“Thai serial umber dissipated ot e roar of therein Retailers Owner's Manta in & safe place fof lurgy reference. WARNING . . fire s this i 3 rai USER PROGRAM TABLE a8 To prevent fire or shock hazard, do not expose this appliance o rain TROUBLESHOOTING Back cover or moisture.
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK], NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
e 18 Servicing — The user should not attempt to seance the appliance beyond haste means described in the operating instructions. Al other servicing should be referred fo qualities service personnel. 17 Rawer Lings — An outdoor antenna should be located away from power fines. 18 Grounding or Polarization — The precautions that should be taken so that the grounding or polarization of an appliance is not defeated. To ensure the finest performance, please read this manual carefully.
B ACCESSORIES The following three accessories are provided, Re mate contra transmitter {RS-DDS} o Battery (size “AN". REMOTE CONTROL TRANSMITTER in this unit, most operations are countrified by the remote control transmitter (RS-DDS) provided Before aerating, place the provided batteries into the remote control transmitter properly. As the infrared ray is finer, use the remote control transmitter in the appropriate area taking care of the angles to the remote sensor of the ESP-1 main unit Remote "™ sensor .
B BATTERY REPLACEMENT When the remote controllable distance becomes short, batteries are exhausted. Replace two batteries with new ones. Battery cautions Incorrect use of the battery may cause leakage or explosion. Be careful the following items: When replacing: # Place the batteries in correct and polarities as indicated in the battery compartment. & Do not use the old battery together with new one. # Do not use the different kind of batteries at the sem time even though in the same shape.
Speakers may be placed in various kinds of patterns depending on the extent of the room of the room acoustic characteristics. Ths placement examples shown below are the typical patterns for effective use of this unit. Place the speakers on the most suitable position for your listening room while fastening actually. B 6-CHANNEL SYSTEM Standard placement example Main speaker (For source sound reproduction Sub speaker {For effect sound reproduction) {Place the sub speakers in a high place.
8 PRECAUTIONS ON CONNECTIONS * Power switch; Turn off the power of this unit and other equipment before making connections. & Power plug: After confirming that all connections are correct, insert the power plug of this unit into the AG outlet. ® Connection cords: Connect all the audio cords with correct L (left) and R (right) channels firmly. @ Installation: 1f this unit interfere with the other equipment (such as a tuner or amplifier, place this unit away from the other units.
USING WITH SEPARATE AMPLIFIERS ® Sef the FRONT MIX switch of this unit 1o "QFF &ch”. DS ® Wuhan only two speakers are used as the sub speaker, the FRONT MIX switch setting and PROCESSING jacks connections are different. Refer to page 10. Central amplifier Main speakers PRE QUT Set this switch to “OFF Gosh.
DS B USING WITH THE INTEGRATED AMPLIFIER OR RECEIVER HAVING PER-OUT AND MAIN-IN JACKS # Set the FRONT MIX switch of this uni to "OFF 6ch”. ® When only two sub speakers are used, the FRONT MIX switch setting and the PROCESSING jack connections and different. Refer to page 10, * When the COUPLET switch is provided with the integrated amplifier or receiver. set the switch 1o ON (SEPARATE).
ISP B USING WITH THE INTEGRATED AMPLIFIER OR RECEIVER WITHOUT PER-OUT AND MAIN-IN JACKS ® Sel the FRONT MIX switch of this unit to “OFF fch” & When only two sub speakers are used, the FRONT MIX switch setting and the PROCESSING jack connections are different.
B WHEN A PAIR OF SUB SPEAKERS ARE USED ® Soothe FRONT MIX switch of this unit 10 “ON 4eh” @ {Jse only the PROCESSING REAR jacks, Sat the switch to “ON 4ai”, FRONT MIX o o Bh don For setting of this switch, refer 0 pages 79 Fowler amplifier INPUT ‘fi@ ESP-1 bear anal o L L Sub speakers REAR
DSP—1 ¥ TAPE DECK CONNECTION A tape deck can be connected to the TAPE jacks of this unit 1o record/play the source of effect sound. Also when this unit is connected 1o the tape jacks of shown below. Tape sack B @, @ LINE QUT LINE IN / ESP-1 rear panel TAPE FB FEC OUT Monaural I To 5AC outlet power amplifier § AC 120V, Center speaker Up to 200W can be supplied fo other equipment.
