TM ® User Manual © High End Systems, Inc. 1999-2004 All Rights Reserved Information and specifications in this document are subject to change without notice. High End Systems, Inc. assumes no responsibility or liability for any errors or inaccuracies that may appear in this manual. The system software for the Status Cue® lighting console described in this manual is furnished under a license agreement and may be used or copied only in accordance with the terms of the agreement.
Contacting High End Systems US and the Americas Sales Department: High End Systems, Inc. 2105 Gracy Farms Lane Austin, TX 78758 USA voice: 512.836.2242 fax: 512.837.5290 Customer Service: High End Systems, Inc. 2105 Gracy Farms Lane Austin, TX 78758 USA voice: 800.890.8989 24-hour fax: 512.834.9195 24-hour voice mail: 512.837.3063 or 800.890.8989 U.S. New York High End Systems, Inc. New York 311 W. 43rd Street New York, NY 10036 voice: 210.957.6840 fax: 212.957.4466 U.S.
Declaration of Conformity according to ISO/IEC Guide 22 and EN45104 Manufacturer’s name: High End Systems, Inc. Manufacturer’s address: 2105 Gracy Farms Lane Austin, Texas 78758 USA Distributor’s name: Distributor’s address: High End Systems, Inc.
Product Modification Warning High End Systems products are designed and manufactured to meet the requirements of United States and International safety regulations. Modifications to the product could affect safety and render the product non-compliant to relevant safety standards. Mise En Garde Contre La Modification Du Produit Les produits High End Systems sont conçus et fabriqués conformément aux exigences des règlements internationaux de sécurité.
Important Safety Information Instructions pertaining to continued protection against fire, electric shock, exposure to excessive ultraviolet (UV) radiation, and injury to persons are found in Appendix C. Please read all instructions prior to assembling, mounting, and operating this equipment.
breakage or scratches to coating. It is the owner’s responsibility to furnish receipts or invoices for verification of purchase, date, and dealer or distributor. If purchase date cannot be provided, date of manufacture will be used to determine warranty period. Returning an Item Under Warranty for Repair It is necessary to obtain a Return Material Authorization (RMA) number from your dealer or point of purchase BEFORE any units are returned for repair.
Table of Contents Introduction Studio Spot® 250 Features ...................................................................................intro-1 Studio Color® 250 Features ..................................................................................intro-2 Symbols ..................................................................................................................intro-3 Document Conventions ........................................................................................
Chapter 2 Configuring the Fixture Fixture Types .............................................................................................................. 2-1 Selecting a Control Method ....................................................................................... 2-2 DMX Start Channel Control Method ....................................................................2-2 Fixture Number Control Method ..........................................................................
Studio Color® 250 Menu Map ............................................................................4-10 Fixture Options ......................................................................................................... 4-20 Address Menu (ADDR) .......................................................................................4-20 Set Menu (SET) ...................................................................................................4-20 Setting Factory Defaults (FACT) ..............
Enabling the Preset Default (DFLT) ..............................................................4-42 Chapter 5 Preset Programming Programming Overview ............................................................................................. 5-1 Scene ...............................................................................................................5-1 DMX Controller vs. Stand Alone Operation ...................................................5-1 Macros ...................................
Overview of Operation .............................................................................................. 6-2 Recommended Laser Use .....................................................................................6-3 Aligning the Laser .................................................................................................6-3 Alignment Procedure ......................................................................................6-4 Chapter 7 General Maintenance Replacing Parts .
Apéndice C Información Importante De Seguridad ............................................................... C-4 Appendice C Importanti Informazioni Di Sicurezza .................................................................. C-5 Vigtig Sikkerhedsinformation ............................................................................... C-6 List of Figures Figure intro-1. Studio Spot® 250 and Studio Color® 250 dimensions. .............. intro-5 Figure 1-1. Removing the bezel. .........................
Figure 6-4. Orient the fixture for laser alignment. .....................................................6-4 Figure 6-5. Remove the bezel. ...................................................................................6-5 Figure 6-6. Locate the center of the beam on the wall and mark the ideal laser position. ....................................................................................................6-6 Figure 6-7. LAD™ mounting/alignment screws. .................................................
Table 3-6. Beam Shaping Settings .............................................................................3-6 Table 3-7. Color Position Settings ..............................................................................3-8 Table 3-8. Litho Function Settings .............................................................................3-8 Table 3-9. Litho Rotate Settings .................................................................................3-9 Table 3-10. Effects Rotate Settings ...........
Introduction Congratulations on your purchase of the Studio Spot® 250 or Studio Color® 250 automated luminaire. Studio Spot 250 fixtures use a high-efficiency optical configuration with a patented reflector and optical train to produce sharp, high contrast images. Shipped standard with Studio Spot 250 are seven high-resolution LithoPatterns® which allow full rotating and indexing. Over the litho, you can superimpose a secondary static or rotating litho for moiré and morphing effects.
• • • • • • • • • • • • • • • • • High efficiency reflector and optical train providing over 4,000 total lumens. Color wheel that includes 12 positions (plus open) and allows for easy dichroic filter changes. Colors chosen to match the Technobeam® automated luminaire. Fully rotating and indexing litho wheel that includes 7 positions (plus open) and allows for easy litho changes. Double-stacking litho options for moiré and morphing effects.
• • • • • • • • • • • • • • • • • • • Exclusive Lightwave Research® multi-phase technology and optical encoders to automatically correct the beam’s position if the fixture’s head is manually moved from its programmed position. High efficiency, 2000 hour MSD250/2 lamp developed by Philips® in conjunction with High End Systems®, Inc. Motion range of 570° pan and 270° tilt. Enhanced construct parameters including ramp/snap, random, and spin functions.
This symbol indicates that a fire hazard is present. Not heeding these messages could result in serious personal injury. This symbol indicates that eye protection is required. This symbol indicates an explosion hazard. This symbol indicates the minimum distance to a lighted object, which in this case, is 1 meter. This symbol indicates a hot surface.
Studio Spot 250 19.59 in. (497.5mm) .25 in. (6.3mm) Studio Color 250 .25 in. (6.3mm) 19.59 in. (497.5mm) 11.62 in. (295.1mm) 11.62 in. (295.1mm) 18.01 in. (457.5mm) 18.01 in. (457.5mm) 15.25 in. (388.6mm) 14.03 in. (356.4mm) 13.77 in. (348.5mm) 13.77 in. (348.5mm) 1.00 in. (25.4mm) 1.00 in. (25.4mm) 2.25 in. (57.6mm) 19.08 in. (484.6mm) 2.25 in. 19.08 in. (484.6mm) 9.73 in. (247.1mm) 9.73 in. (247.1mm) 17.60 in. (447mm) 4.83 in. (122.6mm) 4.27 in. (108.5mm) 11.62 in. (295.1mm) .25 in.
Electrical Specifications Warning: Class 1 equipment - This equipment must be earthed. Factory setting: 230V, 50Hz Selectable voltages: 100V, 50Hz, 3.75 A 120V, 50Hz, 3.13 A 230V, 50Hz, 1.6 A 100V, 60Hz, 3.75 A 120V, 60Hz, 3.13 A 208V, 60Hz, 1.8 A Rated power: 375 W Fuses: F1 - 6.3A, 250V, Fast Blow only (5 mm x 20 mm) F2 - 2.5A, 250V, Fast Blow only (5 mm x 20 mm) F3 - 6.
