Switch On, Off and Check/Hide Menu The IVS can be switched on and off independently from the film camera, as long as the film camera has power.
Video-Assist-System Hide Menu image rotation focus iris If the on-screen program mode is on because the settings are changed, the Menu (M) position clears the screen. For example, if color is to be changed with the on-screen program tool, the on-screen program window overlays the image. To see the image and its color appearance, go to M position. The window disappears but the on-screen program mode is still on. By releasing the switch, the window will come back in the programming mode. 10.3.
Ò alignment If the mechanical iris is closed more than necessary, the IVS will compensate by increasing the gain and improve the image brightness electronically. This creates additional electronic noise. To avoid this, open the mechanical iris. • To change the iris, turn the wheel with the iris symbol Õ. 10.3.3 Alignment of the image position (X-, Y- and Rotation) and focus The position of the image on the CCD-Chip and its focus can vary slightly from camera to camera.
Video-Assist-System 10.3.4 White Balance (WB) The IVS offers a choice for White Balance between • an automatic control (AWB) • fixed setting of indoor (IND) • fixed setting for outdoor (OTD) • and a full manual control of white balance (MAN). White balance can be adjusted in two different ways. It is possible to control it using the keyboard on the IVS or using the on-screen control menu. Using the Keyboard Check all settings on the connected monitor.
Please see chapter 10.4 Inserter Facilities for basics on the On-Screen display. MENU WB/GAIN -> In parallel to the control via keyboard, the white balance can also be programmed via the on-screen menu. • Enter the main menu by pressing the Enter/Insert key Ñ for more than 3 seconds. Go to sub menu WB/GAIN. Move the cursor > with the keys Ê and Ë to the line – WHITE BALANCE.
Video-Assist-System 84 Manual White Balance red increase/decrease MENU WB/GAIN -> - WHITE BALANCE RED BLUE MAN 30 39 - MANUAL GAIN VALUE OFF - EXIT Manual white balance red increase/decrease is only available if white balance control is on manual. If manual white balance is on MAN, it is possible to adjust the red and blue saturation of the video image manually. • Move the cursor > with the keys Ê and Ë to the line – RED.
Manual white balance blue increase/decrease is only available if white balance control is on manual. If manual white balance is on MAN, it is possible to adjust the red and blue saturation of the video image manually. • Move the cursor > with the keys Ê and Ë to the line – BLUE. Pressing the key Í will increase the blue in the video image; the key Ì will decrease it. The range for this is from 0 (lowest) to 63 (highest).
Video-Assist-System 86 Using the Keyboard Check all settings on the connected monitor. • By pressing the WB key Ï the setting alters between manual and automatic control. An illuminated LED shows the setting manual gain control (MGC) ➪ photo. 10.3.5 Gain Control The IVS can change the brightness of the video image electronically. This gain control can be automatic or manual. If the automatic control is selected, the IVS outputs the best possible image brightness at all the time.
MENU WB/GAIN Please see chapter 10.4 Inserter Facilities for basics on the On-Screen display. In parallel to the control via keyboard, the manual gain control can also be programmed via the on-screen menu. Manual gain control can be switched on or off. If it is on, specific values can be set between 0 (low gain) and 63 (high gain). • Enter the main menu by pressing the Enter/Insert key Ñ for more than 3 seconds. Go to sub menu WB/GAIN. Move the cursor > with the keys Ê and Ë to the line – MANUAL GAIN.
Video-Assist-System 88 Manual Gain increase/decrease MENU WB/GAIN -> - WHITE BALANCE RED BLUE MAN 30 39 MANUAL GAIN VALUE ON 40 - EXIT Manual gain increase/decrease is only available if manual gain control is on. • Move the cursor > with the keys Ê and Ë to the line – VALUE. Pressing the key Í will increase the gain; the key Ì will decrease it. The range for this is from 0 (lowest gain) to 63 (highest gain).
Flicker free can be switched off to bypass the digital frame store and have the video assist output with no delay. The film camera runs normally at a different speed than the video assist. E.g. the film camera runs at 24 fps and the video assist at 25 fps for PAL or 30 fps for NTSC. This would normally cause different brightness of the individual video image.
Video-Assist-System 90 MENU VIDEO/TEXT ADJUST -> - FLICKERFREE - LINE INTERP. - BNC OUT Y/C DATA - MINI MON DATA ON ON VBS - TXT WHITE LEV. - TXT INVERS - TXT FINE POS. 2 ON 5 - EXIT ON Using the on-screen menu Please see chapter 10.4 Inserter Facilities for basics on the On-Screen display. In parallel to the control via keyboard, the flicker free off can also be programmed via the on-screen menu. • Enter the main menu by pressing the Enter/Insert key Ñ for more than 3 seconds.
The IVS can insert different format markings. It is possible to have • no format marking (OFF), • format marking number one (1), • format marking number two (2) • or both format markings at the same time (1 & 2) on display. Using the Keyboard The adjustment of the different format markings can only be done via the on-screen display as described in chapter 10.4.6 Format Marking Menu. However, it is possible to select which format markings are displayed via the keyboard.
