User manual

4
Odessa features two main outputs of the
synthesized signal: odd partials
20
and
even partials
21
. It is possible to split the
harmonic spectrum so that even and odd
numbered partials are separately present at
those outputs yet always mixed with the fun-
damental partial. An additional fundamen-
tal output
22
offers a simple signal of the
fundamental frequency: either a sinusoid or a
square wave that can be employed for syncing

selects one of these two options.
The two knobs at the top (
23
and
24
) to-
gether with their associated CV inputs

25
and
26

address the distribution of spectral compo-
nents between the odd partials and even
partials outputs. When the bank length
parameter is set to 0, both outputs offer the
same full signal. If set to +1, each output of-
fers the same fundamental (1
st
partial) plus its
even (2
nd
, 4
th
, 6
th
, etc) and odd (3
rd
, 5
th
, 7
th
, etc)
overtones, respectively. With different lengths,
odd and even sequences of partials are split
between the two jacks. Additionally, all par-
tials except the fundamental may be frequen-
cy-scaled by an integer factor: from simple
fractions (1:2, 1:3 down to 1:8) to multiples
(2, 3… up to 8), selected by harmonic fac-
tor. The direction of bank length (either
turned left or right) selects which of the two

unless bank length is 0, which means the
harmonic factor affects both outputs.
Odessa is capable of delivering 1, 3, or 5 stacked
voices of its synthesized signal, selectable by the
voices button
27
. When a single voice is select-
ed (button lit green), the spread knob
28
and
its corresponding CV jack below
29
have no
effect. With 3 or 5 voices (button lit orange or
front panel
overview
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2518
3
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1
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