Owner’s Manual EN
FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference.
Explanation of Graphical Symbols C AUTI O N RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING * Please keep this manual in a safe place for future reference. WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following: Power supply/Power cord Water warning • Only use the voltage specified as correct for the device.
Connections Handling caution • Before connecting the device to other devices, turn off the power for all devices. Before turning the power on or off for all devices, set all volume levels to minimum. • When turning on the AC power in your audio system, always turn on the power amplifier LAST, to avoid speaker damage. When turning the power off, the power amplifier should be turned off FIRST for the same reason. • Be sure to connect to a properly grounded power source.
Caution for Laser This product utilizes a laser. Use of control, adjustment or performance of procedures other than those specified herein may result in hazardous radiation exposure. Do not open covers and do not repair yourself. Refer servicing to qualified personnel. Laser properties of the Drive Laser Class : Class 1 (HHS and IEC 825-1) Wavelength : for CD 784 nm for DVD 662 nm The label shown below is located on the rear of this product.
Internal Hard Disk Precautions • During some hard disk operations a small amount of vibration might be felt at the control panel and you might hear some mechanical noises. This is normal. • Do not subject the unit to strong physical shock. Excessive physical shock can damage the internal hard disk. • Always turn the power off when moving the unit from one location to another. Data on the internal hard disk can be lost or corrupted if the unit is moved while the power is on.
Contents 1. Before you start 11 Introduction................................................................. 11 Remember to back up your data ................................ 11 About the built-in CD-RW drive .................................. 12 Using the CD-RW drive .............................................. 12 Installing an optional card........................................... 13 Recording on a track...................................................56 Saving the current song ................
Contents 11. Patching and signal flow 99 Input signal patching .................................................. 99 Patching for Direct Recording ................................ 99 Patching for Mixed Recording.............................. 102 Output signal patching.............................................. 104 The Trigger Track Function ......................................133 About Trigger Track..............................................133 Using the Trigger Track Function ..................
Contents 18. Song management 165 22. Creating an audio CD 213 About songs ............................................................. 165 Creating an audio CD ...............................................213 Managing Your Songs .............................................. 167 Editing various settings for the song ........................ 174 Types of media that you can use with the CD-RW drive ...............................................213 Creating a tempo map ............................
Chapter 1 Before you start This chapter explains what you should know before you begin using the AW2400. Before you start 1 Introduction ■ Check the included items The AW2400 package contains the following items. If any are missing, please contact your dealer. • • • • The AW2400 Power cord Owner’s manual (this book) CD-ROM ■ Copyright Copying of commercially available music sequence data and/or digital audio files for any purpose other than your own personal use is strictly prohibited.
About the built-in CD-RW drive • Using the CD-RW drive 1 About the built-in CD-RW drive Before you start A built-in CD-RW drive is a device that lets you create or play audio CDs, backup and restore data from the internal hard disk, and read data from a CD-ROM. ■ Handling 1 Never touch the objective lens. B Be careful that the objective lens does not become IMPORTANT • Even if a CD-RW drive is operating normally, it may fail a read or write operation approximately once in five hundred times.
Installing an optional card ■ Available optional cards By installing a separately sold mini-YGDAI card in a rearpanel slot, you can add analog input/output jacks to the AW2400 or allow connection of external digital devices. The following types of cards can be used. Card type Model MY4-AD Number of channels 4 MY8-AD AD card MY8-AD24 Digital format 8 MY4-DA 4 MY8-DA96 8 1 Make sure that the power is turned off. 2 Loosen the screws that hold the slot cover in place, and remove the slot cover.
1 Before you start 14 AW2400 Owner’s Manual
Chapter 2 Introducing the AW2400 Features of the AW2400 The AW2400 is an audio workstation that combines a digital mixer, multi-effect processor, hard disk recorder, and CD-RW drive. The following diagram shows the signal flow within the AW2400.
Features of the AW2400 2 Introducing the AW2400 ● Totally redesigned operation ● Trigger track function The AW2400 is designed to be operated directly by the musician (guitarist, vocalist, drummer etc.). Input signal track assignment, mixdown and bounce recording settings, tracking with effects/EQ/dynamics, compressor settings, and much more can be easily handled with simple, straightforward operation.
Features of the AW2400 • AW2400 terminology ■ Connecting to a Computer A dedicated CD-RW drive is installed in the AW2400. You can produce an audio CD containing the stereo mixes of songs recorded on the hard disk. Markers assigned within a song can also be used as the CD track numbers. You can even use advanced techniques such as assigning more than one track number within a single song. The CD-RW drive can also be used to backup/restore songs, to play back audio CDs, and to load WAV data from a CD-ROM.
AW2400 terminology ■ Locate points/markers 2 Introducing the AW2400 Locations within a song that you specified in order to execute a function such as auto punch-in/out or A-B repeat playback are called “locate points.” Locate points include in/out points and the A/B points. You can use the Locate section keys to move instantly to these points. You can assign “markers” at desired locations within a song independently of the locate points so that you can find these locations quickly.
AW2400 terminology Channel pan, EQ, dynamics processor and other settings are known as “mix parameters”. All mix parameters can be saved together as “scenes” that can be recalled whenever necessary. Furthermore, specialized libraries are provided for various parameter groups – EQ, effects, etc. – that can be saved and recalled individually for each channel.
Parts of the AW2400 and what they do Parts of the AW2400 and what they do 2 This section explains the names and functions of the various items on the AW2400’s top panel, rear panel, and front panel. Introducing the AW2400 Top panel Scene/Automix/USB section (P. 24) Work Navigate section (P. 21) Quick Navigate section (P. 21) Analog Input section (P. 21) Mixer section (P. 23) Display section (P. 22) 20 AW2400 Owner’s Manual Selected Channel section (P. 24) Layer section (P.
Parts of the AW2400 and what they do ■ Analog Input section 2 C 1 [GAIN] knobs 1–8 These adjust the sensitivity of the rear panel MIC/LINE INPUT jacks 1–8 to input signals. C [INPUT SEL] keys 1–8 These keys select the mixer input channel that you will operate. Introducing the AW2400 2 1 B [PEAK] Indicators These indicators will light red if the peak signal level after the [GAIN] knob reaches or exceeds 3-dB below clipping.
Parts of the AW2400 and what they do ■ Display section 2 Introducing the AW2400 2 1 C E 4 6 G 1 Display The backlit display screen provides easy visual access to all functions and parameters. B Stereo Meters These 12-segment levels meters show the final output signals levels on the stereo bus. C [METER] key Calls the METER screen which includes the channel, bus, and other level meters. D Contrast Adjusts the brightness of the display.
Parts of the AW2400 and what they do ■ Mixer section C 1 BD G Introducing the AW2400 2 E 1 [SEL] keys 1–12 B [STEREO SEL] key Selects the channel to be operated. The [SEL] key of the currently selected channel will light. C [ON] keys 1–12 D [STEREO ON] key Turns the corresponding channel ON or OFF. The [ON] key will be lit when the corresponding channel is ON, and out when the channel is OFF. The [ON] keys are also used to specify solo channels when the solo function is on.
Parts of the AW2400 and what they do ■ Selected Channel section 2 Introducing the AW2400 C [AUX] key Calls the AUX screen for the currently selected channel. You can then press any of the SELECTED CHANNEL knobs — 1 through 4 — to access the corresponding AUX parameters. 1 B D [EFFECT] key Calls the EFFECT screen for the currently selected channel. You can then press any of the SELECTED CHANNEL knobs — 1 through 4 — to access the corresponding EFFECT parameters.
Parts of the AW2400 and what they do ■ Data entry/control section 1 [INC] key Increments (increases) the selected value by 1. A B [DEC] key Decrements (decreases) the selected value by 1. C [Cursor] keys ([ ]/[ ]/[ ]/[ ] keys) These keys move the cursor (the blinking frame) around the screen to select a specific item. D [JOG ON] key This key is an on/off switch for the Nudge function which uses the [DATA/JOG] dial. When this function is on, the key will light.
Parts of the AW2400 and what they do ■ Layer section A B C 2 ● [MASTER] key Bus Master 1–2 Introducing the AW2400 D 1 B C D E 5 AUX Send Master 1–4 F [IN 1-8] key [IN 9-16] key [MASTER] key [TRACK 1-12] key [TRACK 13-24] key Select the mixing layer to be operated by the [SEL] 1–12 keys, the [ON] 1–12 keys, and faders 1–12.
Parts of the AW2400 and what they do ■ Locate section C B E D F 7 I E [IN]/[OUT] keys These keys specify the points at which auto punch-in/out recording will begin (the In point) and end (the Out point). These keys can also be used as locate keys to move directly to the In point or Out point. F [SET] key Sets the in/out or A/B points in conjunction with the [IN]/ [OUT], [A]/[B], and [LOCATE] keys. Also sets the relative zero time point when pressed simultaneously with the RTZ [ ] key.
Parts of the AW2400 and what they do Rear panel G F 4 1 B E C 2 Introducing the AW2400 Q H I J K L M N 1 [MIC/LINE INPUT] jacks 1–8 (XLR) These are XLR-3-31 type balanced input jacks. Nominal input level is from -46 dBu to +4 dBu. Connector wiring is as shown below. O P Male XLR connector 1 (ground) 3 (cold) 2 (hot) B [MIC/LINE INPUT] jacks 1–8 (TRS phone) These are TRS phone type balanced input jacks. Nominal input level is from -46 dBu to +4 dBu. Connector wiring is as shown below.
Parts of the AW2400 and what they do is selected WAV files and song files can be transferred between the AW2400 and the computer. In the “normal” mode the USB connection can be used for MIDI control. The USB interface does not directly handle audio signals. NOTE • The USB interface cannot be directly connected to external hard disks or CD-R/RW drives. CAUTION • Be sure to turn the phantom power switches off when phantom power is not required.
Basic operation of the AW2400 Basic operation of the AW2400 This section explains basic operation of the AW2400. 2 ● Cursor Introducing the AW2400 Viewing the display The display of the AW2400 shows the following information. B A C D E F G The blinking frame within the display is called the “cursor.” When an object in the screen is enclosed by the cursor, that object is selected for operation.