Video-Assist-System 92 Using the on-screen menu MENU FORMAT MARKING -> - FORMAT POSITION 1 Ö POSITION 1 Ü POSITION 2 Ö POSITION 2 Ü WHITE LEVEL OUTSIDE - EXIT OFF Please see chapter 10.4 Inserter Facilities for basics on the On-Screen display. In parallel to the control via keyboard, the format marking number can also be programmed via the on-screen menu. • Enter the main menu by pressing the Enter/Insert key Ñ for more than 3 seconds. Go to sub menu FORMAT MARKING.
The IVS can store one particular image, display that or overlay it against the live image in front of the camera to compare both images. Although the functions to display a stored image and to compare a stored image against a live image are only available in the on-screen program mode, it is possible to store an image any time using the Enter/Insert key Ñ. Using the Keyboard • Pressing the Enter/Insert key Ñ shortly (less than 1.5 seconds) will store an image in the frame store.
Video-Assist-System 94 Using the on-screen menu MENU COMPARE/STORE - VIEW MODE -> - STORE IMAGE - CLEAR IMAGE - EXIT LIVE Please see chapter 10.4 Inserter Facilities for basics on the On-Screen display. • Enter the main menu by pressing the Enter/Insert key Ñ for more than 3 seconds. Go to sub menu COMPARE/STORE. Move the cursor > with the keys Ê and Ë to the line – STORE IMAGE. Pressing the key Í or Ì will store the image. The word DONE will appear for a few seconds to show that an image was stored.
In addition to the usual video assist functions, the IVS offers a variety of inserter facilities. There are two different groups of information: • Format markings Format markings, which are inserted electronically, are often more visible than format markings on the ground glass. • Man readable information Camera status System line Additional text All inserted data are only available at the outputs Video with data. All engravings from the ground glass (e. g. TVSafe etc.
Video-Assist-System • Within sub menus the cursor > can be moved up and down again by pressing the key Ê or Ë. The keys Í or Ì will now change settings (e. g. switch the insertion of a user text window on and off), or activates functions (position mode of a window or EXIT). • If the windows position mode is activated, the keys Ê or Ë will move the window across the video image. To leave the position mode press the Enter/Insert key Ñ shortly.
The inserter’s main menu is displayed on the monitor screen when the on-screen programming is activated by pressing the Enter/Insert key Ñ ➪ photo for more than three seconds. An illuminated LED indicates that the onscreen programming is activated.
Video-Assist-System 10.4.3 Load/Store Menu MENU LOAD/STORE -> - LOAD SET 1 - STORE SET (CONFIRM BY ENTER) 1 - SET ALL SETTINGS TO DEFAULT - EXIT The IVS can store up to 6 sets of settings and recall them. Thus it is possible to make all settings for e.g. indoor shooting and store them as setting 1. Shooting continues with some exterior scenes and the operator will make all settings for this and store them as setting 2.
It is possible to load one out of six settings. Those new settings will influence all adjustments that can be made electronically. MENU LOAD/STORE -> The new settings will immediately replace the previous settings. If the old settings might be needed, store them first as described in the next chapter Store Settings. • Move the cursor > with the keys Ê and Ë to the line – LOAD SET. Pressing the key Í will switch from 1 to 2 all the way up to 6 and back to 1, the key Ì will switch in the opposite direction.
Video-Assist-System All Standard MENU LOAD/STORE -> - LOAD SET 4 - STORE SET (CONFIRM BY ENTER) 4 - SET ALL SETTINGS TO DEFAULT - EXIT ARE YOU SURE? (NO UNDO) -> - NO - YES - EXIT After the function set all settings to default was called, all settings are cleared. They cannot be recalled. This menu recalls a default setting of all values. By this, it is possible to obtain basic setting for the IVS. • Move the cursor > with the keys Ê and Ë to the line – SET ALL.
WB = INDOOR Manual Gain with GAIN = 0 Flicker free = ON Line Interpolation = ON Y/C data = ON BNC OUT = VBS Mini-Monitor Data = ON Format 1 = ON Format 2 = OFF WHITE LEVEL frame lines = 2 OUTSIDE AREA = DARK VIEW MODE = Live (Frame store is cleared) SYSTEM ZEILE = ON STATUS ZEILE = ON Background STATUS/SYSTEM = boxed Film counter ON and on FOOTAGE USER TEXT LINE OFF Background User Text line = boxed Size = Small White Level Text = 2 Inverse = OFF Vert Pos = 5 MENU LOAD/STORE - LOAD SET 4 - STORE SET (CON
Video-Assist-System 10.4.4 White Balance (WB) and Manual Gain Control (MGC) Menu -> - WHITE BALANCE RED BLUE IND - MANUAL GAIN VALUE ON 0 Changing them immediately activates all settings. Check all settings on the connected monitor. - EXIT • Enter the WB/Gain submenu from the main menu. White Balance (Indoor/Outdoor/Automatic/Manual) In parallel to the control via keyboard, the white balance can also be programmed via the on-screen menu. It toggles from Indoor, Outdoor and Automatic to Manual.