ISP B FRONT PANEL B POWER switch Tums the power on and off. When the power is turned on, the last program before the power has been tuned off is automatically recalled *For several seconds after the power is turned on, the sound is muted by the protection circuit. @ MIX INPUT jacks (MONO, L, R) Used 10 mix the sound signal with the input scarce from the INPUT jacks on the rear panel.
B REAR PANEL @ INPUT BALANCE contort Balances the left and right effect sound. Normally set to the center position, B INPUT jacks Inputs the signal from the control amplifier, integrated amplifier or receiver. B MONO OUT jacks {FULL BAND, LOW PASS fee: 200 Hz) Outputs the left and right mix (AMONG) signal. Use these fracks when the left and right speakers are too separated or the low frequencies are unsatisfied. ® FULL BAND: Outputs the full range signal.
SP-1 &) MEMORY key Used to store the program modified as desired into the user program area. B MODE keys Select the devised mode with these Keys. (Ses table below.} When the mods is changed, the program which is stored in the same program position as the previous made is called. ACOUSTIC/SURRGUND mode: Programs for sound field effect or surround effect are preset. SOUND EFFECT OR mode: Programs for special sound effect are preset. USER PROGRAM mode: For storing the user-modified program.
D LEVEL keys (DOWN, UP) Used to adjust the volume level of the effect sound. @ DOWN: When this key pressed, the effect sound is decreased @ UP: When this key is pressed, the effect sound is increased. When one of the LEVEL keys Is pressed, the indication shown below is displayed on the PROGRAM display as the reference for adjustment. EFFECT LEVEL BERLINER 100% R Cursor (Number of lighting cursor shows the volume level of the effect sound.
* Confirm that all the components are connected correctly before turning the power on. The 32 kind of programs have been preset in this unit. Among this, 16 present programs are used 10 reproduce the sound field (ACOUSTIC/SURROUND mode) and the rest 16 presets are used fo obtain the special sound effect (SOUND EFFECT OR demode. For the features of each program, refer 1o the “Program Contents” on page 17.
9 When adjusting the volume of effect sound or adjusting balance between front and rear effect sound, operate as follows: e Adjust the volume with the LEVEL keys of the remote control transmitter. # Adjust the balance between front and rear with the BALANCE keys of the remote control transmitter. Note: When recalling the other program or muting the power off, the volume level and front/rear balance of the effect sound is canceled and the in dial setting resumes.
21 S ROOM 8 128=1. 0 y i HALL 1 LIVELINESS HA ii Nit D Clod LY=30ms HALL 1 UPTHRUST LP HALL 1 KHz 3 Parameter value change The displayed parameter value can be changed by pressing the DEC and INC keys of the remote control transmitter.
® TITLE EDITING (PROGRAM NAME CHANGE) The program name steed in the user program area can be changed 10 its own name, Using alphabets, digits or symbols, the program name can be registered within 16 characters. 1 Program Recall Select the USER PROGRAM made with the MODE key of the remote control transmitter, and recall the program 12 be changed with the PROGRAM key. 2 Press the TITLE EDIT key of ihe remote control transmitter.
The digital signal processor provided with the ESP-1 controls the various parameters {program composition factor). Among them, 1 1o 6 parameters can be varied by the user to control the sound field or effect as desired. Doter Other than the parameters described in this section, all programs have various fixed parameters. Therefore, even when the type or the variable range of the parameter is the same or set at the same level, each factor differs for each program.