Basic operation of the AW2400 Switching a button on/off When you want to edit an internal setting of the AW2400, or to edit a parameter that cannot be operated by a fader or knob on the top panel, you will need to access the desired screen and page. 1 Press the key or knob for the desired screen. The keys and knobs of various sections listed below have their own screens, and the corresponding screen will be displayed when you press a key or knob.
Basic operation of the AW2400 Entering text 2 When you create a new song or save a scene memory or library setting, a popup window will appear allowing you to assign a name for the song or setting. Introducing the AW2400 C B H Text palette This displays the characters, numbers, and symbols that can be input in the text input box. To enter a new character at the inverted edit position, move the cursor to the desired character in the text palette and press the [ENTER] key.
Basic operation of the AW2400 Switching Mixing Layers Switching mixing layers affects the functions of [ON] keys 1–12, [SEL] keys 1–12, and faders 1–12, allowing efficient control in a variety of signalrouting configurations. Remote control of external equipment is also possible. Different mixing layers are selected via the keys in the LAYER section. The key corresponding to the currently selected mixing layer will be lit.
Basic operation of the AW2400 2 Press the SELECTED CHANNEL section [DYN], [AUX], [EFFECT], or [PAN/EQ] key so that its indicator light, according to the parameters you want to control. 2 With the default settings the screen corresponding to the pressed key will appear automatically. The display will not change if the UTILITY screen Preference page AUTO DISPLAY button is set to OFF (→ p. 211).
Basic operation of the AW2400 4 If you want more precise editing control over the parameter selected in step 2, above, press the corresponding SELECTED CHANNEL knob (1–4) to call up the screen containing the related parameters.
2 Introducing the AW2400 36 AW2400 Owner’s Manual
Chapter 3 Connection and Setup Connection The following connection diagram shows a typical AW2400 setup. Connect your microphones, instruments, and other external gear as shown in the diagram. DAW system 3 Connection and Setup This chapter will describe the AW2400 setup process from connection to instruments and other external equipment up to getting sound from a monitor system.
Turning the power on/off Turning the power on/off Follow the procedure outlined below when turning the AW2400 power ON and OFF. Failure to follow this procedure can result in damage to the internal hard disk or your external monitor system. 3 ■ Turning the power on Connection and Setup In a system that includes the AW2400, turn the power to each device on in the following order.
Adjusting the input level Adjusting the input level Here’s the basic procedure for setting up an input channel to which a microphone or instrument is connected via [MIC/LINE INPUT] jack 1–8, and adjusting the input level while monitoring the signal via the stereo bus. LINE INPUT] jack to which your instrument/ mic is connected. Also lower the [STEREO] fader to the – ∞ position.
Adjusting the input level 4 Call the METER screen Input/RTN page by either pressing the Display section [METER] key as many times as necessary, or by pressing the [F1] key after pressing the [METER] key. 3 The input channel input levels are displayed at the top of this screen. Input channel input level display Connection and Setup 5 Move the cursor to the POST FADER button in the lower area of the screen and press the [ENTER] key.
Chapter 4 Listening to the demo song When the AW2400 is shipped from the factory, its hard disk contains a demo song. This chapter explains how to load and play back the demo song. Here’s how to load the demo song from the hard disk. 1 Press the Work Navigate section [SONG] key. The SONG screen will appear, where you can save or load songs. 3 Move the cursor to the song list, and then use the [DATA/JOG] dial or [INC]/[DEC] keys to select the song “The_Only_One.
Playing the demo song Playing the demo song Here’s how to play back the demo song you loaded, and adjust the monitor level. 1 Make sure that the AW2400’s [MONITOR] knob, [PHONES] knob, and the volume of your monitor system are turned down. Press the PLAY [ 4 2 ] key. Listening to the demo song The demo song will begin playing. 3 To adjust the monitor level appropriately, use the AW2400’s [MONITOR] knob, [PHONES] knob and the volume control of your monitor system.
Chapter 5 Recording to a sound clip Recording a sound clip The post-fader signal of the stereo output channel can be recorded directly to a sound clip. For playback, the signal will be sent to the stereo output channel immediately before the stereo fader (EQ and dynamics cannot be applied to sound clip playback). 5 Recording to a sound clip The AW2400 has a Sound Clip function that lets you record and play back independently of the recorder section.
Recording a sound clip 1 Connect the required instrument and/or microphone input sources and set up the levels as described in “Connection and Setup” on page 37. 2 Press the Locate section [SOUND CLIP] key. The SOUND CLIP screen will appear, where you can record and play sound clips. AB F E G 5 3 To use the metronome, move the cursor to the metronome button and press the [ENTER] key. 4 To change the tempo of the metronome, move the cursor to the tempo value and turn the [DATA/JOG] dial.
Playing a sound clip Playing a sound clip ] key to hear the recorded sound clip. The sound clip will play repeatedly from the start point to the end point. To stop playback press the STOP [■] key. If you record again, the previous data will be overwritten. The Transport section keys will have the following functions while the SOUND CLIP screen is showing. Key RTZ [ REW [ ] key ] key Function Returns to the location at which you began recording.
5 Recording to a sound clip AW2400 Owner’s Manual 46
Chapter 6 Track recording This chapter explains how to record the audio signal from an instrument or microphone connected to the AW2400 to the tracks of a song. Creating a new song HINT • When you start up the AW2400 for the first time, an empty song will be loaded automatically. If you use this automatically-loaded song, the procedure described here is not necessary.
Creating a new song 4 When each parameter has been set as required, move the cursor to the OK button and press the [ENTER] key. Next, a popup window will appear allowing you to specify settings that will be carried over from the current song. 6 Enter a name for the song (for details on name entry refer to page 32). NOTE • A new song cannot be given the same name as an existing song. • The song name can also be edited later (→ p. 169).
Direct recording and Mixed recording Direct recording and Mixed recording Instruments and/or microphones connected to the AW2400 can be recorded to tracks in one of the following two ways. ■ Direct recording With this method only one input channel is assigned to each recorder track.
Direct recording and Mixed recording ■ Mixed recording With this method, you can send multiple input channels to Bus 1 or Bus 2, and assign the mixed signal to one through four tracks. Mixed recording requires fewer tracks, but you will need to decide on the final volume, pan, and tone of each instrument at the time of recording (you will not be able to adjust these parameters independently after recording.
Direct recording and Mixed recording Assigning input signals to tracks (Direct recording) This section describes the patching procedure to assign instruments and/or microphones connected to [MIC/LINE INPUT] jacks 1–8 to independent tracks for direct recording. 4 Check that “AD1–8” appears in the input select field on the left side of the page. Input channels 1–8 or 9–16 can be selected as the input source via the input select field.
Direct recording and Mixed recording 10 Check that the Layer section [TRACK 1-12] key is lit, then raise the fader of the track selected as the record destination to an appropriate monitor level. flash Track channels (Layer section [TRACK 1-12] key lit) 6 The display will appear as shown here.
Direct recording and Mixed recording ● Monitor signal flow during recording Recorder section Track 1 Track 2 Track 3 from the input channels Track 4 Track 5 Stereo output channel Track channels Track recording 6 Stereo bus Mixer section This completes the patch setup for direct recording. NOTE • If you switch the RECORD display page after doing the patch setup all your patch settings will be undone and lost (a confirmation popup window will appear).
Direct recording and Mixed recording Assigning input signals to tracks (Mixed recording) Use the following procedure to set up the patching so you can mix and record the signals from multiple instruments/ mics connected to [MIC/LINE INPUT] jacks 1–8 to one or more tracks. HINT • Refer to page 102 for more details on patching for mixed recording. 6 1 Lower the [STEREO] fader to the – ∞ position.
Direct recording and Mixed recording so that its indicator lights. This selects the TRACK 1-12 mixing layer so you can use [ON] keys 1–12, [SEL] keys 1–12, and faders 1– 12 to operate track channels 1–12. At this point check that all faders are set to their minimum – ∞ positions. NOTE • The track numbers of muted tracks will be displayed as (mute), but you can still record to muted tracks. • Since 24-bit songs can have a maximum of 12 play tracks (→ p.
Direct recording and Mixed recording • Recording on a track 13 To monitor the signal levels sent from Bus1/Bus2 to the record-ready tracks press the [METER] key and then the [F3] key. This calls the METER screen Master page, allowing visual monitoring of the output levels from Bus1 and Bus2. Bus1 and Bus2 output level. 14 Move the cursor to the POST FADER button and press the [ENTER] key. The post-fader signal levels will be displayed.
Recording on a track • Saving the current song 6 If you want to redo the recording, press the [UNDO/REDO] key. The [UNDO/REDO] key will go out, and you will return to the state prior to recording. Repeat steps 2–5. 7 If you are satisfied with the recorded con- tent, save the song. (For details on saving, refer to “Saving the current song”.) Please be aware that the recorded content will be lost if you turn off the AW2400 power before saving the song.
Pairing channels Pairing channels Adjacent odd- and even-numbered input channels (1/2–15/16), track channels (1/2–23/24), and AUX send master channels (1/2 and 3/4) can be set as pairs. When channels are paired most of their parameters are linked for optimum efficiency and easy when handling stereo signals. Channels can be set as pairs either via the MONITOR screen or by using the panel [INPUT SEL] or [SEL] keys. NOTE • When channels are paired always operate only the fader of one channel.
Pairing channels 4 To disengage a pair, move the cursor to the corresponding STEREO button and press the [ENTER] key. ■ Channel Pairing Using the Panel Keys A popup window will ask you to confirm that you want to disengage the pair. 1 Use the Layer section keys to select the mix layer containing the channels you want to pair. 2 While holding the [SEL] key of one channel that you want to pair, press the [SEL] key of the adjacent channel.
Applying EQ To an Input Signal Applying EQ To an Input Signal The AW2400 provides versatile 4-band equalizers on every channel that can be directly operated via the Selected Channel section keys and knobs. This section describes the procedure for applying EQ to input channels 1–8. 1 Press the Layer section [IN 1-8] key so that its indicator lights, the press the [SEL] key for the channel to which EQ is to be applied.