MENU WB/GAIN -> Manual White Balance red increase/decrease Manual white balance red increase/decrease is only available if white balance control is on manual. - WHITE BALANCE RED BLUE MAN 30 39 - MANUAL GAIN VALUE OFF - EXIT If manual white balance is on MAN, it is possible to adjust the red and blue saturation of the video image manually. • Move the cursor > with the keys Ê and Ë to the line – RED. Pressing the key Í will increase the red in the video image; the key Ì will decrease it.
Video-Assist-System Manual White Balance blue increase/decrease MENU WB/GAIN -> - WHITE BALANCE RED BLUE MAN 30 39 - MANUAL GAIN VALUE OFF - EXIT Manual white balance blue increase/decrease is only available if white balance control is on manual. If manual white balance is on MAN, it is possible to adjust the red and blue saturation of the video image manually. • Move the cursor > with the keys Ê and Ë to the line – BLUE.
In parallel to the control via keyboard, the manual gain control can also be programmed via the on-screen menu. Manual gain control can be switched on or off. If it is on, specific values can be set between 0 (low gain) and 63 (high gain). If it is off, an automatic mode is active. MENU WB/GAIN -> • Move the cursor > with the keys Ê and Ë to the line – MANUAL GAIN. Pressing the key Í or Ì will switch manual gain control off and on. If manual gain control is on, the display will change.
Video-Assist-System 106 Manual Gain increase/decrease MENU WB/GAIN -> - WHITE BALANCE RED BLUE IND - MANUAL GAIN VALUE ON 40 - EXIT Manual gain increase/decrease is only available if manual gain control is on. If manual gain is on, it is possible to adjust the gain manually. • Move the cursor > with the keys Ê and Ë to the line – VALUE. Pressing the key Í will increase the gain; the key Ì will decrease it. The range for this is from 0 (lowest gain) to 63 (highest gain).
MENU WB/GAIN Use exit to return to the main menu. • Move the cursor > with the keys Ê and Ë to the line – EXIT and press the key Í or Ì. - WHITE BALANCE RED BLUE IND Note: - MANUAL GAIN VALUE ON 40 Pressing the Enter/Insert key Ñ for more than three seconds will cause the system to exit the on-screen programming mode completely, regardless of which menu is activated, with the exception of the positioning mode.
Video-Assist-System 108 10.4.5 Video and Text Adjustment Menu MENU VIDEO/TEXT ADJUST -> - FLICKERFREE - LINE INTERP. - BNC OUT Y/C DATA - MINI MON DATA ON ON VBS - TXT WHITE LEV. - TXT INVERS - TXT FINE POS 2 ON 5 - EXIT ON This sub menu allows to change basic video settings as well as the appearance of the inserted man readable text. Changing them immediately activates all settings. Check all settings on the connected monitor. • Enter the Video/Text Adjust submenu from the main menu.
• Move the cursor > with the keys Ê and Ë to the line – FLICKERFREE. Pressing the key Í or Ì will switch flicker free mode off and on. Note: MENU VIDEO/TEXT ADJUST -> The lowest camera speed for flicker free display is 5 fps in automatic gain control mode and 1 fps in manual gain control mode. • Move the cursor > with the keys Ê and Ë to the line – LINE INTERP.. Pressing the key Í or Ì will switch the line interpolation on and off.
Video-Assist-System MENU VIDEO/TEXT ADJUST -> - FLICKERFREE - LINE INTERP. - BNC OUT Y/C DATA - MINI MON DATA ON ON VBS - TXT WHITE LEV. - TXT INVERS - TXT FINE POS 2 ON 5 - EXIT MENU VIDEO/TEXT ADJUST -> - FLICKERFREE LINE INTERP. BNC OUT Y/C DATA MINI MON DATA - TXT WHITE LEV.
MENU VIDEO/TEXT ADJUST The mini monitor output can be programmed to have normal video or video with data. If the on-screen menu control is on (red LED next to the Enter/Insert key Ñ is on), there will always be data in this output. This is necessary because if the output is switched to data off, no insert were available and therefore, it would be impossible to go back into the on-screen menu to change the settings. -> - FLICKERFREE LINE INTERP. BNC OUT Y/C DATA MINI MON DATA - TXT WHITE LEV.
Video-Assist-System MENU VIDEO/TEXT ADJUST -> FLICKERFREE LINE INTERP. BNC OUT Y/C DATA MINI MON DATA - TXT WHITE LEV. - TXT INVERS - TXT FINE POS 2 ON 5 - EXIT This menu changes the appearance of all man-readable windows. The format markings are not changed. If inverse OFF is selected, the characters will appear white. If the background is BOXED it will appear black in this case. If inverse ON is selected, the characters will appear black. If the background is BOXED it will appear white in this case.