B PARAMETER OF PROGRAM THE ACOUSTIC/ SURROUND MODE & ROOM SIZE (01 —80) This parameter simulates the stent of the listening room. The time pitch of the primary reflection can be varied. The more the value is increased, the greater the effect of extent such as in a room with a large extent is obtained. Original sound _of source Primary refection revel Level Lee! values Value: Sat Large Time Time Time ® VILENESS (0 — 10) This parameter determines the attenuation characteristic of the primary reflections.
SR ® WIG (High frequency Reverb Time Ratio: 0.1 — 1,0) This shows the high frequency reverberation time ratio to the REV TIME which is the middle frequency reverberation time. The more the value is decreased, the more the high frequency reverberation time is shortened. ® BEV LVL (Reverb Level 0 — 100%) This shows the level of the rear reverberation is lengthen.
3 BALDLY (Rear L-ch Slay Time: 0.1 ms — 600.0 ms) Starting time between the original source sound and the front life-channel effect sound. The more the value is increased, the greater the delay of the left channel effect sound is heard. 4 GWENDOLYN (Rear R-ch Delay Time: 0.1 ms — 600.
[)SP—1 3 MOD. DLY (Modulation Delay: 0.1 ms — 100.0 ms) This is the time from the original source sound o the used as sound (center of modulation). This time is.
B TREMOLO Chorus effect is further multiplied and the volume change is emphasized. 1 MOD. FRO (Modulation Frequency: 0.1 Hz — 200 Hz) 2 MOD. DEPTH {Modulation Depth: 0% — 100%} * For parameter description, refer to the Stereo Flange AB section B SYMPHONIC Chorus effect is further multiplied and the timing sangs is emphasized. 1 MOD. FRO (Modulation Frequency: 0.1 Hz — 200 Hz) 2 ROD. DEPTH (Modulation Depth: 0% — 100%) * For parameter description, refer to the Stereo Flange A.B section.
DS & PITCH CHANGE B Changes the pitch of the input signal. The magnitude of pitch change is the same as the Pinch Charge A, however, the L-channel and Channel can be set independently. 1 PITCH (-12 — +12, {-degree 1-spat, chromatic scale} 2 L FINE (~100 ~ +100 cent) These are used to set the amour of pitch change for L-channel, 3 L DLY (L-ch Delay Time: 0.1 ms — 1200 ms) Time from the original source sound to the effect sound of L-channel.
P O1Hz Modulation frequency. Larger value for faster rate. MOD. FRQ 02+ 5 CHORUS A DM DEPTH 0% T 100% Depth of aiming modulation between defy snout, Abd DEPTH 0% 40% 100% Depth of the amplitude modulation of delay sound. MOD. FRQ 01z 0.6Hz 20.0Hz Modulation frequency. Larger value for faster rate. 8 CHORUS B DM DEPTH 0% 0% 100% Depth of aiming modulation between delay sound, Ald DEPTH % 10% 1008 Depth of the amplitude modulation of delay sound. MOD. FRQ 0.1Hz 1.1Hz 200Hz Modulation frequency.
Pastureland PITCH ~12 ) +12 Magnitude of L-ch pitch change. 212 for 21 octave up/down. L FINE 100 +8 +100 Fine pitch adjust by 1 cent {1/100 pitch). LILY QA ms 12000 Tide unfit the L-ch delay sound is produced. 12 PITCH CHANGE B HIROHITO 12 +0 +e Magnitude of R-ch pith change. 212 for =1 octave up/down. REIN 100 -8 +100 Fine pitch adjust by 1 cent {17100 pith) RELY — f.4ms 1200ms Tires until the R-ch delay sound is produced. PAN SPEED 01z 07Hz 20.0Hz Localization moving frequency.
When this unit does not function correctly, check the following items If the further trouble occurs, turn the power switch off, unplug the power cord, and consult your dealer or nearest YAMAHA service station. Po wet i not turned or even when the POWER switch is pressed. ® Power plug of the AG cord is net ot insert fer. @ Ar-connect the over plug fmm/ the AG outer No sound =t ali. ® Audio cords are not connected firmly < Re-connector the connection cord firmly.