Applying Compression to an Input Signal Applying Compression to an Input Signal The AW2400 provides dynamics processing capability on all input and track channels: compression on the track channels, and both compression and gating on the input channels. The dynamics processor parameters are adjusted manually via the Selected Channel section in the same way as the EQ parameters. A range of dynamics presets for a variety of instruments is also provided in the dynamics library.
Applying Compression to an Input Signal • Handy Recording Functions 7 Move the cursor to the RECALL button and 9 Use Selected Channel knob 1 to change the A popup window confirming the recall operation will appear. When the knob is operated the DYNAMICS screen Comp Edit page will appear.
Handy Recording Functions A Switching virtual tracks Each audio track contains eight virtual tracks. After overdubbing a solo part, you can switch the virtual track for that track, and record a different take while preserving the previously-recorded content. 1 Call the TRACK screen Virtual TR page by either pressing the Work Navigate section [TRACK] key as many times as necessary, or by pressing the [F2] key after pressing the [TRACK] key.
Handy Recording Functions Using the Undo List By using the AW2400’s Undo list, you can not only cancel the most recent recording or editing operation, but even backtrack through your work for as many as fifteen operations. This is convenient when, for example, after performing several overdubs you decide that you would rather go back to the state immediately after you had recorded the third solo. 1 6 Press and hold the [UNDO/REDO] key. The UNDO LIST popup window will appear.
Chapter 7 Overdubbing This chapter explains how you can record additional performances on other tracks while you listen to the previously-recorded tracks. About overdubbing ● Signal flow when overdubbing 7 Overdubbing “Overdubbing” is the process of recording additional performances on other tracks while you monitor the playback of previously-recorded tracks. The diagram below shows the signal flow when you play back tracks 1–4 and overdub track 5.
Assigning the input signal to a track Assigning the input signal to a track In order to overdub, you must first assign the mic or instrument to a new track. The basic procedure is the same as when recording the first track. 1 Lower the [STEREO] fader to the – ∞ position. 2 Connect your instrument or mic to a [MIC/ LINE INPUT] jack.
Setting the mix balance and pan Setting the mix balance and pan Here’s how to set the volume balance and pan for the previously-recorded tracks and the tracks that you now will be overdubbing. track channel faders for the previouslyrecorded tracks to an appropriate monitoring level. HINT • For example if you’ve already recorded tracks 1–4, press the Layer section [TRACK 1-12] key to make it light, and use the top panel faders 1–4 to control track channels 1–4.
Overdubbing Overdubbing Now you can overdub onto the track that you selected as the recording-destination. 1 Call the TRACK screen View page by either pressing the Work Navigate section [TRACK] key as many times as necessary, or by pressing the [F1] key after pressing the [TRACK] key. This page displays all tracks side by side, making it easy to see the relationship between tracks and the current location within the song.
Punch-in/out Punch-in/out If you make a mistake while overdubbing, you can re-record just the region in which you made the mistake. This process is called “punch-in/out.” Punch-in/out can be performed either as “manual punch-in/out” in which you switch between recording and playback manually, or as “auto punch-in/out” in which recording and playback will switch automatically when you reach the locations you specify beforehand.
Punch-in/out Auto punch-in/out the PLAY [ ] key. Auto punch-in/out is a function that performs the punch-in and punch-out operations automatically. In order to use this function, you must first specify the punch-in location (the In point) and the punch-out location (the Out point). When you press the PLAY [ ] key while the [AUTO PUNCH] key is lit, the following will occur.
Punch-in/out 10 If you are satisfied with the newly-recorded content, save the song. (For the Save procedure → p. 57) If you decide to re-do the recording, you can go back to the best take using the Undo list after performing several overdubs by repeating steps 6–9 (→ p. 64). The following diagram shows the auto punch-in/out procedure.
7 Overdubbing 72 AW2400 Owner’s Manual
Chapter 8 Mixdown and bounce operations This chapter explains mixdown operations, in which you mix previouslyrecorded tracks and record the result on the stereo track. This chapter also explains how bouncing (ping-pong recording), in which you combine multiple tracks into one to four tracks. About mixdown and bouncing “Mixdown” is the process by which the signals recorded on the recorder tracks are mixed to stereo, and recorded on the internal stereo track to complete the song.
About mixdown and bouncing “Bouncing” is the action of mixing the signals recorded on multiple tracks, and recording the mixed result into one to four vacant tracks. (This action is also called “pingpong recording.”) For example if you’ve recorded individual instruments of a drum set on multiple tracks, you can bounce these tracks down to two tracks, and then switch the bounce-source tracks to different virtual tracks so that they will be free to record new instruments.
Mixdown procedure Mixdown procedure In this procedure you will select the channels that you want to mix down (track channels, input channels, and effect return channels), and record them to the stereo track. tion. 2 Call the RECORD screen Mixdown page by either pressing the Quick Navigate section [RECORD] key as many times as necessary, or by pressing the [F4] key after pressing the [RECORD] key. The Mixdown page is where you can perform mixdown operations.
Mixdown procedure 3 Use the Layer section keys, the [INPUT SEL] keys, and the [SEL] keys to select the channels that you want to send to the stereo bus. For example, repeatedly pressing [INPUT SEL] key 1 (or the [SEL] key of input channel 1) will make the screen change as follows. 7 If you want to use the mastering library, move the cursor to the LIBRARY button and press the [ENTER] key. The MASTERING LIBRARY popup window will appear.
Mixdown procedure 10 To check the level of the signal that is being output to the stereo track, press the [METER] key, then press the [F3] key. The METER screen Master page will appear. Indicates the output level of the stereo output channel 13 Move the cursor to the REC button, and press the [ENTER] key to turn the button on. The top panel [STEREO SEL] key will blink red. This blinking indicates that the stereo track is in recordready mode. 14 Press the RTZ [ ] key to rewind the song.
Playing back the stereo track Playing back the stereo track When you’ve finished the mixdown, you can play back the stereo track as follows. 1 Call the TRACK screen Stereo TR page by either pressing the Work Navigate section [TRACK] key as many times as necessary, or by pressing the [F3] key after pressing the [TRACK] key. ST TR MODE ON/OFF button 8 Mixdown and bounce operations 2 Switch the ST TR MODE ON/OFF button ON.
Bounce (ping-pong) recording procedure Bounce (ping-pong) recording procedure Here’s how to bounce (ping-pong) multiple tracks down to one to four tracks. 1 Lower the [STEREO] fader to the – ∞ position. 2 Call the RECORD screen Bounce page by either pressing the Quick Navigate section [RECORD] key as many times as necessary, or by pressing the [F3] key after pressing the [RECORD] key.
Bounce (ping-pong) recording procedure 4 If you want to add an effect return channel as a bounce-source, press the [SEL] key of that effect return channel. In the same way as for PLAY TRACK in step 3, you can repeatedly press the [SEL] key to select the bus to which the signal is sent. HINT • You can also select a track by repeatedly pressing the [SEL] key of a track channel. • If you move the cursor to the SAFE button and press the [ENTER] key, all connections will be cancelled.
Bounce (ping-pong) recording procedure 10 Move the cursor to the POST FADER button, and press the [ENTER] key. The post-fader signal levels will be displayed. If the level meter reaches the “OVER” position, press the Layer section [MASTER] key to make it light (the MASTER mixing layer is selected), and lower fader 1 (Bus 1) and fader 2 (Bus 2). NOTE • All of the current patch settings will be erased if you switch the RECORD screen page after making signal assignments.
Convenient functions for mixdown/bounce Convenient functions for mixdown/bounce Here we will explain some functions that you will find convenient when performing mixdown or bounce operations. 3 Use the Layer section keys, the [INPUT Fader Group assignments Fader Grouping is a function that links the fader operations of multiple channels.
Convenient functions for mixdown/bounce 3 Use the Layer section keys, the [INPUT Mute Group assignments Mute Grouping is a function that links the [ON] key operations of multiple channels. This lets you mute multiple instruments by pressing a single [ON] key, or press a single key to alternate the on/off status of multiple track channels. 1 Call the MONITOR screen Mute Grp.
Convenient functions for mixdown/bounce 3 Use the SOLO MODE field to choose the Using the Solo function operating mode for the Solo function. Solo is a function that lets you monitor only a specific channel. The AW2400 provides a versatile Solo function that lets you make Solo settings that are best for your situation. 1 Call the MONITOR screen Solo page by either pressing the Quick Navigate section [MONITOR] key as many times as necessary, or by pressing the [F4] key after pressing the [MONITOR] key.
Convenient functions for mixdown/bounce 5 If you selected MIXDOWN SOLO mode in step 3, you can (if desired) select channels that will be excluded from Solo operations. Use the buttons in the SOLO SAFE CHANNEL field to specify the channels that will be excluded from Solo operations. Move the cursor to a desired button and press the [ENTER] key (you may select more than one). These buttons correspond to the following channels. • INPUT .........................Input channels 1–16 • EFFECT RETURN ......
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Chapter 9 Transport/Locate Operation This chapter covers transport key operation, use of the locate/marker functions, and a range of other playback features. The Transport Section Keys The functions of the Transport section keys change according to the current state of the recorder (playback, stopped, etc.), as listed in the chart below.
Move To a Specified Location • Using the locator ● Use the [LOCATE] keys The locate point can also be numerically entered directly using the [LOCATE] keys 1–9. Move the cursor to the measure or beat field and use the [LOCATE] 1–9 keys to enter the locate point numerically. The “.” key can be used to quickly move the cursor between the beat and measure fields. 3 When the locate point has been specified press the [ENTER] key.
Using the locator The procedure for registering the current location in one of the locate points, and then moving to that locate point is as follows. 3 To move to a registered locate point, press 1 Move the song to the point that you want to The song will move to that location. Registered locate points are displayed in the TRACK screen Track View page as shown below. register as a locate point. You can set locate points while the song is playing or stopped.
Using markers Using markers “Markers” are symbols that you assign to desired locations in a song so that those points can be quickly located later. You can assign up to 99 markers in each song. Use the MARK SEARCH [ ]/[ ] keys to find and move to markers. 1 Move to the position in the song at which you want to assign a marker. You can assign markers while the song is playing or stopped. 2 Press the [MARK] key.