MENU VIDEO/TEXT ADJUST Use exit to return to the main menu. • Move the cursor > with the keys Ê and Ë to the line –EXIT and press the key Í or Ì. Note: Pressing the Enter/Insert key Ñ for more than three seconds will cause the system to exit the on-screen programming mode completely, regardless of which menu is activated, with the exception of the positioning mode. - FLICKERFREE LINE INTERP. BNC OUT Y/C DATA MINI MON DATA - TXT WHITE LEV.
Video-Assist-System 114 10.4.6 Format Marking Menu MENU FORMAT MARKING -> - FORMAT POSITION 1 Ö POSITION 1 Ü POSITION 2 Ö POSITION 2 Ü WHITE LEVEL OUTSIDE - EXIT 1 2 LIGHT The IVS can insert two different format markings electronically in the video image, either individually or simultaneously. The position of these format markings can be set anywhere on the screen, to line up exactly with the ground glass markings.
If the electronic format markings are not parallel to the ground glass format markings, readjust the CCD chip with the alignment screw, as shown in chapter 10.3.3 Alignment of the image position (X-, Y- and Rotation) and focus Note: Only active frame lines can be positioned. If no frame line is on (FORMAT OFF), no position line can be reached with the cursor >. If Format 1 is on, only – POSITION 1 can be reached with the cursor >. Only if format 1 & 2 is selected, all - POSITION lines can be used.
Video-Assist-System 116 Position - Positioning of the Format Marks MENU FORMAT MARKING -> - FORMAT POSITION 1 Ö POSITION 1 Ü POSITION 2 Ö POSITION 2 Ü WHITE LEVEL OUTSIDE - EXIT 1&2 2 LIGHT The format markings can be adapted to every different format. The format markings on the ground glass serve as a reference. To align format 1, make sure that FORMAT 1 or FORMAT 1&2 is selected. To align format 2, make sure that FORMAT 2 or FORMAT 1&2 is selected.
MENU FORMAT MARKING The brightness of the format markings can be set to black (0), dark gray (1), and light gray (2) or white (3). • Move the cursor > with the keys Ê and Ë to the line – WHITE LINE. Pressing the key Í will switch the settings from 0 to 1 to 2 to 3 and back to 0, pressing the key Ì will switch the settings in the opposite direction.
Video-Assist-System 118 Exit MENU FORMAT MARKING - FORMAT - POSITION 1 Ö - POSITION 1 Ü POSITION 2 Ö POSITION 2 Ü - WHITE LEVEL - OUTSIDE -> - EXIT 1 2 LIGHT Use exit to return to the main menu. • Move the cursor > with the keys Ê and Ë to the line – EXIT and press the key Í or Ì. Note: Pressing the Enter/Insert key Ñ for more than three seconds will cause the system to exit the on-screen programming mode completely, regardless of which menu is activated, with the exception of the positioning mode.
The IVS can store one particular image, display it or overlay it against the live image in front of the camera to compare both images. MENU COMPARE/STORE -> - VIEW MODE LIVE - STORE IMAGE - CLEAR IMAGE Changing them immediately activates all settings. Check all settings on the connected monitor. - EXIT • Enter the Compare/Store submenu from the main menu. Display mode Display mode allows selecting whether a live image, a stored image or both images in an alternating display mode are displayed.
Video-Assist-System Store image MENU COMPARE/STORE - VIEW MODE -> LIVE - STORE IMAGE - CLEAR IMAGE - EXIT • Move the cursor > with the keys Ê and Ë to the line – STORE IMAGE. Pressing the key Í or Ì will store the image. The word DONE will appear for a few seconds to show that an image was stored. • The stored image is memorized until a new image is stored, the image is cleared or until the IVS power was shot down.
MENU COMPARE/STORE Use exit to return to the main menu. - VIEW MODE • Move the cursor > with the keys Ê and Ë to the line – EXIT and press the key Í or Ì. - STORE IMAGE - CLEAR IMAGE Note: Pressing the Enter/Insert key Ñ for more than three seconds will cause the system to exit the on-screen programming mode completely, regardless of which menu is activated, with the exception of the positioning mode.
0.000/24.000 -> F 10.4.8 System and Status Menu OM The IVS can insert the camera system and status into the video image. - SYSTEM LINE - STATUS LINE ON ON - POSITION - BACKGROUND - FILM COUNTER BOXED FTGE The status line inserts information from the film camera such as • movement open • async • inching • low battery • dust check • and so on. - EXIT 25.7V NRDY FWD 0.000/24.000 180.
During programming the inserted data are not fully updated (e. g. Frame Counter Information). To get information updated, leave the on-screen display menu by pressing the Enter/Insert key Ñ for more than three seconds. MENU SYSTEM/STATUS -> - SYSTEM LINE - STATUS LINE ON ON - POSITION - BACKGROUND - FILM COUNTER BOXED FTGE - EXIT After powering the film camera up, no mirror shutter angle is displayed. Data will appear only after some revolutions of the mirror shutter.
