DIGITAL RECORDING CONSOLE E
FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions.
Important Information i Important Information Please read the following before operating your 02R Digital Recording Console. Precautions Installing the 02R • • • • • • • • • • • • The unit should be connected only to an AC receptacle of the type described in the owner’s manual or as marked on the unit. Be careful to prevent the 02R from getting wet; do not allow water to enter the 02R, especially when raining or snowing, or near a body of a water. Otherwise, fire or electrical shock may result.
ii Important Information • • • • • When you remove the power plug, be sure to hold the plug. Never pull on the cord. Otherwise, the power cord will become damaged, resulting in fire or electrical shock. When relocating the 02R, since the 02R is heavy, make sure that two or more people carry it. When you are moving the 02R to another location, first turn off the power switch, remove the power plug from the AC outlet, and remove all cables connected to external devices.
Important Information iii If an abnormality occurs while operating the 02, remove the plug from the AC outlet • If you notice any abnormality—such as smoke, odor, noise, etc—turn off the power to the 02R immediately, and remove the power plug from the AC outlet. Confirm that the abnormality is no longer present, then consult your dealer for repair. If you continue using the 02R under abnormal conditions, fire or electrical shock may result.
iv Important Information Influences on other electrical devices This equipment uses many digital circuits, which may cause noise to occur on nearby radio or TV. In this case, relocate the 02R away from those devices. 02R Exclusion of Certain Responsibility Manufacturer, importer, or dealer shall not be liable for any incidental damages including injury to the person, and/or any other damages caused by improper use or operation of the 02R. Please, read the instructions in this manual.
Getting Started Guide DIGITAL RECORDING CONSOLE Getting Started Guide
Contents i Contents 1 Introduction to the 02R. . . . . . . . . . . . . . . . . . . . . . 1 02R . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 User Guides . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Installation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Top and Rear Panels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
ii Contents 5 Mixing and Automix. . . . . . . . . . . . . . . . . . . . . . . 67 What is 02R Automix? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68 Real-time Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69 Editing Automix Events . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76 Off-line Automix Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81 Using the Automix Library . . . . . . . . . . . .
Introduction to the 02R 1 1 Introduction to the 02R 1 In this chapter... 02R . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 User Guides . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Installation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Top and Rear Panels . . . . . . . . . . . . . . . . . . . . . . . .
2 Introduction to the 02R 02R From the company that pioneered digital mixing consoles and leads the industry with its acclaimed DSP technology comes the 02R Digital mixing Console—the most advanced digital mixing console in the world. All of Yamaha’s experience and innovation has been applied to the 02R, to create a perfect mixer for use with the current generation of modular digital multitrack tape and disk recorders.
Introduction to the 02R 3 RISC Technology To provide powerful system control and full dynamic automix, the 02R is driven by a RISC technology CPU. With all this power and sonic quality, the 02R will become the heart of your digital recording studio. User Guides The 02R is supplied with an Owner’s Manual that consists of two guides—a Getting Started Guide and a User’s Guide. You should keep this manual handy for future reference.
4 Introduction to the 02R Top and Rear Panels +48V +48V +48V +48V +48V +48V +48V ON ON ON ON ON ON OFF OFF OFF OFF OFF OFF OFF A B A B 20dB +4 -16 +48V ON A B 20dB GAIN -40 -60 +4 -16 A B 20dB -40 -60 GAIN +4 -16 A B 20dB -40 -60 GAIN +4 -16 A B 20dB GAIN -40 -60 +4 -16 GAIN +4 -16 OFF A B 20dB -40 -60 ON A B 20dB GAIN -40 -60 +4 -16 0 -40 -60 GAIN +4 -16 20dB -40 -60 GAIN +4 -16 PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK SIGNAL SIGN
Introduction to the 02R 5 Features Sonic Specifications • Linear 20-bit 64-times oversampling A/D convertors • Linear 20-bit 8-times oversampling D/A convertors • 105 dB dynamic range (typical) • 32-bit precision internal processing with a dynamic range of over 190 dB using Yamaha’s 32-bit proprietary audio DSP General Features • 40 input channel mixer, with full dynamic processing and 4-band parametric equalization • Dynamic automix—all referenced to timecode • 96 internal scene memories for
6 Introduction to the 02R • 2 analog stereo outputs • 6 analog auxiliary send outputs • Stereo studio and control room outputs • 3 digital 2TR IN inputs • 2 digital stereo outputs • Industry standard AES/EBU or IEC958 Part2 (Consumer) digital inputs and outputs • 100 mm motorized faders • Fader and mute groups for single fader or button control over several faders or channel ON buttons • Adjacent channel pair function for stereo operation on inputs, tape returns, and auxiliary channels •
Introduction to the 02R 7 Key Features This section looks at some of the key features of the 02R, what they mean to you, and some hints about how you can use them. Dynamic Automix One of the most demanding jobs of the recording engineer is taking all the raw material produced during a multitrack recording session and mixing it all together into an artistically satisfying master recording.
8 Introduction to the 02R Recalling the scene is even easier—just press the [RECALL] button. You should be careful that your scene memories flow into each other smoothly. The instant recall means that you can have very abrupt level changes or the unexpected intrusion of a very loud channel. Note: The 02R allows you to have programmable fades between scene memories. The only thing you need to watch is the sudden sound of a channel being switched on.
Introduction to the 02R 9 current channel. You can customize your 02R to automatically select the corresponding display pages when you adjust a control in these blocks. Motorized Faders In addition to the DISPLAY ACCESS and SELECTED CHANNEL controls, each input channel and the stereo master channel utilizes a 100 mm motorized fader. When a scene memory is recalled, the faders position themselves automatically to the levels stored.
10 Introduction to the 02R domain. The dynamics program settings are stored in the dynamics library. There are 40 preset programs for you to recall and 88 user programs for you to store your own dynamics programs Parametric EQ with Library The 02R contains a high-performance four-band, fully parametric EQ. Each input channel, tape and effect return, and the stereo output channel features an EQ.
Introduction to the 02R 11 02R Sonic Performance The 02R uses linear 20-bit 64-times oversampling analog-to-digital converters to provide a typical dynamic range of 105 dB. This means that an audio program’s dynamic range, from low to high levels, is processed intact. The 02R samples audio at 44.1 kHz or 48 kHz. It provides a full spectrum frequency response from 20 Hz to 20 kHz, +1, –3 dB.
Getting Started 2 13 Getting Started In this chapter... Basic Assumptions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 Making the Connections. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 Basic Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 Power ON/OFF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
14 Getting Started Basic Assumptions The 02R was designed to be the perfect digital mixing console for a studio using the current generation of modular digital multitrack tape and disk recorders. Although the 02R can also be used as a sound-reinforcement mixer, the typical user will own a project recording or post-production studio with some form of multitrack recorder. Therefore, your 02R will probably be equipped with one or more of the optional input/output cards.
Getting Started 15 Basic Setup The following illustration shows how to set up a minimal system that will allow you to perform the following tutorials.
16 Getting Started Power ON/OFF This section explains how to power the 02R on and off. Power ON It is always important to observe the correct order for powering up equipment in a studio. Always start with the multitrack and mastering recorders and the signal processors, then the 02R, and finally the monitoring amplifiers and other downstream gear. POWER ON/ OFF 1. Turn ON the power to the 02R by pressing the POWER switch on the rear panel.
Getting Started 17 Recall Scene Memory 0 Before you start the tutorials, you should set the 02R to its initial mixer settings. 1. Use the SCENE MEMORY increment or decrement buttons to select scene memory 0 “0 Initial Data”. 2. Press the [RECALL] button. STORE RECALL SCENE MEMORY This is a read-only scene memory that contains the default settings for the system. The 02R will be reset to its initial settings.
Introductory Recording Tutorial 3 19 Introductory Recording Tutorial In this chapter... Setting the Input Level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 Applying EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 Using the EQ Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 Routing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
20 Introductory Recording Tutorial Setting the Input Level Assuming that the 02R is powered ON and your music source is playing, the very first thing you need to do is set up a basic control room monitor mix. When you recall Scene Memory 0 “0 Initial Data”, all the channel faders are set to the 0 dB mark. Setting Fader Levels 0 If the faders are not set to 0 dB, you should perform the following steps to optimize the input signal level for the best performance: 10 5 5 10 0 1.
Introductory Recording Tutorial 21 Setting the GAIN 1. Use the [METER] button to locate the METER 1/3 page. METER 20dB The MIC/LINE 1 signal is metered. 2. If the sound is distorted, the PEAK indicator is illuminated, or the level is going up to CLIP, press the 20 dB (pad) switch to attenuate the input signal for MIC/LINE 1. You usually need to pad (attenuate) the input signal when you connect a line level device, such as a synthesizer or an effects unit to the channel.
22 Introductory Recording Tutorial Back off the GAIN control a little until the PEAK indicator illuminates very occasionally. The GAIN control should be set with some care. If it is set too low, the signal-to-noise performance will suffer, and if it is set too high, signal clipping and distortion may occur. ∅/ATT Display Function If a lot of EQ boost is applied, the signal level may reach CLIP on the METER page but the PEAK LED may not light up.
Introductory Recording Tutorial 23 The peak level is indicated by an empty square box. Peak Hold is very useful for level checking before recording. You can leave a mix to play through unattended while Peak Hold watches out for signal peaks. If any levels reach CLIP, back off the relevant GAIN control or use the ∅/ATT display function to attenuate the signal and run through the mix again. Note: The Peak Hold function also works on the stereo output meters and controls the optional meter bridge (MB02). 3.
24 Introductory Recording Tutorial Applying EQ The next step is to apply EQ to MIC/LINE 1. Each 02R channel features a four-band fully parametric EQ, with variable bandwidth (Q), frequency (F), and gain (G). The power of the 02R user interface means that there are two ways of adjusting the EQ for MIC/LINE 1. One method is to use the EQ 1/2 page. The more convenient method is to use the buttons and controls of the EQUALIZER block of the SELECTED CHANNEL controls.
Introductory Recording Tutorial 25 The EQ 1/2 page appears, showing the EQ curve and settings for MIC/LINE 1. 3. Use the CURSOR buttons to select the EQ ON icon. If the EQ is ON, the icon will be highlighted. The LED inset in the [EQ ON] button of the SELECTED CHANNEL—EQUALIZER block controls will also be illuminated. 4. To turn the EQ either on or off, press the [ENTER] button or the [EQ ON] button. The ON icon will change to OFF. The LED inset in the [EQ ON] button will no longer be illuminated.
26 Introductory Recording Tutorial The gain increases in 0.5 dB steps and the EQ curve on the EQ page changes to reflect this. 3. Rotate the encoder wheel counterclockwise to reduce the gain. The gain decreases in 0.5 dB steps. Alternatively, you could use the EQUALIZER G control. 4. Use the CURSOR buttons to select the gain (G) icon for the L-MID band and adjust its level with the encoder wheel. Select the other bands as well.
Introductory Recording Tutorial 27 Setting the Frequency 1. Select the frequency (F) icon for the LOW band using the CURSOR buttons. 2. Use the encoder wheel to sweep through the frequency range. Alternatively, you could use the EQUALIZER F control. All four bands of the 02R parametric EQ cover virtually the entire audio spectrum, from 21 Hz to 20.1 kHz. Although they are labelled LOW, L-MID, H-MID, and HIGH, the frequency of the bands can actually be in any order.
28 Introductory Recording Tutorial Setting the Bandwidth The L-MID and H-MID bands are peaking type EQs. The LOW and HIGH bands are initially configured as shelving type EQs, however, they can also be configured as peaking type EQs. The LOW band can also be configured as a HPF (high-pass filter) and the HIGH band as a LPF (low-pass filter). 1. Select the bandwidth (Q) icon for the LOW band using the CURSOR buttons. 2. Use the encoder wheel to sweep through the bandwidth.
Introductory Recording Tutorial 29 Resetting the EQ 1. Press and hold the [LOW/HPF] button and then press the [HIGH/LPF] button of the SELECTED CHANNEL—EQUALIZER controls. All EQ values will be reset to their initial values. LOW/HPF L-MID H-MID HIGH/LPF Q LOW SHELF Peak – 0.7 Peak – 0.7 HIGH SHELF F 125 Hz 1.00 kHz 4.00 kHz 10.
30 Introductory Recording Tutorial Using the EQ Library The EQ Library is used to access and store EQ settings—stored as programs. There are 32 preset programs (1 to 32) for you to recall and 96 user programs (33 to 128 plus UNDO) for you to store your own EQ settings. First you need to know how to recall EQ programs, then how to store your own. Note: The programs 33 to 40 contain preset programs and are listed in the “EQ Programs” on page 54 of the User’s Guide.
Introductory Recording Tutorial 31 The EQ program is recalled. The EQ curve for MIC/LINE 1 is set accordingly. The EQ curve at the top of the display is updated. Your sound source is modified by the program you recalled. If the sound doesn’t change, check if you have left the EQ ON switch turned OFF on the EQ 1/2 page. You can also quickly check if the LED inset in the EQ ON button of the SELECTED CHANNEL—EQUALIZER controls is illuminated or not. 6. Use the [EQ] button to locate the EQ 1/2 page.
32 Introductory Recording Tutorial Storing an EQ Program 1. Use the [EQ] button to locate the EQ 2/2 page shown below. EQ 2. Select the STORE icon with the CURSOR buttons. In order to scroll through the list of EQ programs, the cursor must be on the STORE, RECALL, CLEAR, COPY, or PASTE icons. 3. Use the encoder wheel to select an EQ program. If you select one of the preset programs (1 to 32), an error message appears when you attempt to store your program.
33 Introductory Recording Tutorial 5. Select the individual character positions with the CURSOR buttons and rotate the encoder wheel to select the characters. You can create a name of up to 16 characters long. It can contain any of the following characters: ! “ # $ % & ' ( ) * + , - . / 0 1 2 3 4 5 6 7 8 9 : ; < = > ? @ A B C D E F G H I J K L M N O P Q R S T U V W X Y Z [ \ ] ^ _ ` a b c d e f g h i j k l m n o p q r s t
34 Introductory Recording Tutorial CANCEL is the default. To cancel the STORE operation, either press the [ENTER] button or wait about 10 seconds—the STORE operation will be automatically cancelled. To store your settings, use the CURSOR buttons to select the “EXECUTE” icon and press the [ENTER] button. The EQ program is stored. Note: If you decide you don’t like an EQ program after you have stored it, it is very easy to overwrite it by creating new settings and storing them to the same location.
Introductory Recording Tutorial 35 Routing This tutorial assumes you have a multitrack recorder and you have connected it to your 02R—after having one or more of the optional input/output cards installed: • Alesis ADAT (CD8-AT)—This single slot card supports an 8-channel ADAT compatible modular digital multitrack recorder. It provides eight input channels and eight output channels. You can insert up to four of these cards in the 02R.
36 Introductory Recording Tutorial Using the ROUTING Display Function There are two ways to operate the Routing function. One method is to use the ROUTING 1/2 page. The more convenient method is to use the buttons of the ROUTING block of the SELECTED CHANNEL controls. 1 2 3 4 5 6 7 8 ST DIRECT ROUTING Note: You can customize the 02R so that when you press a button in the ROUTING block of the SELECTED CHANNEL controls, the ROUTING 1/2 page automatically appears.
Introductory Recording Tutorial 37 Selecting the Routing 1. Use the [ROUTING] button to locate the ROUTING 1/2 page shown below. ROUTING 2. Use the ROUTING buttons of the SELECTED CHANNEL controls to route the MIC/LINE 1 channel. As you press the ROUTING buttons, the LED inset in the button illuminates and the corresponding icon on the ROUTING page appears highlighted. You can also operate the routing using the CURSOR buttons to move to the desired routing icon and pressing the [ENTER] button.
38 Introductory Recording Tutorial Panning There are two ways to use the Pan function. One method is to use the PAN 1/1 page. The more convenient method is to use the buttons and controls of the PAN block of the SELECTED CHANNEL controls. L/ODD L ODD R/EVEN R EVEN PAN Note: You can customize your 02R so that when you adjust a control of the PAN block of the SELECTED CHANNEL controls, the PAN 1/1 page automatically appears. See “Preferences” on page 198 of the User’s Guide for more information.
Introductory Recording Tutorial 39 Ganging Pans You can gang the pan controls of two adjacent channels for simultaneous pan adjustment 1. Press the [SEL] button for MIC/LINE 1. You can also select the MIC/LINE 1 icon using the CURSOR buttons. 2. Press the [ENTER] button to connect the channels together. You can also gang channels together by simultaneously pressing the [L/ODD] and [R/EVEN] buttons of the PAN block of the SELECTED CHANNEL group.
Secondary Recording Tutorial 4 41 Secondary Recording Tutorial In this chapter... Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Setting the Aux Send Level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 Creating a Monitor Mix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45 Applying Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
42 Secondary Recording Tutorial Aux Sends The 02R has eight aux sends. AUX 7 and AUX 8 are used to feed the internal effects processors, with the signal remaining entirely in the digital domain. The other auxiliary sends—AUX 1 through AUX 6—can be used to feed external signal processors and effects units, foldback amplifiers, or multitrack recording equipment. AUX 5 and AUX 6 can also be used to construct a monitor mix, and routed directly to either the studio or control room monitors.
Secondary Recording Tutorial 43 Setting the Aux Send Level In this tutorial, MIC/LINE 1 channel is sent to AUX 1. 1. Press the [AUX 1] button. AUX 1 FADER STATUS INPUT AUX 1 2 3 4 5 6 7 8 The AUX 1 1/1 page shown below appears. The faders change from channel level controls to aux send level controls. To indicate the change, the AUX LED of the FADER STATUS indicator illuminates. The number indicator corresponding to the current AUX button (in this case, AUX 1) is also illuminated.
44 Secondary Recording Tutorial 4. To change the signal level, adjust the fader for MIC/LINE 1 until the desired value is obtained. You can use the rotary encoders for the tape returns or press the [FLIP] button. Then the tape return channels can be operated by the faders. The effect returns can only be adjusted with the rotary encoders. You can also use the SEND LEVEL encoder in the AUX group of the SELECTED CHANNEL controls.
Secondary Recording Tutorial 45 Creating a Monitor Mix The 02R has two different monitoring outputs—the control room outputs and the studio outputs—plus, of course, the PHONES output (which is a duplicate of the control room output). C-R ST AUX 5 AUX 6 STUDIO 2TR-D1 2TR-A1 2TR-D2 2TR-A2 2TR-D3 ST AUX 5 AUX 6 MONO DIM During a multitrack recording session, what you want to listen to in the control room is often very different from what the musicians need in the studio.
46 Secondary Recording Tutorial Applying Effects The 02R features two internal multi-effects stereo processors: Effect 1 and Effect 2. These are fed by AUX 7 and AUX 8, and the processed signals are returned via EFF 1 RTN and EFF 2 RTN, respectively. When you use the internal effects, the signal gets processed without ever leaving the digital domain. Effects can be applied to input channels or the tape return channels. Effects are organized into programs.
Secondary Recording Tutorial 47 Sends to the effects are usually post fader. This means the signal level feed into the effects processor follows the “dry” channel level. 4. Adjust the fader for MIC/LINE 1 until the desired signal level is obtained. Adjusting the Effect Return The effect return channel is similar to one of the input channels except that it has no analog input, and therefore no gain or input pad need to be applied.
48 Secondary Recording Tutorial By default (assuming you are still working with Scene Memory 0 “0 Initial Data”) the effect return channel is routed to the stereo bus. Note: Although you cannot route the effect return channel to the direct outputs, you can route it to the same bus that the input channel is routed to, allowing you to record the effect together with the input signal. Many engineers prefer to add effects only during the final mix.
Secondary Recording Tutorial 49 Recalling and Editing Effects Once you have applied effects to MIC/LINE 1, you need to know how to recall effects programs from the effects library and to adjust their parameters in order to create your own effect programs. Recalling Effects Programs 1. Use the [AUX 7] button to locate the AUX 7 2/3 page shown below. AUX 7 EFF1 The parameters of the currently selected effects program are displayed on this page.
50 Secondary Recording Tutorial 3. Use the CURSOR buttons to select the RECALL icon. Rotate the encoder wheel to select an effects program. The 02R will scroll through the available effects programs. The program that is highlighted is the program that will be recalled when you press the [ENTER] button. 4. Press the [ENTER] button. The effects program is recalled.
Secondary Recording Tutorial 51 2. Select the various parameters with the CURSOR buttons, and adjust the value with the encoder wheel. As you adjust the parameters, you should listen carefully to the results. Some of the parameters of some of the effects are very subtle in their effect, others are quite obvious. After you have modified the effects program to your satisfaction, you are ready to store it.