Adjusting the position of a locate point or marker Adjusting the position of a locate point or marker Here’s how you can adjust the position of a previously-registered locate point or marker. These operations are performed via the EDIT screen Mark Adj. page. To call this page press the Work Navigate section [EDIT] key as many times as necessary, or press the [F3] key after pressing the [EDIT] key. Adjusting the position of a locate point 1 Call the EDIT screen Mark Adj.
Adjusting the position of a locate point or marker 3 Move the cursor to the locate point value that you want to adjust, and use the [DATA/ JOG] dial or [INC]/[DEC] keys to change the value. A “Change START Position?” popup window will ask you for confirmation when you attempt to change the Start point value. Move the cursor to the OK button and press the [ENTER] key, and then change the value.
Erasing a locate point or marker • Repeat playback of a specific region (the A-B Repeat function) Erasing a locate point or marker If necessary, you can erase a registered locate point (except for the Relative Zero, Start, and End points) or marker. NOTE • A locate point that has been erased cannot be recovered.
Finding a location while monitoring the sound (the Nudge function) Finding a location while monitoring the sound (the Nudge function) “Nudge” is a function that repeatedly plays a short region before or after the current location. By using the Nudge function, you can find a precise location while listening to playback. This is useful when you need to specify a location precisely, such as when specifying auto punch-in/out points, or when editing the contents of a track.
Finding a location while viewing the waveform Finding a location while viewing the waveform The AW2400 lets you find a location while viewing the waveform of the sound recorded on a track. to find. 2 Call the TRACK screen Track View page by either pressing the Work Navigate section [TRACK] key as many times as necessary, or by pressing the [F1] key after pressing the [TRACK] key.
Finding a location while viewing the waveform 5 Move the cursor to the SCALE/AMP fields and use the [DATA/JOG] dial or [INC]/[DEC] keys to adjust the vertical and horizontal scale of the waveform display as required. 6 To specify a location within the popup window, move the cursor to the counter and turn the [DATA/JOG] dial. Turning the dial to the right will move the pointer forward, and turning the dial to the left will move it backward.
Chapter 10 Meters This section describes how the level meters can be shown on the display screen, and how they can be used to the check levels of various signals through the system. Level Meter Types Four display pages accessible via the METER screen are used to access the various level meter displays.
Level Meter Types G PEAK HOLD button This button switches the level meter peak hold function on/off. When this button is on, an indicator will show the signal peaks. HINT • These PRE EQ/PRE FADER/POST FADER settings are independent from those on other pages. • The PEAK HOLD button setting affects all METER pages. HINT • The Input/RTN page and Track page PRE EQ/PRE FADER/POST FADER button settings are linked, while the Master page settings are independent.
Chapter 11 Patching and signal flow This chapter explains patching and channel signal flow. Input signal patching To record a mic or instrument connected to the AW2400, you can use either of two recording methods; Direct Recording or Mixed Recording. The patching method will depend on the recording method you use. ■ Direct Recording Patching for Direct Recording This section explains how to patch the signals of input channels to tracks when you’re using the Direct Recording method.
Input signal patching B Input channels This area indicates the connection state of input channels 1–16. When you move the cursor to the symbol and press the [ENTER] key, the symbol will be highlighted and the corresponding input channel will be selected as a recording source. I SAFE button When you move the cursor to this button and press the [ENTER] key, all input channel and track channel assignments will be cancelled. This will also execute the MUTE CLEAR (H) operation.
Input signal patching The indication in the screen will be as follows. NOTE • Input channels and tracks are always connected one-to-one. • You can also select the record-source input channel by pressing an [INPUT SEL] key (or the [SEL] key of an input channel). • The [INPUT SEL] keys always control input channels 1–8, regardless of the settings of the Layer section 4 Move the cursor to the symbol for the recording-destination track, and press the [ENTER] key.
Input signal patching Similarly if you specify input channels 9–16 as the recording-source, input channels 9–16 will be connected to tracks 1–8. If you specify any one of tracks 9–16 (or 17–24) as the recording destination, the specified input channels will be connected to tracks 9–16 (or 17–24). G MUTE CLEAR button This button clears the mute status of all tracks.
Input signal patching HINT A Connected to Bus 1 L • You can also perform steps 3–4 by repeatedly pressing the [INPUT SEL] key (or the input channel’s [SEL] key). • The [INPUT SEL] keys always control input channels 1–8, regardless of the settings of the Layer section. • If an input channel is selected as a recording-source, its assignment to the stereo bus will automatically be turned off, and it will be connected via bus 1 or bus 2 so that it can be monitored by the track channel.
Output signal patching Output signal patching The PATCH screen Output page lets you select the signals that are assigned to the AW2400’s [OMNI OUT] jacks, [DIGITAL STEREO OUT] connector, and the output channels of an I/O card installed in the I/O slot. C D.ST OUT ASSIGN field To call this page press the Work Navigate section [PATCH] key. This page contains the following items.
Chapter 12 Channel Operation This chapter describes procedures for displaying and operating the parameters for individual channels as well as for saving and recalling data library settings for individual settings. Displaying the mix parameters for individual channels If you access the CH VIEW screen View page, you can not only see the signal flow for the selected channel, but also adjust the mix parameters within the displayed signal path.
Displaying the mix parameters for individual channels ■ Stereo output channel E ■ Effect send master channels 1–4 G H A E A F D F K 1 INITIALIZE button ■ Bus master channels 1, 2 E K Initializes all parameters for the currently displayed channel. G HINT • Pressing the [F1] key while holding the Display section [SHIFT] key has the same effect as the INITIALIZE button. A B Channel Pair Indicator Indicates whether the displayed channel is part of a pair or not.
Displaying the mix parameters for individual channels E COMP Move the cursor to the symbol below COMP and press the [ENTER] key to turn the compressor for that channel on or off or select the compressor insert point. Press the [ENTER] key repeatedly to sequentially select the following insert points. A Before the channel EQ G INSERT EFF This parameter is used to insert an internal effect to a specified point in the channel, or to specify an insert point for insertion of an external effect.
Channel Library Operation Channel Library Operation The mix parameters for individual channels can be saved to and recalled from dedicated libraries as required. This is particularly handy when you want to use the settings made for one channel in one or more other channels as well. Library numbers 0–1 contain read-only data for channel initialization, while numbers 2–64 can be used save and recall your own data. The following parameters can be saved to the channel library.
Channel Library Operation Changing Channel Library Names Storing Channel Library settings Here’s how you can change the names of the settings in the libraries. The procedure for storing library settings is as follows. 1 Call the CH VIEW screen Library page by either pressing the [VIEW] key as many times as necessary, or by pressing the [F2] key after pressing the [VIEW] key. 2 Use the [DATA/JOG] dial or [INC]/[DEC] keys to select the library setting to be edited.
Channel Library Operation Recalling Channel Library settings The procedure for recalling stored library settings is as follows. 1 Call the CH VIEW screen Library page by either pressing the [VIEW] key as many times as necessary, or by pressing the [F2] key after pressing the [VIEW] key. 2 Use the [DATA/JOG] dial or [INC]/[DEC] keys to select the library setting to be recalled. The setting highlighted by a dotted frame is currently selected for recall.
Chapter 13 AUX This chapter describes operation of the AW2400 AUX buses. About the AUX buses The AW2400 has 4 auxiliary buses that can be assigned to the [OMNI OUT] jacks, the [DIGITAL STEREO OUT] connectors, or the outputs of an optional I/O card installed in the I/O slot. This can be useful for sending signals to external signal processing gear, or for monitoring specific signals within a mix. Signals from the following channels can be sent to the AUX buses.
AUX Send Level Adjustment ● AUX screen Input/RTN page 4 Move the cursor to a knob and use the [DATA/JOG] dial or the [INC]/[DEC] keys to adjust the send level. The range is from – ∞ – +10 dB. HINT A • Knobs can also be selected via the Layer section keys, [INPUT SEL] keys, and [SEL] keys. • Move the cursor to a knob and press the [ENTER] key to turn that AUX send on or off. 5 To set the point from which the AUX send B 1 INPUT field Adjusts the AUX send levels for input channels 1–16.
Using external effects with the AUX buses Using external effects with the AUX buses External effect processing gear connected via the [OMNI OUT] jacks can be used in place of the internal effects. The example given in this section describes the procedure for applying an external mono-in/stereo-out reverb processor to a track channel via the AUX1 bus. 1 Lower the [STEREO] fader to the – ∞ position. 2 Call the PATCH screen Output page by pressing the Work Navigate section [PATCH] key.
Using external effects with the AUX buses ● Signal Flow When Using an External Effect Processor Effect Processor Track 1 Track 2 Track 3 Track 4 x Number of play tracks x Number of play tracks [MIC/LINE INPUT] jacks 3/4 AUX bus 1 Stereo bus 13 Mixer section AUX 9 Press the Selected Channel section [PAN/ EQ] key so that its indicator lights, then press Selected Channel knob 1 as many times as necessary to display the PAN/EQ screen Input/RTN page.
Chapter 14 Effects In this section we’ll cover operation of the AW2400’s internal effects. About the Internal Effects The AW2400 has four independent multi-effect processors built in (Effect 1–4). The internal effects can be used in the following two ways. ■ Channel Insertion This method uses the mixer section’s effect “sends” and “returns”. To apply an effect to a channel the channel’s effect send controls are used to send the signal to the input of Effect 1–4 via the corresponding effect bus.
Recalling Effect Library settings Recalling Effect Library settings The first step in using an effect is to recall a preset from the effect library that uses the required effect. HINT • The effect type for a recalled effect library preset cannot be changed. For this reason even when you want to program an effect from scratch it is necessary to begin by recalling an effect library preset that includes the effect type you want to use.
Applying Effects via Send and Return Applying Effects via Send and Return The procedure for applying effects 1–4 via the effect sends and returns is described below. NOTE • An effect that has been inserted into a channel cannot be simultaneously used with the effect sends and returns. • All effects can be used via the effect sends and returns in new song with the initial default settings.
