Owner’s Manual Bedienungsanleitung Mode d’emploi
SPECIAL MESSAGE SECTION This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha. WARNING: Do not place this product in a position where anyone could walk on, trip over ,or roll anything over power or connecting cords of any kind.
PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING * Please keep these precautions in a safe place for future reference. English WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following: • Do not open the instrument or attempt to disassemble the internal parts or modify them in any way.
Welcome to the MU15 Congratulations and thank you for purchasing the Yamaha MU15 Tone Generator! The MU15 an advanced, yet easy-to-use tone generator providing exceptionally high-quality Voices, built-in effects, XG format and General MIDI (GM) compatibility, plus direct connection to computer — all in a highly compact and portable package.
English GM System Level 1 “GM System Level 1” is a standard specification that defines the arrangement of voices in a tone generator and its MIDI functionality, ensuring that data can be played back with substantially the same sounds on any GM-compatible tone generator, regardless of its manufacturer or model. Tone generators and song data that meet the “GM System Level 1” bear this GM logo.
Table of Contents How to Use This Manual .......................................................................................... 8 The MU15 — What It Is and What It Can Do ........................................................ 10 What It Is... ................................................................................................... 10 What It Can Do... .......................................................................................... 10 About General MIDI (GM) ........................
Ta b l e o f C o n t e n t s Appendix 52 53 53 54 54 54 55 56 56 57 57 58 58 59 59 60 60 61 62 63 63 64 64 65 68 69 Troubleshooting ...................................................................................................... Error Messages ........................................................................................................ Specifications .......................................................................................................... Index .........................
How to Use This Manual How to Use This Manual You are probably eager to try out your new MU15 Tone Generator right away and hear what it can do, rather than have to read through a lot of instructions before you can even get a sound out of it. Since the MU15 is so easy to use, you could play it right “out of the box” without even having to glance at the manual. However, to get the most out of your MU15 and to avoid damaging it, we strongly suggest that you take time to read the sections introduced below.
How to Use This Manual 5) Reference English Once you’re familiar with everything above, lightly go over this comprehensive guide to all editing functions. You won’t need (or want) to read everything at once, but it is there for you to refer to when you need information about a certain feature or function. 6) Appendix Use the sections in the Appendix as necessary. For example, the Index will come in handy when you need to quickly find information on a specific topic.
The MU15 — What It Is and What It Can Do The MU15 — What It Is and What It Can Do What It Is... The MU15 is a compact, highly portable and easy-to-use tone generator. It features XG compatibility with a stunning variety of 480 XG Voices (including 128 GM Voices) and 11 Drum Voices (with Drum and SFX kits).* The MU15 has 32-Voice polyphony and is 16Part multi-timbral. In other words, the MU15 has 16 different Parts, each with its own Voice, so that up to 16 different Voices can be sounded simultaneously.
The MU15 — What It Is and What It Can Do English Use it for composing, arranging, practicing or making/playing demos for your band. Perform With It Bring it with you to a gig — as long as there’s a MIDI keyboard on stage, you can use the high-quality sounds of MU15 in your performance. Multimedia Since it’s portable and compatible with General MIDI, the MU15 is a natural for multimedia applications.
The MU15 — What It Is and What It Can Do About General MIDI (GM) General MIDI (GM) is a new addition to the worldwide MIDI standard. MIDI, as you know, stands for Musical Instrument Digital Interface, and makes it possible for various electronic musical instruments and other devices to “communicate” with each other. For example, by connecting a sequencer to the MU15’s MIDI IN terminal, you could play back a song on the sequencer using the Voices of the MU15.
P a n e l C o n t r o l s a n d Te r m i n a l s English Panel Controls and Terminals Front Panel q w e r t GrandPno y u q Display In the Play mode, this shows the Part number, the currently selected program number and Voice name for the Part. It also shows the octave setting (when set to a value other than normal) and acts as a “level meter,” showing the volume for each Part as it is played. When the XG BANK button is held down, it shows the currently selected Bank number and Voice name.
P a n e l C o n t r o l s a n d Te r m i n a l s w PART buttons ( , ) For selecting the desired Part. (In some of the Edit functions, these may not be available.) Hold down either button to rapidly advance through the values. e VALUE buttons ( /NO, /YES) For changing the value of the selected function or parameter. In the Play mode, these are used to change the Voice number (or Bank number) at the selected Part. In the Edit mode, these are used to change the current function’s value.
P a n e l C o n t r o l s a n d Te r m i n a l s Rear Panel English q w e r t q MIDI OUT and MIDI IN terminals For connection to other MIDI devices, such as a MIDI keyboard, tone generator, sequencer, or to a computer that has a MIDI interface. (Pages 20, 39.) w HOST SELECT switch For selecting the type of connected device (computer or MIDI device). (Page 37.) e TO HOST terminal For connection to a host computer that does not have a MIDI interface. (Page 37.
P a n e l C o n t r o l s a n d Te r m i n a l s Side Panel q w q VOLUME control For adjusting the overall level of the MU15. w LINE OUT/PHONES jack For connection to an amplifier/speaker system or a set of stereo headphones.
English G u i d e d To u r When using your MU15 for the first time, read through this short section of the manual. It guides you step-by-step in using many of the basic operations: setting the instrument up, connecting it properly to other equipment, and — most importantly — playing it. It also introduces you to most of the other, advanced features and operations of the instrument — enabling you to quickly and effectively get the most out of your new MU15.
Setting Up Your MU15 Power Supply Although the MU15 will run either from an optional AC adaptor or batteries, Yamaha recommends use of an AC adaptor whenever possible. Moreover, an AC adaptor is more environmentally friendly than batteries and does not deplete resources. • CAUTION Before making any connections, make sure that all equipment to be connected is turned off.
Setting Up Your MU15 Using Batteries English To use the MU15 on battery power, insert six 1.5V AA size (SUM-3, R-6 or equivalent) manganese or alkaline batteries in the battery compartment. Make sure to follow the polarity indications on the bottom case (and as shown below). Securely replace the battery compartment cover when done installing the batteries.