52 Secondary Recording Tutorial 2. Use the CURSOR buttons to select the TITLE EDIT box, as shown below. 3. Select the individual character positions with the CURSOR buttons. Use the encoder wheel to select the characters. You can create a name of up to 16 characters long. It can contain any of the following characters: 02R Getting Started Guide ! “ # $ % & ' ( ) * + , - .
Secondary Recording Tutorial 53 You can select the “INS.” icon to insert a space (blank) at the cursor position in the TITLE EDIT box. Select the icon with the CURSOR buttons and press the [ENTER] button. The “DEL.” icon is used to delete the character at the cursor position. Note: The “COPY” and “PASTE” icons allow you to select the title from another effects program and paste it into your program for subsequent editing. These icons only copy the title, not the effects settings.
54 Secondary Recording Tutorial Patching in a Dynamics Processor The 02R features comprehensive dynamics processors for all the channel inputs, tape returns, and stereo and bus outputs. These processors allow you to compress, expand, compress/expand (compand), gate, or duck the signals passing through the mixer. The dynamics processors are generally used to correct or control signal levels, giving you unparalleled sonic quality and flexibility.
Secondary Recording Tutorial 55 Compressing the Stereo Output You can apply dynamics to the input channels, for example, the channel you have used throughout these tutorials—MIC/LINE 1. The selection of dynamics program would depend on the input material: a gate for a noisy guitar amp, a compressor for an unpredictable vocalist, and so on. In this case, apply a compressor to the stereo bus to add punch to the output signal.
56 Secondary Recording Tutorial 3. Use the CURSOR buttons to select the DYNAMICS OFF icon and press the [ENTER] button to turn the processor on. The icon is highlighted with the text changed to ON. Being able to easily turn the dynamics processor on and off allows you to perform quick A-B listening tests. 4. Select the KEY IN parameter with the CURSOR buttons. Rotate the encoder wheel or press the [ENTER] button to select the trigger source for the processor.
Secondary Recording Tutorial 57 Using the Dynamics Library Once you have applied a dynamics processor to the stereo bus, you need to know how to recall dynamics programs from the library and to adjust the parameters to create your own dynamics programs. Recalling Dynamics Programs 1. Use the [DYNAMICS] button to locate the DYNAMICS 2/2 page shown below. DYNAMICS Alternatively, you could use the LIB icon on the DYNAMICS 1/2 page to go to the DYNAMICS 2/2 page. 2.
58 Secondary Recording Tutorial Editing Dynamics Programs You can edit the preset dynamics programs and then store them as user programs. The 02R has 40 preset programs (1 through 40). Each program is a variation on the six basic dynamics processors available: • Compressor (CMP) • Gate (GAT) • Expander (EXP) • Compander – Hard (CPH) • Compander – Soft (CPS) • Ducking (DUK) Select the preset dynamics program that is closest to the effect you are trying to achieve and edit its parameters.
59 Secondary Recording Tutorial Storing a User Dynamics Program The 02R has 88 user dynamics program locations (41 through 128) for you to store your own settings. You can store your dynamics program in the Dynamics Library, or you can just rely on the 02R scene memory to recall your settings. The following instructions show you how to store your program in the library. 1. Use the [DYNAMICS] button to locate the DYNAMICS 2/2 page shown below.
60 Secondary Recording Tutorial You can select the “INS.” icon to insert a space (blank) at the current cursor position in the TITLE EDIT box. Select the icon with the CURSOR buttons and press the [ENTER] button. The “DEL.” icon is used to delete the character at the cursor position. Note: The “COPY” and “PASTE” icons allow you to select the title from another dynamics program and paste it into your program for subsequent editing. These icons only copy the title, not the dynamics settings.
Secondary Recording Tutorial 61 CANCEL is the default. To cancel the STORE operation, either press the [ENTER] button or wait about 10 seconds—the STORE operation will be automatically cancelled. To store your settings, use the CURSOR buttons to select the “EXECUTE” icon and press the [ENTER] button. The dynamics program is stored. Note: If you decide you do not like a dynamics program after you have stored it, it is very easy to overwrite it by creating new settings and storing them to the same location.
62 Secondary Recording Tutorial Scene Memories The 02R scene memories are a snapshot of all the digital parameters of the mixer. The 02R has 96 mix scene memory locations. Each can be named for easy identification. There are two special scene memories. “0 Initial Data” is a read-only scene memory that resets the 02R to its default settings. The other is an undo buffer entitled “U”. Recalling the undo buffer restores the last state of the 02R.
Secondary Recording Tutorial 63 CANCEL is the default. To cancel the STORE operation, either press the [ENTER] button or wait about 10 seconds—the STORE operation will be automatically cancelled. To store your settings, use the CURSOR buttons to select the “EXECUTE” icon and press the [ENTER] button. The scene memory is stored. Note: If you decide you do not like a scene memory after you have stored it, it is very easy to overwrite it by adjusting the mixer settings and storing them to the same location.
64 Secondary Recording Tutorial 5. Select the individual character positions with the CURSOR buttons. Use the encoder wheel to select the characters. You can create a name of up to 16 characters long. It can contain any of the following characters: ! “ # $ % & ' ( ) * + , - . / 0 1 2 3 4 5 6 7 8 9 : ; < = > ? @ A B C D E F G H I J K L M N O P Q R S T U V W X Y Z [ \ ] ^ _ ` a b c d e f g h i j k l m n o p q r s t u v w x
Secondary Recording Tutorial 65 Recalling a Scene Memory Scene memories are recalled using the [RECALL] button. They can also be recalled using the automix or by using MIDI Program Change Messages. 1. Use the SCENE MEMORY increment or decrement buttons to select the desired scene memory. STORE RECALL SCENE MEMORY When you select a different scene memory, the number displayed in the SCENE MEMORY LED indicator flashes. 2. Press the [RECALL] button. The selected scene memory is recalled.
Mixing and Automix 5 67 Mixing and Automix In this chapter... What is 02R Automix?. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68 Real-time Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69 Editing Automix Events . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76 Off-line Automix Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
68 Mixing and Automix What is 02R Automix? There are three basic steps to making a multitrack recording: • Setup and initial tracks • Overdubbing • Mixdown Each step is vital in order to produce a satisfactory recording, but the most difficult one for most engineers is the mixdown. The musicians have finished their work. They have played their instruments and sung their vocals. All that raw material is stored on your multitrack recorder, waiting to be turned into a perfect final mix.
Mixing and Automix 69 Real-time Automix These tutorials have assumed you are using your 02R with one or more of the optional I/O cards installed and a multitrack recorder connected. In this section, you will be synchronizing your multitrack recorder to the 02R. There are three basic ways of doing this: • If your multitrack recorder is equipped with a SMPTE timecode output connector, you use an audio cable to connect it to the SMPTE TIME CODE INPUT jack on the rear panel of the 02R.
70 Mixing and Automix • 30D—29.97 frames per second (30 drop frame). • 25—25 frames per second. • 24—24 frames per second. These frame rates apply to the SMPTE, MTC, and INT time references. 4. Select the “Time Reference” with the CURSOR buttons and press the [ENTER] button. Select the time reference from the four options: • SMPTE timecode (the motion picture standard) • MTC (MIDI timecode) • INT (internal) • MIDI (MIDI Clock) 5.
Mixing and Automix 71 If you want to keep the contents of the current automix, store them into an available memory location before proceeding. 1. Use the [AUTOMIX] button to locate the AUTOMIX 2/7 page. AUTOMIX STORE RECALL 2. Use the SCENE MEMORY increment or decrement buttons to select your starting scene memory and press the [RECALL] button. SCENE MEMORY The selected scene memory is recalled.
72 Mixing and Automix CANCEL is the default. To cancel the NEW operation, either press the [ENTER] button or wait about 10 seconds—the NEW operation will be automatically cancelled. To create the new automix, use the CURSOR buttons to select the “EXECUTE” icon and press the [ENTER] button. The last scene memory that was stored or recalled will be inserted at timecode location 00:00:00.00.
Mixing and Automix 73 Recording the First Session 1. Use the [AUTOMIX] button to locate the AUTOMIX 1/7 page. AUTOMIX 2. Select the “REC” (record) icon with the CURSOR buttons and press the [ENTER] button. The “REC” icon will flash, indicating AUTOMIX RECORD READY status: 3. Press the [SEL] buttons for the tape return channels you want to record. The LED inset in the selected channel [SEL] buttons flash indicating that they are armed for recording.
74 Mixing and Automix begin. The timecode will be displayed in real-time in the “Time Code” field of the “Automix Main” page. Note: If the timecode is not being displayed correctly in the “Time Code” field, check the following: • Are your cables connected between the timecode source device and the 02R correctly? • Is the timecode source device setup correctly to output timecode? 5. While monitoring the recording, operate the faders and other controls for the selected channels.
Mixing and Automix 75 6. When you have completed recording the automix session, use the CURSOR buttons to select the “STOP” icon and press the [ENTER] button. You may find it faster and more convenient to stop the automix recording session by stopping the device that is providing the timecode. In this case, the effect is the same as if you selected the STOP function on the 02R: The “REC” icon will change to normal and the “STOP” icon is highlighted.
76 Mixing and Automix Editing Automix Events Overwriting Events You can overwrite the events that have been recorded into the current automix. You can alter events on an already recorded channel or you can record new events onto another channel. For example, you may first record the faders for the rhythm section to the automix and then overwrite the fader operations for the lead parts and vocals. 1. Use the [AUTOMIX] button to locate the AUTOMIX 1/7 page.
Mixing and Automix 77 6. While monitoring the recording, adjust the parameters you want to overwrite. 7. When you have completed the automix overwriting session, use the CURSOR buttons to select the “STOP” icon and press the [ENTER] button. You may find it faster and more convenient to stop the automix recording session by stopping the device that is providing the timecode. The effect is the same as if you selected the STOP function on the 02R.
78 Mixing and Automix 5. Monitor the recording. At the punch-in location, press the [SEL] buttons for the tape return channels you want to fix. Recording will begin from the location where you pressed the [SEL] button. Note: From this point, new events will be recorded and previously existing events will be deleted. 6. While monitoring the recording, adjust the parameters you want to fix. 7. When you have finished adjusting the parameters, press the [SEL] buttons again.
Mixing and Automix 79 3. Use the [AUTOMIX] button to locate the AUTOMIX 3/7 page. This display allows you to watch the fader movements as dynamic bargraphs. Several features make this display convenient to use while you perform detailed fader/encoder edits. 4. Use the CURSOR buttons to select “Fader Edit Out—RET” and press [ENTER] to change its value. If the RET check box is not selected, you may want to move the fader back to its previously recorded level before you punch-out.
80 Mixing and Automix direction the fader has to be moved to return to the previously recorded position: If the fader is moved to a position lower than the previously recorded position If the fader is moved to a position higher than the previously recorded position 9. When you have finished adjusting the fader, press the [SEL] button again. The 02R will return to AUTOMIX RECORD READY status. 10. Use the CURSOR buttons to select the “STOP” icon and press the [ENTER] button.
Mixing and Automix 81 Off-line Automix Editing Editing Scene and Library Recall Events The Event Edit (Scene/Lib.) page, shown below, allows you to duplicate and delete mix scene and library recall events, and insert new events. Timecode addresses can be captured on-the-fly, and new events inserted at the captured points. The Locate function provides a speedy way to locate events in a complex automix. 1. Use the [AUTOMIX] button to locate the AUTOMIX 5/7 page.
82 Mixing and Automix • • EF.Lib.—effect library recall. The number indicates the effect library number (from 1 to 128). • CH.Lib.—channel library recall. The number indicates the channel library number (from 1 to 64). Channel—the channel that the recall applies to. For scene memory recall, this field is blank. For timecode, you can independently adjust the hours, minutes, seconds, and frames values. 3.
Mixing and Automix 83 Editing Channel On, Pan, & Fader events The Event Edit (CH ON, PAN, FADER) page, shown below, allows you edit channel on/off, pan, and fader events, and duplicate, delete, and insert new events. Timecode addresses can be captured on-the-fly, and new events inserted at the captured points. The Locate function provides a speedy way to locate events in a complex automix. 1. Use the [AUTOMIX] button to locate the AUTOMIX 6/7 page.
84 Mixing and Automix When the INSERT icon is pressed, a new event is inserted at the captured timecode address. The type of event depends on which of the CH ON, PAN, FADER check boxes is checked. The new event can be edited as required.
Mixing and Automix 85 Erasing Events The Event Copy page, shown below, allows you to copy, move, erase and trim the level of automix events. In this tutorial just the Erase function is used. See “Event Copy” on page 153 of the User’s Guide for information about the other functions. 1. Use the [AUTOMIX] button to locate the AUTOMIX 4/7 page. AUTOMIX The channel icons are used to select the channels whose automix data is to be edited. 2.
86 Mixing and Automix 4. Use the CURSOR buttons and encoder wheel to set the In Time. 5. Use the CURSOR buttons and encoder wheel to set the Out Time. The Extract function allows you to delete the selected parameters from the selected channels between the In Time and Out Time points. 6. Use the CURSOR buttons to select the “ERASE” icon and press the [ENTER] button. A confirmation dialog box appears. 7. Select EXECUTE and press the (ENTER) button. The events are deleted.
87 Mixing and Automix Using the Automix Library Storing an Automix An automix can be stored in one of the 16 automix memories available on the Memory Management page shown below. 1. Use the [AUTOMIX] button to locate the AUTOMIX 2/7 page. AUTOMIX 2. Use the CURSOR buttons to select the TITLE EDIT box. 3. Use the CURSOR buttons to move the cursor within the title, and the encoder wheel to select the characters. Automix titles can be up to 16 characters long, and the following characters are available.
88 Mixing and Automix 4. Use the CURSOR buttons to select the STORE icon. Use the encoder wheel to select an automix and press the [ENTER] button. The 02R will display a popup confirmation request message asking if you want to store your settings in the selected automix program. The popup has two icons: “CANCEL” and “EXECUTE”. CANCEL is the default. To cancel the STORE operation, either press the [ENTER] button or wait about 10 seconds—the STORE operation will be automatically cancelled.
Mixing and Automix 89 Recalling an Automix 1. Use the [AUTOMIX] button to locate the AUTOMIX 2/7 page. AUTOMIX 2. Use the CURSOR buttons to select the RECALL icon. Use the encoder wheel to select an automix. The 02R will scroll through the available automixes. The program that is highlighted will be recalled when you press the [ENTER] button. 3. Press the [ENTER] button. The 02R will display a popup confirmation request message asking if you want to recall selected automix program.
90 Index Index A Attenuation 22 Audio quality 2 Automix about 7 editing 76 editing faders and encoders 78 editing scene and library recalls 81 extracting events 85 frame rate 69 making new automixes 70 memories 68 memory expansion 88 off-line editing 81 overwriting 76 punch-in 77 real-time operation 69 recalling automixes 89 recording 73 recording notes 74 setup 69 storing automixes 87 time reference 69 titling 87 what is it? 68 Aux sends about 42 AUX buttons 42 selected channel AUX controls 42 setting se
Index N Naming See Titling.
User’s Guide DIGITAL RECORDING CONSOLE User’s Guide
Contents at a Glance i Contents at a Glance 1 Controls and Connections. . . . . . . . . . . . . . . . . . . 1 2 User Interface . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17 3 Mixing and Monitoring. . . . . . . . . . . . . . . . . . . . . 25 4 MIXING Display Functions . . . . . . . . . . . . . . . . . . 31 5 Surround Pan. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63 6 Dynamics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75 7 Auxiliary Channels . . .
Contents iii Contents 1 Controls and Connections. . . . . . . . . . . . . . . . . . . 1 Front Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Rear Panel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 2 User Interface . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17 About the User Interface . . .
iv Contents Metering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44 Channel Library. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48 EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51 EQ controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Contents 8 v Internal Effects . . . . . . . . . . . . . . . . . . . . . . . . . . 103 About Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104 Preset Effects Programs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105 AUX 7 and AUX 8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106 Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108 Effects Library . . . .
vi Contents 12 Groups and Pairs . . . . . . . . . . . . . . . . . . . . . . . . 181 Grouping Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182 Grouping Mutes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183 Pairing Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184 MS Decoding . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Contents vii Dimensions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 248 Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249 Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250 Error Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 251 Appendix: MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Controls and Connections 1 1 Controls and Connections 1 In this chapter... Front Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
2 Controls and Connections Front Panel SELECTED CHANNEL controls Analog input controls Analog output controls Display screen and related controls DISPLAY ACCESS controls Monitor controls Scene memory controls Display controls Faders 02R User’s Guide
Controls and Connections 3 Analog input controls +48V +48V 1 2 +48V ON ON ON OFF OFF OFF A B A B A B 3 20dB 20dB 20dB 4 5 6 1. +4 -16 -40 GAIN -60 +4 -16 -40 GAIN -60 +4 -16 -40 GAIN -60 PEAK PEAK PEAK SIGNAL SIGNAL SIGNAL 1 2 3 Phantom switches (channels 1 to 8) These switches turn the +48 V DC phantom power ON and OFF for the XLR-3-31 connectors. 2. A/B switches (channels 1 to 8) These switches select between the XLR-3-31 connectors and the phone connectors. 3.
4 Controls and Connections Analog output controls 0 10 T/B LEVEL 7 7. This control sets the volume level of the built-in talkback microphone. 8. 10 STUDIO LEVEL 0 STUDIO LEVEL control This control sets the level of the signal sent to the STUDIO MONITOR OUTPUT connectors. 8 0 T/B LEVEL control and microphone 10 9. PHONES LEVEL PHONES LEVEL control and connector This control sets the level of signal output to a pair of stereo headphones plugged into the connector.
Controls and Connections 11. 5 MIXING buttons These buttons access the corresponding Display function. Button 12. Description ∅/ATT Set phase and attenuation. DELAY Set the channel delay. PAN Set the pan position. ROUTING Set the channel routing. METER Meter the levels from the individual input channels, the tape and effect return channels, the 8 main busses, and the 8 auxiliary busses. VIEW View and set all the parameters for the selected channel and access the channel library.
6 Controls and Connections Display and related controls C Edit Indicator F G SCENE MEMORY CLIP -2 -4 -6 FADER STATUS -12 -15 INPUT D -24 AUX -35 -48 1 2 3 4 5 6 7 8 -60 -72 SELECTED CHANNEL L STEREO R E MIC/LINE CONTRAST TAPE/RTN OUTPUT H 13. SCENE MEMORY indicator This 2-digit (7-segment) LED shows the currently selected Scene Memory program. It also contains the Edit Indicator, which will start flashing when the current mix scene is first adjusted. 14.
Controls and Connections 7 SELECTED CHANNEL controls SELECTED CHANNEL I 1 2 AUX 1 AUX 2 3 4 AUX 3 AUX 4 5 6 AUX 5 AUX 6 7 8 AUX 7 EFF1 AUX 8 EFF2 ST DIRECT SEND LEVEL ROUTING L/ODD J ON AUX L ODD R/EVEN K R EVEN PAN Q LOW/HPF L-MID H-MID HIGH/LPF F Hz kHz L G dB EQ ON EQUALIZER 19. ROUTING buttons These buttons set the routing for the currently selected channel. 20.
8 Controls and Connections Monitor controls 23. C-R ST AUX 5 AUX 6 STUDIO buttons These buttons select the monitor signal sent to the STUDIO MONITOR OUTPUT connectors. M 24. STUDIO 2TR-D1 2TR-A1 2TR-D2 2TR-A2 2TR-D3 ST AUX 5 AUX 6 MONO DIM These buttons select the monitor signal sent to the C-R MONITOR OUT connectors. 25. 26. O TALKBACK P SOLO Q 0 C-R LEVEL 02R User’s Guide 10 SOLO button This button activates the SOLO bus. Use the ON buttons to select a channel to monitor.
Controls and Connections 9 Faders U R R S SEL SEL SEL SEL SEL T ON ON ON TAPE TAPE TAPE 14 15 16 SEL SEL SEL SEL SEL SEL SEL SEL ON ON ON ON ON ON ON ON FLIP ON ON EFF1 RTN EFF2 RTN S T 10 10 10 10 10 10 10 15 15 15 15 15 15 15 20 20 20 20 20 20 20 30 30 30 30 30 30 30 40 40 40 40 40 40 40 50 50 50 50 50 50 50 ∞ ∞ ∞ ∞ ∞ ∞ ∞ 0 30 40 50 14 15 16 17/18 19/20 21/22 60 70 ∞ 23/24 STEREO V 28.