Applying Effects via Send and Return 6 Move the cursor to the PRE/POST button and press the [ENTER] key to switch the location from which the signal will be sent from each channel to the Effect buses. Select PRE for pre-fader or POST for post-fader send. 7 To adjust the effect mix balance (the bal- ance between the effect and direct signals), press the [F3] key. The EFFECT screen FX Edit page will appear. 8 Use MIX BALANCE field knob to adjust the balance between the direct and effect signals.
Inserting an Effect Into a Channel Inserting an Effect Into a Channel Effects can be directly inserted into the signal path of specified channels as follows. 1 Referring to the instructions in “Recalling Effect Library settings” on page 116, recall an effect library preset that is based on the effect you want to use. 2 Call the CH VIEW screen View page by 4 Move the cursor to the field to the right of INSERT EFF on the display and press the [ENTER] key.
Inserting an Effect Into a Channel 5 Use the [DATA/JOG] dial or [INC]/[DEC] keys to select the desired effect and/or I/O card channel, then press the [ENTER] key. ■ Internal effect inserted pre-EQ (input channel) When EFF1–4 is selected the corresponding effect will be inserted in the signal path. 6 To select the insert point move the cursor to the symbol below INSERT EFF on the display and press the [ENTER] key.
Editing Effects Editing Effects The AW2400 internal effect parameters can be edited to create precisely the effect your music requires. 1 Referring to the instructions in “Recalling Effect Library settings” on page 116, recall an effect library preset that is based on the effect type you want to use. 2 Make sure that the Selected Channel sec- tion [EFFECT] key is engaged and its indicator is lit. 3 Make sure that the EFFECT screen selected in step 1 is showing.
Effect Library Operations Effect Library Operations The AW2400 provides an effect library for storage and recall of effect settings. Effect library operation is described in this section. Call the Effect Library Screen Effect library save and recall operations are carried out via the EFFECT screen FX Lib. page. 1 C RECALL button Recalls the library data that is selected in the list. Refer to “Recalling Effect Library settings” on page 116 for details on recalling from the library.
Effect Library Operations Storing Effect Library settings Save the current effect setting from any one of the effect processors (1–4) to the effect library. NOTE Erasing Effect Library settings The procedure for erasing unwanted library settings is as follows. NOTE • New settings cannot be stored to read-only library numbers (those marked with an icon). • If store to a library number that contains previously-stored data, the previous data will be overwritten.
Correcting a Vocal Track (Pitch Fix) Correcting a Vocal Track (Pitch Fix) The Pitch Fix function can be used to “fix” the pitch of a vocal track, or create chorus parts based on a main vocal part. An Auto Punch-in/out function is also provided which allows a specified segment of a vocal track to be processed and replaced. Pitch Fix can be useful in the following situations: • Correct the pitch of slightly flat or sharp vocals.
Correcting a Vocal Track (Pitch Fix) 5 Specify the record destination track in the TRACK field and the virtual track in the V.TR field, then move the cursor to the OK button and press the [ENTER] key. This will select the PITCH FIX display. B A D E C CONTROL field Selects the method of pitch correction/shift from the three listed below. • SCALE ................. Specify the scale via received MIDI notes to adjust the pitch.
Correcting a Vocal Track (Pitch Fix) E FIX NOTE field These parameters are only available when PANEL is selected in the CONTROL field. • KEY.......................Sets the key of the graphic keyboard on the display. • SCALE..................Sets the scale of the graphic keyboard on the display: CHROMATIC, MAJOR, MINOR, or CUSTOM. When CUSTOM is selected the keyboard’s buttons can be used to directly specify a scale for pitch correction. F MASTER TUNING field • IN/OUT knob ........
Chapter 15 Track operations and editing This chapter explains how to use and edit the tracks of the recorder section. About the AW2400’s tracks The AW2400 has the following types of track. ● Audio Tracks ● Trigger Tracks The physical tracks used to record and play back audio data are called “audio tracks,” or simply “tracks.” The AW2400 has twenty-four audio tracks. The “Trigger Track” function allows the track [ON] keys and faders to be used to start and stop playback of recorded tracks.
Audio track operations Audio track operations This page contains the following items. About audio tracks Audio tracks are physical recording areas used to record and play back audio data. The AW2400 lets you use 24 audio tracks. In a 16-bit song you can play back up to 24 tracks simultaneously, and in a 24-bit song you can play back up to 12 tracks simultaneously.
Audio track operations Muting a specific audio track 1 Call the TRACK screen View page. 2 Move the cursor to the TRACK field, and use the [DATA/JOG] dial or the [INC]/[DEC] keys to select the number of the track you want to mute. 3 Move the cursor to the MUTE button and press the [ENTER] key. Muting will be switched on/off. If a track is muted, the MUTE symbol changes to “●.” When you press the [ENTER] key once again, muting will be defeated and the MUTE symbol will change to “ .
Audio track operations • Stereo track operations Editing virtual track names for an audio track Here’s how to assign a name to the virtual track that is currently selected for an audio track. 1 Call the TRACK screen View page by either pressing the Work Navigate section [TRACK] key as many times as necessary, or by pressing the [F1] key after pressing the [TRACK] key.
Stereo track operations This switches playback of the stereo track on/off. B INPUT CH MIX/MUTE button This selects whether the signals of the input channels will be monitored (MIX) or will not be monitored (MUTE) while the stereo track is playing. C Track View This area graphically indicates whether the stereo track contains data, and indicates the marker locations. D Virtual tracks Here you can select the virtual track that is assigned to the stereo track.
Stereo track operations 3 Press the RTZ [ ] key to rewind the song, and press the PLAY [ ] key. The stereo track will play back. Use the [STEREO] fader to adjust the monitor level. To return to normal playback of the audio tracks, switch the ST TR MODE ON/OFF button back OFF. HINT • If the ST TR MODE ON/OFF button is ON, pressing the [RECORD] key while the recorder is stopped will display a popup window asking you to confirm that you want to defeat stereo track playback mode.
The Trigger Track Function The Trigger Track Function Operation of the Trigger Track function is described in this section. About Trigger Track The “Trigger Track” function allows the track [ON] keys and faders to be used to start and stop playback of recorded tracks. This is ideal for performance situations in which you want to switch phrases or patterns in real time, or when you need to start background music on cue, for example.
The Trigger Track Function NOTE • When the Trigger Track function is active the Transport, Locate, and Locate/Navigate section keys (with the exception of the STOP [■] key) will not function, and normal record/playback operations are not available. HINT • The Trigger Track settings are saved individually with each song.
The Trigger Track Function • Editing tracks 5 Use the Layer section [TRACK 1-12] and [TRACK 13-24] keys to select the mixing layer to be operated. 6 Start playback of the target track or group by pressing the appropriate [ON] key or operating the appropriate fader. The [ON] keys of triggered tracks will light during playback. If you press a lit [ON] key playback of that track or the group that includes that track will stop. Pressing the STOP [■] key will stop playback of all tracks.
Editing tracks • Basic procedure for track editing Here are some ways in which you can use these editing commands. 1 Erase unwanted regions You can use the ERASE command to erase just a specific region of a specific track. For example, this provides a convenient way to erase a few wrong notes from a performance, or to eliminate noise that occurred while an instrument was not playing. B Change the structure of the tracks You can use the EXCHANGE command to exchange an entire track with another track.
Basic procedure for track editing ■ Select the track(s) to edit After you choose an editing command, the next step is to specify the track(s) that will be edited. 3 To select the track for editing, move the cursor to the TR (Track) field in the left of the screen, and use the [DATA/JOG] dial or [INC]/[DEC] keys. You can set the Start/End parameters in terms of the counter display format (the value at the left) or in units of measures/beats (the value at the right).
List of editing command List of editing command This section lists all the commands that are provided in the EDIT screen, and explains their parameters. ERASE DELETE Erases the data in the specified region (between Start and End) of the specified track(s). A B C D Start 1 2 3 Deletes the data from the specified region of the specified track(s). This command is similar to ERASE, but differs in that the data that follows the specified region will move forward to fill the gap.
List of editing command ■ Parameter list Copies the specified region of data to the specified location of the specified track. A B C D Parameter EF H I J Start K End 1 2 3 4 5 6 7 8 A B C D E To Start From Track 1 2 3 F G ALL (OVER) ALL (INS) Tracks 1–24 (insert into the copy-destination) CLIP Sound clip contents (the range is specified by CLIP) B From V.
List of editing command ● When measure lock = on MOVE Measure Lock Start End From Track 1 2 3 4 5 6 7 8 To Track A B C D E F G H To Start Moves the specified region of data to the specified location of the specified track. This is similar to COPY, but differs in that the move-source data will be deleted. A B C D EF COPY From Track 1 2 3 4 5 6 7 8 To Track A 4 5 6 E F G H To Start *3.
List of editing command EXCHANGE TIME COMP (Time Compression/Expansion) Exchanges data between the specified tracks. A B C Adjusts the length of the specified region of an audio track, without changing the pitch.
List of editing command PITCH (Pitch Change) IMPORT USB WAV Adjusts the pitch of the specified region of an audio track, without changing the length. B A C D Imports a WAV file copied from a computer into the “Transport” folder into an audio track of the AW2400. For details on the parameters and operation of the IMPORT USB WAV command, refer to “Importing Copied WAV Files From the Computer” (→ p. 234).
Importing audio data/WAV files Importing audio data/WAV files This section explains how to load (import) audio data or WAV files from the CD-RW drive or from the desired track of a different song. Importing from the CD-RW drive CD audio data (CD-DA) or a WAV file from a CD-ROM or CD-R can be imported (loaded) into an AW2400 audio track. After being imported, this data can be handled in the same way as any recorded audio track.
Importing audio data/WAV files ● When using IMPORT CD AUDIO A B C ● When using IMPORT CD WAV B A D E C D E G F H F I G H I 1 Track list 1 File list This shows each track of the audio CD inserted in the CD-RW drive, in units of minutes/seconds/frames (1/ 75 second). Move the cursor to the list, and use the [DATA/JOG] dial or the [INC]/[DEC] keys to specify the number of the audio track you want to import. Operations in the track list are linked with the From CD TRACK field.