Video-Assist-System 124 System Line MENU SYSTEM/STATUS -> - SYSTEM LINE - STATUS LINE POSITION BACKGROUND FILM COUNTER - EXIT OFF OFF This sub menu line switches the insertion of camera system data on (ON) and off (OFF) independently of other inserted data. • Move the cursor > with the keys Ê and Ë to the line – SYSTEM LINE. The keys Í or Ì switch the insertion on and off.
MENU SYSTEM/STATUS This submenu line switches the insertion of camera status data on (ON) and off (OFF) independently of other inserted data. - SYSTEM LINE - STATUS LINE -> POSITION BACKGROUND FILM COUNTER • Move the cursor > with the keys Ê and Ë to the line – STATUS LINE. The keys Í or Ì switch the insertion on and off. - EXIT A line similar to the depicted line will appear: 25.7V STBY FWD 0.000/24.
Video-Assist-System -> - SYSTEM LINE - STATUS LINE ON ON - POSITION - BACKGROUND - FILM COUNTER BOXED FTGE - EXIT The window can be positioned anywhere on the monitor screen. Position is only available if at least one of the two lines is on. • Move the cursor > with the keys Ê and Ë to the line – POSITION. Call the positioning mode with the keys Í or Ì. The following menu is displayed on the screen: -> - POSITION ^v E • The keys Ê and Ë move the window up and down.
MENU SYSTEM/STATUS The film counter is slaved to the footage counter of the film camera. It always displays the values, which are in the camera. Therefore there is no set or reset of film counter data on the IVS. • Move the cursor > with the keys Ê and Ë to the line – FILM COUNTER. The keys Í will switch from TAKE (M/FT), TAKE (SEC) to FTGE and back to TAKE (M/FT). The key Ì will give the reverse order.
Video-Assist-System 10.4.9 User Text Menu The IVS can insert additional text into the video image, for example the production name or a scene number. The text can be entered on the IVS using the text edit facility. MENU USER TEXT -> - USER TEXT LINE ON - EDIT TEXT - CLEAR TEXT - POSITION - SIZE - BACKGROUND SMALL BOXED - EXIT PROD.
Changing them immediately activates all settings. Check all settings on the connected monitor. MENU USER TEXT -> - USER TEXT LINE ON - EDIT TEXT - CLEAR TEXT User Text Line - POSITION - SIZE - BACKGROUND This sub menu line switches the insertion of additional text on (ON) and off (OFF) independently of other inserted data. SMALL BOXED - EXIT • Move the cursor > with the keys Ê and Ë to the line – USER TEXT LINE. The keys Í or Ì switch the insertion on and off.
Video-Assist-System • The X-Symbol shows, which position in the user text line is to be changed. To move this text inserter cursor X left and right, use the keys Í and Ì. (.................) >X < (.................) > < (.................) > < • To change the character on the position of the text inserter cursor X, use the keys Ê and Ë. MOVE THE CURSOR X <> CHANGE CHARACTER ^v EXIT PRESS E • After the necessary character was found, move the text inserter cursor X to the next position.
MENU USER TEXT The window can be positioned anywhere on the monitor screen. • Move the cursor > with the keys Ê and Ë to the line – POSITION. Activate the positioning mode with the keys Í or Ì. The following menu is displayed on the screen: -> - POSITION - USER TEXT LINE ON - EDIT TEXT - CLEAR TEXT -> - POSITION - SIZE - BACKGROUND SMALL BOXED - EXIT ^v E • The keys Ê and Ë move the window up and down. When the desired position has been set, confirm by pressing the Enter/Insert key Ñ.
Video-Assist-System 132 Background MENU USER TEXT - USER TEXT LINE ON - EDIT TEXT - CLEAR TEXT -> - POSITION - SIZE - BACKGROUND - EXIT SMALL BOXED The background of the window can be set electronically to black in normal display mode or to white in inverse mode (BOXED) to improve the readability. If this is not activated, the area around the text is the normal video image (VIDEO). • Move the cursor > with the keys Ê and Ë to the line – BACKGROUND. The key Í or Ì switches between BOXED and VIDEO.
MENU USER TEXT Use exit to return to the main menu. - USER TEXT LINE • Move the cursor > with the keys Ê and Ë to the line – EXIT and press the key Í or Ì. - EDIT TEXT - CLEAR TEXT Note: - POSITION - SIZE - BACKGROUND Pressing the Enter/Insert key Ñ for more than three seconds will cause the system to exit the on-screen programming mode completely, regardless of which menu is activated, with the exception of the positioning mode.
Accessories
accessory mounting points Accessory Mounting Points On the camera body and on the electronic cover there are accessory mounting points. Various accessories can be mounted to them by using 3/8” screws. Check that the screws are not reaching more than 9mm into the camera body from the contact surface ➪ photo, otherwise the camera can be damaged. Accessories 11.