Setting Up Your MU15 Making the Connections • CAUTION Before making any connections, turn all related equipment off, and make sure the MU15’s power adaptor is not connected to an electrical outlet. Operation Z Connect the MIDI cable. Connect the MIDI OUT terminal of the MIDI keyboard to the MIDI IN terminal of the MU15 (as shown in the illustration). X Connect the audio cables.
Setting Up Your MU15 Powering Up English Admittedly, this is a simple operation, but you should be careful to follow the instructions below to avoid possible damage to your equipment and speakers. Operation Z Turn on the power of your MIDI keyboard. X Turn down all volume controls. This includes the MU15 and any connected equipment. C Turn on the power of the MU15. Set the ON/STANDBY switch to “ON.” V Turn on the amplifier/speaker system. B Set the volume controls.
Playing the MU15 Playing the MU15 Playing the Keyboard If you’ve set up everything properly in the instructions above, you can now play the MU15. Press the keys on the built-in keyboard to hear the currently selected Voice. Try also playing the connected MIDI keyboard. As long as the keyboard is sending MIDI data, it doesn’t matter what the MIDI channel setting is — at least one of the Voices on the MU15 will sound. (For more information on MIDI, see page 91.
Playing the MU15 X Start the song by pressing the VALUE /YES button. English The Demo Song starts playing immediately and repeats indefinitely until stopped (in step #3 below). Playback of the individual Parts of the song is shown graphically by the “level meter” bars in the display. • CAUTION Once you play the demo song, any edits that you’ve made to the MU15 will be cleared (with the exception of the Velocity, Local Control and Octave settings).
Playing the MU15 Selecting Voices The MU15 has a total of 676 different instrument Voices. Here, we’ll select a different Voice for playing. Each Voice is numbered, and there are 128 Voices from which you can immediately select. (We’ll see how to select Voices outside of these 128 later.) Operation Use the VALUE buttons. Pressing the VALUE /YES button steps up through Voice numbers while pressing the VALUE /NO button steps down through the numbers.
Playing the MU15 Voices English As mentioned in the section “The MU15 — What It Is and What It Can Do,” the MU15 is capable of playing sixteen different instrument sounds at the same time. Each instrument sound is called a “Voice,” and the MU15 has 676 different Normal Voices, as well as 21 Drum Voices.
Playing the MU15 Banks As you learned in “Selecting Voices” above, each Voice is numbered, and there are 128 of them from which you can select. These 128 Voices make up a Voice “Bank.” The MU15 has many Banks, each of which contain 128 Voices. By selecting a different Bank, you can select different Voices — any of the 676 Voices available on the MU15. Now, let’s go on to the next sections and see how to select different Parts, and how to select Voices on the other Banks.
Playing the MU15 Selecting Banks English As you learned in “About Parts, Voices, and Banks” above, the MU15’s 676 Voices are organized into Banks of 128 Voices each. Here, we’ll see how to select Voices of different Banks. Operation Z Select the desired Part. Do this in the normal way, by using the PART buttons. X Select the desired Voice. Do this in the normal way, by using the VALUE buttons.
Playing the MU15 E.Piano1 El.Pno1K MelloEP1 Chor.EP1 …and so on. In this way, the MU15 skips over Banks that have the same Voices as the basic Bank (Bank 000), and lets you automatically jump to Banks that have unique Voices for the selected Voice number. In the above example, Banks 002 - 017 all have the same Voice for number 005: “E.Piano1.” Bank 018 has a unique Voice, followed by another unique Voice at Bank 032, and so on.
Playing the MU15 X Select the desired Drum Voice. English Do this in the normal way, by using the VALUE buttons. C Play the drum sounds. Play the sounds from the MU15’s keyboard or from a connected MIDI keyboard. Since the various drum/percussion sounds are spread out over several octaves, in order to play them from the MU15, you’ll need to change the octave setting (see next section).
Playing the MU15 Editing a Part The editing features of the MU15 provide various controls for changing the Parts and setting other important operating functions. Among other things, these let you set the Volume or Pan setting of each Part independently, change the Velocity of the built-in keyboard, and save your edits to a connected computer, sequencer or data storage device. NOTE • The Velocity and Local Control settings cannot be saved.
Playing the MU15 To select Volume, hold down PLAY/EDIT and press the VOL button. English X Change the value. Use the VALUE buttons. For Note Shift, the value changes in semitone steps up or down, depending on which VALUE button you press. For Volume, the value can be changed over a range of 0 (minimum) to 127 (maximum). Play the MU15 keyboard (or the connected MIDI keyboard) and hear the change in the sound of the Part.
Playing the MU15 Using the Effects The compact MU15 is packed with an enormous amount of sonic power and flexibility. In addition to the huge amount of instrument Voices, the MU15 features a built-in multi-effect processor with three independent digital effects: Reverb, Chorus, and Variation. In this section, you’ll learn how to apply the effects, change the effect type, and set how much effect is applied for each Part.
Playing the MU15 English To do this, simultaneously hold down the PLAY/EDIT button and press the REVERB SEND LVL button (for Reverb), or the CHORUS SEND LVL button (for Chorus), and then set the value to “60” or higher, by using the VALUE buttons. RevSend C Select the Reverb Type (or Chorus Type) parameter. Simultaneously hold down the PLAY/EDIT button and press the REVERB TYPE button (for Reverb), or the CHORUS TYPE button (for Chorus). Hall1 V Select the desired Reverb (or Chorus) Type.
Playing the MU15 Operation Z Select the desired Part. Do this in the normal way, by using the PART buttons. X Set Variation Connection to “SYS” (System). Setting the Variation Connection parameter to “SYS” allows you to use the Variation effect for all Parts. (For instructions on using the “INS” or Insertion setting, see the boxed section on page 35.