Dichroic, Litho, and Effect Specifications Dichroic Glass • Diameter: 1.125” ± 0.010” (28.5 mm ± 0.25 mm) • Thickness: 0.069” ± 0.010” (1.8 mm ± 0.25 mm) LithoPatterns • Diameter: 0.996” ± 0.005” (25 mm ± 0.13 mm) • Image area: 0.860” ± 0.005” (22 mm ± 0.13 mm) • Thickness (rotating litho): 0.105” ± 0.005” (2.7 mm ± 0.13 mm) • Thickness (static litho): 0.069” ± 0.010” (1.8 mm ± 0.25 mm) Effect • • • Glass Diameter: 1.430” ± 0.010” (36 mm ± 0.25 mm) Image area: 1.040” ± 0.010” (26 mm ± 0.
Optional Accessories Table intro-1 lists the Studio Spot 250 and Studio Color 250 optional accessories available from your High End Systems dealer/distributor. Table intro-1.
Chapter 1 Setup and Installation 1 Unpacking the Fixture Unpack the Studio Spot 250 or Studio Color 250 and verify that the fixture arrived without damage. Inspect both the outside of the fixture for physical damage and the optical assembly for damage to glass components. To access the optical assembly, release the two latches located on the fixture head and remove the bezel (see Figure 1-1). fixture with bezel removed release the two bezel latches Figure 1-1. Removing the bezel.
Note: Before sending anything to the factory, call your High End Systems dealer/distributor for a Return Material Authorization (RMA) number. The factory cannot accept any goods shipped without an RMA number. Setting the Fixture Voltage Studio Spot 250 and Studio Color 250 fixtures are factory-set to 230V, 50Hz. If your power source differs, you must change the fixture’s input voltage to match your power source.
1 two panel retaining screws two panel covers Figure 1-2. Remove the two panel covers. 3. Using a Phillips-head screwdriver, loosen (but do not remove) the two display panel retaining screws from each side of the fixture (see Figure 1-3). LED display panel retaining screw Figure 1-3. Loosen the two display panel retaining screws.
4. Gently lower the display panel to access the voltage switch blocks on the circuit board (see Figure 1-4). gently lower the display panel voltage select label Figure 1-4. Lower the display panel. 5. Locate the voltage select label (see Figure 1-4) and the three switch blocks labeled “SW1,” “SW2,” and “SW3” on the circuit board located on the inside of the display panel (see Figure 1-5). SW3 SW2 6.3A 250V SLOW SW1 F3 SW1 SW2 SW3 6.3A 250V FAST F1 2.
Changing the Power Cord Cap Studio Spot 250 and Studio Color 250 fixtures are shipped with an attached power cord cap. However, different locations (even within the same country) may require a different power cord cap to connect your fixture to a power outlet. Because of the variety of power cord caps used worldwide, High End Systems, Inc. cannot make specific recommendations for the particular power cord cap you should use.
Powering On the Fixture Caution: Do not power on the fixture until you have verified that the input voltage setting and line cord cap are suitable for the power source in your location. For more information, see “Setting the Fixture Voltage” on page 1-2 or “Changing the Power Cord Cap” on page 1-5. Warning: This equipment for connection to a branch circuit having a maximum overload protection of 20 A. Studio Spot 250 and Studio Color 250 fixtures do not have a power switch.
Identifying Display Panel Components 1 The front panel on Studio Spot 250 and Studio Color 250 fixtures has an alphanumeric LED (Light Emitting Diode) display, five status LEDs, and four menu navigation buttons (see Figure 1-7). alphanumeric LED display navigation buttons Motor status LEDs Lamp 5V Transmit Receive MENU ENTER Figure 1-7. Front panel display.
Constructing Cabling If you choose to construct cabling, High End Systems recommends that you use datagrade cable. Data-grade cable is designed to carry a high-quality signal with less susceptibility to electromagnetic interference. Data-grade cables must be Belden® 9841 or equivalent (meets specifications for EIA RS-485 applications) with the following characteristics: • • • • • 2-conductor twisted pair plus a shield maximum capacitance between conductors - 30 pF/ft.
1 Grounding lug (inside XLR shell) XLR shell Common (cable shield) negative (data complement) 5 1 4 2 3 positive (data true)* negative (data complement)* positive (data true) Male XLR Connector positive (data true)* negative (data complement)* Common (cable shield) 1 5 4 2 3 positive (data true) negative (data complement) Female XLR Connector *This data line is not used by the fixture, but allows data to pass through the fixture. Figure 1-9. XLR 5-pin connector.
2. Connect the female XLR cable connector of the same data cable to the first (or next) fixture’s 3-pin or 5-pin Data In connector (see Figure 1-10). DMX controller 5-pin Data Out connector 5-pin Data In connector 3-pin Data Out connector 3-pin Data In connector Female XLR cable connector Figure 1-10. Data In and Data Out connectors on the fixture’s side panel. 3.
4. Connect a male terminator to the Data Out connector of the last fixture in the link (see Figure 1-11). For information on obtaining a terminator, see “Constructing a Terminator” on page 1-11. Note: Controllers, serial data distributors, data line optoisolators, and any fixtures using the RS-422 DMX standard of serial communications (including Dataflash® AF1000 xenon strobes, Intellabeam® fixtures, and Emulator® laser simulators) block software uploads or crossloads on a link.
Maintain a minimum distance of 1 m (3.28 ft.) from lighted object. This means the fixture must be positioned at least 1 meter away from the object it is illuminating. Do not mount on a flammable surface. Use a secondary safety cable when mounting this fixture. You can mount Studio Spot 250 or Studio Color 250 fixtures either upright (on the fixture’s base) or in any orientation suspended from a support system (such as a truss). Follow the instructions below for the mounting orientation you choose.
Spot 250 and Studio Color 250 fixture weights are listed in the section titled “Physical Specifications” on page intro-4. Safety Cable High End Systems strongly recommends that you use safety cable when mounting any fixture. You must supply your own safety cable and verify the cable is capable of supporting the weight of the fixture. You can order galvanized safety cables from your High End Systems dealer/distributor (see “Optional Accessories” on page intro-8).
3. Attach suitable clamps through the center holes on the base of the fixture (see Figure 1-14). Use locking washers when attaching the clamps to the fixture’s base. truss safety cable clamp locking washers holes on the fixture's base Figure 1-14. Attaching a clamp and safety cable to the fixture. 4. Tighten the clamps firmly to the fixture’s base and to the support. 5.
Chapter 2 Configuring the Fixture This chapter explains how to configure your fixture for operation by selecting a control method and assigning a fixture address (either a DMX start channel or fixture number). Configuring your fixture requires you to access the fixture’s menu system via the alphanumeric LED display and four menu navigation buttons on the fixture’s front panel (see Figure 2-1). For a detailed description of the menu system, see “Chapter 4 Understanding the Menu System” on page 4-1.
Selecting a Control Method You must select a control method for each Studio Spot 250 and Studio Color 250 fixture: either a DMX start channel (recommended) or a fixture number (for a link with fixtures that all use the same number of DMX channels). Note: Once you choose a control method, you should use that same control method for all the fixtures on a link.
To select the fixture number control method: 1. Press and hold the
used by Studio Spot 250 = 28.4 fixtures per link) or up to 32 Studio Color 250 fixtures*. *Note: Although there are enough available DMX channels to link up to 34 Studio Color 250 fixtures, you must use a DMX splitter to connect more than 32 fixtures per link. The 32 device limit complies with the EIA-485 standard. Connecting more than 32 devices per link without a DMX splitter will eventually deteriorate the digital signal.
To assign a unique DMX start channel for the fixture: 1. Press and hold the
Wasted DMX Channels If you mix different types of devices (which use different numbers of channel ranges) on the same DMX link and assign fixture numbers (instead of DMX start channels) to these devices, you would waste DMX channels. For example, in Table 2-3, if you assigned fixture number 2 (F 02) to the Studio Color 250 fixture, it would assume that all other fixtures on the link are also using 15 DMX channels, so it will erroneously try to receive channel 16 as the first channel in its channel range.