Accessories Universal Viewfinder UV-1 switching knob When using anamorphic lenses, the UV-1 allows desqueezed viewing of the ground glass image. This viewfinder arm can also be switched over to check the anamorphically squeezed image. • To switch over the viewfinder image, turn the switching knob ➪ photo. The knob does not need to be unlocked. All other operating elements are identical in function to those on the standard viewfinder.
• • • • Screw the dovetail-adapter to the handgrip. Slide the work light into the dovetail-guide and clamp. Connect the plug to the “RS”-socket. By adjusting the flexible arm, bring the work light into the desired position. The work light can be turned on and off with the ring on the lamp head ➪ photo. The brightness of the work light can be adjusted with the mechanical aperture. WL-3 Heated Eyecup HE-4 The heated eyecup prevents the eyepiece ➪ photo from fogging in low temperatures e.g.
Accessories 138 Remote Run Switch RS-4 • Attach the remote run switch with the spring clamp ➪ photo (e.g. to the pan handle). • Plug the RS-4 plug into the “RS”-socket.
Accessories External Synchronization Unit ESU-1 The external synchronization unit ESU-1 ➪ photo can be used with the ARRIFLEX 235 as well as with the 435 models, 535, 535B and 16SR 3/Advanced. It allows synchronization of the camera to other equipment such as TV monitors. By means of a BNC-socket, it is possible to synchronize to an external standard video signal (50/60 Hz) or, through an inductive pickup, to a computer or video monitor. The camera display shows “ESU” in the upper line.
Accessories Remote Control Unit RCU-1 The RCU-1 ➪ photo is a practical remote control unit for all new-generation ARRIFLEX cameras. It can be used in all applications that call for an uncomplicated, quick, sturdy and yet still comprehensive remote control. Complete programs can easily be created to control changing of frame rate over a certain period of time. These programs can be recalled repeatedly as necessary. The RCU-1 automatically calculates the actual screen-time for the programmed speed ramps.
Accessories • The RCU cable is connected to the remote socket ➪ photo on the camera. For further information see the RCU-1 instruction manual. Note: The RCU-1 will always operate in the HI ramping speed. Operation in LO is not possible. CCU and RU are not supported and could cause malfunction when connected.
Accessories IRIS sliding switch WRC/CAM sliding switch READY-LED RELEASE button RUN-LED radio channel ON button RF-LED SEL button CAL-LED MODE button SET button OPEN/PHASE CAL button RAMP button button WRC COMPENSATION rotary switch rotary switch READY-LED BAT-LED RUN-LED RUN button handwheel WRC-1 with WMU-3 142 WRC-1 with WMU-1
The Wireless Remote Control WRC-1 is a handy remote control unit for use with all of the latest generation of ARRIFLEX camera models: ARRIFLEX 16SR 3/Advanced, 16SR 3 HS/Advanced, 535, 535B, 435 Advanced, 435ES and the ARRIFLEX 235. On the ARRIFLEX 235 it enables the user to remotely control: • the camera speed, • the aperture of the lens (iris), providing compensation for constant exposure. The WRC-1 is the perfect addition to the ARRI Wireless Lens Control System.
Super 35
When delivered, the camera is set to Super 35. The Super 35 format offers a range of technical advantages compared to filming with anamorphic lenses: • a larger selection of available focal lengths, • smaller and lighter-weight lenses, • faster lenses, • shorter lens focus for close-up shots, • clearly reduced image distortion and geometric aberrations. • Turn the lens mount receptacle so that the number “1” is positioned next to the marking ➪ photo.
Super 35 Converting the Bridge Plate to Super 35 index arrows screws The current position, standard or Super 35, is displayed by two index arrows on the sliding upper plate. The bridge plate can be converted to Super 35 as follows: • Remove the two screws ➪ photo. • Turn the compensation bar 180° and screw tightly in this position. Note: 146 The viewfinder system is so designed that no alteration is necessary for shooting in Super 35.
When maintaining and cleaning the camera and accessories, pay careful attention to the following notes and tips: • Always disconnect the camera from the power supply. • Clean the camera and accessories only on a clean and flat surface which is covered with foam material or a clean, lint-free cloth. • Under no circumstances use acetone or nitro-thinner. These chemicals dissolve the paint and can damage highly-polished surfaces. • For cleaning, it is recommended to use soft, lint-free cloths and swabs.
Maintenance Camera Cleaning the Film Gate locking lever Loose dust or dirt leads to a layer of emulsion forming on the film gate. This can cause scratches on the film and can also lead to a change in the film’s coefficient of friction. The film gate must be removed for cleaning. Attention! Keep fingers out of the film gate opening as this may dirty or damage the mirror shutter.
Inserting the film gate Warning: It is absolutely essential to ensure that the connecting surfaces are free of dust and debris (e.g. film chips) in order to guarantee the accuracy of the film channel. • Check that the film gate and the film gate guide rails are completely free of dust and dirt. • Take hold of the film gate by the film gate handle and push it back into place. • Check that the film gate is pushed all the way back.