Importing audio data/WAV files NOTE • In the case of a Mixed Mode CD, the edit command you use will depend on the data you’re importing. Use IMPORT CD AUDIO to import audio data (CD-DA), or use IMPORT CD WAV to import a WAV file. • You cannot import a WAV file whose bit depth or sample rate differs from the current song. • When the import source is an audio CD or CD Extra disc and the song is 24-bit, the audio data will be automatically converted to 24-bit format during the import operation.
Importing audio data/WAV files H To TR/To V.TR Here you can select the track number (1–24, ST) and virtual track number (1–8) of the import-destination song (the current song). If From TR is 1–24, you cannot select ST in the To TR field. If From TR is ST, only ST can be selected. I EXECUTE button Executes the import operation. 4 Move the cursor to the song list, and use the [DATA/JOG] dial or the [INC]/[DEC] keys to select the song that includes the track you want to import.
Chapter 16 Pan, EQ, and Dynamics Processing In this section we’ll cover operation of the channel pan (or balance), equalizer, and dynamics processing controls. Pan Control These controls adjust the “pan” position (or balance on stereo channels) of the input, effect return, track, and stereo output channels. Pan can be adjusted either by using the knobs in the PAN/EQ screen, or by using the physical pan control in the Selected Channel section.
Pan Control 4 The panning for paired channels can be adjusted in three different ways: hold the Display section [SHIFT] key while pressing the [F1], [F2], or [F3] key. • [F1] key — INDIVIDUAL The pan positions of the paired channels can be adjusted individually. • [F2] key — GANG The pan positions of the paired channels are adjusted simultaneously in the same direction, maintaining the relative positions of each channel. • [F3] key — INV.
4-band EQ 4-band EQ The AW2400 provides 4-band parametric equalization (LOW, LO-MID, HI-MID, HIGH) on the channels listed below. • Input • Effect Return • Track • Stereo Output • Bus Master • AUX Send Master The LO-MID and HI-MID bands provide peaking EQ control, while the LOW and HIGH bands can be used in shelving, peaking or high-pass filter (LOW)/low-pass filter (HIGH) mode.
4-band EQ 6 Move the cursor to the parameter that you want to edit, and use the [DATA/JOG] dial or the [INC]/[DEC] keys to adjust the value. HINT • If you press the [F1] (FLAT) key while holding the [SHIFT] key from the PAN/EQ screen EQ/Att. page, all G knobs for the currently selected channel will be set to 0.0dB (or OFF). 7 To switch the LOW band type, move the cursor to the LOW band Q knob and continue turning the [DATA/JOG] dial toward the left or right.
Dynamics Processing Dynamics Processing The AW2400 provides gate and compressor facilities for dynamics processing. In this section operation of the gate and compressor will be explained individually. Using the Gates The gate attenuates signals below a specified threshold level, and can be used to eliminate noise in silent sections of a track. Gates are only provided on input channels.
Dynamics Processing 4 Move the cursor to the GATE ON/OFF button and press the [ENTER] key to turn the gate on. HINT • Pressing the [F1] key while holding the Display section [SHIFT] key has the same effect as the GATE ON/OFF button. 5 Use the STEREO LINK button to turn gate linking for paired channels on or off, and the KEYIN SOURCE field to select a trigger source as required. ■ Compressor Control via the DYNAMICS screen Applying and controlling compression via the dedicated dynamics screen.
Dynamics Processing E TYPE Indicates the currently selected compressor type. The displayed indication has the following meaning. • COMP ...................Compressor • EXPAND ...............Expander • COMP.(H)..............Compander (hard) • COMP.(S)..............Compander (soft) HINT • You cannot change the compressor type via this page. If you want to use a different type, you must recall a library setting that uses the desired type.
EQ/Dynamics Processor Library Operation EQ/Dynamics Processor Library Operation The AW2400 includes “setup libraries” that contain preset EQ, gate, and compressor settings that can be recalled and used in a variety of situations. The libraries can also be used to store your own settings for easy recall as needed. HINT • If necessary library recall can be automated using the AW2400’s Automix record/playback capabilities (→ p. 181). The EQ Lib. page includes the following items.
EQ/Dynamics Processor Library Operation 3 Press the Display section [F2] key, or press the [DYN] key as many times as necessary until the Gate Lib. page appears. B C F ■ Recalling Compressor Library Settings From this library you can recall compressor settings to the currently selected channel. Of library numbers 001–128, numbers 001–036 are read-only, and 037–128 can be used to store your own settings. Compressor library operations are performed via the DYNAMICS screen Comp Lib. page.
EQ/Dynamics Processor Library Operation F Buttons These buttons execute the RENAME, RECALL, STORE, and CLEAR functions. For details on their operation refer to the following explanations. Recalling EQ/Dynamics Library settings The procedure for recalling stored library settings is as follows. Changing EQ/Dynamics Library Names Here’s how you can change the names of the settings in the libraries. 1 Access the page containing the library settings to be recalled.
EQ/Dynamics Processor Library Operation The procedure for storing library settings is as follows. NOTE • New settings cannot be stored to read-only library settings (those marked with an icon). • If you select and store to a library number that contains previouslystored data, the previous data will be overwritten. 1 Access the page containing the library to which the settings are to be stored.
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Chapter 17 Scene Memory In this section we’ll cover the functions and operation of the AW2400’s scene memory. About Scene Memory The AW2400 allows the mix, effect, and other parameters for all channels to be stored in internal “scene” memory. Up to 99 scenes can be stored for each song. Stored scenes can be recalled at any time via the AW2400 panel controls or via MIDI program change commands. Scene recall operations can also be recorded and played back as Automix data.
Scene Memory Operation Renaming a scene Recalling scene data Entering a new name for a scene. Here’s how to recall (load) settings from a scene. 1 Call the SCENE screen Library page by 1 Call the SCENE screen Library page by 2 Rotate the [DATA/JOG] dial to select the 2 Turn the [DATA/JOG] dial to scroll the list so either pressing the [SCENE] key as many times as necessary, or by pressing the [F1] key after pressing the [SCENE] key. scene to be renamed.
Scene Memory Operation Storing scene data Here’s how to store the current settings in a scene memory. 2 Use the [DATA/JOG] dial to scroll through the list to select the scene to be deleted (the selected scene should be enclosed in the dotted frame). 3 Move the cursor to the CLEAR button and NOTE • Scene 0 is a recall-only scene to which new data cannot be stored. • If you select and store to a scene that already contains data, the previous scene data will be overwritten and lost.
Using the Recall Safe function Using the Recall Safe function You can specify that specific faders or specific channels will be excluded from Recall operations when the scene is changed either manually or from an external MIDI device. This function is called “Recall Safe.” This is convenient, for example, if you are performing a mixdown while switching scenes, but want to control specific channels manually.
Moving scenes Moving scenes Scene data stored in any scene number from 1 through 99 can be moved to any other scene number. 1 Call the Sort page by either pressing the [SCENE] key as many times as necessary, or by pressing the [F3] key after pressing the [SCENE] key. The SCENE screen Sort page will appear. 3 Move the cursor to the DESTINATION list and use the [DATA/JOG] dial to select the destination. The destination will be indicated by the “INSERT POINT” indication in this list.
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Chapter 18 Song management This chapter explains how to perform song management operations such as copying, deleting, backing up, and restoring songs. About songs ■ Song Organization ■ Song Bit Depth On the AW2400, your recorded compositions are managed in units called “songs.” When you save a song on the hard disk, the audio data, scene memories, and the data for each library are all stored together. By loading a saved song, you can return it to the original condition at any time.
About songs ■ Song Folder Organization Song and related data stored on hard disk can be accessed from a computer connected via USB in the same way as the hierarchical files and folders on the computer’s hard disk. The folders are organized as follows: “AW2400-1” Drive Song1 “AW2400-2” Drive 001 Song Name.AWS Song2 001 Song Name.AWS 002 Song Name.AWS 002 Song Name.AWS 0.WAV 0.WAV Audio Audio 1.WAV 1.WAV 2.WAV 2.WAV 3.WAV 3.WAV Render Render 003 Song Name.AWS 004 Song Name.
About songs • Managing Your Songs The following operations are possible by directly accessing the data on the internal hard disk from a computer. For detailed operating procedures refer to “WAV File Transfer (USB Storage Mode)” on page 230. • Specified audio data on the internal hard disk can be directly edited from a computer using an appropriate waveform editor application.
Managing Your Songs J K LM 3 Move the cursor to YES (to save the current song) or NO (if you don’t want to save the current song) and press the [ENTER] key. A popup window containing the various settings for the new song will appear. O N J K L M Song Name Song Size Song Bit Depth/Sampling Frequency Song Protect Status N SORT box Changes the order of songs displayed in the Song List. O The currently-selected song The following settings can be made via this popup window. • Fs ........................
Managing Your Songs 5 Select the buttons of the items you want to carry over from the current song, move the cursor to the OK button, and press the [ENTER] key. The NAME EDIT popup window will appear, allowing you to enter a name for the song. ■ Editing the song name Here’s how to edit the song name that is assigned when you create a new song. NOTE • This setting applies only to the current song. Before you perform this procedure, load the song for which the name is to be edited.
Managing Your Songs ■ Loading and Sorting Songs Here’s how to load an existing song from the hard disk. 1 Call the Song List page by either pressing the Work Navigate section [SONG] key as many times as necessary, or by pressing the [F1] key after pressing the [SONG] key. The SONG screen Song List page will appear. The currently selected song in the Song List will be highlighted (inverted).
Managing Your Songs ■ Deleting a song ■ Copying a song Here’s how to delete a song from the hard disk. Here’s how to copy a song in the hard disk. NOTE • A deleted song will be lost forever. Use great caution when deleting a song. • You cannot delete a song for which protect is on, or delete the current song (the highlighted song). In order to delete a protected song or the current song, you must first turn off the protect setting or switch to a different song.