10 Controls and Connections 31. FLIP button This button interchanges the functions of MIC/LINE channels 1 to 16 and TAPE RETURN channels 1 to 16. This allows you to set the tape return levels with the Faders rather than the Tape Return controls. Holding down the FLIP button for one second activates the MIDI Remote function. See “MIDI Remote” on page 165 of the User’s Guide. 32. Faders These 100mm motorized faders set the channel level for the corresponding channel.
11 Controls and Connections Display controls 37. Encoder wheel This control adjusts the value of the currently selected parameter. Rotate it clockwise to increase the value, and counterclockwise to decrease the value. 38. CURSOR buttons These buttons select the parameters and options on the display pages. 39. ENTER button This button either confirms a parameter setting made with the Encoder wheel or it sets a parameter that only has two possible values.
12 Controls and Connections 3. C-R MONITOR OUT connectors These are balanced 1/4” phone connectors with a +4 dB nominal output level. They are wired TRS. They output the signal selected by the CONTROL ROOM buttons. 4. STEREO OUT ANALOG (1 and 2) connectors STEREO OUT (1) are balanced XLR-3-32 type connectors with a +4 dB nominal output level. STEREO OUT (2) are unbalanced phono jacks with a –10 dBV nominal output level.
Controls and Connections 13 INSERT I/O (1 to 8) are unbalanced phone jack connectors. Both the nominal output and input levels are +0 dB. Wiring is sleeve–ground, tip–out, and ring–in. Connect external dynamic processors and other analog devices here. 9. POWER switch This is a push-type power switch. It is recessed to prevent accidental operation. Press once to power ON; press again to power OFF. 10.
14 Controls and Connections 16. 2TR IN DIGITAL (1 to 3) connectors 2TR IN DIGITAL (1) is an XLR-3-32 type connector. The input format is IEC958 Part 3 (AES/EBU - Professional). 2TR IN DIGITAL (2 and 3) are phono jacks. The input format is IEC958 Part 2 (S/PDIF - Consumer). Signals input here are fed through to the CONTROL ROOM buttons (24) and are monitored in the control room or the studio. The outputs of a 2-track master recorder can be connected here for confidence monitoring and playback.
(+48V) PEAK ON +48V SIGNAL A INPUT B PAD HA A/D DC CUT 1-8 4BAND EQ PHASE DYNAMICS 20dB ON GAIN DC CUT DYNAMICS ATT Meter Gain Reduction ON DIRECT Same as 1-8 4BAND EQ Meter 20dB A/D DC CUT PHASE 4BAND EQ DYNAMICS HA PEAK Meter SIGNAL Gain Reduction A/D PHASE DC CUT 4BAND EQ DYNAMICS Digital Audio Interface Format Transmitter Dither Meter Dither DELAY ON GAIN INPUT 18,20 22,24 Meter ATT GAIN HA ON DYNAMICS Meter INPUT 17,19 21,23 1 +4dB R STEREO OUT ANALOG
User Interface 2 17 User Interface In this chapter... About the User Interface. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 DISPLAY ACCESS Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 CURSOR Buttons. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
18 User Interface About the User Interface The 02R user interface is powerful but very intuitive. There are two main methods of working with the 02R: • Use the DISPLAY ACCESS controls to modify one parameter at a time across the entire recording console. • Use the SELECTED CHANNEL controls to modify all of the parameters of the currently selected channel. You will find these controls similar to the setup of an analog mixer. Use whichever method is most convenient to you.
User Interface 19 • The [DIGITAL I/O] button is used to select the word clock source, define the digital input/output connectors, control the cascade configuration, and set the word dither. • The [SETUP] button is used to control the solo function and defines system preferences. • The [UTILITY] button is used to set the oscillator function and check the battery, emphasis, and channel status monitors. • The [AUTOMIX] button is used to set and control the automix parameters.
20 User Interface these two sends are routed to the internal effects unit. Therefore, the buttons also allow you to select and set the effects parameters. Display The large backlit 320 × 240 pixel graphical display provides clear indication of mix settings and operating status. As well as showing parameter values numerically, faders and rotary controls are represented graphically, so you can actually see pan positions and fader positions.
User Interface 21 CURSOR Buttons The CURSOR buttons are used to select parameters and options on the display. The selected parameter or option usually appears highlighted. CURSOR The CURSOR buttons are also used to position the cursor in a name when naming automix mixes, scene memories, EQ programs, effects programs, dynamics programs, and channel library programs.
22 User Interface Display Functions The following table lists all the 02R display functions and briefly explains what they do. Display Function 02R User’s Guide Description SCENE Store and recall mix scenes. DIGITAL I/O Sets digital I/O parameters and selects word clock. SETUP Sets the solo parameters and system preferences. UTILITY Controls the oscillator parameters and accesses the emphasis monitor, the channel status monitor, and the battery level check.
User Interface 23 SELECTED CHANNEL Controls These controls are very similar in setup to the controls of an analog mixer. You may find working with the buttons and controls of this section of the 02R is much faster and more intuitive than working through the pages of the DISPLAY ACCESS functions. ROUTING buttons 1 2 3 4 5 6 7 8 ST DIRECT ROUTING The routing buttons allow you to directly select the destination for the selected channel.
24 User Interface PAN controls L/ODD L ODD R/EVEN R EVEN PAN These controls allow you to set the pan position of the selected channel. The [L/ODD] and [R/EVEN] buttons select the left/odd and right/even channels. Use the rotary encoder to adjust the pan position. The current position is indicated on the adjacent LED bargraph. Note: You can customize your 02R so that when you adjust any of the controls in this group, the display switches to the PAN page.
Mixing and Monitoring 3 25 Mixing and Monitoring In this chapter... Analog Inputs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 Phantom Power . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 Pad . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27 GAIN Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
26 Mixing and Monitoring Analog Inputs The 02R is equipped with 24 analog input connectors. The first sixteen channels, 1 through 16, are mono input channels designed for microphone to line level signal inputs. The last eight channels, 17 through 24, are stereo channels designed for line level signals only.
Mixing and Monitoring 27 Pad 20dB The Pad function attenuates input signals by 20 dB. This is useful when inputting high level signals that would otherwise overload the input preamplifier. By increasing the effective range of the GAIN control, high-level signals can be adjusted accurately. Pad can be set individually for the mono input channels 1 through 16. The [20 dB] (pad) switch at the top of each channel is used to turn it ON and OFF: up for OFF, down for ON.
28 Mixing and Monitoring ON Buttons ON The [ON] buttons are used to turn channels on and off. The input channel, tape return channel, effect return channel, and stereo output [ON] buttons turn their respective channels on and off. When a channel is turned on, the LED set in the corresponding button lights up. When it is turned off, the LED goes off. Stereo-pair channels are turned on and off together. Faders 10 0 5 5 0 5 10 15 The 02R’s faders are motorized.
Mixing and Monitoring 29 Analog Outputs L R L The 02R is equipped with a pair of analog stereo out connectors, one pair XLR-type for connecting to professional equipment, the other phono jacks. There are also two pairs of phone jacks to provide a stereo output to your control room and studio monitoring systems. R 2 -10dBV 1 +4dB STEREO OUT ANALOG Monitor Selector Switches STUDIO Buttons C-R ST AUX 5 AUX 6 These buttons select the monitor signal sent to the studio monitor system.
30 Mixing and Monitoring SOLO Button You can monitor input channels in isolation by pressing the [SOLO] button. The LEDs in the center of the selected channel [ON] buttons are extinguished. You select the channel(s) you want to solo by pressing the corresponding [ON] button. When you press the [SOLO] button again, the originally selected LEDs are illuminated again.
MIXING Display Functions 4 31 MIXING Display Functions In this chapter... Phase and Attenuation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32 Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34 Pan and Balance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36 Pan Gang. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
32 MIXING Display Functions Phase and Attenuation 1. Press the [∅/ATT] button. Ø/ATT The ∅/ATT page appears. 2. Select a channel using the [SEL] buttons or the CURSOR buttons. 3. To change the phase, press the [ENTER] button. The NOR icon changes to REV and is highlighted. 4. To change the attenuation, rotate the encoder wheel until the desired value is shown. 5. To set all channels (except the stereo output) to the same phase and attenuation, double-click the (ENTER) button.
MIXING Display Functions 33 Phase & Attenuation Pages There are two pages to the ∅/ΑΤΤ 1/1 function. The first page, shown below, contains the Phase and Attenuation controls for MIC/LINE channels 1 to 24, and appears when one of these channels is selected. The second page, shown below, contains the Phase and Attenuation controls for TAPE channels 1 to 16, effects returns (EFF 1 and EFF 2), and the stereo output, and appears when one of these channels is selected.
34 MIXING Display Functions Delay 1. Press the [DELAY] button. DELAY The DELAY display function appears. 2. Select a channel using the [SEL] buttons or the CURSOR buttons. 3. By default, the delay is off. Press the [ENTER] button to turn it on. The OFF icon, highlighted, changes to ON. 4. Use the CURSOR buttons to select either [Smpl] or [mSEC]. 5. To change the delay, rotate the encoder wheel until the desired value is shown. 6.
MIXING Display Functions 35 The second page, shown below, contains the Delay controls for TAPE channels 1 to 16 and effects returns (EFF 1 and EFF 2), and appears when one of these channels is selected. Fine-Tuning the Delay You can adjust the delay, either samples [Smpl] or milliseconds [mSEC] with coarse or fine precision just by the placement of the cursor on the selected channel.
36 MIXING Display Functions Pan and Balance 1. Press the [PAN] button. The PAN display function is used to pan and balance signals. The input channels, including the stereo input channels, and the tape and effect returns can be panned, and the stereo output can be balanced. PAN The PAN display function appears. 2. Select a channel using the [SEL] buttons or the CURSOR buttons. Pan Pages There are two pages to the PAN 1/1 function.
MIXING Display Functions 37 Pan Positions Including center, there are 33 pan positions: L16 ← L15 ← ... ← L2 ← L1 ← C → R1 → R2 → ... → R15 → R16 Pan Gang 1. Press the [PAN] button. PAN When channels are configured as a stereo pair, pan controls remain independent. Using the Gang function pan controls of adjacent channels can be ganged together, indicated by dotted lines between the two controls, as shown below. 2. Select a channel using the [SEL] buttons or the CURSOR buttons. 3.
38 MIXING Display Functions Switching to Gang mode allows you to reposition the stereo signal within the stereo field. For example, you could set L5 and R10 before you Gang the channels. After you press [ENTER], adjusting either channel moves the other a corresponding amount. If you set the left channel to L7, the right channel would adjust to R8. PAN controls You can also adjust the pan position or balance of the selected channel with the controls in the SELECTED CHANNEL group.
MIXING Display Functions 39 Routing 1. Press the [ROUTING] button. ROUTING The ROUTING display function appears. 2. Select a channel using the [SEL] buttons or the CURSOR buttons. The ROUTING display function is used to select the bus routing of the input channels and tape and effect return signals. The first 16 input channels, 1 through 16, can also be routed to the direct outputs. By default, all channels are routed to the stereo bus.
40 MIXING Display Functions The second page, shown below, contains the Routing controls for TAPE channels 1 to 16 and effects returns (EFF 1 and EFF 2), and appears when one of these channels is selected. ROUTING buttons 1 2 3 4 5 6 7 8 ST DIRECT ROUTING 02R User’s Guide You can also set the routing for the selected channel with the ROUTING buttons in the SELECTED CHANNEL group. A route is selected ON when its icon is highlighted on the display.
MIXING Display Functions 41 Metering 1. Use the [METER] button to select the METER pages. METER 2. Select a channel using the [SEL] buttons or the CURSOR buttons. 3. Use the CURSOR buttons to select the PEAK HOLD icon and press the [ENTER] button to switch the function on or off. The 02R features comprehensive signal level metering. The mono and stereo input channels, the tape and effect returns, and the auxiliary sends and buses are all metered using the METER display function.
42 MIXING Display Functions Setting the Bus Out and The third METER page contains the meters for the bus outs, aux sends, and the stereo output, plus the master faders for the bus outs and aux sends, Aux Send Levels and appears when one of these channels is selected. 1. Use the CURSOR buttons to select one of the fader icons. 2. Adjust the level by rotating the encoder wheel. Peak Hold The Peak Hold function can be turned on and off from any page of the METER display function.
43 MIXING Display Functions By changing the meter source points, you can easily observe the effect of changing the EQ or channel fader levels on the signal. Note: Switching the meter source point for the input channels switches it for the tape and effect returns as well. Switching it for the tape and effect return changes the input channels.
44 MIXING Display Functions View 1. Use the [VIEW] button to locate the VIEW 1/2 page. VIEW The VIEW display function allows you to see all the parameters of an individual channel at a glance and adjust any parameter that you feel requires a change. You can view the input channels (MIC/LINE 1 through 16, LINE 17/18 through 23/24) and the tape and effect return channels (TAPE 1 through 16, EFF1 and EFF2). Shown below is the VIEW 1/2 page. 2. Select a channel by pressing one of the [SEL] buttons. 3.
MIXING Display Functions 45 When you press the [ENTER] button, the channel will be linked with its adjacent channel in GANG mode. Dotted lines will indicate the connection to the corresponding channel. Press the [ENTER] button again to switch back to INDIVIDUAL mode. See “Pan and Balance” on page 36 and “Pan Gang” on page 37 of the User’s Guide. MS The MS icon is used to turn the MS Decoding function on or off.
46 MIXING Display Functions Groups and Channel ON Use the CURSOR buttons to select the fader and mute group icons. Each time you press the [ENTER] button, the selected group will alternately be set or cancelled. Remember that a channel can only belong to one fader group and one mute group. See “Grouping Faders” on page 182 and “Grouping Mutes” on page 183 of the User’s Guide. Press the [ON] button to turn the channel on or off. See “ON Buttons” on page 28 of the User’s Guide.
MIXING Display Functions 47 If the selected channel is one of the effect return channels, dynamics is replaced by the EFFECT TYPE display. It shows the name of the current effects program for the channel. Use the CURSOR buttons to select the effects program name and press the [ENTER] button. The 02R will switch to the EFFECT display function. See “Effects” on page 108 of the User’s Guide. To return to the VIEW display function, press the [VIEW] button again.
48 MIXING Display Functions Channel Library 1. Use the [VIEW] button to select the VIEW 2/2 page. The Channel Library is used to access and store channel settings—stored as programs. There are 64 user programs (plus an UNDO buffer) for you to store your channel settings. You can access the channel library from the VIEW 1/2 page by selecting the LIB icon with the CURSOR buttons and pressing the [ENTER] button. VIEW Shown below is the VIEW 2/2 page. Storing Channel Programs 1.
MIXING Display Functions 49 When you confirm a STORE operation, any existing data in the selected program location will be overwritten. YOU SHOULD ALWAYS BE CAREFUL WHEN THE 02R DISPLAYS A CONFIRMATION DIALOG BOX! • RECALL—This icon is used to recall a program from the library. Select the icon with the CURSOR buttons. Use the encoder wheel to select a program and press the [ENTER] button. The recalled program is now the current program.
50 MIXING Display Functions rotate the encoder wheel until the UNDO buffer is the current program, and press the [ENTER] button. The previous settings are restored. Program Name Channel program names can be up to 16 characters long and can contain any of the following characters: 02R User’s Guide ! “ # $ % & ' ( ) * + , - . / 0 1 2 3 4 5 6 7 8 9 : ; < = > ? @ A B C D E F G H I J K L M N O P Q R S T U V W X Y Z [ \ ] ^ _ ` a b c d e f
MIXING Display Functions 51 EQ 1. Use the (EQ) button to select the EQ 1/2 page. EQ 2. Select a channel using the [SEL] buttons. 3. Use the CURSOR buttons to select the EQ ON icon. Press the [ENTER] button to turn the EQ on or off. The 02R is equipped with a four-band, fully parametric EQ, with variable bandwidth, center frequency, gain, and ON/OFF parameters.
52 MIXING Display Functions This control duplicate Attenuation function. See “Phase and Attenuation” on page 32 of the User’s Guide. Note: The attenuator rotary icon is adjusting the same parameter as in the ∅/ATT display function. When you boost the gain of the equalization curve, you may cause the overall signal level to reach CLIP. Watch the level meters for the selected pair as you adjust the EQ values. If CLIP is reached, digital signal distortion will occur.
MIXING Display Functions 53 EQ controls You can also adjust the equalization for the selected channel with the EQUALIZER controls in the SELECTED CHANNEL group. Q LOW/HPF L-MID H-MID HIGH/LPF F Hz kHz G dB EQ ON EQUALIZER These controls allow you to adjust the equalization of the selected channel. Select the band you want to adjust with one the buttons in the top row: [LOW/HPF], [L-MID], [H-MID], or [HIGH/LPF]. The three LED indicators will reflect the status of the selected band.
54 MIXING Display Functions EQ Programs These are the preset EQ programs. No Program Name No Program Name 1 Bass Drum 1 21 A.G.Stroke 2 2 Bass Drum 2 22 A.G.Arpeggio 1 3 Snare Drum 1 23 A.G.Arpeggio 2 4 Snare Drum 2 24 Brass Section 5 Tom-tom 1 25 Male Vocal 1 6 Cymbal 26 Male Vocal 2 7 High Hat 27 Female Vocal 1 8 Percussion 28 Female Vocal 2 9 E.Bass 1 29 Chorus & Harmony 10 E.Bass 2 30 Total EQ 1 11 Syn.Bass 1 31 Total EQ 2 12 Syn.
MIXING Display Functions 55 EQ Library 1. Use the [EQ] button to select the EQ 2/2 page. EQ Recalling EQ Programs The EQ Library is used to access and store EQ settings—stored as programs. There are 40 preset programs (1 to 40) for you to recall and 88 user programs (41 to 128 plus UNDO) for you to store your own EQ settings. You can access the EQ library from the EQ 1/2 page by selecting the LIB icon with the CURSOR buttons and pressing the [ENTER] button. Shown below is the EQ 2/2 page. 1.
56 MIXING Display Functions select a program and press the [ENTER] button. The 02R displays a confirmation dialog box asking if you want to store your settings in the selected program. The box has two icons: “CANCEL” and “EXECUTE”. Note: You can customize your 02R to prevent the confirmation dialog box appearing during the STORE operation. See “Preferences” on page 198 of the User’s Guide for more information. CANCEL is the default.
57 MIXING Display Functions • INS. —This icon is used to insert blank characters into the TITLE EDIT box at the current cursor location. Select the icon with the CURSOR buttons and press the [ENTER] button. • DEL.—This icon is used to delete characters from the TITLE EDIT box at the current cursor location. Select the icon with the CURSOR buttons and press the [ENTER] button. UNDO Operation When the 02R stores or recalls a program, the previous settings are always preserved in the UNDO buffer.
58 MIXING Display Functions Preset EQ Program Parameters MIXING Display Functions No 1 2 3 4 5 6 7 8 9 Parameter Name Bass Drum 1 Bass Drum 2 Snare Drum 1 Snare Drum 2 Tom-tom 1 Cymbal High Hat Percussion E.Bass 1 02R User’s Guide LOW L-MID H-MID HIGH PEAKING PEAKING PEAKING Q 1.2 10 0.9 F 99Hz 265Hz 1.05kHz G +3.5dB –3.5dB 0.0dB +4.0dB PEAKING PEAKING PEAKING LPF Q 1.4 4.5 2.2 F 79Hz 397Hz 2.52kHz G +8.0dB –7.0dB +6.
MIXING Display Functions No 10 11 12 Parameter Name E.Bass 2 Syn.Bass 1 Syn.Bass 2 LOW 14 15 16 17 Piano 1 Piano 2 E.G.Clean E.G.Crunch 1 E.G.Crunch 2 E.G.Distortion 1 PEAKING PEAKING PEAKING 5 6.3 F 111Hz 111Hz 2.24kHz 4.00kHz G +3.0dB 0.0dB +2.5dB +0.5dB PEAKING PEAKING PEAKING H.SHELF Q 0.1 8 4.5 F 83Hz 944Hz 4.00kHz 12.6kHz G +3.5dB +8.5dB 0.0dB 0.0dB PEAKING PEAKING PEAKING H.SHELF Q 1.6 8 2.2 F 125Hz 177Hz 1.12kHz 12.6kHz G +2.5dB 0.
60 No 20 MIXING Display Functions Parameter Name A.G.Stroke 1 LOW A.G.Stroke 2 A.G.Arpeggio 1 PEAKING PEAKING PEAKING 4.5 3.5 F 105Hz 1.00kHz 1.88kHz 5.33kHz G –2.0dB 0.0dB +1.0dB +4.0dB H.SHELF Q 24 25 26 27 A.G.Arpeggio 2 Brass Section Male Vocal 1 Male Vocal 2 Female Vocal 1 29 Female Vocal 2 Chorus & Harmony 02R User’s Guide PEAKING 4.5 297Hz 749Hz 2.00kHz 3.56kHz G –3.5dB –2.0dB 0.0dB +2.0dB Q PEAKING PEAKING PEAKING 4.5 4.5 0.12 F 223Hz 1.