Playing the MU15 B Select the desired Variation Type. English Use the VALUE buttons. For a list of the available Variation Types, see page 60. N Set the Send Level control to the desired value. Once you’ve selected a Variation Type to your satisfaction, you can re-adjust the effect level for the selected Part (and other Parts, too). To do this, repeat steps #1 and #3 above. M Set the Dry Level control to the desired value.
Using the MU15 with a Computer/Sequencer Using the MU15 with a Computer/Sequencer By connecting the MU15 to a computer or sequencer, you have a powerful music system for playing back songs and even creating your own songs, using the Voices of the MU15. First, you’ll have to make sure that the MU15 is properly connected to the computer or sequencer, and that your music software is ready to run. (Refer to page 37 for connection examples and instructions.
Using the MU15 with a Computer/Sequencer English with a laptop computer, giving you an exceptionally portable yet powerful computer music system. The MU15 can be used with the following computers: Apple Macintosh and compatibles, or IBM PC/AT and compatibles. If your computer already has a MIDI interface, you can connect the MU15 to it by using MIDI cables instead. Depending on the computer or interface used, you should set the HOST SELECT switch to the appropriate setting: MIDI, PC-1, PC-2, or Mac.
Using the MU15 with a Computer/Sequencer C Turn on the power of the computer first, and then the MU15. V Start up your music software, and (if necessary) set the appropriate options on the software for operation with the MU15. (See note on page 39.
Using the MU15 with a Computer/Sequencer • Connecting via a MIDI interface English Connecting to a Macintosh computer (with MIDI interface) MIDI IN MIDI interface MIDI OUT MIDI Macintosh computer MIDI OUT Connecting to an IBM PC/AT compatible computer (with MIDI interface) MIDI keyboard controller MIDI IN MIDI IN MIDI MIDI OUT GrandPno IBM-PC/AT or compatible computer MU15 NOTE • For Windows 95/98 users: In order to use the TO HOST connection, you’ll need to install special MIDI driver software
Using the MU15 with a Computer/Sequencer Playing Song Data Once you set up your computer or sequencer with the MU15, you’re ready to play back song data using the Voices of the MU15. Although any GM-compatible song data can be played, the MU15 will sound best when used with XGcompatible song data. By using Yamaha’s XGworks Music Sequencer software, you can create your own XG song data.
Using the MU15 with a Computer/Sequencer MIDI/Computer Connecting Cables English MIDI Standard MIDI cable. Maximum length 15 meters. DIN 5-PIN 4 2 5 4 2 (GND) 5 DIN 5-PIN Macintosh Apple Macintosh Peripheral cable (M0197). Maximum length 2 meters. MINI DIN 8-PIN 1 2 3 4 5 6 7 8 2 (HSK i) 1 (HSK 0) 5 (RxD-) 4 GND 3 (TxD-) 8 (RxD+) 7 (GP i) 6 (TxD+) MINI DIN 8-PIN PC-2 8-pin MINI DIN to D-SUB 9-pin cable. Maximum length 1.8 meters.
Reference The Reference section of this manual covers in detail all of the functions of the MU15. Refer to it when you need information about a specific function, feature, or operation.
Play Mode English Play Mode The Play mode is the default mode of the MU15 and is automatically set when the power is turned on. The Play mode allows you to play the Voices, either from the MU15’s keyboard or from a MIDI device. Depending on data received via MIDI, the MU15 operates in one of two Sound Module modes: XG or TG300B. (XG is the default.) The Play mode also lets you select Voices, Banks, and Parts, and change the octave setting of the keyboard.
Edit Mode The XG mode features 480 Normal Voices (including 42 SFX Voices) and 11 Drum Voices (including 2 SFX drum kits). The TG300B mode features 579 Normal Voices and 10 Drum Voices. NOTE • In the TG300B mode, the Voices can only be selected by MIDI; they cannot be selected from the panel of the MU15. Edit Mode The Edit mode allows you to change various settings and parameters of the MU15. These controls are divided into three basic types: Part (page 45), Effect (page 56), and Utility (page 63).
Edit Mode English NOTE • Selecting a Part does not apply to the Utility controls or Effect controls, except for the Send Level parameters (pages 57, 59, 61) and Dry Level (when Variation Connection is set to “SYS”; page 62). Once you’ve selected a certain parameter, you can instantly return to that parameter from the Play mode by simply pressing the PLAY/ EDIT button. C Change the setting or value. Use the VALUE buttons.
Edit Mode The Part controls allow you to change certain parameters for each Part. These include Volume, Pan, Note Shift, Filter, EG (Envelope Generator) and Vibrato. All of these parameters can be set independently for each Part, giving you enormous and flexible control over the sound. Also included in the Part controls are the convenient Solo and Mute functions. The Effect Send Level parameters (pages 57, 59, 61) can also be adjusted for each Part.
Edit Mode Pan English Pan setting Pan Selected Part Graphically shows Pan position for each Part. Range: Rnd, L 63 - C 00 - R 63 Default: C 00 This determines the stereo position of the selected Part. The Pan position is graphically represented by bars in the display. The “Rnd” (Random) setting randomly assigns the Voice to a pan position. This is useful when you want to have different Voices sound from different random positions of the stereo image.
Edit Mode Solo Solo setting Solo Selected Part Shows Solo setting for each Part. While a song is playing back on your computer or sequencer, you can selectively solo any of the 16 Parts of the MU15. Solo lets you isolate a single Part, to hear how that Part sounds by itself. Along with Mute (page 49), Solo is an effective tool that helps you as you edit the Parts, since it allows you to better hear how the changes you make affect specific Voices as well as the overall sound.
Edit Mode Mute English Mute setting Mute Selected Part Shows Mute setting for each Part. While a song is playing back on your computer or sequencer, you can selectively mute any of the 16 Parts of the MU15. Mute lets you silence one Part to hear how all of the other Parts sound without it. Along with Solo (page 48), Mute is a convenient tool, since it allows you to hear how the presence or absence of specific Parts affects the overall sound.