Managing Your Songs ■ Song Protection ■ Optimizing a song Songs can be “protected” to prevent unwanted changes to the data. When a song is protected it can’t be recorded to, edited, or deleted. “Optimize” is an operation that deletes the undo/redo audio data maintained within the song. When you have finished recording and editing a song you can Optimize it to increase the amount of free space on the hard disk.
Managing Your Songs ■ Importing data from an existing song Here’s how selected types of data such as scenes or libraries can be imported into the current song from a song saved on the hard disk. NOTE • When you execute this import operation, the previous data for that item in the current song will be lost. Use this procedure with caution.
Editing various settings for the song Editing various settings for the song Here’s how to edit various settings for a song, such as selecting the counter display format and time code format. NOTE • These settings apply only to the current song. Before you perform this procedure, load the song to be edited. • The counter display setting will be saved with the song data when the song is saved.
Creating a tempo map Creating a tempo map The “tempo map” contains data that changes the tempo or time signature at the beginning of the song or at any measure or beat within the song. The measure/beat display counter, the internal metronome, and the MIDI clock data generated within the AW2400 are all based on this tempo map. HINT • The Start point of the song corresponds to the starting location of the tempo map.
Creating a tempo map 2 Move the cursor to the item that you want to edit, and use the [DATA/JOG] dial to edit the value. If the METER or TEMPO is “–”, move the cursor to the item and press the [ENTER] key before you edit the value. NOTE • The METER and TEMPO at the beginning of the song cannot be set to “–”. • You cannot change the METER value to other than “–” for a step that is not located at beat 1. Event Range Content Specifies the time signature of the song.
Backing up songs Backing up songs Here’s how you can back up songs from the internal hard disk to CD-R/RW media. NOTE • To backup AW2400 data to a computer, connect the AW2400 to the computer via a USB cable and copy the song folders directly from the internal AW2400 hard disk to the computer. For detailed operation refer to “WAV File Transfer (USB Storage Mode)” on page 230. 1 Insert CD-R/RW media into the CD-RW drive.
Backing up songs • Restoring songs 4 To execute the backup, move the cursor to the BACKUP button and press the [ENTER] key. 5 Move the cursor to the OK button and press the [ENTER] key. Writing to the CD-R/RW media will begin. If you decide to cancel the backup operation, move the cursor to the CANCEL button and press the [ENTER] key. While the backup operation is being executed, a popup window will indicate the progress of the operation. When the backup has been completed, you will return to step 2.
Restoring songs This page contains the following items. 1 List This area lists the data that has been backed up on the CD-R/RW media. The symbols at the right of the list indicate whether an item of data has been selected (●) or disabled ( ) for restore. 6 To execute the restore operation, move the cursor to the RESTORE button and press the [ENTER] key. A popup window will ask you to confirm the operation. NOTE • The maximum number of songs that can be displayed is 100.
Exchanging Song Data With Other AW-series Audio Workstations Exchanging Song Data With Other AW-series Audio Workstations You can back up an AW2400 song in a format that is compatible with the other AW-series (AW4416/AW2816/AW1600/AW16G). Conversely, a song that was backed up by the other AWseries can be restored into the AW2400. NOTE • Only the audio data recorded in a song can be exchanged with the other AW-series workstations.
Chapter 19 Automix Operation of the AW2400 Automix features is described below. About Automix Automix allows operations such as fader moves and [ON] switch state changes to be recorded and played back in real time. For example, you can record complex mixdown/bounce operations using Automix so that they can be precisely reproduced as many times as necessary. The parameters that can be recorded by Automix are as follows.
Automix Operation • REC button ..........Turning this button on while the recorder section is stopped engages the Automix record standby mode. When the recorder section is running it is necessary to press the PLAY button after the REC button to engage the Automix record standby mode. This button is automatically disengaged when recording is completed. • AUTOREC button .....................Engages the Automix record standby mode.
Automix Operation Recording the Automix Data Here’s how to record mix operation data to the newly created Automix recording. 5 Move the cursor to the MODE field and press the REC button. The REC button will flash. The Automix record standby mode is now engaged, and the [AUTOMIX] key will flash red. 1 Move the song location to just before the point at which you want to begin recording the Automix data.
Automix Operation 9 Perform the required mix operations. The specified mix parameters will be recorded for the specified channel(s). The parameters specified for recording in step 4 are actually recorded as follows. ● CH ON/FADER Operate the channel [ON] key or fader. 10 When all required mix operations have been recorded, press the top-panel STOP [■] key to stop the song.
Automix Operation Punch In and Out of Automix Playing back an Automix recording. 1 Call the AUTOMIX screen Automix page by either pressing the [AUTOMIX] key as many times as necessary, or by pressing the [F1] key after pressing the [AUTOMIX] key. 2 Make sure that the ENABLE/DISABLE button is set to “ENABLE”. If it is set to “DISABLE” move the cursor to the button and press the [ENTER] key. The [AUTOMIX] key will light green. 3 Press the top-panel PLAY [ ] key to start song playback.
Automix Operation • Command Editing Automix data In a Specified Region 6 Move the cursor to the MODE field and turn the REC button on. 10 Operate the fader as required. HINT The REC button will flash. This engages the Automix record standby mode, and the [AUTOMIX] key will flash red. • If no operations are performed between the punch-in and punch-out points all data corresponding to the selected parameter data in the selected channel will be erased.
Command Editing Automix data In a Specified Region 1 PARAMETERS field The display will change according to the selected edit command as follows. The following parameters can be selected for editing. • FADER, CH ON, PAN, EQ buttons ...........Faders, Channel [ON] keys, pan, and EQ operations. ● When the ERASE command is selected: B • LIBRARY (CH, GATE, COMP, EQ) buttons ...........Channel library (CH), gate library (GATE), compressor library (COMP), and EQ library (EQ) recall. C • SCENE button .......
Command Editing Automix data In a Specified Region • Editing Individual Automix Events 4 Move the cursor to the appropriate fields and use the [DATA/JOG] dial or [INC]/[DEC] keys to selected the channel and/or region. 5 Move the cursor to the EXECUTE button, 6 Move the cursor to the OK button to exe- cute the command, or move the cursor to the CANCEL button to cancel without executing. Then press the [ENTER] key. and press the [ENTER] key. A popup window will ask you to confirm the operation.
Editing Individual Automix Events move the cursor to the SELECTED CH ONLY button and press the [ENTER] key, then select the desired channel. 3 Move the cursor to the PARAM field and press the [ENTER] key to select the type of parameter to be displayed in the event list. The available parameter types are as follows.
Automix Library Operation Automix Library Operation Automix data can be stored to a specialized Automix library and recalled whenever needed. Up to 16 Automix recordings can be saved for each song, so you can easily create and compare multiple mixes for the same song. About the Automix Library Page Changing Automix Names Automix data can be saved to and recalled from the Automix library via the AUTOMIX screen Library page.
Automix Library Operation Storing Automix settings Storing the current Automix data to the Automix library. NOTE • If you select and store to a library number that contains previouslystored data, the previous data will be overwritten. 1 Call the AUTOMIX screen Library page by either pressing the [AUTOMIX] key as many times as necessary, or by pressing the [F4] key after pressing the [AUTOMIX] key.
Automix Library Operation Protecting Automix Data Applying protection to Automix data to prevent accidental erasure. 1 Call the AUTOMIX screen Library page by either pressing the [AUTOMIX] key as many times as necessary, or by pressing the [F4] key after pressing the [AUTOMIX] key. 2 Use the [DATA/JOG] dial or [INC]/[DEC] keys to select the Automix data to be protected. The data highlighted by a dotted frame is currently selected for operation.
Chapter 20 MIDI This section will describe the basic MIDI settings as well as the various MIDI features and capabilities provided. What you can do using MIDI On the AW2400, you can use MIDI to do the following things. ● Synchronize operation with an external device You can synchronize an AW2400 song with playback of an external device (such as a MIDI sequencer) by exchanging synchronization messages such as MTC (MIDI Time Code) or MIDI Clock with the external device.
Basic MIDI Settings Basic MIDI Settings The MIDI screen Setting 1 page lets you specify the connector/port to be used for MIDI message transmission and reception to and from external MIDI devices. To call this page press the Work Navigate section [MIDI] key as many times as necessary, or press the [F1] key after pressing the [MIDI] key. G H A B C D E F • ON/OFF button (TX)......Turns program change transmission on or off. • ECHO button (TX) .........
Basic MIDI Settings E CONTROL CHANGE MODE box Selects the channels via which MIDI control change messages will be transmitted and received. The following choices are available: • 1 ...........Control change messages will be transmitted and received on MIDI channels 1–16. (MIDI channels 1–16 will correspond to AW2400 track channels 1–16.) • 2 ...........Control change messages will be transmitted and received only on the MIDI channel that is selected in the CHANNEL field. • 3 ...........
Basic MIDI Settings ● When CONTROL CHANGE MODE = 2 20 MIDI 196 CC# 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON PARAMETER NO ASSIGN CHA
Basic MIDI Settings ● When CONTROL CHANGE MODE = 3 FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER FADER ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON PARAMETER NO ASSIGN CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CHANNEL CH
Basic MIDI Settings • MIDI Synchronization Message Setup F OTHER field MIDI messages other than program change and control change messages are set up here. • ECHO button (TX)........ Received MIDI messages other than program and control change are re-transmitted (“echoed”) via the MIDI OUT/ THRU connector (or USB connector or digital I/O card output port).
MIDI Synchronization Message Setup E DEVICE NO. box Specifies the MMC device number (1–127) that the AW2400 will receive. NOTE • The MMC device number is an identifying number used to distinguish devices that transmit and receive MMC commands. When using MMC, the AW2400 and the external MIDI device must be set to the same MMC device number. • When transmitting MMC data from the AW2400, the MMC device number is always set to “128” (allowing control of all MMC-compatible devices).
Connecting to External Equipment Connecting to External Equipment This section will provide some examples of how the AW2400 can be connected to and used with external MIDI devices. Synchronizing the AW2400 With External MIDI Devices ● Example settings for synchronization using MTC and MMC Using MTC AW2400 song playback and recording can be synchronized to external MIDI devices such as a computer-based sequencer application or a workstation type synthesizer with a built-in sequencer.