MIXING Display Functions No 30 31 Parameter Name Total EQ 1 Total EQ 2 LOW 33 Total EQ 3 Bass Drum 3 Snare Drum 3 PEAKING PEAKING PEAKING 2.2 5.6 F 94Hz 944Hz 2.11kHz 16.0kHz G –0.5dB 0.0dB +3.0dB +6.5dB 36 37 Tom-tom 2 Piano 3 Piano Low H.SHELF H.SHELF PEAKING PEAKING PEAKING Q 7 2.8 5.6 F 94Hz 749Hz 1.78kHz 17.9kHz G +4.0dB +1.5dB +2.0dB +6.0dB H.SHELF Q PEAKING PEAKING 0.28 0.7 F 66Hz 841Hz 1.88kHz 15.1kHz G +1.5dB +0.5dB +2.0dB +4.
62 MIXING Display Functions No 38 Parameter Name Piano High LOW 40 Fine-EQ(Cass) Narrator H-MID HIGH PEAKING PEAKING PEAKING PEAKING Q 10 6.3 2.2 0.1 F 187Hz 397Hz 6.72kHz 5.65kHz G –5.5dB +1.5dB +5.0dB +3.0dB H.SHELF L.SHELF 39 L-MID Q PEAKING PEAKING 4.5 1.8 F 74Hz 1.00kHz 4.00kHz 12.6kHz G –1.5dB 0.0dB +1.0dB +3.0dB H.SHELF PEAKING PEAKING PEAKING Q 4 7 0.63 F 105Hz 707Hz 2.52kHz 10.0kHz G –4.0dB –1.0dB +2.0dB 0.
Surround Pan 5 63 Surround Pan In this chapter... About Surround Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64 Selecting a Surround Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65 Panning Sounds Freely . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67 Panning Sounds Using the Trajectories . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69 Linking Channels for Surround Pan. .
64 Surround Pan About Surround Pan The 02R Surround Pan function supports 2+2, 3+1, and 3+2+1 surround modes, making it ideal for sophisticated surround sound production. Sounds can be moved freely around a two-dimensional sound space, or along preset circle, ellipse, semicircle, or diagonal trajectories. Surround channels can be transferred directly to a digital multitrack recorder via YGDAI (DIGITAL I/O 5/5). In addition, surround channels can be output via the analog aux sends (SETUP 2/4).
Surround Pan 65 Selecting a Surround Mode 1. Use the [ROUTING] button to locate the ROUTING 2/4 page. Surround pan modes are selected on the ROUTING 2/2 page—Surround On/Off. When the Surround function is active, there are four ROUTING pages. ROUTING 2. Use the CURSOR buttons to select the SURROUND icon, and press the (ENTER) button. A confirmation dialog box appears. 3. Select EXECUTE and press the (ENTER) button. 4. Use the CURSOR buttons to select a surround mode, and press the (ENTER) button. 5.
66 Surround Pan 3+1 Surround Mode Four-channel surround sound consisting of left (L), center (C), right (R), and surround (S) channels. Ideal for Dolby Surround authoring. Bus Out 1 DIGITAL RECORDING CONSOLE Amps Bus Out 2 Bus Out 3 L C R Bus Out 4 S Recorder 3+2+1 Surround Mode Six-channel surround sound consisting of front left (FL), front center (FC), front right (FR), rear left (RL), rear right (RR), and subwoofer (SW) channels. Ideal for Dolby AC-3 Surround authoring.
Surround Pan 67 Panning Sounds Freely 1. Use the [ROUTING] button to locate the ROUTING 3/4 page. ROUTING 2. Use the CURSOR buttons to select the MIC, LINE, or TAPE icon, and press the (ENTER) button. This section explains how to position sounds using the ROUTING 3/4 page. Sounds can also be moved along preset circle, ellipse, semicircle, or diagonal trajectories on the ROUTING 4/4 page.
68 Surround Pan The TAPE page, shown below, contains surround pan controls for TAPE inputs 1 to 16.
Surround Pan 69 Panning Sounds Using the Trajectories 1. Use the [ROUTING] button to locate the ROUTING 4/4 page. ROUTING This page can also be accessed from the ROUTING 3/4 page by pressing the (ENTER) button while a surround pan graph is selected. This section explains how to move sounds along preset circle, ellipse, semicircle, or diagonal trajectories using the ROUTING 4/4 page. The preset trajectories can be fine-tuned using the Width, Depth, and Offset parameters.
70 Surround Pan Trajectories The following surround pan trajectories are available. Left to right—The sound moves from left to right. The following illustrations show some typical left to right trajectories. Front to rear—The sound moves from front to back. The following illustrations show some typical front to rear trajectories. Rear left to front right diagonal—The sound moves on a diagonal trajectory from the rear left to the front right. Width, depth and offset can be set for this trajectory.
Surround Pan 71 Left to right semicircle—The sound moves from left to right on a semicircular trajectory. Use the width and depth parameters to set the size and shape of the semicircle. The shape can be adjusted from a semicircle to a narrow oval. Use the offset parameters to offset the trajectory to the left, right, front, or rear. The following illustrations show some typical trajectories. Front to rear semicircle—The sound moves from front to rear on a semicircular trajectory.
72 Surround Pan Linking Channels for Surround Pan 1. Use the [ROUTING] button to locate the ROUTING 4/4 page. For stereo input channels (17 to 24), or mono input channels configured as a stereo pair, you can select one of eight patterns and move both sounds together. The following illustration shows how the two channels are panned with the various patterns and trajectories. Trajectory ROUTING Pattern 2. Use the [SEL) buttons to select a channel. 3.
Surround Pan 73 CSR (Center:Side Ratio) 1. Use the [ROUTING] button to locate the ROUTING 4/4 page. For the 3+1 and 3+2+1 surround modes that use a center speaker, the CSR (Center:Side Ratio) control can be used to set the amount of front-center sound heard through the center and left and right front speakers. CSR Description 0.0 2. Use the [CURSOR) buttons to select the CSR control. The front-center sound appears only in the left and right speakers. 0.
Dynamics 6 75 Dynamics In this chapter... Dynamics Processors. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76 Preset Dynamics Programs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76 Compressor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77 Expander . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79 Compander. . .
76 Dynamics Dynamics Processors Dynamics processors are generally used to correct or control signal levels. However, you can also use them creatively to shape the volume envelope of a sound. The 02R features comprehensive dynamics processors for all the input channels, tape returns, and the bus and stereo outputs. These processors allow you to compress, expand, compress-expand (compand), gate, or duck the signals passing through the mixer, giving you unparalleled sonic quality and flexibility.
Dynamics 77 Compressor dB +20 Compression ratio = 2:1 +10 A compressor provides a form of automatic level control. By attenuating high levels, thus effectively reducing the dynamic range, the compressor makes it much easier to control signals and set appropriate fader levels. Reducing the dynamic range also means that recording levels can be set higher, therefore improving the signal-to-noise performance.
78 Dynamics Knee sets the transition of the signal at the threshold. With a hard knee, the transition between uncompressed and compressed signal is immediate. With the softest knee, knee5, the transition starts before the signal reaches the threshold and gradually ends above the threshold. Release determines how soon the compressor returns to its normal gain once the trigger signal level drops below the threshold.
Dynamics 79 Expander dB +20 Expansion ratio = 2:1 +10 0 Knee = hard Output Level -10 Threshold = -10dB -20 -30 An expander is another form of automatic level control. By attenuating the signal below the threshold, the expander reduces low-level noise and effectively increases the dynamic range of the recorded material. -40 -50 Expander (EXP) parameters: -60 -70 dB -70 -60 -50 -40 -30 -20 -10 Input Level 0 +10 Parameter +20 dB Threshold (dB) –54 to 0 Ratio 1.0, 1.1, 1.3, 1.5, 1.
80 Dynamics Compander dB +20 A compander is a compressor-expander—a combination of signal compression and expansion. The compander attenuates the input signal above the threshold as well as the level below the width. For very dynamic material, this program allows you to retain the dynamic range without having to be concerned with excessive output signal levels and clipping.
Dynamics 81 Gate and Ducking dB +20 +10 0 A gate, or noise gate is an audio switch used to mute signals below a set threshold level. It can be used to suppress background noise and hiss from valve (tube) amps, effects pedals, and microphones.
82 Dynamics For ducking, this controls how soon the signal is ducked once the duck has been triggered. With a fast attack time, the signal is ducked almost immediately. With a slow attack time, ducking fades the signal. Too fast an attack time may sound abrupt. Hold sets how long the gate stays open or the ducking remains active once the trigger signal has fallen below the threshold level. Decay controls how fast the gate closes once the hold time has expired.
Dynamics 83 DYNAMICS Display Function 1. Use the [DYNAMICS] button to locate the DYNAMICS 1/2 page. DYNAMICS Dynamics can be applied to the input channels (MIC/LINE 1 through 16, LINE 17/18 through 23/24), the tape return channels (TAPE 1 through 16), the internal bus outputs (BUS 1 through 8), and the stereo output. For stereo and paired channels, the dynamics processor is applied equally to both channels. Shown below is the DYNAMICS 1/2 page. 2. Select a channel using the [SEL] buttons.
84 Dynamics Patching in a Processor 1. To turn the dynamics processor on, use the CURSOR buttons to select the DYNAMICS icon and press the [ENTER] button. The icon changes from OFF to ON and is highlighted. 2. Use the CURSOR buttons to select the KEY IN prompt and rotate the encoder wheel or press the [ENTER] button to select a trigger source. 3. Use the CURSOR buttons to select the ST.LINK prompt and rotate the encoder wheel or press the [ENTER] button to turn the stereo link on or off. 4.
Dynamics 85 Dynamics Processor Meters The amount of processor gain reduction (GR) and the output signal levels are shown on the DYNAMICS 1/2 and 2/2 pages, as shown below. Gain reduction is the amount by which a signal’s level is reduced. The output signal levels are conventional level meters which work from bottom-to-top. The GR level meter is inverted and works from top-to-bottom.
86 Dynamics KEY IN and LINK Indicators The channel KEY IN settings and LINK settings are shown below. The settings can be changed with the CURSOR buttons, and the encoder wheel, or the [ENTER] button. The following table shows the meaning of the KEY IN icons: Icon Meaning SELF – POST EQ—the trigger is taken from the current channel after the equalization. SELF – PRE EQ—the trigger is taken from the current channel before equalization.
Dynamics 87 Dynamics Library 1. Use the [DYNAMICS] button to locate the DYNAMICS 2/2 page. DYNAMICS The DYNAMICS Library page appears. The Dynamics Library is used to access and store dynamics programs. There are 40 preset programs (1 to 40) for you to recall and 88 user programs (41 to 128 plus UNDO) for you to store your own dynamics programs. You can access this page from the DYNAMICS 1/2 page by selecting the LIB icon with the CURSOR buttons and pressing the [ENTER] button.
88 Dynamics Icons • STORE —This icon is used to store the current program to the library. Select the icon with the CURSOR buttons. Use the encoder wheel to select a program and press the [ENTER] button. The 02R displays a confirmation dialog box asking if you want to store your settings in the selected program. The dialog box has two icons: “CANCEL” and “EXECUTE”. Note: You can customize your 02R to prevent the confirmation dialog box appearing during the STORE operation.
89 Dynamics • PASTE—This icon is used to paste a program name previously selected with the COPY operation into the TITLE EDIT box. Select the icon with the CURSOR buttons and press the [ENTER] button. The program name is pasted from the edit buffer into the TITLE EDIT box for subsequent editing. • INS.—This icon is used to insert blank characters into the TITLE EDIT box at the current cursor location. Select the icon with the CURSOR buttons and press the [ENTER] button. • DEL.
90 Dynamics Preset Dynamics Program Parameters Dynamics The “Release”, “Hold”, and “Decay” values shown in the following table are valid when the 02R is set at a sampling frequency of 44.1 kHz. No. 1 2 3 4 5 6 Name A.Dr.BD A.Dr.BD A.Dr.BD A.Dr.BD A.Dr.SN A.Dr.SN 02R User’s Guide Type "CMP "EXP "GAT "CPH "CMP "EXP Compressor Expander Gate CompanderH Compressor Expander Parameter Value Threshold (dB) –24 Ratio ( :1) 3 Attack (ms) 9 Outgain (dB) 5.
Dynamics No. 7 8 9 10 11 12 13 Name A.Dr.SN A.Dr.SN A.Dr.Tom A.Dr.OverTop E.B.finger E.B.slap Syn.Bass Type "GAT "CPS "EXP "CPS "CMP "CMP "CMP Gate CompanderS Expander CompanderS Compressor Compressor Compressor Parameter Value Threshold (dB) –8 Range (dB) –23 Attack (ms) 1 Hold (ms) 0.63 Decay (ms) 238 Threshold (dB) –8 Ratio ( :1) 1.7 Attack (ms) 11 Outgain (dB) 0.
92 Dynamics No. 14 15 16 17 18 19 20 Name Piano1 Piano2 E.Guitar A.Guitar Strings1 Strings2 Strings3 02R User’s Guide Type "CMP "CMP "CMP "CMP "CMP "CMP "CMP Compressor Compressor Compressor Compressor Compressor Compressor Compressor Parameter Value Threshold (dB) –9 Ratio ( :1) 2.5 Attack (ms) 17 Outgain (dB) 1.0 Knee hard Release (ms) 238 Threshold (dB) –18 Ratio ( :1) 3.5 Attack (ms) 7 Outgain (dB) 6.
Dynamics No. 21 22 23 24 25 26 27 Name BrassSection Syn.Pad Type "CMP "CMP SamplingPerc "CPS Sampling BD Sampling SN Hip Comp Solo Vocal1 "CMP "CMP "CPS "CMP Compressor Compressor CompanderS Compressor Compressor CompanderS Compressor Parameter Value Threshold (dB) –18 Ratio ( :1) 1.7 Attack (ms) 18 Outgain (dB) 4.0 Knee 1 Release (ms) 226 Threshold (dB) –13 Ratio ( :1) 2 Attack (ms) 58 Outgain (dB) 2.
94 Dynamics No. 28 29 30 31 32 33 34 Name Solo Vocal2 Chorus Type "CMP "CMP Compander(H) "CPH Compander(S) "CPS Click Erase Announcer Easy Gate 02R User’s Guide "EXP "CPH "GAT Compressor Compressor CompanderH CompanderS Expander CompanderH Gate Parameter Value Threshold (dB) –8 Ratio ( :1) 2.5 Attack (ms) 26 Outgain (dB) 1.5 Knee 3 Release (ms) 331 Threshold (dB) –9 Ratio ( :1) 1.7 Attack (ms) 39 Outgain (dB) 2.
Dynamics No. 35 36 37 38 39 40 Name BGM Ducking Limiter1 Limiter2 Total Comp1 Total Comp2 Total Comp3 Type "DUK "CMP "CMP "CMP "CMP "CMP Ducking CompanderS Compressor Compressor Compressor Compressor Parameter Value Threshold (dB) –19 Range (dB) –22 Attack (ms) 93 Hold (ms) 1.20 S Decay (ms) 6.32 S Threshold (dB) –8 Ratio ( :1) 4 Attack (ms) 25 Outgain (dB) 0.
Auxiliary Channels 7 97 Auxiliary Channels In this chapter... About the 02R Auxiliaries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98 The AUX Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99 Stereo Input Channels. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101 AUX [ON] Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
98 Auxiliary Channels About the 02R Auxiliaries The 02R has eight auxiliary sends: AUX 1, AUX 2, AUX 3, AUX 4, AUX 5, AUX 6, AUX 7, and AUX 8. The auxiliary sends can be configured pre-fader or post-fader. AUX 7 and AUX 8 are used to feed the internal effects processors: Effect 1 and Effect 2. EFF 1 RTN and EFF 2 RTN are used to return the processed signals. Refer to “Internal Effects” on page 103 of the User’s Guide for further details.
Auxiliary Channels 99 The AUX Buttons 1. Press the [AUX 1] button. The AUX functions for AUX 1 through AUX 6 set the channel send levels to each of the auxiliary buses. With this function, you can select an auxiliary bus and then set the levels of a group of input channels simultaneously. You can also select whether to send the signal pre or post fader. AUX 1 The AUX 1 page appears. 2. Select a channel using the [SEL] buttons or the CURSOR buttons. 3.
100 Auxiliary Channels Select a channel with the [SEL] buttons. Select the auxiliary bus with the [AUX 1] through [AUX 8/EFF 2] buttons. Turn the send on or off with the [ON] button. Adjust the send level with the SEND LEVEL encoder. SEND LEVEL AUX Pages The channel aux send level controls for each aux send are displayed on two pages. The first page, shown below, shows aux controls for MIC/LINE channels 1 to 24. Select this page using a MIC/LINE [SEL] button.
Auxiliary Channels 101 Stereo Input Channels Input channels 1 through 16 are mono inputs. The stereo input channels 17 through 24 are paired together and handle two signals: left and right. Before feeding a stereo input signal to the auxiliary level controls, the left and right signals are summed to form a mono L+R mix. AUX [ON] Button The auxiliary sends can be turned on or off for quick A-B comparisons by using the [ON] button in the AUX group of the SELECTED CHANNEL controls.
102 Auxiliary Channels POST —the auxiliary send signal is sourced after the channel fader. This means that the signal is controlled by the channel fader as well as the send level. In order to send a signal to the auxiliary bus, you must have that fader raised as well. This enables the channel-to-mix and channel-to-effects signal levels to be controlled together, with the former supplying the dry, unaffected signal and the latter supplying the wet, affected signal.
Internal Effects 8 103 Internal Effects In this chapter... About Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104 Preset Effects Programs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105 AUX 7 and AUX 8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106 Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
104 Internal Effects About Effects The 02R features two internal multi-effects stereo processors: Effect 1 and Effect 2. These are fed by AUX 7 and AUX 8, and the processed signals are returned via EFF 1 RTN and EFF 2 RTN, respectively. The auxiliary sends can be configured pre-fader or post-fader. Effects can be applied to input channels, the tape return channels, or the stereo output channel. Effects are organized into programs.
Internal Effects 105 Preset Effects Programs These are the preset effects programs: No Program Name No Program Name 1 REVERB HALL1 21 REVERSE GATE 2 REVERB HALL2 22 DELAY->EARLY REF 3 REVERB ROOM1 23 DELAY L-C-R 1 4 REVERB ROOM2 24 DELAY L-C-R 2 5 REVERB STAGE 25 CHORUS->DLY LCR 6 REVERB PLATE 26 MONODLY->CHORUS 7 REV AMBIENCE1 27 STEREO INI.
106 Internal Effects AUX 7 and AUX 8 1. Press the [AUX 7] button. The AUX functions for AUX 7 and AUX 8 set the channel send levels to either of these effects buses. Similar to the functions for AUX 1 through AUX 6, you select an effect bus and then set the levels of a group of input channels. You can also select whether to send the signals pre or post fader. AUX 7 EFF1 The AUX 7 page appears. 2. Select a channel using the [SEL] buttons or the cursor buttons. 3.
Internal Effects 107 AUX Pages The channel aux send level controls for each aux send are displayed on two pages. The first page, shown below, shows aux controls for MIC/LINE channels 1 to 24. Select this page using a MIC/LINE [SEL] button. The second page shows aux controls for TAPE channels 1 to 16 and a single effects return. To prevent a feedback loop, AUX 7 cannot be sent to Effect 1, and AUX 8 cannot be sent to Effect 2. Select this page using a TAPE or EFF RTN [SEL] button.
108 Internal Effects Effects 1. Use the [AUX 7] button to locate the AUX 7 2/3 page. AUX 7 EFF1 The 02R is equipped with two internal multi-effects stereo processors. These processors have a startling range of special effects available to apply to your mix—shimmering reverbs, clean, precise delays, flanging and chorus, and a myriad of other effects are available. Shown below is the AUX 7 2/3 page. 2. Select an icon using the cursor buttons. 3.
Internal Effects 109 Effects Library 1. Use the [AUX 7] button to locate the AUX 7 3/3 page. AUX 7 EFF1 The Effects Library is used to access and store effects programs. There are 40 preset effects programs (1 through 40) and 88 user effects programs (41 through 128 plus an UNDO buffer) for you to store your own settings. You can access this page from the EFFECT 2/3 page by selecting the LIB icon with the CURSOR buttons and pressing the [ENTER] button. Shown below is the AUX 7 3/3 page.