Chapter 3 Operating the Fixture Studio Spot 250 and Studio Color 250 fixtures can be operated either with a DMXcompatible controller or with preset programming (using on-board scene memory for stand alone operation). This chapter provides fixture construct explanations to help you program your fixture with a DMX controller. For information on stand alone operation, see “Chapter 5 Preset Programming” on page 5-1.
Programming With a DMX Controller When you program your fixtures with a DMX controller, you are assigning a DMX value to each of the fixture’s constructs. A construct is a specific feature of the fixture that helps to design the “look” of the light beam (such as the color, effect, or focus). For controller values for each construct setting, see “Studio Spot® 250 Construct Parameters” on page A-2 or “Studio Color® 250 Construct Parameters” on page A-9.
Table 3-1. Fixture Constructs and Channel Assignments Fixture Type Studio Color 250 Construct Pan Coarse Pan Fine Tilt Coarse Tilt Fine Color Function Cyan Magenta Yellow Beam Shaping Focus Shutter Dim MSpeed Macro/LAD™ Control DMX Channel 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 3 Pan and Tilt The Pan and Tilt constructs are available for both Studio Spot 250 and Studio Color 250 fixtures. Both fixtures offer 570° pan and 270° tilt motion.
Color Function The Color Function construct is available for both Studio Spot 250 and Studio Color 250 fixtures and is controlled with DMX channel 5. This construct determines how the Studio Spot 250 color wheel or the Studio Color 250 cyan, magenta, and yellow color wheels move. The Color Function construct values can be enabled in either full speed (controller crossfading the wheel positions), or MSpeed (MSpeed control of the wheel motor).
Cyan The Cyan construct is available only for Studio Color 250 fixtures and is controlled with DMX channel 6. This construct determines how the cyan color wheel moves. The cyan wheel settings available are determined by the Color Function construct value you chose (see Table 3-3). 3 Cyan (color mixing portion) UV Dark (Black Blue light) Figure 3-1. Studio Color® 250 cyan color wheel. 3 Table 3-3.
Table 3-4. Magenta Settings Color Function Chosen Magenta Setting Available Pure Mix Pure Mix Mode Spin Spin Mode Description Allows exact positioning within the color mixing section of the magenta color wheel. Determines the magenta color wheel spin speed, direction, or fixed position. Yellow 3 The Yellow construct is available only for Studio Color 250 fixtures and is controlled with DMX channel 8. This construct determines how the yellow color wheel moves.
Table 3-6. Beam Shaping Settings Beam Shaping Setting Description Spin Stop Spin Forward Fastest Spin Forward Slowest Stops the lenticular wheel from spinning. Determines how fast the lenticular wheel will spin forward. Determines how fast the lenticular wheel will spin forward. 3 Figure 3-4. Studio Color® 250 beam shaping (lenticular) wheel. Color Position The Color Position construct is available only for Studio Spot 250 fixtures and is controlled with DMX channel 6.
The color positions available are determined by the Color Function construct value you chose (see Table 3-7). Table 3-7. Color Position Settings Color Function Chosen Indexed, Slow Scan, Fast Scan, or Blink-Indexed Continuous Forward Spin Reverse Spin Random Color Position Available Indexed Mode Continuously Variable Mode Continuously Variable Forward Spin Mode Continuously Variable Reverse Spin Mode Random Mode Description Selects a specified whole or half color.
Litho Position The Litho Position construct is available only for Studio Spot 250 fixtures and is controlled with DMX channel 8. This construct allows you to choose a litho wheel position (see Figure 3-6). Belly Invert (static litho) Sun spurt (static litho) Fusion Fire magenta (static litho) 7 Belly 3 8 Radium Perfora - red 6 1 (open) Swirl 5 2 Trism Fade 4 3 Off-center circle Figure 3-6. Studio Spot® 250 litho wheel.
Table 3-9. Litho Rotate Settings Litho Function Chosen Reverse Rotate Wheel Spin Scanning Random Litho Rotate Available Description Continuously Variable Determines how fast the specified litho will spin in reverse Reverse Rotate Mode (within the wheel). Continuously Variable Determines the speed and direction the litho wheel will spin. Wheel Spin Mode Determines how fast the litho wheel will scan between one Scan Mode full litho wheel position from each side of the selected litho.
Effects Rotate The Effects Rotate construct is available only for Studio Spot 250 fixtures and is controlled with DMX channel 11. The effects rotate settings are listed in Table 3-10. Table 3-10. Effects Rotate Settings Effects Rotate Setting Description Determines how fast the specified effect will spin forward (within the wheel). Stops the specified effect from spinning (within the wheel). Determines how fast the specified effect will spin in reverse (within the wheel).
Table 3-11. Iris Settings Iris Setting Snap Open/Ramp Shut (Variable) Ramp Open/Ramp Shut (Variable) Random Ramp/Snap (Variable) Random Snap/Ramp (Variable) Open *Note: Description Fully opens the iris at full speed, then ramps shut at variable speeds. Fully opens the iris at variable speeds, then shuts at the same chosen speed. Fully opens the iris at variable, random speeds, then snaps shut at full speed. Fully opens the iris at full speed, then ramp shut at variable, random speeds.
Dim The Dim construct is available for both Studio Spot 250 and Studio Color 250 fixtures. This construct is controlled with DMX channel 15 for Studio Spot 250 fixtures or DMX channel 12 for Studio Color 250 fixtures. The Dim construct provides full dimming capability without changing the color temperature or the beam shape. The dim values range from closed (construct value of 0) to fully open (construct value of 255).
Macros are factory-programmed sequences which allow you to quickly program complicated looks (such as a ballyhoo) in one scene. Each macro modifies a specific set of constructs, while allowing user control of all other constructs in the scene. You can also create an entire sequence by selecting the random macro which randomly plays all pre-programmed macros. For more information on which constructs are used in each macro, see “Appendix B Macros” on page B-1.
Table 3-14. Control Settings Control Setting Display Off Display Dim Display Bright Home Lamp On Lamp Off Shutdown (send this value for approximately two seconds) *Note: Description Sets LED display off. Dims LED display characters. Sets LED display on. Remotely homes the fixture. Remotely restrikes the fixture’s lamp. Remotely extinguishes the fixture’s lamp. Remotely shuts down the fixture*. Fixture shutdown allows you to remotely deactivate the fixture.
and Studio Color 250 fixtures on the link. The crossloading procedure is explained in the section titled “Crossloading Fixture Software (XLD)” on page 4-28. 3. Upload the new software to all Studio Spot 250 or Studio Color 250 fixtures on the link using the Status Cue lighting console. Refer to the Status Cue User Manual for the procedure used to upload software using a Status Cue lighting console.
Chapter 4 Understanding the Menu System Studio Spot 250 and Studio Color 250 fixtures have an intuitive menu system that allows you to: • Configure your fixture for operation (discussed in Chapter 2) • Access fixture options such as homing the fixture, viewing fixture status, crossloading software, and performing self tests (discussed in this chapter) • Create, store, and play scenes from the fixture’s on-board memory (see Chapter 5) 4 Navigational Buttons You navigate through the menu system using t
Pressing the
Table 4-1.
Table 4-1.
Table 4-1. Studio Spot® 250 Menu Map Menu Menu Menu Menu Menu Level 1 Level 2 Level 3 Level 4 Level 5 PLAY OFF ON SCN CLSD P01 P28 NN01 NN28 NK01 NK28 SHUT PRST EDIT SN01 SN16 DIM PAN TILT RS01 RS28 SR01 SR28 RR01 RR28 NR01 NR28 NS01 NS28 OPEN D001 D255 -49.9 +49.9 -49.9 +49.
Table 4-1.
Table 4-1.