Edit Mode Filter Parameters — Cutoff Frequency and Resonance The MU15 features digital filters for each Part that allow you to change the timbre or tone of the Voices. The filters are affected (together with the level) by the EG (Envelope Generator) parameters, which allow you to change the timbre over time as well. (Page 52.) Cutoff Frequency Cutoff Frequency setting Cutoff Shows Cutoff Frequency setting for each Part.
Edit Mode Resonance English Resonance setting Reso Shows Resonance setting for each Part. Selected Part Range: -64 - +63 Default: 0 This determines the amount of filter resonance or emphasis of the Cutoff Frequency parameter above. Higher values make the filter effect more pronounced and stronger, creating a resonant peak around the cutoff frequency.
Edit Mode EG (Envelope Generator) Parameters — Attack Time and Release Time The EG parameters allow you to shape the sound of a Part’s Voice — or, in other words, set how the level and timbre of the Voice changes over time. The relationship of the two EG parameters — Attack Time and Release Time — are shown in the illustrations below. These parameters affect both the volume of the Voice and its timbre (with the Filter parameters; page 50).
Edit Mode Attack Time English Attack Time setting AtckTime Selected Part Shows Attack Time setting for each Part. Range: -64 - +63 Default: 0 This determines the Attack Time of the EG, or how long it takes for the sound to reach full volume when a note is played. Higher positive values result in a longer, slower attack. For the Filter, this determines how long it takes for the sound to be affected by the Filter values.
Edit Mode Vibrato Parameters — Rate, Depth, and Delay Vibrato produces a quavering, vibrating sound in the Part’s Voice, by regularly modulating the pitch. You can control the speed and depth of the Vibrato, as well as the time it takes before the Vibrato effect is applied. Vibrato Rate Vibrato Rate setting VibRate Selected Part Shows Vibrato Rate setting for each Part. Range: -64 - +63 Default: 0 This determines the speed of the Vibrato effect.
Edit Mode Vibrato Delay English Vibrato Delay setting VibDelay Selected Part Shows Vibrato Delay setting for each Part. Range: -64 - +63 Default: 0 This determines the delay in the start of the Vibrato effect. Delay is effective especially for producing a natural sound on stringed instrument Voices. For example, violin players often use delayed Vibrato, especially while playing long notes. The Delay parameter is useful in recreating this effect, producing a richer, more lifelike sound.
Edit Mode Effect Controls Reverb Chorus Variation Type ................ 57 Send Level ................ 57 Type ................ 58 Send Level ................ 59 Connection ................ 60 Type ................ 60 Send Level ................ 61 Dry Level ................ 62 The MU15 features a built-in multi-effect processor with three independent digital effects: Reverb, Chorus, and Variation.
Edit Mode Reverb Type English RevType The current Type setting appears in the LCD as soon as the TYPE button is released. Hall1 Reverb Type setting Settings: NoEffect, Hall1 - 2, Room1 - 3, Stage1 - 2, Plate, W-Room (White Room), Tunnel, Basement Default: Hall1 This determines the Type of Reverb effect, or the performance environment that is simulated. When “NoEffect” is selected, the Reverb effect is turned off.
Edit Mode Chorus Parameters Chorus uses pitch modulation to create a variety of rich, spacious-sounding effects, including Chorus, Celeste, and Flanger. For general information on using the Chorus effect, see page 32. Chorus Type ChoType The current Type setting appears in the LCD as soon as the TYPE button is released. Chorus1 Chorus Type setting Settings: NoEffect, Chorus1 - 4, Celeste1 - 4, Flanger1 - 3 Default: Chorus1 This determines the Type of Chorus effect.
Edit Mode Chorus Send Level English Chorus Send Level setting ChoSend Selected Part Shows Chorus Send Level setting for each Part. Range: 0 - 127 Default: 0 This determines the level of the selected Part’s Voice that is sent to the Chorus effect. Each Part can be set independently for different amounts of Chorus on each Voice. A value of “0” results in a completely “dry” Voice sound (no Chorus effect).
Edit Mode Variation Connection VarCnct INS The current Variation Connection setting appears in the LCD as soon as the INS/SYS button is released. Variation Connection setting Settings: INS (Insertion), SYS (System) Default: INS This determines how the Variation effect is connected in the effect chain of the MU15. When set to “SYS” (System), Variation is applied to all Parts, according to the amount of Variation Send Level (page 61) set for each Part.
Edit Mode English RotarySp (Rotary Speaker), Tremolo, AutoPan, Phaser1 - 2, Dist (Distortion), OverDrv (Overdrive), AmpSim (Amp Simulator), 3BandEQ, 2BandEQ, AutoWah, PitchCng (Pitch Change), Thru Default: DelayLCR This determines the Type of the Variation effect. About “NoEffect” and “Thru” When Variation Connection is set to “INS” and “NoEffect” is selected, the sound for the Part is turned off (there is no “dry” sound). When “Thru” is selected, you can hear the dry, unprocessed sound.
Edit Mode When the Variation Connection parameter (page 60) is set to “SYS,” this determines the level of the selected Part’s Voice that is sent to the Variation effect. In this case, each Part can be set independently for different amounts of Variation on each Voice. A value of “0” results in a completely “dry” Voice sound (no Variation effect). NOTE • Keep in mind that Variation Type (page 60) must be set to something other than “NoEffect” or “Thru” for this parameter to work as intended.
Edit Mode Utility Controls ................ 63 Velocity ................ 64 Local Control ................ 64 Dump Out ................ 65 Initialize All ................ 68 English Master Tune Master Tune Tuning value MstrTune Range: +/- 999 (in 0.1 cent steps) Default: 0 This determines the overall fine tuning of the MU15’s Voices. It does not affect the pitch of the individual drum/percussion sounds of the Drum Voices.
Edit Mode Velocity Velocity setting Velocity Range: 1 - 127 Default: 88 This determines the note on velocity of the MU15’s built-in keyboard. All notes that you play from the panel keyboard will be at this fixed velocity, and sound at the same level. This velocity is also transmitted to connected devices via the MIDI OUT or TO HOST terminals. However, it does not affect the incoming velocity of notes played from a connected sequencer or external keyboard.
