User manual

as six phase shifting stages. These outputs result
in a 2-notch and 3-notch frequency response, re
-
spectively, and can be used as a faux stereo pair to
widen and spatially animate the signal. Of course,
the outputs can also be used independently, as
they each have a unique character.
The freq knob
3
tunes the frequency base
point for general phaser operation. Without
modulation, it can serve as a manual cutoff
adjustment, just like in traditional synthesizer
      
point is possible via the ext mod input
4
. The
internal LFO waveform will be mixed with this
supplied CV, unless you set the depth
5
knob
to zero.
The red reso knob
6
controls the degree of
       
processed signal fed back into the chain of phase
shifters. The module is expected to fall into self-os
-
cillation around 3/4 of the knob's travel. This is a
unique ability for a phaser, so we encourage lots
of experimentation — the results can be truly in
-
spirational. caution! The resonance may cause
      
especially at extreme settings! For the safety of
your ears (and speakers/headphones) we advise
setting the reso knob to zero when patching the

The function of the resonance mode switch
7
is relevant to the reso knob operation. The
wasted and stoned modes select four or six
phaser stages in the feedback path allowing for

for feedback polarity is positive because it yields
more radical sonic effects. However, if you prefer
a more tempered response, a jumper on the back
of the module allows for negative feedback. Note
that negative feedback may have no audible ef
-
fect at certain combinations of output and reso-
nance mode. Note also that removing the jump-
er interrupts the feedback loop thus disabling all
relevant controls.
lfO sECtION
Kamieniec is equipped with an integrated volt-
age controlled low-frequency oscillator, serving
as an onboard modulation source for the phaser.
The LFO generates a triangle waveform within
a wide frequency range, from one cycle per tens
of seconds to audio rate (about 700Hz). The
rate knob
8
and the corresponding lfo rate
voltage input
9
both control the LFO speed, in-
dicated by the corresponding LED. The depth
knob
5
determines the depth of modulation by
controlling the amount of LFO voltage supplied
to the phaser frequency parameter in addition

the LFO can also be used independently from the
module, thanks to its individual output
10
 
aware the signal amplitude is over 10V.
4
20
10
0
-10
-20
-30
-40
-50
-60

10 100 1000 10000
Hz

HI RESO
LO RESO