Table 4-1. Studio Spot® 250 Menu Map Menu Menu Menu Menu Menu Level 1 Level 2 Level 3 Level 4 Level 5 S000 S255 LTR N000 N255 B000 B358 FX FXR FCUS PRST EDIT SN01 SN16 FX01 FX05 MFX1 MFX5 F121 F001 STIL R001 R121 000 255 CLSD F001 F127 OPEN P 01 P 16 N 01 N 16 IRIS RS01 RS16 SR01 SR16 RR01 RR16 NR01 NR16 NS01 NS16 MSPD 4-8 OPEN 0.15 252.
Table 4-1. Studio Spot® 250 Menu Map Menu Menu Menu Menu Menu Level 1 Level 2 Level 3 Level 4 Level 5 MCOF MC01 MC32 MACR XFAD EDIT SN01 SN16 DLAY RN01 RN32 LROF LM01 LM32 LRON X 0.1 X 9.9 X 10 X166 D 0.1 D 9.
Studio Color® 250 Menu Map A complete map of the menu system for Studio Color 250 is shown in Table 4-2. See individual subsections for descriptions of each menu item. Table 4-2.
Table 4-2.
Table 4-2.
Table 4-2. Studio Color® 250 Menu Map Menu Menu Menu Menu Menu Level 1 Level 2 Level 3 Level 4 Level 5 DIM PAN TILT D001 D255 -49.9 +49.9 -49.9 +49.9 CON IDX MIX WSP CYC TBD RND PRST EDIT SN01SN16 BLK COLC MCON MIDX MMIX MWSP MCYC MTBD MRND MBLK D000 D358 CYAN OPEN Studio Spot® 250 / Studio Color® 250 User Manual Description select a dim value from dark (D001) to bright (D255) select a pan value from -49.9% to +49.9% of the pan range select a tilt value from -49.9% to +49.
Table 4-2.
Table 4-2.
Table 4-2.
Table 4-2.
Table 4-2. Studio Color® 250 Menu Map Menu Menu Menu Menu Menu Level 1 Level 2 Level 3 Level 4 Level 5 BY 2 BS 5 BS 4 YELW BS 3 BS 2 BS 1 PRST EDIT SN01 SN16 BEAM FCUS MSPD MACR XFAD 4-18 D000 D358 WR60 WR01 STIL WF01 WF60 000 255 0.15 252.7 MCOF MC01 MC32 RN01 RN32 LROF LM01 LM32 LRON X 0.1 X 9.
Table 4-2. Studio Color® 250 Menu Map Menu Menu Menu Menu Menu Level 1 Level 2 Level 3 Level 4 Level 5 DLAY D 0.1 D 9.9 D 10 D166 SEC EDIT SN01 SN16 TIME MIN HOUR ZERO PRST FROM COPY TO CAPT SN01 SN16 DFLT OK? OK? FA01 FA16 FB01 FB16 TA01 TA16 TB01 TB16 Studio Spot® 250 / Studio Color® 250 User Manual Description select the scene delay time in increments of 0.
Fixture Options The sections below explain how to access the fixture options shown in the fixture’s menu map. All menu items are explained except preset programming (PRST), which is discussed in “Chapter 5 Preset Programming” on page 5-1. Address Menu (ADDR) Use the Address menu to quickly change the current fixture number/DMX start channel. Using this menu option, you can only change the existing fixture number to another fixture number, or the existing DMX start channel to another DMX start channel.
Setting Factory Defaults (FACT) When you set this menu item on, all factory options return to their default settings. Studio Spot 250 and Studio Color 250 fixtures are shipped from the factory with the following options set to the following defaults: • • • • • • • pan/tilt swap = off tilt invert = off pan invert = off LED display = on and bright LED display invert = off lamp life warning = disabled preset playback = off To change the factory option default setting: 1.
Swapping Pan and Tilt (SWAP) This menu option swaps the pan motor and tilt motor operation. This option allows a perpendicularly-hung fixture to respond to pan and tilt movement commands in the same direction as a fixture hung normally (see Figure 4-2). To swap pan and tilt motion: 1. Press and hold the
Inverting Pan (P/IN) This menu item inverts the direction of the pan motor, which allows opposing fixtures to respond to pan movement commands in the same direction (see Figure 4-4). Figure 4-4. Opposing fixtures. To invert the fixture’s pan motion: 1. Press and hold the
Inverting LED Characters (D/IN) This menu item allows you to invert the orientation of the LED display’s alphanumeric characters. This option is useful if your fixture is standing upright (i.e., resting on its bottom panel on the floor). To invert the LED display: 1. Press and hold the
Setting the Lamp Warning Message (LMPL) Use this menu item to enable your fixture to display the warning message “LAMP LIFE ERR” when the current lamp hours exceed 2,000. With this option enabled, after the current lamp hours exceed 2,200 hours, the fixture will display the warning message “LAMP OUT ERR.
2. Using the and arrow buttons, scroll to the “MODE” menu and press the button to select the “MODE” menu. 3. Using the and arrow buttons, scroll to the “TYPE” menu. (This will be the first menu displayed). Press the button to select the “TYPE” menu. 4. Using the and arrow buttons, choose the “SPOT” option for Studio Spot 250 fixtures, or the “COLR” option for Studio Color 250 fixtures. Press the button to select the desired option.
Copying User Presets (PRST) Use this menu item to copy the fixture’s user presets from user A to user B or vice versa. Each user type includes 16 different presets (scenes) which can be copied to a different user type. Note: This options copies all 16 presets at one time. To copy user presets: 1. Press and hold the
4. Using the and arrow buttons, scroll to the “COPY” menu and press the button to select the “COPY” menu. 5. Using the and arrow buttons, scroll to the “SETT” menu and press the button to select the “SETT” menu. or 6. Using the and arrow buttons, choose the “A → B” option to copy user A settings to user B, or the “B → A” option to copy user B settings to user A. Press the button to select the desired option.
To crossload software from one fixture to all other Studio Spot 250 and Studio Color 250 fixtures on the link: 1. Disconnect or bypass any controllers, serial data distributors, data line optoisolators, and any fixtures using RS-422 communications (such as Dataflash® AF1000 xenon strobes, Intellabeam® fixtures, and Emulator® laser simulators). These devices will block communication between your crossloading fixture and any other Studio Spot 250 or Studio Color 250 fixtures on the link. 2.
Homing the Fixture (HOME) This menu item allows you to manually home the fixture. If you want to remotely home the fixture (using a DMX controller), see “Control” on page 3-14. Caution: You should home the fixture immediately if you notice that the litho wheel has lost position (i.e. stuck between two litho patterns). If the litho wheel is not correctly aligned in the optical path, the wheel could be damaged. To manually home the fixture: 1.
Copying the Boot Code (BOOT) When you upload new software to Studio Spot 250 and Studio Color 250 fixtures, the new software may contain a new boot code which must be copied to each fixture. This is apparent if the LED displays a “BOOT DIFF” error. Do not remove power from the fixture while performing a boot copy. To accept and store the new boot code: 1. Press and hold the
To perform a self test: 1. Press and hold the
Testing the LED Display (DISP) To perform a self-test on the LED display: 1. Press and hold the
Viewing the Current Fixture Head Temperature (HEAD) This menu option allows you to view the current ambient temperature inside the fixture’s head. To view the fixture’s head temperature: 1. Press and hold the
Viewing the Number of Current Lamp Strikes (L/ST) To view the number of times the fixture has struck (or attempted to turn on) the current lamp: 1. Press and hold the
• • • • • • • • • • • • • • • • • • • • TLTH - high 8-bit tilt value TLTL - low 8-bit tilt value COLC - color control value CYAN - cyan color wheel position** MAGN - magenta color wheel position** YELW - yellow color wheel position ** COL - color wheel position* LTOC - litho control value* LTO - litho wheel position* LTR - litho wheel rotation value* FX - effects wheel position* BEAM - beam shaping (lenticular) wheel position** FXR - effects wheel rotation value* FCUS - lens focus position (for Studio Spot
If the value changes on the fixture’s LED display, but the fixture still does not respond, contact High End Systems customer service in one of the ways shown in the section titled “Contacting High End Systems” on page ii. However, if the value does not change on the fixture’s LED display, remove the fixture from the DMX link and try to change the construct’s value using the fixture’s menu system. If the fixture then functions normally, the problem was likely with the DMX link.