110 Internal Effects Exiting the Library Selecting the LIB icon and pressing the [ENTER] button switches back to the EFFECT 2/3 page. Icons • STORE —This icon is used to store the current program to the library. Select the icon with the CURSOR buttons. Use the encoder wheel to select a program and press the [ENTER] button. The 02R displays a confirmation dialog box asking if you want to store your settings in the selected program. The dialog box has two icons: “CANCEL” and “EXECUTE”.
111 Internal Effects • COPY—This icon is used to copy the name of a library program. Select the icon with the CURSOR buttons. Use the encoder wheel to select a program and press the [ENTER] button. The program name is copied into an edit buffer. • PASTE—This icon is used to paste a program name previously selected with the COPY operation into the TITLE EDIT box. Select the icon with the CURSOR buttons and press the [ENTER] button.
112 Internal Effects Preset Effects Program Parameters Internal Effects Program 1 — REVERB HALL1 This simulates the reverberation in a larger concert hall, and adds spread to sounds such as strings and brass. Parameter Setting Range Description Rev.Time 2.8s 0.3–30.0s Reverb time. Hi.Ratio 0.8 0.1–1.0 High frequency decay ratio. Diff. 6 0–10 Reverb diffusion. Ini.Dly 40.0ms 0.1–200.0ms Initial delay between the direct sound and early reflections.
Internal Effects 113 Program 4 — REVERB ROOM2 This is a variation on program 3. Parameter Setting Rev.Time 1.8s Hi.Ratio 0.6 Diff. 6 Ini.Dly 17.0ms Density 3 LPF 9.0kHz HPF 80Hz Rev.Dly 4.0ms Rev.Bal 50% Range Same as program 1 Description Same as program 1 Program 5 — REVERB STAGE This has a slightly brighter effect than the REVERB HALL programs. Applying a small amount of this effect to an entire mix will create the feel of live acoustic environment. Parameter Setting Rev.
114 Internal Effects Program 7 — REV AMBIENCE1 This creates space (a smaller space than created by the REVERB ROOM programs) around instruments. A small amount of these effects is effective on vocal and chorus, as well as percussion instruments. Parameter Setting Rev.Time 1.2s Hi.Ratio 1.0 Diff. 8 Ini.Dly 19.0ms Density 3 LPF 9.0kHz HPF 45Hz Rev.Dly 4.0ms Rev.Bal 50% Range Same as program 1 Description Same as program 1 Program 8 — REV AMBIENCE2 This is a variation on program 7.
Internal Effects 115 Program 10 — REV LIVE ROOM2 This is a variation on program 9. Parameter Setting Rev.Time 2.2s Hi.Ratio 0.5 Diff. 6 Ini.Dly 12.0ms Density 3 LPF 4.0kHz HPF THRU Rev.Dly 3.0ms Rev.Bal 50% Range Same as program 1 Description Same as program 1 Program 11 — REVERB VOCAL1 This is useful for vocal and chorus. Parameter Setting Rev.Time 1.8s Hi.Ratio 0.4 Diff. 3 Ini.Dly 19.0ms Density 3 LPF 6.3kHz HPF 110Hz Rev.Dly 10.0ms Rev.
116 Internal Effects Program 13 — REV SN.ROOM This is a reverb variation to enhance the sound of a snare drum. Parameter Setting Rev.Time 1.3s Hi.Ratio 0.9 Diff. 8 Ini.Dly 26.0ms Density 1 LPF 10.0KHz HPF 180Hz Rev.Dly 4.0ms Rev.Bal 90% Range Same as program 1 Description Same as program 1 Program 14 — REV SN.PLATE This is also for snare drums, similar to program 13. Parameter Setting Rev.Time 1.7s Hi.Ratio 0.9 Diff. 2 Ini.Dly 20.0ms Density 1 LPF 11.
Internal Effects 117 Program 16 — FLANGE–>REVERB1 Flange effect followed by reverb. This effect is more appropriate to emphasize modulation effects than the CHORUS–>REVERB program. Use the reverb Depth parameter to adjust the amount of reverberation. Parameter Setting Range Description Freq. 2.4Hz 0.1–40.0Hz Flange modulation frequency. Depth 68% 0–100% Flange depth. The amount of modulation. FB.Gain +37% –99 to +99% Feedback gain. The amount of signal returned to the flanger. Mod.
118 Internal Effects Program 19 — EARLY REF.2 This is a variation on program 18. It produces a thicker sound. Parameter Setting Type S-Hall RoomSize 2.0 Liveness 7 Diff. 7 Ini.Dly 4.8ms ER Num. 15 Hi.Ratio 0.8 FB.Gain 0% LPF 11.0kHz HPF THRU Range Description Same as program 18 Same as program 18 Program 20 — GATE REVERB Simulates a gate reverb effect by using the EARLY REFLECTION program.
Internal Effects 119 Program 22 — DELAY–>EARLY REF This effect creates early reflection sound after a delay. Parameter Setting Range Description Delay 256.0ms 0.1–320.0ms Delay time. FB.Gain +43% –99 to +99% Feedback gain. The amount of signal returned to the effect. Hi.Ratio 0.3 0.1–1.0 High frequency decay ratio. Type Random ER type Choose S-Hall, L-Hall, Random, Reverse, Plate, or Spring. RoomSize 6.8 0.1–20 Time interval between the early reflections.
120 Internal Effects Program 25 — CHORUS–>DLY LCR Chorus effect is followed by a three-part delay (L-C-R) with feedback. Parameter Setting Range Description Freq. 0.8Hz 0.1–40.0Hz Chorus modulation frequency. Depth 24% 0–100% Chorus depth. The amount of modulation. Mod.Dly 5.9ms 0.0–255.0ms Chorus delay. The delay time before modulation starts. Dly(L) 26.4ms 0.1–1000.0ms Left channel delay time. Dly(R) 33.2ms 0.1–1000.0ms Right channel delay time. Dly(C) 13.1ms 0.1–1000.
Internal Effects 121 Program 28 — ECHO This is a common echo effect. Parameter Setting Range Description Dly(L) 220.0ms 0.1–500.0ms Left channel delay time. FB.G(L) +44% –99 to +99% Left channel feedback gain. Dly(R) 180.0ms 0.1–500.0ms Right channel delay time. FB.G(R) –55% –99 to +99% Right channel feedback gain. Hi.Ratio 0.2 0.1–1.0 High frequency decay ratio. LPF THRU 1.0kHz–THRU Low pass filter cutoff frequency. HPF THRU THRU–8.0kHz High pass filter cutoff frequency.
122 Internal Effects Program 31 — CHORUS1 A stereo chorus. Creates a rich, thickening effect. Parameter Setting Range Description Freq. 0.6Hz 0.1–40.0Hz Modulation frequency. AM Depth 49% 0–100% Amplitude modulation depth. PM Depth 35% 0–100% Pitch modulation depth. LSF F 220Hz 32Hz–1.0kHz Low shelving filter frequency. LSF G +3dB –12 to +12dB Low shelving filter gain. Mod.Dly 12.1ms 0.0–255.0ms Chorus delay. The delay time before modulation starts. EQ F 560Hz 160Hz–8.
Internal Effects 123 Program 34 — FLANGE Stereo flanger. Creates a rich, swirling effect, full of harmonics. Parameter Setting Range Description Freq. 1.2Hz 0.1–40.0Hz Modulation frequency. Depth 25% 0–100% Modulation depth. FB.Gain +45% –99 to +99% Feedback gain. The amount of signal returned to the effect. LSF F 63Hz 32Hz–1.0kHz Low shelving filter frequency. LSF G 0dB –12 to +12dB Low shelving filter gain. Mod.Dly 14.6ms 0.0–255.0ms Flange delay.
124 Internal Effects Program 37 — AUTO PAN This effect performs automatic panning across the stereo image. Parameter Setting Range Description Freq. 0.5Hz 0.1–40.0Hz Modulation frequency. LR Depth 98% 0–100% Left to right pan depth. FR Depth 15% 0–100% Front to rear pan depth. LSF F 140Hz 32Hz–1.0kHz Low shelving filter frequency. LSF G +4dB –12 to +12dB Low shelving filter gain. Dir. L<–>R Pan direction Choose from L<–>R, L-->R, L<--R, Turn L, or Turn R. EQ F 630Hz 160Hz–8.
Internal Effects 125 Program 40 — VOCAL DOUBLER This is a thin harmonizing effect obtained by setting a longer delay. Parameter Setting Pitch 0 Fine(1) +5 Fine(2) –10 Out(1) +100 Out(2) +100 Pan(1) L6 Pan(2) R6 FB.G(1) +10% FB.G(2) –10% Delay 60.
Scene Memories 9 127 Scene Memories In this chapter... What are Scene Memories? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128 What is Stored in a Scene Memory? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129 What is the Edit Buffer? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129 Initial Data and UNDO Memory. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129 Storing Mix Scenes . . . . . . . . . . . . .
128 Scene Memories What are Scene Memories? STORE RECALL Scene memories are a snapshot of all the 02R mixer setting. There are 96 mix scene memory locations. Each can be titled for easy identification. They can be stored and recalled manually using the [STORE] and [RECALL] buttons. They can also be recalled by the automix (AUTOMIX) system or by using MIDI Program Changes from a computer, MIDI sequencer, or MIDI footswitch. You can also save scene memories to a MIDI data filer.
Scene Memories 129 What is Stored in a Scene Memory? Virtually all 02R mix settings are stored in a scene memory. Settings that are not stored consist mainly of analog controls and switches. They are: +48V phantom switches, A/B input switches, 20 dB (pad) switches, GAIN controls, T/B LEVEL control, STUDIO LEVEL control, PHONES LEVEL control, C-R LEVEL control, and the display CONTRAST control. MIDI setup and assignment table data are also not stored in the scene memory.
130 Scene Memories Storing Mix Scenes 1. Use the increment or decrement buttons to select a scene memory. STORE RECALL SCENE MEMORY 2. Press the [STORE] button. A confirmation dialog box appears. 3. Use the CURSOR buttons to select “EXECUTE” and press the [ENTER] button. The mix scene is stored. The 02R has 96 scene memory locations. You can save additional scenes to a MIDI data filer. Scene memories can be titled for easy identification.
Scene Memories 131 Naming a Scene Memory 1. Use the [SCENE MEMORY] button to locate the SCENE 1/5 page. Scene memories can be titled on the SCENE 1/5 page shown below. Scene memories can be named before being stored or after. In the latter case, you must first recall the scene memory, name it, and then store it. SCENE MEMORY 2. Use the CURSOR buttons to select the title edit box. 3. Select the individual character positions with the CURSOR buttons.
132 Scene Memories Character Set A scene memory name can be up to 16 characters long and can contain any of the following characters: ! “ # $ % & ' ( ) * + , - . / 0 1 2 3 4 5 6 7 8 9 : ; < = > ? @ A B C D E F G H I J K L M N O P Q R S T U V W X Y Z [ \ ] ^ _ ` a b c d e f g h i j k l m n o p q r s t u v w x y z { | } ~ Icons • INSERT—This icon is used to insert blank characters into the title edit box at the cur
Scene Memories 133 If you change your mind, the cleared mix scene can be retrieved by recalling the Undo scene memory (U).
134 Scene Memories Protecting Scene Memories You can protect stored mix scenes against accidental overwriting using this Memory Protect function. This is useful when you’ve set up many mix scenes for repeated use, or when inexperienced users operate 02R. When the Memory Protect is checked, mix settings cannot be stored using the [STORE] button. Any scene memory data received as MIDI Bulk Dump is also ignored. Recalling Scene Memories Scene memories are recalled using the [RECALL] button.
Scene Memories 135 Fader Recall Safe 1. Use the [SCENE MEMORY] button to locate the SCENE 2/5 page. The 02R has two methods of protecting the system from sudden volume level changes when a scene memory is recalled. You can select individual channels to safety. When the scene memory is recalled, the fader level will not change from the level it was set to in the previous mix. Shown below is the SCENE 2/5 page—Fader Recall Safe. SCENE MEMORY 2.
136 Scene Memories Fade Time 1. Use the [SCENE MEMORY] button to locate the SCENE 3/5 page. The second method of protecting the system from sudden volume level changes is to set the fade time for each channel. When the scene memory is recalled, the fader level will change from its previous level to the new level of the recalled memory. You can control the duration of the change. Shown below is the SCENE 3/5 page—Fade Time. SCENE MEMORY 2.
Automix 10 137 Automix 10 In this chapter... What is the Automix Function? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138 What is Timecode?. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140 Automix Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143 Automix Main . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144 Memory Management. . . .
138 Automix What is the Automix Function? One of the most demanding jobs of the recording engineer is taking all the raw material produced during a multitrack recording session and mixing it all together into an artistically satisfying master recording. The ability to setup portions of the mix and then have them playback automatically as you work on other portions is probably the most important feature of any digital recording studio.
Automix • REMOTE 1–4—MIDI Remote events • SURR—Surround pan events (SURROUND overwrite check box) • EQLIB—EQ library program recall events • CHLIB—Channel library program recall events • DYLIB—Dynamics library program recall events • EFLIB—Effects library program recall events 139 To record a mix scene or library program recall in real time, start automix recording and then recall the scene or program as normal.
140 Automix What is Timecode? Timecode is a signal that contains a chronological record of the absolute time in a recording. It is used for synchronizing different recorders. It can be used for electronic editing. Timecode was initially invented for the motion picture business, as a method of synchronizing the pictures recorded in the frames of a camera to the sound recorded on tape recorder.
Automix 141 Connections If the connected device can directly output SMPTE timecode, use an audio cable to connect the output to the TIME CODE INPUT—SMPTE connector on the back of the 02R. If the connected device does not have a dedicated SMPTE output connector, record the timecode onto a spare track (in the case of a multitrack recorder) or a special track (in the case of a video recorder or film post-production recorder) and connect the output from that track to the timecode input connector on the 02R.
142 Automix MIDI IN jack, any MTC arriving at the MTC jack is ignored, and vice versa. MIDI Time code TIME CODE INPUT (MTC) or MIDI IN MIDI OUT (MTC OUT) MIDI sequencer Note: When transmitting MTC to the 02R, you should use a dedicated output on the connected device. Otherwise the 02R has to discard MIDI playback data and other extraneous information, decreasing the accuracy of the timecode data.
Automix 143 Automix Function The Automix function consists of six pages. 1/7 Automix Main The Automix Main page controls the record and playback operations. Select the timecode frame rate, and the timecode input. Set the initial start time and enable the editing operations. 2/7 Memory Management The Memory Management page is used to name the AUTOMIX and perform store and recall operations. You can also control the record and playback operations from this page.
144 Automix Automix Main 1. Use the [AUTOMIX] button to locate the AUTOMIX 1/7 page. Basic automix functions are controlled using the Automix Main page shown below. AUTOMIX 2. Select the “INT Start Time” with the CURSOR buttons and set the desired value by rotating the encoder wheel. 3. Use the CURSOR buttons to select the desired “Frame” rate check box and press the [ENTER] button. 4. Select a “TC Input” check box with the CURSOR buttons and press the [ENTER] button. 5.
Automix 145 Time Code Counter The timecode counter displays the incoming timecode. For the SMPTE, MTC, and INT time references, timecode is displayed in hours, minutes, seconds, and frames. If you select INT (internal) timecode, the timecode counters starts straightaway. For MIDI Clock, timecode is displayed in bars, beats, and MIDI clocks. Offset Using an offset, automix events can be moved backwards or forwards relative to the incoming timecode.
146 Automix Overwrite Mode The Overwrite check boxes can be used to select certain parameters for automix recording. These are: FADER, CH ON, PAN, EQ or SURROUND. The FADER check box includes rotary encoders and AUX send levels. The following parameters are not affected by the Overwrite check boxes and can be recorded at any time: mix scene recalls, MIDI Remote actions, and EQ, channel, dynamics, and effects program recalls. Use the [SEL] buttons to select a channel for recording.
Automix Using the Transport Controls 1. Use the CURSOR buttons to select a transport icon. 2. Press the [ENTER] button to operate the selected automix control. 147 Transport Controls The following five operations have been made as icons: AUTOREC, REC, PLAY, STOP, ABORT. Use the CURSOR buttons to select the desired operation and press the [ENTER] button. AUTOREC—Selecting this icon will start AUTOMIX recording when the 02R receives timecode, even if it is not in REC ready mode.
148 Automix Memory Management 1. Use the [AUTOMIX] button to locate the AUTOMIX 2/7 page. The Memory Management page, shown below, is used to store, recall, title, and clear automixes. Some of the functions from the Automix Main page also appear on this page. AUTOMIX 2. Use the encoder wheel to select an AUTOMIX memory from the scrolling list. 3. Select the RECALL icon with the CURSOR buttons and press the [ENTER] button. 4. Edit the title with the CURSOR buttons, encoder wheel, and [ENTER] button. 5.
149 Automix AUTOMIX Name Edit Functions AUTOMIX memory names can be up to 16 characters long and can contain any of the following characters: ! “ # $ % & ' ( ) * + , - . / 0 1 2 3 4 5 6 7 8 9 : ; < = > ? @ A B C D E F G H I J K L M N O P Q R S T U V W X Y Z [ \ ] ^ _ ` a b c d e f g h i j k l m n o p q r s t u v w x y z { | } ~ • COPY—This icon is used to copy the name of an AUTOMIX program.
150 Automix • RECALL—This icon is used to recall an AUTOMIX program from the library. Select the icon with the CURSOR buttons. Use the encoder wheel to select an AUTOMIX program and press the [ENTER] button. The 02R displays a confirmation dialog box asking if you want to recall the selected program. The box has two icons: “CANCEL” and “EXECUTE”. CANCEL is the default.
Automix 151 Fader Edit 1. Use the [AUTOMIX] button to locate the AUTOMIX 3/7 page. The Fader Edit page displays fader positions relative to previously recorded data, and is convenient for real-time fader edits. AUTOMIX 2. Use the CURSOR buttons to select the MOTOR ON icon and press [ENTER] to change its value. 3. Select the “Fader Edit Out” RETURN check box with the CURSOR buttons and press the [ENTER] button. Rotate the encoder wheel to set a “Time” value. 4.
152 Automix ABSOLUTE—In Absolute mode, real-time fader edits are recorded as is (i.e., the new fader movements overwrite the existing events). RET (Return)—With the RET option on, the fader returns to the position previously recorded at the point recording stops. You can specify the return time from 0.0 to 3.0 seconds. The RET option works when automix recording is stopped using the STOP icon, the incoming timecode is stopped, or the channel is dropped out of recording using a [SEL] button.
Automix 153 Event Copy 1. Use the [AUTOMIX] button to locate the AUTOMIX 4/7 page. The Event Copy page, shown below, allows you to copy, move, extract and trim the level of automix events. AUTOMIX 2. Use the CURSOR buttons and (ENTER) button to select channels and parameters. 3. Use the CURSOR buttons to select “IN Time” and set using the encoder wheel. 4. Use the CURSOR buttons to select “Out Time” and change the value with the encoder wheel. 5.
154 Automix The In Time and Out Time parameters are used to select the range of automix data for editing. The Copy To parameter is used with the Copy and Move/Merge function. When the Source parameter is set to Current, data from the current automix between the In Time and Out Time parameters can be copied or moved to a point specified using the Copy To parameter.
Automix 155 Event Edit (Scene/Lib.) 1. Use the [AUTOMIX] button to locate the AUTOMIX 5/7 page. The Event Edit (Scene/Lib.) page, shown below, allows you to duplicate and delete mix scene and library recall events, and insert new events. Timecode addresses can be captured on-the-fly, and new events inserted at the captured points. The Locate function provides a speedy way to locate events in a complex automix. AUTOMIX 2. Use the CURSOR buttons to select an event to edit. 3.
156 Automix Event Edit (CH ON, PAN, FADER) 1. Use the [AUTOMIX] button to locate the AUTOMIX 6/7 page. The Event Edit (CH ON, PAN, FADER) page, shown below, allows you edit channel on/off, pan, and fader events, and duplicate, delete, and insert new events. Timecode addresses can be captured on-the-fly, and new events inserted at the captured points. The Locate function provides a speedy way to locate events in a complex automix. AUTOMIX 2. Use the CURSOR buttons to select an event to edit. 3.
MIDI 11 157 MIDI In this chapter... MIDI and the 02R. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158 Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159 Program Change Assign . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160 Bulk Dump/Request. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161 Fader Start. . . . . . .