Maintenance Cleaning the Spacer Gate spacer gate handle locking lever inching knob 150 Loose dust leads to a build-up of emulsion on the spacer gate. This can cause scratches on the film and a change in the coefficient of friction. • Switch the camera´s main switch off and disconnect the camera from the power supply! • Turn the inching knob until its marking matches that on the movement block. • Turn the locking lever towards the “OPEN”-position to swing the movement block away from the film gate.
• By briefly depressing the “PHASE”-button, the shutter is positioned to protect the mirror surface from damage as far as possible. • Before cleaning the field lens, switch the camera’s main switch off and disconnect the camera from the power supply! • Remove the lens or the protective cap. Do not touch the mirror surface! • Pull the ground glass ➪ photo out of the holder by its tongue ➪ photo using the special forceps.
Maintenance Magazine Cleaning the Throat Assembly holder plate screws guide rollers running surfaces The throat assembly ➪ photo can be disassembled for cleaning. • Loosen the three screws ➪ photo on the throat assembly cover ➪ photo. • Remove the holder plate ➪ photo for the loop protector. • Pull out the throat assembly cover. • Clean the film running surfaces ➪ photo and guide rollers ➪ photo with a brush. • Put the throat assembly cover back in place.
core adapter roller arm measurement device Do not place your hand in the running magazine! • To set the take-up shaft, run the camera at 24 fps. The tension measurement device should be showing ring “5”. • If the tension measurement device is not showing “5”, stop the camera. • Switch off the camera’s main switch and disconnect the camera from the power supply. • Place the special key ➪ photo in the holes of the friction adjustment and turn in steps. The adjustment must lock in at each step.
Maintenance
The frame rate of the camera is constantly monitored while it is running. If the actual frame rate deviates from the set frame rate, the operation control indicator glows red and the camera display shows the warning for asynchronous running (“asy”). Loose Film Loops in the Magazine If the camera shuts off automatically while running, loose film loops may be formed in the magazine. Before the camera is started again, the film in the magazine must be tensioned manually. Appendix 14.
Appendix Error text in display Error text in IVS Problem trAnS oPEn movement open movement open bound F-len maximum takelength exceeded As no 1000ft magazines are allowed, the camera switches off after 420ft Error Hot motor excess temperature maximum motor temperature has been exceeded, wait until motor has cooled down Error CntL Controller Error internal controller limits have been exceeded, check if camera is jammed 156 Updt software update in progress Async camera speed is not the cho
Cause Remedy In the image area, Dirty or damaged cross bars Clean or, if defective, replace the film gate over several frames on the film gate In the image area, Upper or lower film loop too long, Check the position of the upper loop short and periodically recurring film touches inside of camera housing in relation to the marking Scratches on the emulsion side of the negative (above and below) Outside the image area Check the loop length of the magazine Dirty or damaged longitudinal bars Careful
Appendix Problem Cause Remedy Unsteady Image Vertical Heavy emulsion build-up in the film gate area, Clean film gate area, damaged film perforation, use different film stock very poor gliding ability of the raw film stock, film stock with positive perforation, dimensions of raw stock not within tolerance Horizontal Heavy emulsion build-up in the film gate area, Clean film gate area, film edge is not straight use different film stock Pressure exposures Mechanical stress Pressure exposures do not effect
Cause Remedy Problems at extremely low temperatures Damage to the film Greatly reduced tensile strength and increased The camera, battery and particularly the film stock brittleness of raw stock. must be protected from extreme cold. In temperatures under - 15°C (5° F) especially, When a cold camera is brought into a warm and a change in the film´s friction properties ocurs. humid room, condensation builds up. This can be prevented by interim storage of the equipment at approx. 0°C (32°F).
Appendix
Film Format Mirror Shutter 35mm (DIN 15501) Manually adjustable from 45° to 180°. Magazines Movement 235 Shoulder Magazine 60/200 (SHM-1)...................... forward only, up to 60 fps 5-link movement 235 Shoulder Magazine 120/400 (SHM-2).................... forward only, up to 60 fps with single-pin registration 235 Steadicam Magazine 120/400 (STM-1) .........
Technical Data Ground Glasses Dimensions Interchangeable for various filming formats, same ground glasses as Arriflex 435 Length with Shoulder Magazine 60/200 without lens: .... 450mm .....(17 6/8”) Width with viewfinder on the left: ..... 230mm (without handgrip) ........... (9 “) Operating Temperature Range 250mm (with handgrip) .......(9 7/8”) with viewfinder on the right: ............................... 270mm .....
ARRIFLEX 235 Body 4 perforation .................................................... K1.55000.0 Support rods 240mm, ø 19mm ........................................................ K2.43046.0 ARRIFLEX 235 Body 3 perforation .................................................... K1.55000.3 Support rods 240mm, ø 15mm ........................................................ K2.21958.0 ARRIFLEX 235 Spherical Viewfinder set ............................................. K2.55009.0 Support rods 340mm, ø 19mm ....