Edit Mode English Range: off, on Default: on This determines whether or not the internal tone generator responds to the notes you play on the MU15’s keyboard. Normally, this should be on. Setting this to “off” effectively disconnects the panel keyboard from the internal tone generator. Even when this is set to “off,” notes played on the keyboard are still transmitted via the TO HOST or MIDI OUT terminals. HINT • A common application of Local Control is when using the MU15 to input notes into a sequencer.
Edit Mode • Saving and Restoring Data via MIDI MIDI Data Recorder MU15 GrandPno MIDI OUT MIDI IN MIDI IN MIDI OUT Bulk Dump data can be sent and received using the MIDI IN and MIDI OUT connections. • Saving and Restoring Data via TO HOST COMPUTER/ MIDI Data Recorder MU15 GrandPno TO HOST SERIAL PORT Bulk Dump data can be sent and received using the TO HOST connection. Operation Z Make sure that the MU15 is properly connected to the device and that the HOST SELECT switch is properly set.
Edit Mode English C Simultaneously hold down the PLAY/EDIT button and press the DUMP OUT button. DumpOut V At the “DumpOut” message, press the VALUE button. /YES Sure? B At the “Sure?” prompt, press the VALUE ton. /YES but- A “Transmit” message appears in the display during the operation. When the operation is completed, a “Complete” message briefly appears. To cancel the operation at the “Sure?” prompt, press the VALUE /NO button.
Edit Mode Initialize All InitAll This operation allows you to restore the original factory settings of the MU15. • CAUTION Using Initialize All will erase whatever settings you’ve made on the MU15. If you have important settings you wish to keep, store them to a MIDI data recorder with the Dump Out function. (See page 65.) Operation Z Simultaneously hold down the PLAY/EDIT button and press the INIT ALL button. InitAll X At the “InitAll” message, press the VALUE button.
English Appendix Troubleshooting Even though the MU15 is exceptionally easy to use, it may occasionally not function as you expect it to. If that happens, check the possible problems and solutions below before assuming that the instrument is faulty. Problem Possible Cause and Solution No power. • If you are using an AC adaptor, check that the adaptor properly plugged into both the AC outlet and the MU15 (Page 18.
Troubleshooting Problem Possible Cause and Solution No sound when playing the MU15 from a computer, sequencer or external keyboard. • • No sound of a specific Part. • • 70 Check all MIDI connections, making sure that the MIDI OUT of the external device is connected to the MIDI IN of the MU15, and that the MIDI IN of the external device is connected to the MIDI OUT of the MU15. (Page 39.
Error Messages English Error Messages Errors may occur from time to time, and when they do the MU15 will display a message to indicate the type of problem so that you can rectify it and return to normal operation. “Battery” The battery voltage is too low for proper operation. Replace the old batteries with a set of new ones. (Page 19.) “CheckSum” (Checksum Error) The checksum of the received System Exclusive message is incorrect. Check the checksum of the message and try transmitting again.
Specifications Specifications Tone Generation Method Advanced Wave Memory 2 (AWM2) Polyphony 32-note (Dynamic Voice Allocation) Multi-timbral Capacity 16-Part Demo Song 1 (not editable, stored in ROM) Display Custom LCD (54.5 mm x 29.
Index A Attack Time ............................. 52, 53 G GM (General MIDI) .................... 5, 12 B Banks ...................................... 26, 27 Banks, selecting ............................ 27 batteries, replacing ........................ 19 batteries, using .............................. 19 H headphones............................. 16, 20 “hidden” parameters ........ 40, 43, 91 C Chorus ..................................... 32, 58 Chorus Send Level ........................
Index R Release Time ........................... 52, 53 Resonance .................................... 51 Reverb ..................................... 32, 56 Reverb Send Level ........................ 57 Reverb Type .................................. 57 S Solo ............................................... 48 Sound Module mode..................... 43 SYS (System) .......................... 34, 60 T TG300B mode ............................... 43 U Utility controls ...............................
Sound List & MIDI Data XG Normal Voice List .............................. 76 TG300B Normal Voice List ...................... 78 XG Drum Voice List (Drum Map) ............ 80 TG300B Drum Voice List (Drum Map) .... 82 Effect Type List ....................................... 84 Effect Parameter List .............................. 85 Effect Data Assign Table......................... 90 MIDI Data Format ................................... 91 MIDI Implementation Chart .................
XG Normal Voice List Bank Select MSB=000, LSB=Bank Number Instrument Program Bank Group # # Piano 1 0 1 18 40 41 2 0 1 3 0 1 32 40 41 4 0 1 5 0 1 18 32 40 45 64 6 0 1 32 33 34 40 41 42 45 7 0 1 25 35 8 0 1 27 64 65 Chromatic 9 0 Percussion 10 0 11 0 64 12 0 1 45 13 0 1 64 97 98 14 0 15 0 96 97 16 0 35 96 97 EleVoice Name ment GrandPno 1 GrndPnoK 1 MelloGrP 1 PianoStr 2 Dream 2 BritePno 1 BritPnoK 1 El.Grand 2 ElGrPnoK 2 Det.CP80 2 LayerCP1 2 LayerCP2 2 HnkyTonk 2 HnkyTnkK 2 E.Piano1 2 El.
XG Normal Voice List Bank Select MSB=064, LSB=000 SFX voice Instrument Program Bank Group # # Reed 65 0 66 0 40 43 67 0 40 41 64 68 0 69 0 70 0 71 0 72 0 Pipe 73 0 74 0 75 0 76 0 77 0 78 0 79 0 80 0 Synth Lead 81 0 6 8 18 19 64 65 66 82 0 6 8 18 19 20 24 25 40 41 45 96 83 0 65 84 0 64 85 0 64 65 86 0 24 64 87 0 35 88 0 16 64 65 Synth Pad 89 0 64 90 0 16 17 18 64 65 91 0 64 65 66 67 EleVoice Name ment SprnoSax 1 Alto Sax 1 Sax Sect 2 HyprAlto 2 TenorSax 1 BrthTnSx 2 SoftTenr 2 TnrSax 2 1 Bari.