158 MIDI MIDI and the 02R THRU OUT MIDI IN The 02R supports the following MIDI messages: • Program Changes for mix scene recalls (page 160) • Control Changes for remote control of 02R mix parameters (page 164) • System Exclusive for mix parameter control (page 262) • Bulk Dump for data backup and transfer between 02Rs (page 161) • MTC (MIDI Timecode) for automix synchronization (page 144) • Note On/Off for fader start (page 163) • MIDI Remote for remote device control from the 02R (page 1
MIDI 159 Setup 1. Use the [MIDI] button to locate the MIDI 1/5 page. The MIDI Setup page is used to configure basic 02R MIDI parameters, such as MIDI transmit and receive channels, OMNI on/off, and echo on/off. Shown below is the MIDI 1/5 page—MIDI Setup. MIDI 2. Use the CURSOR buttons to select the item you want to change and press the [ENTER] button.
160 MIDI Program Change Assign 1. Use the [MIDI] button to locate the MIDI 2/5 page. MIDI Program Change messages are used to recall scene memories. Shown below is the MIDI 2/5 page—MIDI Program Change Assign. MIDI 2. Select a Program Change number with the CURSOR buttons. Use the encoder wheel to change the value of the corresponding Scene Memory number. Press the [ENTER] button to enable or disable the current Scene Memory number.
MIDI 161 Bulk Dump/Request 1. Use the [MIDI] button to locate the MIDI 3/5 page. The 02R uses MIDI Bulk Dump and Request messages to store or recall scene memories, automix memories, system setup and program change tables, and effects, dynamics, EQ, and channel library programs. Shown below is the MIDI 3/5 page—MIDI Bulk Dump & Request. MIDI 2. Select the “TYPE” of data you want to dump or request with the CURSOR buttons and press the [ENTER] button. 3.
162 MIDI • BULK DUMP—the data of the selected type and number will be output to the connected MIDI device. • BULK REQUEST—the 02R will request the selected type and number from the connected MIDI device. • DUMP ALL—all the programs or memories of the selected data type will be transmitted to the connected MIDI device. • REQUEST ALL—the 02R will request all the programs or memories of the selected data type from the connected MIDI device.
MIDI 163 Fader Start When the Fader Start preference is checked (“Preferences” on page 198), a MIDI Note On message (velocity 127) is transmitted when a fader is raised from infinity (oo). When the fader is moved back to infinity, a corresponding MIDI Note Off message (velocity 0) is transmitted. This can be used in conjunction with a “MIDI to trigger” interface box to automatically start CD players, tape decks, etc. This function is intended for use with stereo sound sources.
164 MIDI MIDI Control Change Assign 1. Use the [MIDI] button to locate the MIDI 4/5 page. MIDI 2. Use the CURSOR buttons to select the Control Change column, and the encoder wheel to select a Control Change. 3. Use the CURSOR buttons to select the parameter type, channel type, and channel number parameters, and the encoder wheel to set them. The MIDI Control Assign page is used to assign 02R parameters to MIDI Control Changes, which can be used to control 02R mix settings in real time.
MIDI 165 MIDI Remote The MIDI Remote function allows you to control other MIDI equipment from the 02R. Connection is made using the MIDI IN and OUT connections. Remote equipment can be controlled using the 02R faders, rotary encoders, [ON] buttons, CURSOR buttons, and encoder wheel. MIDI Remote operations are recorded by the automix, so real time adjustments on other MIDI equipment can be automated. The following MIDI equipment can be controlled from the 02R.
166 MIDI Configuring Remotes 1. Use the [MIDI] button to locate the MIDI 5/5 page. MIDI Remote operations take place on the MIDI 5/5 page shown below. Up to four remotes can be active at the same time, each operating on a different MIDI Channel. The REMOTE 1 to 4 icons are used to select the remotes. MIDI The [FLIP] button flashes. To get to the MIDI 5/5 quickly, hold down the [FLIP] button for about one second. 2.
MIDI 167 BUS/AUX Master The Bus/Aux Master page is not really a MIDI Remote page because it controls the bus out, aux send, and stereo master levels of the 02R itself. Although similar to the METER 3/3 page, this page allows you to use the 02R faders instead of the encoder wheel to set the levels. While the BUS/AUX Master page is selected, MIC channel [SEL] buttons 1 to 14 can be used to make and break bus and aux pairs. To make a pair, press and hold the [SEL] buttons of both channels.
168 MIDI MIDI Machine Control 02R controls can be used to remotely control the following parameters of a a device that supports MMC (MIDI Machine Control), such as a recorder. Parameters on the MMC Device 02R Controls [ON] buttons MIC 1 Rewind MIC 2 Fast Forward MIC 3 Stop MIC 4 Play MIC 5 Pause MIC 6 Record TAPE 1–8 Locate points 1–8 recall Transport functions on MMC supporting device can be controlled from the 02R using MIC [ON] buttons 1 to 6.
MIDI 169 Yamaha Programmable Mixer 01 02R controls can be used to remotely control the following parameters of a Yamaha Programmable Mixer 01.
170 MIDI There are two pages for Programmable Mixer 01 remote control. Pages can be selected using the page icon at the right hand side of each page, or by operating a control on that page. For example, operating fader 16 displays the first page, while operating fader 17/18 displays the second page. When the 02R or Programmable Mixer 01 is first connected, or turned on, use the CONNECT function to update the 02R controls so that they match those of the Programmable Mixer 01.
MIDI 171 Yamaha 02R Digital Mixing Console 02R controls can be used to remotely control the following parameters of a Yamaha 02R Digital Mixing Console.
172 MIDI There are two pages for 02R remote control. Pages can be selected using the page icon at the right hand side of each page, or by operating a control on that page. For example, operating fader 16 displays the first page, while operating fader 17/18 displays the second page. When the 02Rs are first connected, or turned on, use the CONNECT function to update the controlling 02R so that its controls match those of the remote 02R.
MIDI 173 Yamaha 03D Digital Mixing Console 02R controls can be used to remotely control the following parameters of a Yamaha 03D Digital Mixing Console.
174 MIDI There are two pages for 03D remote control. Pages can be selected using the page icon at the right hand side of each page, or by operating a control on that page. For example, operating fader 16 displays the first page, while operating fader 17/18 displays the second page. When the 02R or 03D is first connected, or turned on, use the CONNECT function to update the 02R controls so that they match those of the 03D. When the CONNECT function is used, the settings from the 03D are copied to the 02R.
MIDI 175 General MIDI Tone Generator 02R controls can be used to remotely control the following parameters of a General MIDI-compatible tone generator. 02R Controls Parameters on the GM Tone Generator Faders MIC 1–16 Part levels 1–16 Rotary encoders TAPE 1–16 Selectable Control Changes for 1–16 [ON] buttons MIC 1–16 Part on/off 1–16 There is one page for General MIDI tone generator remote control.
176 MIDI XG Tone Generator 02R controls can be used to remotely control the following parameters of an XG-compatible tone generator.
MIDI 177 the XG tone generator. When the CONNECT function is used, the settings from the XG tone generator are copied to the 02R. If you use this page to control an XG MIDI sequencer, for example, the Yamaha QY700, on the MIDI 1/5 page of the 02R disable the Program Change and Control Change parameters.
178 MIDI ProR3 & REV500 02R controls can be used to remotely control the following parameters of a Yamaha ProR3 & REV500. 02R Controls Parameters on the ProR3 or REV500 Faders MIC 1–16 Parameters 1–16 value Rotary encoders TAPE 1–16 Parameters 1–16 value Display functions Program recall REV500 Setup On the REV500, use the UTILITY button to locate the MIDI Channel page, and set to the same MIDI Channel as that of the REV500 MIDI Remote page (CH).
MIDI 179 When the 02R or ProR3/REV500 is first connected, or turned on, use the CONNECT function to update the 02R controls so that they match those of the ProR3/REV500. When the CONNECT function is used, the settings from the ProR3/REV500 are copied to the 02R.
180 MIDI Pro Tools 02R controls can be used to remotely control the following parameters of a Pro Tools system. 02R Controls Parameters on the Pro Tools System Faders MIC 1–16 Track levels 1–16 [ON] buttons MIC 1–16 Mute 1–16 CURSOR buttons and [ENTER] button Rewind, Fast Forward, Stop, Play, Record Pro Tools Setup Pro Tools 4.0x—In the MIDI Controller area of the Peripheral dialog box, set the MIDI Controller type to either MM16 or DC16. Select 16 as the number of channels.
Groups and Pairs 12 181 Groups and Pairs In this chapter... Grouping Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182 Grouping Mutes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183 Pairing Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184 MS Decoding . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
182 Groups and Pairs Grouping Faders 1. Use the [GROUP] button to locate the GROUP 1/2 page. GROUP 2. Use the CURSOR buttons to select from group A through D. The 02R allows you to group the faders for multiple fader control using only one fader. This makes it easy to control several faders simultaneously. The input channel and the tape and effect returns can be grouped. There are four groups available: A, B, C, and D. Shown below is the GROUP 1/2 page—Fader Group.
Groups and Pairs 183 Grouping Mutes 1. Use the [GROUP] button to locate the GROUP 2/2 page. GROUP 2. Use the CURSOR buttons to select from group E through H. The 02R also allows you to group channel status controls for multiple channel control using only one channel ON button. The channels in a group can be on or off depending on their status when they were grouped. Pressing a channel ON button toggles the status of all the channels in the group. There are four groups available: E, F, G, and H.
184 Groups and Pairs Pairing Channels 1. Use the [PAIR] button to locate the PAIR 1/2 page. PAIR 2. Use the CURSOR buttons to select a pair of channels, and press the [ENTER] button to activate the pair. Adjacent channels can be paired for stereo operation. This makes it easy to work with stereo signals, because you only have to adjust one channel to control both left and right signals. The 02R allows you to pair MIC/LINE channels, TAPE channels, aux sends, or bus outs.
Groups and Pairs 185 The second PAIR page, shown below, contains pair hearts for the aux sends and bus outs. The following functions are linked when aux channels are paired: • Input channel aux send level (depends on input channel pan) • Aux master levels • Aux master on/off and pre/post The following functions are linked when bus channels are paired: • Bus master levels • Dynamics parameters Use the CURSOR buttons to select a heart and press the [ENTER] button to make or break the pair.
186 Groups and Pairs MS Decoding 1. Use the [PAIR] button to locate the PAIR 1/2 page. PAIR Adjacent MIC/LINE or TAPE channels configured as a stereo pair can be used to decode signals derived using MS microphone techniques. MS signals are controlled using the channel faders and pan controls. Other channel controls work as normal. Shown below is the PAIR 1/2 page—Pair. 2. Use the CURSOR buttons to select the MS icons, and the (ENTER) button to set them.
Digital I/O, Setup, and Utilities 13 187 Digital I/O, Setup, and Utilities In this chapter... Word Clock Select . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188 Input Signal Select . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190 Cascade Configuration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191 Dither. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
188 Digital I/O, Setup, and Utilities Word Clock Select 1. Use the [DIGITAL I/O] button to locate the DIGITAL I/O 1/5 page. DIGITAL I/O Note: The 02R always recalls the last page visited even after you turn the power off and back on again. 2. Use the CURSOR buttons to select a wordclock source and press the [ENTER] button. The 02R processes audio data at 44.1 kHz or 48 kHz using its internal clock, and can run at any frequency from 32 kHz –6% to 48 kHz +6% when an external wordclock is applied.
Digital I/O, Setup, and Utilities 189 The left side of the display is a list of the cards in the four option slots of the 02R.
190 Digital I/O, Setup, and Utilities Input Signal Select 1. Use the [DIGITAL I/O] button to locate the DIGITAL I/O 2/5 page. DIGITAL I/O 2. Use the CURSOR buttons to select the desired icons. Change the setting by pressing the [ENTER] button. The 02R has 24 built-in analog input connectors; the individual input channels (MIC/LINE 1 through 16) and the stereo input channels (LINE 17/18 through 23/24).
Digital I/O, Setup, and Utilities 191 Cascade Configuration 1. Use the [DIGITAL I/O] button to locate the DIGITAL I/O 5/5 page. DIGITAL I/O 2. Use the CURSOR buttons to specify which of the internal auxiliary buses the cascade AUX A and AUX B buses will be assigned to. Just like the modular digital multitrack recorders it is intended to work with, the 02R was designed to be easily expandable from a basic 16-track (40 input) system up to a 64-track (160 input) system.
192 Digital I/O, Setup, and Utilities Cascade Aux Bus Assign The Cascade Digital I/O card kit (CD8-CS) has two paired auxiliary buses: AUX A and AUX B. You can assign these buses to any pair of the 02R’s internal auxiliary buses—but not to the same pairs. If a cascade card is not inserted in the 02R, this display is grayed-out. ID The ID value specifies the order in the cascade of this 02R. The first slave unit is assigned 0 (zero). The cascade master is assigned the highest ID value (maximum 3).
Digital I/O, Setup, and Utilities 193 Dither 1. Use the [DIGITAL I/O] button to locate the DIGITAL I/O 4/5 page. DIGITAL I/O 2. Use the CURSOR buttons to select the ON/OFF icon for the desired bus and press the [ENTER] button to change the value. 3. Select the Word Length with the CURSOR buttons and press the [ENTER] button. When you connect a number of digital audio devices together, you may find their digital word size is different.
194 Digital I/O, Setup, and Utilities Slot Output Select 1. Use the [DIGITAL I/O] button to locate the DIGITAL I/O 3/5 page. The Slot Output Select function allows you to individually select bus outs, aux sends, channel direct outs, and the left and right channels of the stereo output for I/O card outputs. Shown below is the DIGITAL I/O 3/5 page—Slot Output Select. DIGITAL I/O 2. Use the CURSOR buttons to chose one of the four SLOT icons, and the [ENTER] button to select it.
Digital I/O, Setup, and Utilities 195 02R User’s Guide
196 Digital I/O, Setup, and Utilities Solo 1. Use the [SETUP] button to locate the SETUP 1/4 page. Shown below is the SETUP 1/4 page—Solo. SETUP 2. Use the CURSOR buttons to select the desired “Mode” and press the [ENTER] button. 3. Use the CURSOR buttons to select a “Status” and press the [ENTER] button. Recording mode: 4. Select a “Listen” point with the CURSOR buttons and press the [ENTER] button. 5. Select the “Solo Level” icon and adjust the level with the encoder wheel.
Digital I/O, Setup, and Utilities • 197 Solo Safe—Tape, Mic, Line, and Effects—These functions disable solo On/Off selection. If you set a channel to Solo Safe while it was set to Solo ON, the channel remains unconditionally ON in “Mixdown Mode” when you select Solo. This function has no effect in “Recording Mode”. How to use Solo 1. Press the [SOLO] button. The LEDs inset in all the [ON] buttons start flashing. 2. Press the [ON] buttons for the channels you want to solo.
198 Digital I/O, Setup, and Utilities Preferences 1. Use the [SETUP] button to locate the SETUP 3/4 or SETUP 4/4 page. The 02R is a very flexible mixer. You can customize its behavior to suit your needs using the preferences, which are divided into two pages: SETUP 3/4 and SETUP 4/4. Shown below is the SETUP 3/4 page—Preferences 1. SETUP 2. Use the CURSOR buttons to select a preference. 3. Enable or disable the preference by pressing the [ENTER] button.
Digital I/O, Setup, and Utilities 199 When you confirm a STORE or CLEAR operation, any existing data in the selected program location will be overwritten or cleared. YOU SHOULD ALWAYS BE CAREFUL WHEN THE 02R DISPLAYS A CONFIRMATION DIALOG BOX! • Recall Confirmation—With this option checked, the 02R will request you confirm any scene memory or library recall operation. • Remote Talkback (C3)—With this option checked, you can enable the Talkback system by sending a MIDI Note On message for C3.
200 Digital I/O, Setup, and Utilities detects an error in the digital input or output, your recorded data may be compromised. However, some modular digital multitrack recorders will cause this error while performing synchronization during start-up. • MIDI Warning OFF—With this option checked, the 02R will not report a warning when it receives a MIDI error. The following error conditions will not be reported: “Byte Count Error!”, “Check Sum Error!”, “Code Mismatch!”, “ID Mismatch”, and “MIDI Ch Mismatch”.
Digital I/O, Setup, and Utilities 201 Preferences 2 Shown below is the SETUP 4/4 page—Preferences 2. • MIX Update Confirmation—With this option checked, a confirmation dialog box appears after performing an automix edit asking whether or not you want to keep the new edit, thereby updating the automix. • REC Recall Safe Faders—With this option checked, you can record fader movements even though the faders are set to Recall Safe.
202 Digital I/O, Setup, and Utilities 02R User’s Guide • Surround SWF Edit—With this option checked, surround pan SWF (subwoofer level) movements can be recorded in an automix. The Extract, Copy, and Move functions on the AUTOMIX 4/7 page only affect the SWF data when this box is checked. • Link Surround Master—With this option checked, the surround master level can be controlled using the STEREO fader. • Auto Inc.
Digital I/O, Setup, and Utilities 203 Preferences 2—Factory Settings Option / Setting Option / Setting MIX Update Confirmation OFF Surround SWF Edit OFF REC Recall Safe Faders OFF Link Surround Master OFF Fader Flip Recall Safe OFF Auto Inc.
204 Digital I/O, Setup, and Utilities 24-bit Recording 1. Use the [SCENE MEMORY] button to locate the SCENE 5/5 page. SCENE MEMORY 2. Use the CURSOR buttons to select the NORMAL MODE and 24bit MODE icons, and press the (ENTER) button to set them. Using two recorder tracks per channel, high-resolution digital audio can be recorded at the maximum wordlength of 24 bits. Recorder tracks 1 to 4 are used for the upper 16 bits, while tracks 5 to 8 are used for the lower 8 bits.
Digital I/O, Setup, and Utilities 205 Shown below is the SCENE 5/5 page—24bit Recording Mode. If you attempt to set 24bit MODE when the Input Patch for a slot is assigned one or more buses, the confirmation dialog box shown here appears. Choose EXECUTE to cancel the Input Patching and activate 24bit MODE.
206 Digital I/O, Setup, and Utilities Input Patching 1. Use the [SCENE MEMORY] button to locate the SCENE 4/5 page. SCENE MEMORY 2. Use the CURSOR buttons to select an input icon, and the (ENTER) button to select that input channel group. The Input Patching function allows you to select the signal sources for MIC/LINE channels 1 to 24 and TAPE channels 1 to 16. The same source can be selected for several channels.
Digital I/O, Setup, and Utilities 207 Likewise, if a slot is configured for 24bit MODE, all buses are assigned to the card inputs, and you attempt to select a card input, the confirmation dialog box shown here appears. Choose EXECUTE to cancel all the bus assignments. Shown below is the MIC 1–8 page of SCENE 4/5. On this page you can select internal or slot 3 inputs from 1 to 8. The Input Select parameters INT ANALOG and CARD SLOT 3 also appear on the DIGITAL I/O 2/5 (Input Signal Select) page.
208 Digital I/O, Setup, and Utilities Shown below is the LINE 17–24 page of SCENE 4/5. On this page you can select internal input (LINE), bus, or 2TR IN (17/18, 19/20 only). These parameters also appear on the DIGITAL I/O 2/5 (Input Signal Select) page.
Digital I/O, Setup, and Utilities 209 Oscillator 1. Use the [UTILITY] button to select the UTILITY 1/4 page. UTILITY 2. Use the CURSOR buttons to select the ON or OFF icon and press the [ENTER] button. Before starting a recording session, many engineers like to record a few seconds of sine wave tones. These tones are used to compare the performance of multitrack recorders when you take the master tapes from one studio to another. This is especially important when the multitrack recorder is analog.
210 Digital I/O, Setup, and Utilities Emphasis Monitor 1. Use the [UTILITY] button to locate the UTILITY 2/4 page. UTILITY This function allows you to monitor the emphasis information of the digital inputs.
Digital I/O, Setup, and Utilities 211 Channel Status Monitor 1. Use the [UTILITY] button to locate the UTILITY 3/4 page. This function shows the channel status information of digital audio signal. Channel status information is only present in IEC958 digital audio signals. Shown below is the UTILITY 3/4 page—Channel Status Monitor. UTILITY 2. Use the CURSOR buttons to select an input signal—“SLOT1”, “SLOT2”, “SLOT3”, “SLOT4”, or “2TR”—and press the [ENTER] button.
212 Digital I/O, Setup, and Utilities Magnetic—Magnetic tape device and magnetic disk device D.
Digital I/O, Setup, and Utilities 213 Battery Check 1. Use the [UTILITY] button to locate the UTILITY 4/4 page. This function allows you to check the status of the 02R’s backup battery. Shown below is the UTILITY 4/4 page—Battery Check. UTILITY If there is enough battery capacity, the battery says “Yes, I’m fine!” If the battery needs to be changed, it says, “I’m exhausted... Replace me immediately.”, as shown below.