Viewing Sensor Information (SENS) This menu option allows you to view whether a specified sensor if working correctly. If you receive a “SENS ERR” error message on the LED display, this information may help you determine where the problem originates (see “LED Display Error Messages” on page 8-1).
2. Using the and arrow buttons, scroll to the “INFO” menu and press the button to select the “INFO” menu. 3. Using the and arrow buttons, scroll to the “F/RS” option and press the button to select the “F/RS” option*. The LED will display “0000” when the fixture hours are reset. *Note: This option has a 5-second delay to avoid inadvertent changes. To reset the fixture hours, you must press and hold the button for at least 5 seconds.
For more information on setting the user type, see “Setting the User Type (USER)” on page 4-26. To set preset playback on or off, or to view the current scene: 1. Press and hold the
Copying an On-Board Memory Scene (COPY) 1. Press and hold the
2. Using the and arrow buttons, scroll to the “PRST” menu and press the button to select the “PRST” menu. 3. Using the and arrow buttons, scroll to the “CAPT” menu and press the button to select the “CAPT” menu. to 4. Using the and arrow buttons, scroll to the scene you want to copy the preset scene to (destination scene) and press the button.
Chapter 5 Preset Programming Programming Overview Before programming your fixtures, you must be aware of some programming terms and definitions. These terms are defined in this section. Scene A scene is a combination of the different construct values you choose. A construct is a unique fixture feature; for example, focus, color, or rotating effects. Each scene consists of all of the construct values you select and can be as simple or complex as you want.
scenes) for each user type (user A and user B) per fixture. You can also synchronize scene playback for all fixtures on the link while operating in stand-alone mode. However, in stand-alone mode, once you begin playing back the sequence, you do not have direct control over the fixtures. Macros Each Studio Spot 250 and Studio Color 250 fixture is shipped with factoryprogrammed macros which allow you to quickly program complicated looks (such as a ballyhoo) in one scene.
Forward and Reverse Spins A forward spin on all wheels and positions means the wheel or position spins clockwise as you are looking at the projected image. A reverse spin means the wheel or position spins counter-clockwise. Preset Programming This section provides an example of how to program your fixtures for stand-alone operation using the on-board memory in each fixture to create, store, and play back scenes. Preset programming involves accessing the fixture’s menu system.
Opening the Shutter (SHUT) 1. Using the and arrow buttons, scroll to the “SHUT” construct. (This will be the first construct displayed.) Press the button to select the shutter construct. 2. Using the and arrow buttons, scroll to the desired shutter value (in this example, “OPEN”) and press the button to select the desired value. Selecting a Dim Value (DIM) 1.
Selecting a Color Wheel Position (COL) This menu option is only available for Studio Spot 250 fixtures. 1. Using the and arrow buttons, scroll to the “COL” construct and press the button to select the Color wheel position construct. 2. Using the and arrow buttons, scroll to the desired Color wheel position value (in this example, “C 12”) and press the button to select the desired value.
Choosing a Litho Wheel Control Value (LTOC) This menu option is only available for Studio Spot 250 fixtures. 1. Using the and arrow buttons, scroll to the “LTOC” construct and press the button to select the Litho wheel control construct. 2. Using the and arrow buttons, scroll to the desired Litho wheel control value (in this example, “FSP”) and press the button to select the desired value.
Selecting a Beam Shaping (Lenticular) Wheel Position (BEAM) This menu option is only available for Studio Color 250 fixtures. 1. Using the and arrow buttons, scroll to the “FX” construct and press the button to select the effects wheel position construct. 2. Using the and arrow buttons, scroll to the desired effects wheel position value (in this example, “WR12”) and press the button to select the desired value.
Setting an MSpeed Value (MSPD) 1. Using the and arrow buttons, scroll to the “MSPD” construct and press the button to select the MSpeed construct. 2. Using the and arrow buttons, scroll to the desired MSpeed (in this example, “1.5”) in decimal seconds and press the button to select the desired value.
Note: The delay value determines the length of the scene. If you want all motor transitions to be completed before the next scene begins, XFAD must be less than or equal to DLAY. If XFAD is longer than DLAY, the transition will not be completed before the next scene begins. Set the unit of time used for delay (seconds, minutes, or hours) using the TIME construct. Setting the Time Unit (TIME) 1.
Playing Back a Loop To play back a loop, you must set preset playback mode on for each fixture (see “Setting Preset Playback (PLAY)” on page 4-39). When preset playback is set on, your fixture will automatically begin playing back the first scene and continue through the loop. Note: You must program scene 1 to enable preset playback. The fixture has two ways to indicate that preset playback is on two ways. First, the LED will display a dot in the lower right corner (see Figure 5-1).
all the clocks (see Figure 5-2). If a slave fixture has a longer sequence length, it will restart at scene 1 before it completes its entire sequence.
5-12 Preset Programming Studio Spot® 250 / Studio Color® 250 User Manual
Chapter 6 Laser Aiming Device (LAD™) Operation If your Studio Spot 250 or Studio Color 250 fixture is fitted with the optional Laser Aiming Device (LAD), do not operate the laser until you have read and understand the precautions and recommended operation instructions listed in this chapter. Intended Audience Only qualified and trained employees approved by a laser safety officer should be assigned to install, adjust, and operate the laser equipment.
6. Do not remove the labels shown in Figure 6-1. These labels are required by US and European safety agencies. Top view of fixture Fixture with bezel removed Figure 6-1. LAD™ labels on the fixture. 7. Post a standard laser warning sign to mark areas where this product is used. 8. Do not stare directly into the beam and do not view the beam with optical instruments. 9. Always position the laser path well above or below eye level. 10. Terminate the laser beam at the end of its useful path. 11.
Recommended Laser Use The laser exits the fixture through the aperture shown in Figure 6-2. Laser aperture The most effective and efficient way to use the laser aiming device is with the fixture’s lamp off. There are two reasons for this: • The higher the temperature, the shorter the life of the Laser Aiming Device. Keeping the lamp off minimizes the temperature inside the fixture, which extends the life of the laser. • The higher the temperature, the less bright the laser will be.
3.5 in. (8.9 cm) 3.3 in. (8.4 cm) Studio Spot 250 fixture Studio Color 250 fixture Figure 6-3. Ideal position of the laser. You might need to realign the laser periodically in order to maintain its optimal position. However, the decision of whether or not to align the laser is entirely up to you. If the laser strays from its optimal position, but it gives you enough accuracy for your needs, you do not have to align it.
Note: The farther away the wall is, the more accurate your positioning will be): 2. Remove the fixture’s bezel cover by releasing the two bezel latches (see Figure 6-5). fixture with bezel removed release the two bezel latches Figure 6-5. Remove the bezel. 3. Turn the lamp on (see “Turning the Lamp On or Off (LAMP)” on page 4-30). 4. Make sure that the light beam is round and not oval.
1 Extend the tape measure or ruler through the vertical center of the beam. 2 3 Extend the tape measure or ruler across the horizontal center of the beam and lightly mark the center of the beam on the wall along the ruler. 4 Lightly mark the center of the beam on the wall along the ruler. Measure 3.3 in (8.4 cm) for Studio Spot 250 fixtures, or 3.5 in. (8.9 cm) for Studio Color 250 fixtures above the center point of the marks you made on the wall to mark where the laser should shine. Figure 6-6.