TG300B Normal Voice List Bank Select MSB=Bank Number, LSB=000 Instrument Program Bank # # Group Piano 1 0 8 16 126 127 2 0 8 126 127 3 0 1 2 8 126 127 4 0 8 126 127 5 0 8 16 24 25 26 32 126 127 6 0 8 16 24 32 126 127 7 0 8 16 24 126 127 8 0 8 126 127 Chromatic 9 0 Percussion 126 127 10 0 126 127 11 0 126 127 12 0 1 8 126 127 13 0 8 17 24 126 127 14 0 126 127 15 0 8 9 126 127 16 0 1 8 126 127 78 EleVoice Name ment GrandPno 1 GrndPnoK 1 MelloGrP 1 A-Piano1 2 a.piano1 1 BritePno 1 BritPnoK 1 A-Piano2 2 a.
TG300B Normal Voice List Instrument Program Bank Group # # Brass 57 0 1 24 25 126 127 58 0 1 126 127 59 0 1 126 127 60 0 126 127 61 0 1 8 16 126 127 62 0 8 126 127 63 0 1 8 9 16 126 127 64 0 1 8 16 17 126 127 Reed 65 0 127 66 0 8 127 67 0 8 127 68 0 127 69 0 127 70 0 127 71 0 127 72 0 127 Pipe 73 0 127 74 0 127 75 0 127 76 0 127 77 0 127 78 0 127 79 0 127 80 0 127 EleVoice Name ment Trumpet 1 Trumpet2 1 BriteTrp 2 Warm Trp 2 Sax-3 1 contrabs 1 Trombone 1 Trmbone2 2 Sax-4 2 harp 1 1 Tuba 1 Tuba 2 1 Brass-1
1 C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 2 2 2 2 2 2 2 2 1 1 1 1 1 1 1 1 1 1 1 1 0 0 0 0 0 0 0 0 0 0 0 0 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 127 O O O 1 1 1 4 4 3 3 SplashCymba
A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 5 5 5 5 5 5 5 5 4 4 4 4 4 4 4 4 4 4 4 4 3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2 2 Bell Tree Jingle Bells Shaker TriangleOpen TriangleMute Cuica Open Cuica Mute Wood Block L Wood Block H Claves Guiro Long Guiro
F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 B C C# D D# E F F# G G# A A# 59 60 61 62 63 64 65 66 67 68 69 70 A E 28 A# D# 27 57 D 26 58 C# 25 Note# Note Program # 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 2 2 2 2 1 1 1 1 1 1 1 1 1 1 1 1 0 0 0 0 0 0 0 0 0 0 0 1 1
C C# D D# E F F# G G# A A# B C C# D D# E F F# G# G# A A# B C C# D D# E F F# G G# A A# B C 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 92 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 3 7 6 6 6 6 6 6 6 6 6 6 6 6 5 5 5 5 5 5 5 5 5 5 5 5 4 4 4 4 4 4 4 4 4 4 4 4 6 6 5 5 4 4 3 3 2 2 : Same as Standard Kit : No Sound SurdoOpen TG SurdoMute TG Castanet TG Bell Tre
Effect Type List REVERB Exclusive MSB LSB 00 00 01 00 01 01 02 00 02 01 02 02 03 00 03 01 04 00 10 00 11 00 13 00 Description Effect Type NoEffect Hall1 Hall2 Room1 Room2 Room3 Stage1 Stage2 Plate W-Room Tunnel Basement Effect turned off. Reverb simulating the resonance of a hall. Reverb simulating the resonance of a hall. Reverb simulating the resonance of a room. Reverb simulating the resonance of a room. Reverb simulating the resonance of a room. Reverb appropriate for a solo instrument.
Effect Parameter List • Parameters marked with a ● in the “Control” column can be controlled from an AC1 (assignable controller 1) and AC2. However, this is valid only for a Variation effect (when selected for Insertion). • The “→Tbl ”column refers to the Effect Data Assigh Table (page 90). • Dry/Wet is valid only for a Variation effect (when selected for Insertion). • Abbreviations used in the effect block diagrams.
Effect Parameter List Echo E-Ref1,2 No. * Parameter 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Lch Delay1 Lch Feedback Level Rch Delay1 Rch Feedback Level High Damp Lch Delay2 Rch Delay2 Delay2 Level Range Value 0.1~355.0ms -63~+63 0.1~355.0ms -63~+63 0.1~1.0 0.1~355.0ms 0.1~355.0ms 0~127 1-3550 1-127 1-3550 1-127 1-10 1-3550 1-3550 0-127 Dry/Wet D63>W ~ D=W ~ D
Effect Parameter List Chorus1,2,3,4, Celeste1,2,3,4 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Flanger1,2,3 Range Value → Tbl LFO Frequency LFO PM Depth Feedback Level Delay Offset 0.00~39.7Hz 0~127 -63~+63 0~127 0-127 0-127 1-127 0-127 table#1 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet 50Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB D63>W ~ D=W ~ D
Effect Parameter List RotarySp AutoPan Range Value → Tbl Control LFO Frequency LFO Depth 0.00~39.7Hz 0~127 0-127 0-127 table#1 ● EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet 50Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB D63>W ~ D=W ~ D
Effect Parameter List Dist, OverDrv 2BandEQ No. * Parameter 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 → Tbl Range Value Drive EQ Low Frequency EQ Low Gain LPF Cutoff Output Level 0~127 50Hz~2.0kHz -12~+12dB 1.0k~Thru 0~127 0-127 8-40 52-76 34-60 0-127 EQ Mid Frequency EQ Mid Gain EQ Mid Width Dry/Wet Edge(Clip Curve) 500Hz~10.0kHz -12~+12dB 1.0~12.0 D63>W ~ D=W ~ D
Effect Data Assign Table Table#1 Data 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 Value Data 0.00 43 0.04 44 0.08 45 0.13 46 0.17 47 0.21 48 0.25 49 0.29 50 0.34 51 0.38 52 0.42 53 0.46 54 0.51 55 0.55 56 0.59 57 0.63 58 0.67 59 0.72 60 0.76 61 0.80 62 0.84 63 0.88 64 0.93 65 0.97 66 1.01 67 1.05 68 1.09 69 1.14 70 1.18 71 1.22 72 1.26 73 1.30 74 1.35 75 1.39 76 1.43 77 1.47 78 1.51 79 1.56 80 1.60 81 1.64 82 1.68 83 1.72 84 1.