214 Digital I/O, Setup, and Utilities Communication Speed 1. Use the [UTILITY] button to locate the UTILITY 4/4 page. UTILITY The Communications Speed section of the UTILITY 4/4 page allows you to monitor the TO HOST port speed, and is for use with computer software such as Project Manager or Visualizer. The controlling host computer automatically configures the communication speed, so you don’t have to worry about these settings.
Digital I/O, Setup, and Utilities 215 02R System Initialization 1. Turn off the 02R. 2. Press and hold the left CURSOR button. This operation allows you to reset the 02R to its initial settings. This operation deletes all scene memories, automix programs, and clears all user library programs from the channel, dynamics, effect, and EQ libraries. Note: If you just want to reset the current mix settings, recall Scene Memory 0. See “Initial Data and UNDO Memory” on page 129 of the User’s Guide. CURSOR 3.
Installing Options 14 217 Installing Options In this chapter... 02R Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218 Installing 02R Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221 Analog I/O Card—AD/DA (CD8-AD) . . . . . . . . . . . . . . . . . . . . . . . . . . . 224 Analog I/O Card—A/D (CD8-AD-S) . . . . . . . . . . . . . . . . . . . . . . . . . . . .
218 Installing Options 02R Options There are a number of options you can add to your 02R. Some of these options add to the convenience and appearance of the 02R, such as the peak meter bridge (MB02) or the wooden side panels (W02SP). There is also a memory expansion kit (ME4M) which allows you to add up to 2 MB of additional memory for the automix system. The most important options are the I/O cards.
Installing Options 219 The I/O cards fall into three groups: • Digital I/O Cards—These cards provide 8 tracks of digital input and output. They are used to connect the 02R to a digital multitrack recorder—either tape or disk based. Cards supporting ADAT, TDIF-1, YAMAHA, and AES/EBU formats are available. Except for the CD8-AE card, these cards are single slot, allowing you to insert up to four cards giving you a maximum 32 tracks of digital mixdown.
220 Installing Options Memory Expansion Kit The memory expansion kit (ME4M) expands the 02R automix system memory from the standard 512K to either 1.5 MB or 2.5 MB. Note: Take the 02R to your YAMAHA dealer or authorized service center for installation of the ME4M kit. Doing the installation yourself invalidates the warranty. Wooden Side Panels These Wooden Side Panels (W02SP) attach to either side of the 02R to give it an attractive appearance.
Installing Options 221 Installing 02R Options Single Slot Cards 1. Turn off the 02R. TO PREVENT ELECTRICAL SHOCK, ENSURE THE 02R IS TURNED OFF BEFORE YOU OPEN ANY OF THE SLOT COVERS! Note: Before you install a card in the 02R, be certain to turn the power off. Not only do you risk electrical shock, you can also damage either the 02R or the optional card. You will also invalidate any warranties for the 02R or the optional cards. 2.
222 Installing Options Double Slot Cards 1. Turn off the 02R. TO PREVENT ELECTRICAL SHOCK, ENSURE THE 02R IS TURNED OFF BEFORE YOU OPEN ANY OF THE SLOT COVERS! Note: Before you install a card in the 02R, be certain to turn the power off. Not only do you risk electrical shock, you can also damage either the 02R or the optional card. You will also invalidate any warranties for the 02R or the optional cards. 2.
Installing Options 223 Peak Meter Bridge and Wooden Side Panels 1. Turn off the 02R. TO PREVENT ELECTRICAL SHOCK, ENSURE THE 02R IS TURNED OFF BEFORE YOU FASTEN ANY CONNECTORS OR UNDO ANY SCREWS! Note: Before you install the MB02 on the 02R, be certain to turn the power off. Not only do you risk electrical shock, you can also damage either the 02R or the MB02. You may also invalidate any warranties for the 02R or the Peak Meter Bridge (MB02). 2.
224 Installing Options Analog I/O Card—AD/DA (CD8-AD) The CD8-AD is used to connect an analog multitrack recorder or other analog devices to the 02R. Installing the CD8-AD The CD8-AD is a double slot card. For installation instructions, see “Double Slot Cards” on page 222 of the User’s Guide. Before you install the CD8-AD, you need to set the individual input and output level switches. Set the switches to –10 dBv or +4 dB as appropriate.
Installing Options 225 Digital I/O Card—AES/EBU (CD8-AE/CD8-AE-S) The AES/EBU digital I/O cards (CD8-AE/CD8-AE-S) are used to connect AES/EBU compatible multitrack digital recorders or other similar digital devices to the 02R. Installing the CD8-AE/CD8-AE-S The CD8-AE card is a double slot card (see “Double Slot Cards” on page 222). The CD8-AE-S card is a single slot card (see “Single Slot Cards” on page 221). 1.
226 Installing Options Wordclock Selection 1. Turn on your AES/EBU compatible multitrack digital recorder and then the 02R. It is always important to observe the correct order for turning on equipment in a studio. Start with the AES/EBU compatible multitrack and mastering recorders and the signal processors, then the 02R, and finally the monitoring amplifiers and other downstream gear. 2. Use the [DIGITAL I/O] button to locate the DIGITAL I/O 1/5 page.
Installing Options 227 Digital I/O Card—ADAT (CD8-AT) The ADAT digital I/O card (CD8-AT) is used to connect Alesis ADAT compatible modular digital multitrack recorders to the 02R. Installing the CD8-AT The ADAT digital I/O card (CD8-AT) is a single slot card. For installation instructions, see “Single Slot Cards” on page 221 of the User’s Guide. 1. Connect the ADAT modular digital multitrack recorder to the 02R using the appropriate connectors.
228 Installing Options Wordclock Selection 1. Power on your ADAT modular digital multitrack recorder and then the 02R. It is always important to observe the correct order for powering up equipment in a studio. Start with the ADAT and mastering recorders and the signal processors, then the 02R, and finally the monitoring amplifiers and other downstream gear. 2. Use the [DIGITAL I/O] button to locate the DIGITAL I/O 1/5 page.
Installing Options 229 Digital Cascade Kit (CD8-CS) The digital cascade kit (CD8-CS) is used to connect two or more 02Rs together. The kit consists of two cascade I/O cards and a special cable. When two or more 02Rs are connected together, they share the output buses 1 through 8, four auxiliary buses (two paired buses, AUX A and AUX B), the stereo bus, and the solo bus.
230 Installing Options 3. Use a BNC cable to plug the WORD CLOCK—OUT connector on the back of the first 02R into the WORD CLOCK—IN connector on the second 02R. The 02R that is the cascade master should be receiving a wordclock signal from a wordclock master device, such as a modular digital multitrack recorder or other appropriate device. Wordclock Selection 1. Power on your modular digital multitrack recorder and then the 02R units in order, starting with the cascade master.
Installing Options 231 If your multitrack digital recorder has a dedicated wordclock output connector, use the CURSOR buttons to select the W.CLK IN box and press the [ENTER] button. Otherwise, select a box from the appropriate I/O slot row and press the [ENTER] button. The current wordclock source is indicated by a highlighted icon. See “Word Clock Select” on page 188 of the User’s Guide for further details. Cascade Settings 1.
232 Installing Options MIDI Link When several 02Rs are cascaded together, the master 02R can control a number of functions, listed below, of the slave 02Rs via MIDI. Master and slave 02Rs should be connected as shown below. MIDI IN 02R Slave (3) MIDI THRU MIDI IN 02R Slave (2) MIDI THRU MIDI IN 02R Slave (1) MIDI OUT 02R Master (0) On the master 02R, the Tx 02R Link Message preference should be turned on. On the slave 02Rs, the Rx 02R Link Message preference should be turned on.
Installing Options 233 Solo function When two or more 02R units are cascaded together, only the [SOLO] button on the cascade master continues to function. When you press the [SOLO] button on the cascade master, however, you can solo individual channels on the cascade slaves. 1. On the 02R cascade master, use the [SETUP] button to locate the SETUP 1/4 page. 2. Select the “Mode” field with the CURSOR buttons to set the solo function status. You can only set this status on the cascade master.
234 Installing Options Digital I/O Card—TDIF-1 (CD8-TDII) The TDIF-1 digital I/O card (CD8-TDII) is used to connect TASCAM TDIF-1 modular digital multitrack recorders such as the DA-88 to the 02R. Installing the CD8-TDII The TDIF-1 digital I/O card (CD8-TDII) is a single slot card. For installation instructions, see “Single Slot Cards” on page 221 of the User’s Guide. 1. Connect the TASCAM DA-88 modular digital multitrack recorder to the 02R using the appropriate connectors.
Installing Options 235 Wordclock Selection 1. Power on your DA-88 modular digital multitrack recorder and then the 02R. It is always important to observe the correct order for powering up equipment in a studio. Start with the DA-88 and mastering recorders and the signal processors, then the 02R, and finally the monitoring amplifiers and other downstream gear. 2. Use the [DIGITAL I/O] button to locate the DIGITAL I/O 1/5 page.
236 Installing Options Peak Meter Bridge (MB02) The Peak Meter Bridge (MB02) allows you to quickly and easily check the levels of the input channels, the tape and effect returns, the output buses 1 through 8, the auxiliary buses 1 through 8, and the stereo bus.
Installing Options 237 4. PEAK HOLD button This button is used to enable or cancel the Peak Hold function. Note: The operation of this button duplicates the function of the PEAK HOLD icon in the METER display function. See “Metering” on page 41 and “Peak Hold” on page 42 of the User’s Guide. 5. STEREO-BUS-AUX Indicators These indicators show the meter source points for the channels being monitored. • PRE FADER—When this LED is illuminated, the bus signal before the fader is being displayed.
Specifications 15 239 Specifications In this chapter... General Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 240 Input Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 246 Output Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247 Digital Input and Output Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . 247 Dimensions . . . . .
240 Specifications Specifications Specifications General Specifications Number of scene memories Sampling frequency Signal delay Fader resolution 96 Internal 44.1 kHz, 48 kHz External (32 kHz –6%) to (48 kHz +6%) Less than 2.5 ms. MIC/LINE input to STEREO output +10 to –90, –∞ dB (128 steps/100 mm) input faders. 0 to –120, –∞ dB (128 steps/100 mm) stereo fader Total harmonic distortion (THD) Less then 0.
Specifications 241 Inputs Input channel (MIC/LINE 1 through 24) Phantom switch MIC/LINE 1 to 8 Select switch A (XLR) / B (phone) MIC/LINE 1 through 8 44 dB (–60 to –16) MIC/LINE 1 through 16 44 dB (–40 to +4) LINE 17/18 through 23/24 Gain trim Peak indicator LED (red) illuminates when post HA level reaches 3 dB below clipping Signal indicator LED (green) illuminates when post HA level reaches 10 dB below nominal Insert MIC/LINE 1 through 8 (pre A/D) Pad switch 0/20 dB attenuation AD conve
242 Specifications Input channel (MIC/LINE 1 through 24) Compressor / Expander Threshold –54 dB to 0 dB (1 dB steps) Ratio 1, 1.1, 1.3, 1.5, 1.7, 2, 2.5, 3, 3.5, 4, 5, 6, 8, 10, 20, ∞ points) Out gain 0 dB to +18 dB Knee hard , 1 , 2 , 3 , 4 , 5 Attack 0 ms to 120 ms Release 5 ms to 42.3 sec (@48 kHz), 6 ms to 46.0 sec (@44.1 kHz), 8 ms to 63.4 sec (@32 kHz) (160 points) (16 (0.
Specifications 243 Input channel (MIC/LINE 1 through 24) Pan 33 positions (L = 16 to 1, C, R = 16 to 1 ) Routing BUS 1 through 8. ST. DIRECT Solo ON/OFF Pre fader / After pan Peakhold: ON/OFF Meter 12 points displays of the pre-EQ / post-EQ / post-fader levels of all channel input are displayed on the screen.
244 Specifications Effect Return (EFF 1 through 2) Routing Solo BUS 1 through 8. ST ON/OFF Pre fader / After pan Peakhold: ON/OFF Meter 12 points displays of the pre-EQ / post-EQ / post-fader levels of all channel input are displayed on the screen. Outputs STEREO OUT Dynamics (parameters are the same as MIC/LINE input dynamics.) 4 band parametric equalizer (parameters are the same as MIC/LINE input equalizer.) Fader 100 mm motorized ON/OFF Meter 21-elements x 2 LED meter.
Specifications 245 STUDIO MONITOR OUT Select switch AUX5 / AUX6 / C-R / ST_ D/A converter 18bit linear / 8 times oversampling Level control TALKBACK Talkback ON/OFF Slate ON/OFF Level control A/D converter 16 bit linear / 64 times oversampling Libraries Internal Digital Effector (EFFECT 1, 2) Number of factory presets 40 Number of user library 88 Dynamics Number of factory presets 40 Number of user library 88 Equalizer Library Number of factory presets 32 Number of user library 96 Ch
246 Specifications Input Specifications Input connection PAD GAIN Actual load impedance For use with nominal –60 CH INPUT MIC/LINE 1 through16 0 –16 3kΩ (XLR) 50 to 600Ω 4kΩ (Phone mics and jack) 600Ω lines 20 CH INPUT LINE 17 through 24 –40 Sensitivity*1 Nominal –70 dB (245µV) –60 dB (775µV) –26 dB (38.8mV) –16 dB (123mV) – 6 dB (388mV) + 4 dB (1.23V) –50 dB (2.45mV) –40 dB (7.75mV) – 6 dB (388mV) + 4 dB (1.23V) Mixer Max. connector before clip –40 dB (7.
Specifications 247 Output Specifications Output connection Actual source impedance For use with nominal Output level Nominal Max before clip Mixer connector 150Ω 600Ω lines + 4 dB (1.23V) +24 dB (12.3V) XLR-3-32 type 600Ω 10kΩ lines –10 dBV (316mV) +10 dBV (3.16V) RCA/phono (Unbalanced) STUDIO MONITOR OUT (L, R) 150Ω 10kΩ lines + 4 dB (1.23V) +24 dB (12.3V) Phone Jack (Balanced) CONTROL ROOM MONITOR OUT (L, R) 150Ω 10kΩ lines + 4 dB (1.23V) +24 dB (12.
248 Specifications Dimensions D : 68 5 H : 21 1.5 196.5 183.8 W : 672 Specifications and external appearance are subject to change without notice. For European Model Purchaser/User Information specified in EN55103-1 and EN55103-2.
Specifications 249 Options AD/DA I/O Card Specifications Analog Input Input connections GAIN Input level For use Actual load with nomimpedance Sensitivity*1 Nominal inal +4 INPUT 1 through 8 10kΩ 600Ω lines –10 Max. before clip –6 dB (388mV) +4 dB (1.23mV) +24 dB (12.3mV) –20 dBV (100mV) –10 dBV (316mV) +10 dBV (3.16V) Mixer connector Phone Jack (TRS)*2 *1 Sensitivity is the lowest level that will produce an output of +4 dB (1.
250 Specifications Troubleshooting If there is any trouble, check the situation and follow the corrective actions described below. The power is not turned on. • Did you plug the power cord to a correct AC outlet? • Is the POWER switch ON? No sound is produced.
Specifications 251 Error Messages Follow the corrective actions described below when the error messages are shown on the display: Error Message Corrective Action 2TR-D1 No Input! Correct digital signal is not input to 2TR-D1. (C-R monitoring is not available.) 2TR-D2 Cascade Disabled 2TR-D2 cannot be routed to STEREO BUS. (Incorrect word clock setting) 2TR-D2 No Input! Correct digital signal is not input to 2TR-D2. (C-R monitoring is not available.
252 Specifications Error Message Corrective Action Fixed Fragmentation! The automix memory has been corrected. Abnormal data may be generated in the memory if you turn off the power during recording or if incomplete bulk data is received. Frame Drop Out!(#) Time code frame is dropping out. (The count in the parenthesis shows the number of dropping frames.) Frame Jump! Time code frame is dropping out. ID Mismatch! Model ID for parameter change is not correct.
Specifications Error Message 253 Corrective Action SUB SCI0 Party Err. Consult the nearest YAMAHA service center. SUB SCI0 RxBuf. Full MIDI data being transmitted is too large. SUB SCI0 TxBuf. Full MIDI data being received is too large. SUB SCI1 Framing Err. Check the MIDI connection. SUB SCI1 OverRun Err. Check the MIDI connection. SUB SCI1 Party Err. Check the MIDI connection. SUB SCI1 RxBuf. Full MIDI data being transmitted is too large. SUB SCI1 TxBuf.
Appendix: MIDI 255 Appendix: MIDI Scene Memory to Program Change Table Program Change # Initial Scene # 1 2 User Scene # Program Change # Initial Scene # 1 44 2 45 3 3 4 5 User Scene # Program Change# Initial Scene # 44 87 87 45 88 88 46 46 89 89 4 47 47 90 90 5 48 48 91 91 6 6 49 49 92 92 7 7 50 50 93 93 8 8 51 51 94 94 9 9 52 52 95 95 10 10 53 53 96 96 11 11 54 54 97 0 12 12 55 55 98 — 13 13 56 56 99 — 14 14 57 57 10
256 Appendix: MIDI Parameter to Control Change Table (02R & User Maps) Parameter Control Change # 02R Map 0 NO ASSIGN User Map 1 FADER CHANNEL MIC 1 2 FADER CHANNEL MIC 2 3 FADER CHANNEL MIC 3 4 FADER CHANNEL MIC 4 5 FADER CHANNEL MIC 5 6 FADER CHANNEL MIC 6 7 FADER CHANNEL MIC 7 8 FADER CHANNEL MIC 8 9 FADER CHANNEL MIC 9 10 FADER CHANNEL MIC 10 11 FADER CHANNEL MIC 11 12 FADER CHANNEL MIC 12 13 FADER CHANNEL MIC 13 14 FADER CHANNEL MIC 14 15
Appendix: MIDI 257 Parameter Control Change # 02R Map User Map 38 FADER CHANNEL BUS 6 39 FADER CHANNEL BUS 7 40 FADER CHANNEL BUS 8 41 ON CHANNEL MIC 1 42 ON CHANNEL MIC 2 43 ON CHANNEL MIC 3 44 ON CHANNEL MIC 4 45 ON CHANNEL MIC 5 46 ON CHANNEL MIC 6 47 ON CHANNEL MIC 7 48 ON CHANNEL MIC 8 49 ON CHANNEL MIC 9 50 ON CHANNEL MIC 10 51 ON CHANNEL MIC 11 52 ON CHANNEL MIC 12 53 ON CHANNEL MIC 13 54 ON CHANNEL MIC 14 55 ON CHANNEL MIC
258 Appendix: MIDI Parameter Control Change # 02R Map User Map 80 PANPOT CHANNEL LINE 17 81 PANPOT CHANNEL LINE 18 82 PANPOT CHANNEL LINE 19 83 PANPOT CHANNEL LINE 20 84 PANPOT CHANNEL LINE 21 85 PANPOT CHANNEL LINE 22 86 PANPOT CHANNEL LINE 23 87 PANPOT CHANNEL LINE 24 88 PANPOT CHANNEL EFF 1 Lch 89 PANPOT CHANNEL EFF 1 Rch 90 PANPOT CHANNEL EFF 2 Lch 91 PANPOT CHANNEL EFF 2 Rch 92 BALANCE ST MASTER 93 NO ASSIGN 94 NO ASSIGN 95 NO ASSIGN 102 FA
Appendix: MIDI 259 Parameter to Control Change Table (03D & Programmable Mixer 01 Maps) Parameter Control Change # 03D Map 0 NO ASSIGN Programmable Mixer 01 Map FADER CHANNEL MIC 1 1 FADER CHANNEL MIC 1 FADER CHANNEL MIC 2 2 FADER CHANNEL MIC 2 FADER CHANNEL MIC 3 3 FADER CHANNEL MIC 3 FADER CHANNEL MIC 4 4 FADER CHANNEL MIC 4 FADER CHANNEL MIC 5 5 FADER CHANNEL MIC 5 FADER CHANNEL MIC 6 6 FADER CHANNEL MIC 6 FADER CHANNEL MIC 7 7 FADER CHANNEL MIC 7 F
260 Appendix: MIDI Parameter Control Change # 03D Map Programmable Mixer 01 Map 38 PANPOT CHANNEL MIC 1 ON CHANNEL LINE 17/18 39 PANPOT CHANNEL MIC 2 ON CHANNEL EFF 1 40 PANPOT CHANNEL MIC 3 ON CHANNEL EFF 2 41 PANPOT CHANNEL MIC 4 NO ASSIGN 42 PANPOT CHANNEL MIC 5 NO ASSIGN 43 PANPOT CHANNEL MIC 6 ON CHANNEL ST MASTER 44 PANPOT CHANNEL MIC 7 PANPOT CHANNEL MIC 1 45 PANPOT CHANNEL MIC 8 PANPOT CHANNEL MIC 2 46 PANPOT CHANNEL MIC 9 PANPOT CHANNEL
Appendix: MIDI Parameter Control Change # 80 03D Map FADER CHANNEL FADER CHANNEL FADER CHANNEL FADER CHANNEL 81 82 LINE 17/18 LINE 19/20 NO ASSIGN 85 86 Programmable Mixer 01 Map NO ASSIGN 83 84 LINE 21/22 NO ASSIGN 87 LINE 23/24 NO ASSIGN 88 NO ASSIGN 89 ON CHANNEL EFF 1 90 ON CHANNEL EFF 2 FADER AUX 7 SEND MIC 13 FADER AUX 7 SEND MIC 14 FADER AUX 7 SEND MIC 15 FADER AUX 7 SEND MIC 16 FADER AUX 7 SEND LINE 17/18 FADER AUX 8 SEND MIC 1 FADER AUX 8 SEND MI
262 Appendix: MIDI MIDI Data Format 1. General remarks 1-1 This section describes the MIDI functionality of the 02R. 1-2 Electrical characteristics and message formats are in compliance with MIDI standard 1.0. 2. Messages transmitted and received 2-1. Program change Transmission/reception can be turned ON or OFF using the “MIDI Setup” display function (see “Setup” on page 159 of the User’s Guide).