9. Locate the three mounting/alignment screws on the laser aiming device assembly (see Figure 6-7). These three screws can be used to adjust the position of the laser beam. LAD screws 2 3 1 Figure 6-7. LAD™ mounting/alignment screws. 10. Alignment screws 1 and 3 (shown in Figure 6-7) move the laser beam horizontally, and screw 2 moves the laser beam vertically. Use the three alignment screws to adjust the position of the laser so that it is positioned at the ideal laser position of 3.3 in.
6-8 Laser Aiming Device (LAD™) Operation Studio Spot® 250 / Studio Color® 250 User Manual
Chapter 7 General Maintenance This chapter includes information on replacing parts, installing optional accessories, and cleaning your fixture. Please note the warnings under each heading before servicing your fixture. Warning: This fixture must be serviced by qualified personnel. The information listed in this chapter is intended to assist qualified personnel only. Replacing Parts Warnings: Disconnect power before servicing. Replace fuses with the specified type and rating only.
2. Determine which fuse to replace by referring to Table 7-1. Table 7-1. Description and Function of Fuses Fuse Type and Rating F1 6.3 A, 250 V, Fast Blow only F2 2.5 A, 250 V, Fast Blow only F3 6.3 A, 250 V, Slow Blow only Size Protects Symptom of Failure If the fixture is operating normally and this fuse blows, the LAD (if applicable) and the lamp will turn off, the motor LED will be off, and Motor supply and fan 5mm x 20mm the motors will not move.
4. Using a Phillips-head screwdriver, loosen (but do not remove) the two display panel retaining screws (see Figure 7-2). LED display panel retaining screw Figure 7-2. Loosen the two display panel retaining screws. 5. Gently lower the display panel to access the fuses on the circuit board (see Figure 7-3). Support the display panel while replacing the fuse. Do not allow the cables on the circuit board to support the weight of the display panel. 6. Locate the fuse to be replaced (see Figure 7-4).
7. Replace the appropriate fuse(s) with a fuse of the same type and rating. Note: If you replaced the F3 fuse, reinstall the protective plastic covering over the fuse. 8. After replacing the fuse, return the display panel to its original position and tighten the two display panel retaining screws. 9. Replace the two panel covers and tighten the four panel cover retaining screws. Replacing the Lamp Warnings: Disconnect power before re-lamping or servicing.
3. Tilt the fixture’s head to access the lamp cap (see Figure 7-5). lamp assembly screws lamp cap Figure 7-5. Lamp cap and lamp assembly screws. 4. Using a wide tip, flat head screwdriver, loosen (but do not remove) the two lamp assembly screws (see Figure 7-5). 5. Pull the lamp assembly straight out of the fixture (see Figure 7-6). lamp assembly 7 Figure 7-6. Remove the lamp assembly. The lamp assembly is connected to the fixture by lamp socket wires (see Figure 7-6).
6. Holding the existing lamp by its ceramic base, carefully pull the lamp straight out of the lamp socket (see Figure 7-7). Caution: Do not squeeze the lamp glass while removing the existing lamp from the socket. Lamp glass may shatter. 7. Remove all packaging materials from the new lamp. Holding the new lamp by its ceramic base, gently press the two base pins into the lamp Figure 7-7. Remove the socket until the lamp is firmly seated. lamp from the lamp socket.
Replacing Studio Spot® 250 Wheel Components This section explains how to remove and replace individual components in the Color, Litho, and effects wheels for Studio Spot 250 fixtures. You can install any dichroic, gobo, litho, or effect in Studio Spot 250 or Studio Color 250 fixtures that adheres to the specifications listed in the section titled “Dichroic, Litho, and Effect Specifications” on page intro-7.
2. Locate the cutout on the mid plate under the color wheel (see Figure 7-9). Manually rotate the color wheel until the dichroic you wish to replace is directly over the cutout. front plate Effect wheel Litho wheel Color wheel mid plate cutout to access color wheel Figure 7-9. Cutout on the mid plate under the color wheel. 3.
5. Orient the new dichroic so that the coated side of the dichroic is facing away from the lamp. To determine which side of the dichroic is coated, place the tip of a pen against each side of the dichroic. Look at the dichroic and pen from a slight angle. coated On the coated side, the tip of the pen appears to “touch” its reflection. On the uncoated side, there appears to be a gap between the pen and its reflection (see Figure 7-11). 6.
You may need to continue pressing the spring tip under each plastic tab until the spring is completely free of the wheel housing. 7. After removing the spring, remove the rotating litho and its aperture ring (if present) from the wheel. litho aperture ring Figure 7-13. Rotating litho and aperture ring. Note: The aperture ring is used with multi-color lithos because the colors do not completely bleed to the edge of the litho.
toward the bottom litho, you can produce moiré effects. If the coated side of the top litho is facing away from the lamp, you can produce morphing effects. For more information, see “Litho Position” on page 5-9. 10. To replace a static litho, gently spread the outer edge of the wheel apart and slide the static litho into the wheel. Make sure the static litho is seated in the two retaining slots and that the gap between the edges of the wheel is uniform (see Figure 7-15).
the spring is completely installed in the wheel, press the spring tip under one of the four plastic tabs in the wheel housing (see Figure 7-16). Wheel tab Incorrect placement (spring tip protrudes from under the tab) Correct placement (spring tip is completely under the tab) Figure 7-16. Replacing the spring on a rotating litho or effect. 12. After replacing the litho, you may need to clean it by using a soft, lint-free cotton cloth and a mild glass cleaning solution (containing no ammonia). 13.
9. Install the metal spring by inserting the spring into the wheel housing (over the effect) and rotating the spring while pressing down. When the spring is completely installed in the wheel, press the spring tip under one of the four plastic tabs in the wheel housing (see Figure 7-16). 10. After replacing an effect, you may need to clean it by using a soft, lint-free cotton cloth and a mild glass cleaning solution (containing no ammonia). 11.
2. Using a C-clip tool, remove the two C-clips from the lens shafts (see Figure 718). lens assembly c-clips on the lens shafts focus screw Figure 7-18. Location of the C-clips, lens shafts, focus screw, and lens assembly. 3. Remove the lens assembly by rotating the focus screw while pulling the assembly up and off of the lens shafts (see Figure 718). 4. Remove the eight #2 Phillips-head screws from the optical assembly front plate (see Figure 7-19). 5.
Support the front plate while replacing the wheel. Do not allow the cables on the sensor bracket to support the weight of the front plate. Magenta wheel Lenticular (beam shaping) wheel Yellow wheel set screw sensor bracket Cyan wheel Figure 7-20. Optical assembly cover plate folded toward the sensor bracket. 6. Using a 5/64” hex tool, loosen the set screw on the desired wheel hub, and pull the desired wheel up and off the shaft (see Figure 7-20).
Replacing the Lens You can replace the lens if it is damaged or broken, or to install an optional accessory lens to achieve a different beam angle such as medium flood or extra wide flood (see “Optional Accessories” on page intro-8). Warnings: Disconnect power before servicing. Equipment surfaces may reach temperatures up to 130° C (266° F). Allow the fixture to cool before handling. Replacing the Studio Spot® 250 lens You will need: • • replacement lens #2 Phillips-head screwdriver.
4. Remove the lens by pulling it straight up from the assembly. remove the three lens screws and pull the lens straight up from the assembly lens Figure 7-21. The three lens screws. 5. Place the new lens in the assembly. Note: Before installing the new lens, you may need to clean it by using a soft, lint-free cotton cloth and a mild glass cleaning solution (containing no ammonia). 6. Replace and tighten the three #2 Phillips-head lens screws that secure the lens to the lens assembly. 7.