Order Numbers Magazines Accessories 235 Shoulder Magazine 60/200 (SHM-1)........................................ K2.55001.0 External synchronization unit ESU-1 ................................................. K2.46006.0 235 Shoulder Magazine 120/400 (SHM-2)...................................... K2.55016.0 Remote switch RS-4 ......................................................................... K2.46942.0 235 Steadicam Magazine 120/400 (STM-1) ................................... K2.55008.
Germany ......... Arnold & Richter Cine Technik Türkenstraße 89 D-80799 München phone: +49 (089) 3809-0 fax: +49 (089) 3809-1244 E-mail: webmaster@arri.de USA ................ ARRI Inc. (East Coast) 617, Route 303 Blauvelt, New York 10913 phone: (914) 353 14 00 fax: (914) 425 12 50 E-mail: arriflex@arri.com (West Coast) 600 North Victory Blvd. Burbank, California 91502 phone: (818) 841 70 70 fax: (818) 848 40 28 E-mail: arriflex@arri.com GB ................. ARRI (GB) Ltd.
Index 166 166
A accessories .......................................................... 135 24 V .................................................................. 28 external synchronization unit ESU-1.................... 139 heated eyecup HE-4 .......................................... 137 remote control unit RCU-1 .................................. 140 remote run switch RS-4 ...................................... 138 universal viewfinder UV-1 .................................. 136 work light WL-3 .......................
Index 168 168 C cable cabling the IVS.................................................... 72 KC-42S ............................................................ 137 KC 20S ........................................................ 26, 27 KC 29S ........................................................ 26, 27 camera camera body ...................................................... 37 installation .......................................................... 15 main switch ........................................
E edit text ............................................................... 129 emulsion build-up film gate ........................................................... 148 spacer gate....................................................... 150 enter/insert............................................................ 97 ESU-1 ................................................................. 139 exit ..................... 101, 107, 113, 118, 121, 127, 133 external standard video signal ..........................
Index forward operation .................................................. 61 frame rate changing while camera is running ........................ 61 fine-tuning .......................................................... 62 freely programmed frame rate ............................. 61 setting and storing ............................................... 60 shifting phase ..................................................... 62 standard frame rate.............................................
load settings .......................................................... 99 LOCK button .......................................................... 55 loop protector ............................................ 15, 30, 35 loose film loops in the magazine ........................... 155 low mode bracket................................................... 22 low mode handle ............................................. 21, 22 low mode riser .......................................................
Index 172 172 main features IVS ........................................................ 67 menu IVS ............................................................ 97 mains unit NG 12/24 R ......................................... 27 mains unit NG 12/26 R ......................................... 27 maintenance ........................................................ 147 MAN .................................................................... 82 manual gain control ...........................................
Q quartz-synchronized monitors ................................. 62 R RCU-1 ................................................................. 140 HI / LO ramps .................................................. 141 remote control unit RCU-1 ..................................... 140 remote run switch RS-4 ......................................... 138 reverse operation ................................................... 61 RS-4 ....................................................................
Index 174 174 standard video controls........................................... 79 automatic gain control ......................................... 86 changing format marking number ........................ 91 flicker free on/off ................................................ 89 focus .................................................................. 81 gain control ........................................................ 86 iris .....................................................................
136 128 132 130 129 133 131 131 129 136 V VBS....................................................................... 73 vertical position .................................................... 112 fine adjustment .................................................. 112 video Standard Controls ............................................... 79 With Data.......................... 73, 75, 76, 77, 78, 110 video-assist-system ................................................. 67 video/text adjustment menu ...........
Index white balance ................................................ 82, 102 AWB .................................................................. 82 changing blue ............................................... 82, 85 changing green ................................................... 82 changing red ................................................ 82, 84 IND .................................................................... 82 MAN .................................................................
IVS Quick Reference MAIN MENU MENU LOAD/STORE -> -> - LOAD/STORE WB/GAIN VIDEO/TEXT ADJ FORMAT MARKING COMPARE/STORE SYSTEM/STATUS USER TEXT - LOAD SET 1 - STORE SET (CONFIRM BY ENTER) 1 ARE YOU SURE? (NO UNDO) -> - NO - YES flicker-free on/off white balance gain control activate on screen program mode or store position outdoor/indoor of inserted window or store user text outdoor/manual - EXIT increase gain or cursor up - SET ALL SETTINGS TO DEFAULT - EXIT or move inserted window - EX
technical data are subject to change without notice © ARRI 2005 JThieser@arri.de Ident-No. K5.65348.0 available languages: English ARNOLD & RICHTER CINE TECHNIK Türkenstr. 89 • D-80799 München Phone +49 – 089 – 38 09 – 0 • Fax +49 – 089 – 38 09 – 12 44 www.arri.