Appendix: MIDI 263 If parameter change reception is ON and a parameter request is received on the specified MIDI channel, the contents of the corresponding parameter will be transmitted on the specified MIDI channel regardless of whether transmission is ON or OFF. If parameter change reception is ON and a parameter change is received on the specified MIDI channel, the contents of the corresponding parameter will be modified.
264 Appendix: MIDI 5.
Appendix: MIDI 265 Parameter Change and Request Format Appendix: MIDI PARAMETER CHANGE (basic format) STATUS 11110000 F0 System Exclusive Message ID No. 01000011 43 Manufacturer's ID No.(YAMAHA) SUB STATUS 0001nnnn 1n n=0-15(Tx/Rx Channel No.
266 Appendix: MIDI PARAMETER CHANGE (byte operation for type number 0:edit buffer, 1:setup, 2:backup) STATUS 11110000 F0 System Exclusive Message ID No. 01000011 43 Manufacturer's ID No.(YAMAHA) SUB STATUS 0001nnnn 1n n=0-15(Tx/Rx Channel No.
Appendix: MIDI instruction number channel 0x00 scene recall 0-96 (memory 0-96) 0x7e (undo) 0 0 Tx only Tx only 0x01 eq lib recall 0-127 (library 1-128) 0-15(mic1-16) 16-31(tape1-16) 32-35(line) 36,37(eff1,eff2) 38(st mas) 64-79(undo mic) 80-95(undo tape) 96-99(undo line) 100,101(undo eff) 102(undo st mas) Tx only Tx only Tx only Tx only Tx only 0-127 (library 1-128) 0 0-35,38,39-46(bus,aux) 64-95,102 103-110(undo bus,aux) Tx only Tx only 0-127 (library 1-128) 0 36,37 100,101 Tx only 0-63 (l
268 Appendix: MIDI PARAMETER CHANGE (key remote) STATUS 11110000 F0 System Exclusive Message ID No. 01000011 43 Manufacturer's ID No.(YAMAHA) SUB STATUS 0001nnnn 1n n=0-15(Tx/Rx Channel No.1-16) MODEL ID 00111101 3d MODEL ID (02R) PARAM TYPE 00011001 19 key remote (type number) DATA 0ddddddd dd0 key No.( H) high 7 bits 0ddddddd dd1 key No.
Appendix: MIDI 269 bus send level control ( receive only) STATUS 11110000 F0 System Exclusive Message ID No. 01000011 43 Manufacturer's ID No.(YAMAHA) SUB STATUS 0001nnnn 1n n=0-15(Tx/Rx Channel No.
270 Appendix: MIDI bus send level control ( receive only) EOX 00llllll L4 bus8 11110111 F7 End Of Exclusive surround x,y ( receive only) STATUS 11110000 F0 System Exclusive Message ID No. 01000011 43 Manufacturer's ID No.(YAMAHA) SUB STATUS 0001nnnn 1n n=0-15(Tx/Rx Channel No.
Appendix: MIDI 271 multiple O2Rs link case 0x1C: automix transport - ABORT } } else if(mm==4) { switch(fffff) { case 0x00: setup memory change(byte) case 0x08: setup memory change(bit) } } 0ddddddd dd0 data #0 0ddddddd dd1 data #1 : EOX : 11110111 F7 End Of Exclusive ** Scene Memory recall ** DATA 00000000 00 scene memory recall 0mmmmmmm mm mm=0-96(Scene Memory No.0-96,0x7e) 00000001 01 scene memory store 0mmmmmmm mm mm=0-96(Scene Memory No.
272 Appendix: MIDI ** Automix new ** DATA 00010100 14 automix new 00010101 15 automix undo ** Automix undo ** DATA ** automix transport - AUTO-RECORD ** DATA 00011000 18 automix transport(AUTO-RECORD) ** automix transport - RECORD ** DATA 00011001 19 automix transport(RECORD) 00011010 1A automix transport(PLAY) 00011011 1B automix transport(STOP) 00011100 1C automix transport(ABORT) 01000000 40 data format 0ddddddd dd0 address ( H) high 7 bits of 14 bits address 0ddddddd dd1 address
Appendix: MIDI 273 Bulk Dump and Request Format Appendix: MIDI The data format is as following. For example, Internal data: ds,d1,d2,...dx,...de( dx is 1byte data). dxH = (dx / 16) AND 0Fh, dxL = dx AND 0Fh To calculate the check sum: add the data from BYTE COUNT(LOW) to just before the CHECK SUM, multiplying –1( 2's complement), resetting MSB( bit7). check sum = ( –sum) & 0x7F Scene Memory Bulk Dump Format STATUS 11110000 F0 System Exclusive Message ID No. 01000011 43 Manufacturer's ID No.
274 Appendix: MIDI Scene Memory(Extended Data) STATUS 11110000 F0 System Exclusive Message ID No. 01000011 43 Manufacturer's ID No.(YAMAHA) SUB STATUS 0000nnnn 1n n=0-15(Tx/Rx Channel No.1-16) FORMAT NO.
Appendix: MIDI 275 Control Change Assign Table DATA NAME 00110110 36 '6' 00110111 37 '7' 01000011 43 'C' 00100000 20 DATA 0ddddddd dsH Control Change Assign Table(228*2 byte) 0ddddddd dsL : 0ddddddd deH 0ddddddd deL CHECK SUM 0eeeeeee ee ee=(INVERT('L'+'M'+...+deL)+1) AND 7Fh EOX 11110111 F7 End Of Exclusive Scene Memory (compact) STATUS 11110000 F0 System Exclusive Message ID No. 01000011 43 Manufacturer's ID No.(YAMAHA) SUB STATUS 0000nnnn 1n n=0-15(Tx/Rx Channel No.
276 Appendix: MIDI Scene Memory Bulk Dump Request Format STATUS 11110000 F0 System Exclusive Message ID No. 01000011 43 Manufacturer's ID (YAMAHA) SUB STATUS 0010nnnn 2n n=0–15(Tx/Rx Channel No.1–16) FORMAT No. 01111110 7E Universal Bulk Dump 01001100 4C 'L' 01001101 4D 'M' 00100000 20 '' 00100000 20 '' 00111000 38 '8' 01000001 41 'A' 00110110 36 '6' 00110111 37 '7' 01001101 4D 'M' 0mmmmmmm mm m=0–96,127(Scene Memory No.
Appendix: MIDI 277 Program Change Assignment Table Bulk Dump Format 0ddddddd dsH 0ddddddd dsL DATA : : Program Change Table(128x2bytes) 0ddddddd deH 0ddddddd deL CHECK SUM 0eeeeeee ee ee=(INVERT('L'+'M'+...+dsH+...+deL)+1) AND 7Fh EOX 11110111 F7 End Of Exclusive Program Change Assignment Table Bulk Dump Request Format STATUS 11110000 F0 System Exclusive Message ID No. 01000011 43 Manufacturer's ID (YAMAHA) SUB STATUS 0010nnnn 2n n=0–15(Tx/Rx Channel No.1–16) FORMAT No.
278 Appendix: MIDI Setup Memory Bulk Dump Format DATA NAME 01001100 4C 'L' 01001101 4D 'M' 00100000 20 '' 00100000 20 '' 00111000 38 '8' 01000001 41 'A' 00110110 36 '6' 00110111 37 '7' 01010011 53 'S' 00100000 20 '' 0ddddddd dsH 0ddddddd dsL DATA : Setup Memory(128x2bytes) : 0ddddddd deH 0ddddddd deL CHECK SUM 0eeeeeee ee ee=(INVERT('L'+'M'+...+dsH+...
Appendix: MIDI 279 Setup Memory (Extended Data) 0ddddddd deH 0ddddddd deL CHECK SUM 0eeeeeee ee ee=(INVERT('L'+'M'+...+deL)+1) AND 7Fh EOX 11110111 F7 End Of Exclusive Setup Memory Bulk Dump Request Format STATUS 11110000 F0 System Exclusive Message ID No. 01000011 43 Manufacturer's ID (YAMAHA) SUB STATUS 0010nnnn 2n n=0–15(Tx/Rx Channel No.1–16) FORMAT No.
280 Appendix: MIDI Effect Library Bulk Dump Format STATUS 11110000 F0 System Exclusive Message ID No. 01000011 43 Manufacturer's ID No.(YAMAHA) SUB STATUS 0000nnnn 0n n=0–15(Tx/Rx Channel No.1–16) FORMAT No. 01111110 7E Universal Bulk Dump BYTE COUNT (HIGH/LOW) 00000000 00 DATA NAME 01001000 48 01001100 4C 'L' 01001101 4D 'M' 00100000 20 '' 00100000 20 '' 00111000 38 '8' 01000001 41 'A' 00110110 36 '6' 00110111 37 '7' 01000101 45 'E' 0mmmmmmm mm m=0–127(Effect Library No.
Appendix: MIDI 281 Effect Library Bulk Dump Request Format DATA NAME EOX 01001100 4C 'L' 01001101 4D 'M' 00100000 20 '' 00100000 20 '' 00111000 38 '8' 01000001 41 'A' 00110110 36 '6' 00110111 37 '7' 01000101 45 'E' 0mmmmmmm mm m=0–127(Effect Library No.1–128) 11110111 F7 End Of Exclusive Effect library transmission from the 02R is possible for programs 41–128 only. Equalizer Library Bulk Dump Format STATUS 11110000 F0 System Exclusive Message ID No.
282 Appendix: MIDI Equalizer Library Bulk Dump Format CHECK SUM 0eeeeeee ee ee=(INVERT('L'+'M'+...+dsH+...+deL)+1) AND 7Fh EOX 11110111 F7 End Of Exclusive Equalizer library receive is effective for programs 33–128 only. Equalizer Library Bulk Dump Request Format STATUS 11110000 F0 System Exclusive Message ID No. 01000011 43 Manufacturer's ID (YAMAHA) SUB STATUS 0010nnnn 2n n=0–15(Tx/Rx Channel No.1–16) FORMAT No.
Appendix: MIDI 283 Dynamics Library Bulk Dump Format DATA NAME 01011001 59 'Y' 0mmmmmmm mm m=0–127(Dynamics Library No.1–128) 0ttttttt tt title1 : : 0ttttttt tt DATA title16 0ddddddd dsH 0ddddddd dsL : : Dynamics Library Memory(9x2bytes) 0ddddddd deH 0ddddddd deL CHECK SUM 0eeeeeee ee ee=(INVERT('L'+'M'+...+dsH+...+deL)+1) AND 7Fh EOX 11110111 F7 End Of Exclusive Dynamics library receive is effective for programs 41–128 only.
284 Appendix: MIDI Channel Library Bulk Dump Format BYTE COUNT (HIGH/LOW) DATA NAME 00000000 00 01111010 7A 01001100 4C 'L' 01001101 4D 'M' 00100000 20 '' 00100000 20 '' 00111000 38 '8' 01000001 41 'A' 00110110 36 '6' 00110111 37 '7' 01001000 48 'H' 0mmmmmmm mm m=0–63(Channel Library No.
Appendix: MIDI 285 Channel Library(Extended Data) DATA NAME DATA 01001001 49 'I' 0mmmmmmm mm mm=0-63(Channel Library No.1-64) 0ddddddd dsH Channel Library Extended Memory(14*2 byte) 0ddddddd dsL : 0ddddddd deH 0ddddddd deL CHECK SUM 0eeeeeee ee ee=(INVERT('L'+'M'+...+deL)+1) AND 7Fh EOX 11110111 F7 End Of Exclusive Channel Library Bulk Dump Request Format STATUS 11110000 F0 System Exclusive Message ID No.
286 Appendix: MIDI Automix Bulk Dump Format DATA NAME DATA 01001100 4C 'L' 01001101 4D 'M' 00100000 20 '' 00100000 20 '' 00111000 38 '8' 01000001 41 'A' 00110110 36 '6' 00110111 37 '7' 01000001 41 'A' 0000mmmm 0m m=0–15(Automix No.
Appendix: MIDI 287 Automix (compact) DATA NAME DATA 00110110 36 '6' 00110111 37 '7' 01100001 61 'a' 0mmmmmmm mm mm=0-15(Automix No.1-16) 0ddddddd dsH Automix Memory-compact(1024*2 byte) 0ddddddd dsL : 0ddddddd deH 0ddddddd deL CHECK SUM 0eeeeeee ee ee=(INVERT('L'+'M'+...+deL)+1) AND 7Fh EOX 11110111 F7 End Of Exclusive Automix Bulk Dump Request Format STATUS 11110000 F0 System Exclusive Message ID No.
Glossary 16 289 Glossary A/D converter—The conversion of analog signals into digital signals. The analog signal is sampled every few milliseconds and its level is quantized into a digital word. The larger the digital word, the more accurate the representation of the analog value. See Quantization and Sampling frequency. The 02R uses 20-bit linear analog-to-digital converters for most of its analog inputs. Aliasing—A form of distortion which can occur during the conversion of analog signals into digital.
290 Glossary Bit—A single unit of digital data. It can have a value of 1 or 0. Bulk Dump—A MIDI function that allow the transfer of system specific data, such as sample files or mixer settings, between MIDI capable devices. The data are transmitted as MIDI System Exclusive messages. Bus—A circuit that connects the input or tape and effect return signals with the output connectors. The 02R has eight output buses plus the stereo output.
Glossary 291 Dither—Dithering is a mathematical process where a random noise is added to the least significant bit of a digital word. With very low level signals, the quantization error becomes correlated to the signal level. This creates a measurable amount of distortion. By adding dither, the correlation between the signal level and the quantization error is cancelled, allowing the digital system to encode amplitudes smaller than the least significant bit.
292 Glossary Expander—An expander is another form of automatic level control. By attenuating the signal below the threshold, the expander reduces low-level noise or expands the dynamic range of the recorded material. See Dynamics Processor F (frequency)—The center frequency of an EQ band. See EQ. Fader calibration—The motorized faders occasionally require re-calibration in order to maintain the highest performance possible. G (gain)—The signal gain of an EQ band. See EQ.
Glossary 293 Modulation—Using a low frequency oscillator (LFO) to control a signal’s frequency (pitch) or amplitude (level). The internal effects programs use modulation for a number of their programs. See Internal Effects. Nyquist Sampling Theorem—This theorem defines the process of sampling audio with a digital system. Amongst other things, it states that the sampling frequency of a digital audio system must be at least twice that of the highest audio frequency, otherwise aliasing will occur.
294 Glossary Routing—The process of assigning input or tape and effect returns to the output buses or the stereo bus. Sampling frequency—The rate at which measurements of an audio signal are taken during A/D and D/A conversion. Once in the digital domain, the data usually remains at the same sampling frequency. The measure is samples per second. Scene Memory—The 02R scene memories are a memory location used to store a snapshot of virtually all the digital parameters of the mixer.
Glossary 295 References and Further Reading • Introducing Digital Audio, Ian R Sinclair, second edition, PC Publishing, 1992. • Practical Recording Techniques, Bruce and Jenny Bartlett, Sams, 1992. • Principles of Digital Audio, Ken C. Pohlmann, Howard W.Sams & Co, 1989. • The Art of Digital Audio, John Watkinson, Focal Press (Butterworth Group), 1990. • The MIDI Ins, Outs & Thrus, Jeff Rona, Hal Leonard Publishing, 1992.
297 Index +48V switches 26 02R block diagram 15 dimensions 248 front panel 2 initializing 215 MIDI remote 171 options 218 rear panel 11 03D MIDI remote 173 parameter to control change assign 164 2+2 surround pan 65 20dB pad switches 27 24-bit recording 204 2TR IN ANALOG connectors 12 2TR IN DIGITAL connectors 14 3+1 surround pan 66 3+2+1 surround pan 66 A ABORT icon, automix 147 AC-3 Dolby 66 ADAT I/O card installation 227 Adding I/O cards 221 AES/EBU 2TR IN DIGITAL connectors 14 channel status monitor 21
298 Compressor 77 Condenser mics 26 CONFIGURATION buttons 18 Connectors 2TR IN ANALOG 12 2TR IN DIGITAL 14 AUX SEND 11 C-R MONITOR OUT 12 input specifications 246 INSERT 12 METER 13 output specifications 247 STEREO OUT ANALOG 12 STEREO OUT DIGITAL 13 STUDIO MONITOR OUT 11 TIME CODE INPUT 13 TO HOST 13 WORD CLOCK 13 Consumer format See COAXIAL.
299 I I/O cards 218 ADAT 227 AES/EBU cards 225 analog card 224 Tascam 234 ID setting, cascade 192 Initial data 129 Initial Data Nominal 200 Initializing the 02R 215 Input channel delay 34 Input patching 206 Input signal select 190 INSERT connectors 12 Insert Tx Bulk Wait 199 Installing I/O cards 221 Internal wordclock 188 K KEY IN, dynamics 86 L LCD 20 Library bulk dump 161 channel 48 dynamics 87 editing recall events 155 effects 109 EQ 55 LINK, dynamics 86 Link Surround Master 202 M MB02 meter bridge in
300 METER 1/2 41 METER 2/2 41 METER 3/3 42 MIDI 1/5 159 MIDI 2/5 160 MIDI 3/5 161 MIDI 4/5 164 MIDI 5/5 166 PAIR 1/2 184 PAIR 2/2 185 PAN 1/1 36 PHASE 1/1 33 ROUTING 1/2 39 ROUTING 2/2 65 ROUTING 3/4 67 ROUTING 4/4 69 SCENE 1/5 131 SCENE 2/5 135 SCENE 3/5 136 SCENE 4/5 206 SCENE 5/5 204 SETUP 1/4 196 SETUP 2/4 203 SETUP 3/4 198 SETUP 4/4 201 UTILITY 1/4 209 UTILITY 2/4 210 UTILITY 3/4 211 UTILITY 4/4 213, 214 VIEW 1/2 44 VIEW 2/2 48 PAIR 1/2 page 184 PAIR 2/2 page 185 Pairing channels 184 Pan controls 24, 3
301 general 240 input connections 246 inputs 241 libraries 245 options 249 output channels 244 output connections 247 Stereo channel inputs 12 STEREO OUT ANALOG connectors 12 STEREO OUT DIGITAL connectors 13 Stereo width 37 ST LINK 72 STOP icon, automix 147 Store Confirmation 198 Storing automixes 148 channel programs 48 dynamics programs 87 effects programs 109 EQ programs 55 scene memories 130 STUDIO buttons 29 STUDIO LEVEL control 30 STUDIO MONITOR OUT connectors 11 Subwoofer 66 Surround CSR Edit 201 Sur
YAMAHA [Digital Recording Console] Model: 02R MIDI Implementation Chart Transmitted Recognized Function...
DATE 1 A/B 20dB 2 3 4 AUTOMIX SCENE 5 6 MIC/LINE 8 9 7 A B A B A B A B A B A B A B A B OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON 10 OFF 11 ON OFF 12 ON OFF 13 ON OFF 14 ON OFF 15 ON OFF 16 ON OFF GAIN INST. 17 18 19 LINE 20 21 AUX 22 23 24 GAIN 1 2 3 4 5 6 SEND TO INST.
YAMAHA CORPORATION 01 02 2000 AP Printed in Japan Pro Audio & Digital Musical Instrument Division P.O.