MIDI Data Format modulation, brightness, portamento time, effect depth, and many others. Depending on the controllers available on your particular MIDI instrument and their Control Change number assignments, you can use key velocity, aftertouch (see below) foot controllers, pedals, sliders, performance wheels, and joysticks to control these aspects of the sound.
MIDI Data Format < MIDI TRANSMIT/RECEIVE FLOW > (1)TRANSMIT FLOW MIDI OUT [SW1] NOTE ON/OFF XG SYSTEM MULTI EFFECT1 MULTI PART DRUMS SETUP IDENTITY REPLY XG SYSTEM SYSTEM INFORMATION MULTI EFFECT1 MULTI PART DRUMS SETUP 9nH F0H F0H F0H F0H 43H 43H 43H 43H 10H 10H 10H 10H 4CH 4CH 4CH 4CH ggH ggH ggH ggH mmH mmH mmH mmH llH llH llH llH ssH...F7H ssH...F7H ssH...F7H ssH...
MIDI Data Format AEG RELEASE TIME DRUM INST FILTER CUTOFF FREQ. FILTER RESONANCE AEG ATTACK RATE AEG DECAY RATE PITCH COARSE PITCH FINE LEVEL PANPOT CHORUS SEND VARIATION SEND BnH BnH BnH BnH BnH BnH BnH BnH BnH BnH BnH 63H 01H 62H 66H 06H mmH 63H 63H 63H 63H 63H 63H 63H 63H 63H 63H 14H 62H rrH 06H mmH 15H 62H rrH 06H mmH 16H 62H rrH 06H mmH 17H 62H rrH 06H mmH 18H 62H rrH 06H mmH 19H 62H rrH 06H mmH 1AH 62H rrH 06H mmH 1CH 62H rrH 06H mmH 1EH 62H rrH 06H mmH 1FH 62H rrH 06H mmH PITCH BEND SENS.
MIDI Data Format 1. Channel messages This device transmits only NOTE ON and NOTE OFF. 1.1 Note on/note off These messages convey keyboard performance data. Note-on is transmitted when a note is pressed, and note-off is transmitted when a note is released. These messages contain a note number which indicates the key that was played, and a “velocity” which indicates how strongly it was played. When a note-on of velocity “0” is received, it has the same effect as a note-off.
MIDI Data Format With a value of 0 there will be no sound, and with a value of 127 the volume will be maximum. •Rcv SOFT PEDAL= OFF •PART MODE=DRUM,DRUMS1,2 1.2.8 Hold1 1.2.12 Harmonic Content This message controls sustain pedal on/off. The notes that are sounding while the pedal is pressed will be sustained. This message adjusts the resonance of the filter that is specified for the sound.
MIDI Data Format 1.2.16 Portamento Control This message specifies the portamento source key number (the key number at which portamento will begin). Data of 0...127 specifies the portamento source key. When Por tamento Control is received, the currently-sounding pitch will change at a Por tamento Time of 0 to the key of the next-received note-on of the same channel. Control# 84 Parameter Portamento Control Data Range 0...127 (C-2...G8) This is received even if Rcv PORTAMENTO = OFF. 1.2.
MIDI Data Format 1.2.22 RPN (Registered parameter number) 1.3.1 All Sound Off This message is used to specify part parameters such as Pitch Bend Sensitivity or Tuning etc. as an offset value. Use RPN MSB and RPN LSB to specify the parameter that you wish to modify, and then use Data Entry (see 1.2.4) to set the value of the specified parameter. This message silences all currently-sounding notes on the corresponding channel.
MIDI Data Format 1.3.7 Poly Perfor m the same processing as when All Sound Off is received, and set the corresponding channel to Mode3*. Control# 127 Parameter Poly Data Range 0 * Mode3 is a state in which only channel messages on the specified channel will be received, and note will be sounded polyphonically. 1.4 Program change This message reports voice selection and changes the program number of the receiving channel.
MIDI Data Format 11110000 01111111 01111111 00000100 F0H 7FH 7FH 04H = = = = Exclusive status Universal Real Time ID of target device Sub-ID #1=Device Control Message Sub-ID #2=Master Volume Volume LSB Volume MSB End of Exclusive 00000001 *0sssssss 0ttttttt 11110111 or, 11110000 01111111 0xxxnnnn 01H SSH TTH F7H = = = = F0H 7FH XNH 00000100 04H 00000001 0sssssss 0ttttttt 11110111 01H SSH TTH F7H = Exclusive status = Universal Real Time = N:device Number, X:don’t care = Sub-ID #1=Device Control
MIDI Data Format 00000001 00100000 01000011 00000000 11110111 01H 20H 43H 00H F7H Address Mid Address Low Data(CHORUS TYPE MSB) Data(CHORUS TYPE LSB) End of Exclusive When this data is received, the MU15 will change the Chorus effect type to “Flanger1”. * Any number is OK, since the device number for the MU15 is fixed to “All”. Be sure to allow enough time for the procedure to take place by inserting an empty measure at the top of the song for every channel.