3. Remove the three #2 Phillips-head lens screws and remove the lens by pulling it straight up from the assembly (see Figure 7-22). remove the three lens screws and pull the lens straight up from the assembly lens Figure 7-22. Remove the screws that secure the lens to the lens assembly. 4. Place the new lens in the assembly. Note: Before installing the new lens, you may need to clean it by using a soft, lint-free cotton cloth and a mild glass cleaning solution (containing no ammonia). 5.
Optimizing the Lamp You should optimize the lamp after you replace the lamp, or if you notice a “hot spot” of brightness anywhere other than the center of the light beam. To complete the optimization procedure below, you can use either the fixture’s onboard menu system or your DMX controller. 1. Orient the fixture so that the beam will project onto a flat, white surface at least 10 feet (3 m) away. white wall sturdy surface 10 ft. (3 m) minimum Figure 7-23. Orient the fixture for lamp optimization. 2.
5. Locate the two lamp optimization screws (see Figure 7-24). lamp optimization screws 6. Loosen the two lamp optimization screws. 7. Look at the wall where the beam is projected and use the two optimization screws to adjust the lamp’s position within the fixture. Figure 7-24. Lamp optimization screws. 8.
Chapter 8 Troubleshooting This chapter lists typical symptoms and solutions for problems you might experience when using your Studio Spot 250 or Studio Color 250 fixture. If you need additional help, or if the problem you are experiencing is not listed in this chapter, contact High End Systems customer service in one of the ways shown in the section titled “Contacting High End Systems” on page ii. Caution: This fixture must be serviced by qualified personnel.
Table 8-1. LED Error Messages Display Message Problem Solution The current boot code does not BOOT match the new boot code. This Update the boot code (see “Copying the Boot Code DIFF ERR error may occur after you (BOOT)” on page 4-31). upload new software. The fixture will automatically restrike the lamp when it COOL The lamp is too hot to strike. has sufficiently cooled.
Table 8-1. LED Error Messages Display Message LAMP TOUT ERR Problem • Lamp is too hot to restrike. • Failed lamp. • Ignitor failure. • Controller or other crossloading fixture is communicating on the link. • Serial data distributor, optoisolator, controller, or fixture using RS-422 communication is located LINK before Studio Spot 250 or BUSY Studio Color 250 fixtures on the link. • Preset playback is on, and the master fixture detected other activity on the link and stopped transmitting time code.
Table 8-1. LED Error Messages Display Message PAN DRV ERR PAN ENCD PAN ERR PAN STOP PRGM TIME PRST LOST SENS ERR SVCC ERR THRM CHIP 8-4 Problem • The pan motor wire has shorted to ground. • Bad pan driver chip. • The pan encoder sensor is not connected. • The pan encoder is not functioning properly. • Loose pan pinion gear. • Loose pan motor cable. • Incorrect cabling to pan input. • Bad pan sensor. • Bad pan motor. • There is a physical obstruction blocking pan movement.
Table 8-1. LED Error Messages Display Message THRM PAN THRM TILT TILT CONN TILT DRV ERR TILT ENCD TILT ERR TILT STOP UPLD Problem Solution • Move the fixture if it is close to a heat source. • Remove any object which may be obstructing the The pan motor maximum fixture’s heatsink. temperature was exceeded. • Check and reduce ambient temperature by turning on fans, etc. • Move the fixture if it is too close to a heat source.
Status LEDs The status LEDs help determine where any problems with your Studio Spot 250 or Studio Color 250 fixture may be originating. See Table 8-2 for a description of the five status LEDs. Table 8-2. Status LEDs LED Motor Lamp 5V Transmit Receive 8-6 State Problem Indication? Description The motor power supply is receiving adequate voltage. Fuse or power failure. The lamp power supply is receiving the proper voltage, and the lamp is ON. The lamp is extinguished.
General Troubleshooting To find solutions to general fixture problems not indicated by alphanumeric LED display error messages or status LEDs, see Table 8-3. Table 8-3. General Troubleshooting Problem Probable Cause Fixture will not turn on. • No power is connected. • Breaker is turned off. • Power connectors are bad. • Connect power to the fixture. • Turn the breaker on. • Contact High End Systems customer service (see “Contacting High End Systems” on page ii).
Table 8-3. General Troubleshooting Problem Fixture will not home properly. Color system is not producing the correct color. Fixture is not responding to controller commands or is producing unexpected results. Pan or Tilt position is off. Display is not functioning. 8-8 Troubleshooting Probable Cause Solution A sensor, driver, or motor is faulty. Contact High End Systems customer service (see “Contacting High End Systems” on page ii) The fixture is not properly homed.
Table 8-3. General Troubleshooting Problem Probable Cause Solution Dichroic or litho is not centered in the beam or is in the wrong position. • The wheel has lost position. • The dichroic or litho does not meet High End Systems specifications. • Home the fixture (see “Control” on page 3-14 or “Homing the Fixture (HOME)” on page 4-30). You should home the fixture immediately if you notice that the litho wheel has lost position (i.e. stuck between two patterns).
Table 8-4. Upload and Crossload Troubleshooting Problem 8-10 Probable Cause Solution Status Cue Lighting Console displays “Fixture could not erase Flash ROM.” • The XLR cable(s) disconnected • Bad cable(s) • The fixture’s electrical circuitry is damaged • Reconnect XLR cable(s) • Replace cable(s) Status Cue Lighting Console displays “Warning: No response from Fixture xx (Link xx Address xx).” • Status Cue was configured with a fixture at that address, but no fixtures were found there.
Laser Aiming Device (LAD™) Troubleshooting Table 8-5. LAD Troubleshooting Problem The laser gradually loses power. The laser is out of alignment. The emission indicator LED is off and the laser is off. The emission indicator LED is on, but the laser is off. The laser is on, but the emission indicator LED is off. Probable Cause Over time, the laser will lose power until it dims out entirely.
8-12 Troubleshooting Studio Spot® 250 / Studio Color® 250 User Manual
Appendix A DMX Control A This appendix includes tables which lists the appropriate DMX start channels, construct parameters for Studio Spot 250 and Studio Color 250 fixtures, and MSpeed time conversions. DMX Start Channels Table A-1 lists the DMX start channels for Studio Spot 250 and Studio Color 250 fixtures. This table assumes that the fixtures are all assigned to the same link, one after another, and that all fixtures use the same number of channels (i.e.
Table A-1. DMX Start Channels Fixture Order in the Link 21 22 23 24 25 26 27 28 29 30 31 32 33 34 Studio Spot 250 DMX Start Channels 361 379 397 415 433 451 469 487* Studio Color 250 DMX Start Channels 301 316 331 346 361 376 391 406 421 436 451 466 481** 496** *Note: Up to 28 Studio Spot 250 fixtures can be connected to one link. Channels 505 - 512 cannot be used due to Studio Spot 250’s 18channel range.
The values in the Value Percentage (%) column may vary slightly depending on your controller’s rounding convention. Table A-2.
Table A-2. Studio Spot® 250 Construct Parameters Channel 6 (cont.) A-4 Construct Color Wheel Position (cont.
Table A-2. Studio Spot® 250 Construct Parameters Channel 6 (cont.) 7 Construct Color Wheel Position (cont.
Table A-2. Studio Spot® 250 Construct Parameters Channel 9 (cont.) 10 Construct Litho Rotate (cont.
Table A-2.
Table A-2. Studio Spot® 250 Construct Parameters Channel Construct Description Macro 13 Macro 14 Macro 15 Macro 16 Macro 17 Macro 18 Macro 19 Macro 20 Macro 21 Macro 22 Macro 23 Macro 24 Macro/LAD 17 (cont.) (cont.
