Owner`s manual

17
most likely to suffer from the response irregularities introduced by the room
itself, operating as they do below approximately 80 Hz in most systems.
Recent research into the behavior of rooms as a function of speaker placement
has concluded that — if you have the freedom to do so — there are signicant
advantages to placing several smaller subwoofers around the room, rather than
relying on a single large woofer. Moreover, the optimum placement is usu-
ally centered on each of the four walls. If you have the luxury of doing so, this
simple placement strategy can reduce the size of the room’s response irregulari-
ties from 20 decibels down to perhaps as little as 6-8 decibels—a tremendous
improvement.
Reducing the room’s inherent problems to this degree provides a huge advan-
tage. It allows the SC-1 System Controller to put its considerable abilities to work
on perfecting your system’s response, rather than on trying to perform major
corrective surgery.
Room Treatment Rectangular rooms have six reecting surfaces (four walls, ceiling and oor)
that reect sound to the listener, after various delays introduced by the indirect
routes the sound take on their way to the listener. These rst reections are par-
ticularly damaging to sound quality. Looking at the simplest case of stereo repro-
duction, you have a minimum of twelve rst reection points in your room that
deserve some attention.
Unfortunately, it is often difcult to do much about the ceiling and oor reec-
tions, even though they are arguably the most destructive. (The minimization of
these reections is one of the strongest arguments for the tall, line source loud-
speakers that Wisdom Audio builds.) This leaves you with eight “rst reections”
that you should consider minimizing somehow. These points are easily found by
having an assistant slide a small mirror along the four walls of the room, while
you sit at the listening position. Any place on the wall where you can see a re-
ection of any speaker is a rst reection point. Concentrate on the rst reec-
tions for the Left and Right speakers rst.
If you can, arrange to apply either absorption or diffusion at these eight points
(don’t forget the wall behind you). Absorption can be as simple as heavy, insu-
lated drapes; diffusion can be provided by a well-stocked bookcase with books
of varied sizes. Alternatively, you can buy purpose-designed room treatments
(some sources listed under References, below).
The important things to remember are these: a good room should have a bal-
ance of absorption and diffusion; and if you are going to treat only a few areas
of the room, the rst reection points are the most important ones to treat.
Professional Acoustic Design Does this all sound too complicated? For good reason. It is complicated.
The difference between the average listening room and one that is professionally
designed and implemented is huge. A great listening room will disappear to an
astonishing degree, letting the experiences captured in your recordings speak to
you directly. A well-designed room is also quieter and more comfortable. It can
easily become a favorite retreat for peace and rejuvenation.
If you decide to investigate the possibility of improving your room with the help
of a professional, it is important to nd someone who focuses on residential
spaces. Most acousticians are trained to deal with large spaces — airports, au-