MIDI Data Format 2.2.1.3 Multi Effect1 bulk dump 3. Realtime messages This message sets the MULTI EFFECT1 block (refer to tables <1 - 1>, <1 - 4>). 3.1 Active sensing 2.2.1.4 Multi Part bulk dump This message sets the MULTI PART block (refer to tables <1 - 1>, <1 - 6>). 2.2.1.5 Drums Setup bulk dump This message sets the DRUMS SETUP block (refer to tables <1 - 1>, <1 - 7>). 2.3 Parameter request This message requests transmission of a parameter value.
MIDI Data Format < Table 1 -1 > Parameter Base Address MODEL ID = 4C Parameter Description MULTI PART (H) 00 00 00 00 01 02 06 07 08 Address (M) 00 00 00 00 00 01 00 00 00 (L) 00 7D 7E 7F 00 00 00 00 00 DRUM 08 30 0F 0D 00 00 System Drum setup Reset XG System On All Parameter Reset System Information Effect1(Reverb,Chorus,Var iation ) Display Letter Display Bit Map Multi Par t 1 : Multi Par t 16 Drum Setup 1 31 0D 00 Drum Setup 2 XG SYSTEM INFORMATION EFFECT 1 DISPLAY Remarks Receives par
MIDI Data Format < Table 1 - 4 > MIDI Parameter Change table ( EFFECT 1) Address (H) 02 01 00 Size (H) 2 02 03 04 05 06 07 08 09 0A 0B 0C 0D TOTAL SIZE 1 1 1 1 1 1 1 1 1 1 1 1 0E 02 01 10 11 12 13 14 15 TOTAL SIZE 02 01 20 Data (H) 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 01 - 7F Parameter Description REVERB REVERB REVERB REVERB REVERB REVERB REVERB REVERB REVERB REVERB REVERB REVERB REVERB REVERB TYPE MSB TYPE LSB PARAMETER PARAME
MIDI Data Format Address (H) 52 Size (H) 2 54 2 56 57 58 59 5A 5B 1 1 1 1 1 1 Data (H) 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 01 - 7F 00 - 7F 00 - 7F 00 - 01 00 - 7F Parameter Description VARIATION PARAMETER 9 MSB VARIATION PARAMETER 9 LSB VARIATION PARAMETER 10 MSB VARIATION PARAMETER 10 LSB VARIATION RETURN VARIATION PAN SEND VARIATION TO REVERB SEND VARIATION TO CHORUS VARIATION CONNECTION VARIATION PART NUMBER 5C 5D 5E 5F 60 TOTAL SIZE 1 1 1 1 1 21 00 00 00 00 00 - 7F 7F 7F 7F 7F MW VAR
MIDI Data Format < Table 1 - 6 > MIDI Parameter Change table ( MULTI PART ) Address (H) 08 nn 00 Size (H) 1 Data (H) 00 - 20 Parameter Description Default value (H) part10 = 0 other parts =2 part10 = 7F other parts=0 00 00 Part No. ELEMENT RESERVE 0...32 nn 01 1 00 - 7F BANK SELECT MSB 0...127 nn nn nn 02 03 04 1 1 1 00 - 7F 00 - 7F 00-0F,7F BANK SELECT LSB PROGRAM NUMBER Rcv CHANNEL 0...127 1...128 A1...
MIDI Data Format Address (H) nn 41 nn 42 nn 43 nn 44 nn 45 nn 46 nn 47 nn 48 nn 49 nn 4A nn 4B nn 4C nn 4D nn 4E nn 4F nn 50 nn 51 nn 52 nn 53 nn 54 nn 55 nn 56 nn 57 nn 58 nn 59 nn 5A nn 5B nn 5C nn 5D nn 5E nn 5F nn 60 nn 61 nn 62 nn 63 nn 64 nn 65 nn 66 nn 67 nn 68 nn 69 nn 6A nn 6B nn 6C nn 6D nn 6E TOTAL SIZE Size (H) 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 3F Data (H) 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F
MIDI Data Format < Table 1 - 7 > MIDI Parameter Change table ( DRUM SETUP ) Address (H) 3n rr 00 01 02 03 04 05 06 07 08 09 0A 0B 0C 0D 0E 0F TOTAL SIZE Size (H) 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 10 Data (H) 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 01 00 - 01 00 - 01 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F Parameter Description PITCH COARSE PITCH FINE LEVEL ALTERNATE GROUP PAN REVERB SEND CHORUS SEND VARIATION SEND KEY ASSIGN Rcv NOTE OFF Rcv NOTE ON LOW PASS FILTER CUTOFF FR
x x After Touch 0,32 1,5,7,10,11 6,38 64-67 Control 71-74 84 Change 91,93,94 Pitch Bend x x x x x x x x o 9nH,v=1-127 x 9nH,v=0 Velocity Note ON Note OFF Key's Ch's 4 - 124 ************** 3 x ************** Default Messages Altered Mode Note Number : True voice 1 - 16 1 - 16 Default Changed Basic Channel Transmitted *2 *1 *1 o o o o o o o *1 *1 *1 *1 *1 *1 *1 o 0-24 semi *1 o o Sound Controller Portamento Cntrl Effect Depth Data Entry Bank Select Remarks Date:19-OCT-1998 Vers
o x x x x x System Exclusive : Song Pos. common : Song Sel. : Tune System :Clock Real Time :Commands x x x x x o o 0 - 127 o o *1 *1 Mode 1 : OMNI ON, POLY Mode 3 : OMNI OFF, POLY Mode 2 : OMNI ON, MONO Mode 4 : OMNI OFF, MONO o : Yes x : No , NRPN LSB,MSB RPN LSB,MSB :All Sound Off x o(120,126,127) o(121) Aux :Reset All Cntrls x :Local ON/OFF x x Mes- :All Notes OFF x o(123-125) sages:Active Sense x o :Reset x x Notes: *1 receive if switch is on.
FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions.
For details of products, please contact your nearest Yamaha or the authorized distributor listed below. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante. NORTH AMERICA CANADA Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311 U.S.A. Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A.
V328460 901POCP1.5-01A0 Printed in Japan M.D.G.