Studio Color® 250 Construct Parameters Table A-3 lists the 15 Studio Color 250 constructs and their corresponding DMX controller values. If you have a numeric-type controller, use the Value Decimal (dec.) column. If you have a fader-type controller, use the Value Percentage (%) column. If your controller allows you to program hex values, use the Value (hex) column. The values in Table A-3 may vary slightly depending on your controller’s rounding convention. Table A-3.
Table A-3. Studio Color® 250 Construct Parameters Channel 6 (cont.) 7 A-10 Construct Cyan Color Wheel (cont.
Table A-3. Studio Color® 250 Construct Parameters Channel 7 (cont.) 8 Construct Magenta Color Wheel (cont.
Table A-3.
Table A-3. Studio Color® 250 Construct Parameters Channel Construct Description Macro 16 Macro 17 Macro 18 Macro 19 Macro 20 Macro 21 Macro 22 Macro 23 Macro 24 Macro 25 Macro/LAD 14 (cont.) Macro 26 (cont.
column. If you have a fader-type controller, use the Value Percentage (%) column. If your controller allows you to program hex values, use the Value (hex) column. The values in Table A-4 may vary slightly depending on your controller’s rounding convention. Table A-4. MSpeed Times Time Value Value Value Time Value Valu Value Time Value Value Value (sec.) (dec.) (%) (hex) (sec.) (dec.) e (%) (hex) (sec.) (dec.) (%) (hex) 0.15 255 100 FFh 4.00 224 88 E0h 15.56 193 76 C1h 0.15 254 100 FEh 4.
Table A-4. MSpeed Times Time Value Value Value Time Value Valu Value Time Value Value Value (sec.) (dec.) (%) (hex) (sec.) (dec.) e (%) (hex) (sec.) (dec.) (%) (hex) 34.82 162 64 A2h 66.85 126 49 7Eh 109.28 90 35 5Ah 35.57 161 63 A1h 67.89 125 49 7Dh 110.61 89 35 59h 36.33 160 63 A0h 68.94 124 49 7Ch 111.94 88 35 58h 37.09 159 62 9Fh 69.99 123 48 7Bh 113.28 87 34 57h 37.87 158 62 9Eh 71.05 122 48 7Ah 114.63 86 34 56h 38.65 157 62 9Dh 72.
Table A-4. MSpeed Times Time Value Value Value Time Value Valu Value Time Value Value Value (sec.) (dec.) (%) (hex) (sec.) (dec.) e (%) (hex) (sec.) (dec.) (%) (hex) 162.09 54 21 36h 225.30 18 7 12h 163.71 53 21 35h 227.20 17 7 11h 165.33 52 20 34h 229.11 16 6 10h 166.96 51 20 33h 231.03 15 6 0Fh 168.60 50 20 32h 232.96 14 5 0Eh 170.25 49 19 31h 234.90 13 5 0Dh 171.91 48 19 30h 236.84 12 5 0Ch 173.57 47 18 2Fh 238.79 11 4 0Bh 175.24 46 18 2Eh 240.
Appendix B Macros B Macro Descriptions This appendix includes information about the specific constructs used for each factory-programmed macro in Studio Spot 250 and Studio Color 250 fixtures. Table B-1 lists a description for each macro and shows which constructs are used or affected by each macro. Table B-1. Macro Descriptions Macro Constructs Used Description 1 Odd-numbered fixtures on the link perform a “lazy eight” movement, followed by evennumbered fixtures.
Table B-1. Macro Descriptions Macro 9-32 Description Macro affected by construct value change Reserved for future use. Note: B-2 Constructs Used Macros Information on new macros will be posted on the High End Systems web site and included with new software releases. The High End Systems web site address is listed in “Contacting High End Systems” on page ii.
Appendix C Important Safety Information Warning: For Continued Protection Against Fire 1. This equipment is designed for use with a Philips 250 Watt, GY 9.5 base, M Series, metal halide lamp only. Use of any other type lamp may be hazardous and may void the warranty. 2. Do not mount on a flammable surface. 3. Maintain minimum distance of 1.0 meter (3.28 feet) from combustible materials. 4. Replace fuses only with the specified type and rating. 5. Observe minimum distance to lighted objects of 1.0 meter (3.
2. Change shields, lenses, or ultraviolet screens if they have become visibly damaged to such an extent that their effectiveness is impaired, for example by cracks or deep scratches. 3. Never look directly at the lamp while lamp is on. Warning: For Continued Protection Against Injury To Persons 1. Use secondary safety cable when mounting this fixture. 2. Caution: hot lamp may be an explosion hazard. Do not open for 5 minutes after switching off. Wear eye and hand protection when re-lamping. 3.
Mise En Garde: Pour Une Protection Permanente Contre Des Expositions Excessives Aux Rayons Ultra Violets (UV) 1. Ne pas utiliser cet appareil si le boîtier de la lampe n'est pas complètement fixé ou si les blindages, lentilles, ou écrans ultraviolets sont endommagés. 2. Changer les blindages ou les écrans ultraviolets s'ils sont visiblement endommagés au point que leur efficacité aient été altérée, par exemple par des fissures ou de profondes égratignures. 3.
3. Diese Geräte sind nur zum Einbau in trockenen Lagen bestimmt und müssen vor Regen und Feuchtigkeit geschützt werden. 4. Servicearbeiten sollten nur von Fachpersonal ausgeführt werden. Das Gerät enthält keine wartungsbedürftigen Teile. 5. Dieses Gerät gehört zur Klasse I. Dieses Gerät muß geerdet werden. Warnung: Zum Schutz Gegen Übermässige Ultraviolett (UV)-Bestrahlung 1.
Advertencia: Para La Protección Continua Contra Electrocuciones 1. Si se recibió este equipo sin el enchufe de alimentacion, monte usted el enchufe correcto según el clave siguente: • moreno - vivo • azul - neutral • verde/amarillo - tierra 2. Desconecte el suministro de energía antes de recambiar lámparas o prestar servicio de reparación. 3. Questa apparecchiatura e' da usarsi in ambienti secchi. Non e' da essere esposta ne alla pioggia ne all' umidita'. 4.
4. Rimpiazare i fusibili usando soltanto quelli del tipo e della taratura adatta. 5. Mantenere una distanza minima di 1.0 metri (3.28 piedi) dagli oggetti accesi. 6. Questa apparecchiatura e' da collegarsi ad un circuito con una protezzione da sovraccarico massima di 20 amperes. Avvertenza: Per Prevenire Le Scosse Elettriche 1.
A Accessories ..................................intro-8 Address menu (ADDR) .................. 4-20 B Beam shaping construct .................... 3-6 Beam shaping wheel ......................... 3-7 Buttons, navigation ........................... 4-1 C DMX controller, programming with. 3-2 DMX start channel ..................... 1-7, 2-2 determining ................................. 2-4 DMX start channel control method... 2-2 DMX wasted channels ...................... 2-6 E Effects construct ...........
contacting High End Systems ........ ii Homing the fixture automatically ............................... 1-6 manually (HOME) .................... 4-30 I Iris construct ................................... 3-11 L Lamp optimizing ................................. 7-19 replacing...................................... 7-4 turning on or off (LAMP) ......... 4-30 Lamp warning message(LMPL) ..... 4-25 Laser Aiming Device (LAD) .......... 3-14 aligning ....................................... 6-3 recommended use ...
R Ramp ................................................. 5-2 Replacing parts ................................. 7-1 Replacing the lens ........................... 7-16 Replacing wheel components ........... 7-7 Reverse spin ...................................... 5-3 S Safety cable ..................................... 1-13 Scene ................................................. 5-1 choosing ...................................... 5-3 step-by-step example .................. 5-3 Set menu (SET).................
index-4 Studio Spot® 250 / Studio Color® 250 User Manual