Connecting to External Equipment 8 Play back the external MIDI device. When you play back the external MIDI device, the corresponding MMC commands will be sent to the AW2400, and the AW2400 will begin running. At the same time, the AW2400 will transmit MTC to the external MIDI device, and the external MIDI device will run in synchronization with it. HINT C Scene Move the cursor to this area and use the [DATA/JOG] dial to select the scene that you want to assign to the corresponding program number.
Connecting to External Equipment ■ Transmit program changes to switch scenes 1 Connect the AW2400 and your sequencer as shown in the diagram below. Workstation synthesizer with a built-in sequencer AW2400 Program changes MIDI IN MIDI OUT or Recording/playing AW2400 mix operations on an external sequencer Here’s how you can synchronize the AW2400 and your external sequencer, and use the sequencer to record/play the fader and pan operations you perform on the AW2400.
Connecting to External Equipment 3 Use the Work Navigate section [MIDI] key to access the MIDI screen Setting 1 page. Select the connector(s)/port(s) to be used for MIDI message transmission and reception. 4 Turn the CONTROL CHANGE field ON/OFF buttons (TX and RX) on. This sets the AW2400 to transmit and receive control change messages. 5 Select a CONTROL CHANGE MODE (1–3).
Using the MIDI Remote function Using the MIDI Remote function Control change number 64 (value= 127) About the MIDI Remote function transmit The AW2400 provides a MIDI Remote function that lets you use the top-panel controls to transmit the desired MIDI messages. By using the MIDI Remote function, you can use the AW2400 as a physical controller for a computer program or MIDI tone generator. MIDI messages can be assigned to the following controls.
Using the MIDI Remote function The MIDI channels corresponding to the faders and [ON] keys appears as follows when the REMOTE screen 1–12 and 13–16 pages are selected. ■ When the 1–12 page is showing. Fader/[ON] Key 1 2 3 4 5 6 7 8 9 10 11 12 MIDI Channel 1 2 3 4 5 6 7 8 9 10 11 12 5 6 7 8 9 10 11 12 ■ When the 13–16 page is showing.
Using the MIDI Remote function ● XG 1–16 XG 17–32 ● XG 33–48 ● XG 49–64 These presets let you use the AW2400 as a volume controller for an XG tone generator. Each preset will control the XG-compatible tone generator’s parts 1–16, 17–32, 33–48, and 49–64 respectively. ● • [ON] key operations will switch the part on/off. • Fader operations will control the volume of the part.
Using the MIDI Remote function • UNLATCH ........The [ON] key will be engaged only while held, and will turn off when released. MIDI data transmitted (SW=7F) off on MIDI data transmitted (SW=00) off HINT • The MIDI message assigned to a single fader or key cannot be longer than sixteen bytes. • If a SW byte is not assigned to an [ON] key, the MIDI message you enter will be transmitted only when you turn the key on. (In this case you will normally use the UNLATCH setting.
Using the MIDI Remote function 3 Select the preset you want to use in the MODE box and press the [ENTER] key. For example if you select preset “XG 1-16”, the AW2400’s faders will control the volume of parts 1– 16 of your XG tone generator, and [ON] keys 1–16 will control the on/off status of parts 1–16. 4 If necessary, select the REMOTE screen 1– 12 or 13–16 pages and set the MIDI channel assignments to the faders and [ON] keys as required.
Chapter 21 Utility functions This chapter explains the AW2400’s various utility functions. Using the test tone oscillator The Oscillator page of the UTILITY screen lets you send the signal of the AW2400’s built-in test oscillator to the desired bus. To call this page press the Work Navigate section [UTILITY] as many times as necessary, or press the [F1] key after pressing the [UTILITY] key. A C WAVEFORM Selects one of the following oscillator signals. • 100Hz button...................
AW2400 Preferences AW2400 Preferences The UTILITY screen Preference page provides a number of basic “preference” parameters for the AW2400 operating environment, including digital input/output setup, copy protection, and others. To call this page press the Work Navigate section [UTILITY] key as many times as necessary, or press the [F2] key after pressing the [UTILITY] key.
AW2400 Preferences F POSTROLL TIME Specifies the duration of postroll (the amount of playback time after the punch-out point) when you use Auto Punchout from 0 to 20 seconds. G DIRECT OUT EXTRACT POSITION Selects the point in the input channel or track channel from which the signal will be taken when using DIRECT OUT. Press the [ENTER] key to confirm your selection. • PRE FADER..........the signal prior to the channel fader • POST FADER .......
Initializing the internal hard disk Initializing the internal hard disk The UTILITY screen Format page lets you initialize the internal hard disk. Prior to exporting and importing WAV files to or from a Macintosh computer (Mac OS X 10.3) it may be necessary to initialize the hard disk in order to change the hard disk cluster size. NOTE • Executing the Format operation will erase all data from the internal hard disk, and the data cannot be recovered.
Chapter 22 Creating an audio CD This chapter explains how you can use the CD-RW drive to create an audio CD, and how to play back an audio CD. Creating an audio CD You can select one or more songs on the AW2400 hard disk, and write the audio data from the stereo track of each song to a CD-R/RW disc in CD-DA format. The CD-R/RW media to which you write this data can be played by a CD-RW drive or a conventional CD player in the same way as a standard audio CD.
Writing an audio CD Writing an audio CD There are two ways in which you can write audio data to CD-R/RW media. ● Track At Once This method writes the data one CD track at a time. The advantage of this method is that you can add new data to a disc that already contains data. With the Track At Once method, the data from the beginning to the end of a song’s stereo track is written to the CD as one track. (Even if there is a portion during the song that contains no data, it will be written as silent audio.
Basic settings for the CD-RW drive Basic settings for the CD-RW drive Before you actually write data to a CD, you will need to make basic settings for the CD-RW drive. 1 Call the Setting page by either pressing the Work Navigate section [CD] key as many times as necessary, or by pressing the [F3] key after pressing the [CD] key. The CD screen Setting page will appear. B A F 2 Move the cursor to the AUDIO WRITE SPEED field, and turn the [DATA/JOG] dial to select the write speed.
Writing audio data Writing audio data Here’s how to write the audio data from the stereo track of each song to a CD-R/RW disc in CDDA format. Audio data write operations are accessed via the CD screen Write page. To call this page press the Work Navigate section [CD] key as many times as necessary, or press the [F1] key after pressing the [CD] key. (only displayed for TRACK AT ONCE) Finalizes the disc so that it can be played on a CD-RW drive or standard audio CD player.
Writing audio data Writing Track At Once Here’s how to use the Track At Once method to write stereo tracks from songs saved on the hard disk to CD-R/RW media. Use this method if you expect to be adding tracks to the disc later, or if you want an automatic two-second gap between tracks. 5 Move the cursor to the dotted frame in the track list, and use the [DATA/JOG] dial or the [INC]/[DEC] keys to select the song that will be written to track 1.
Writing audio data 7 Move the cursor to the WRITE button and press the [ENTER] key. A popup window will ask you to confirm. Writing Disc At Once Here’s how to use the Disc At Once method to write stereo tracks from songs saved on the hard disk to CD-R/RW media. Use this method if you do not want to create silence between each track of the CD, or if you want to write a single song divided into multiple tracks on the CD.
Writing audio data 6 Move the cursor to the dotted frame in the track list, and use the [DATA/JOG] dial or the [INC]/[DEC] keys to select the song that will be written to track 1. 8 Repeat steps 5–7 to select the songs that will be written to track 2 and following. HINT • Pressing the [F1]–[F3] keys while holding the Display section [SHIFT] key has the same effect as the ADD ([F1] key), INSERT ([F2] key), and DELETE ([F3] key) buttons, respectively.
Finalizing CD-R/RW media Finalizing CD-R/RW media Here’s how to finalize CD-R/RW media created using Track At Once so that the disc can be played by a CD-RW drive or a CD player. HINT • CD-R/RW media written by the AW2400 using Track At Once (and not yet finalized) cannot be played by another CD-RW drive or a CD player, but it can be played by the AW2400’s CD Play function. (→ p. 222) 1 Insert the CD-R/RW disc that you want to finalize into the CD-RW drive.
Erasing CD-RW media Erasing CD-RW media Here’s how to erase all data that has been written to CD-RW media so that the CD-RW disc can be used to record new data. You will need to perform this operation on a disc that has been used to store data from a computer or other equipment if you want to use that disc with the AW2400.
Playing an audio CD Playing an audio CD The AW2400 CD Play function lets you play back a conventional audio CD or CD-R/RW media to which audio data has been written via the CD-RW drive. HINT • The CD Play function can also be used to play mixed-mode CDs (tracks 2 and above) and CD Extra CDs (1st session only). • CD-R/RW discs can also be played prior to finalization.
Chapter 23 Digital Input/Output & Optional Card Settings This section covers settings that apply to digital I/O and optional I/O cards. Wordclock and Cascade Settings Wordclock source selection and settings for Vari-pitch and cascade connection are made via the DIO screen Setting page. B A C This page includes the following items. 1 WORDCLOCK SOURCE field Selects the wordclock source to which the AW2400 will synchronize.
Wordclock and Cascade Settings 1 INT button When this button is on the AW2400’s internal clock is selected as the wordclock source. Use this setting when using the AW2400 on it’s own, or when using the AW2400 as the wordclock master for other devices. HINT • When the internal clock is selected the sampling frequency of the current song becomes the sampling frequency for the entire system. B D.
Wordclock and Cascade Settings 2 Select a wordclock source via the WORDCLOCK SOURCE field. The wordclock source setting will depend on how the AW2400 is being used. Here are a few examples. ● AW2400 As Wordclock Master When the AW2400 is used on its own, or when it is used as the wordclock master for an external HDR, DAW, or similar digital audio device, turn the INT button on. The external device(s) must be set to synchronize to the master wordclock from the AW2400.
Wordclock and Cascade Settings Fine Adjustment Of Overall Song Pitch (Vari-pitch) When the AW2400 is set to use it’s own internal clock as the wordclock source it is possible to adjust the sampling frequency over a small range to adjust the pitch and tempo of song playback (Vari-pitch). This function can be useful to match the playback pitch of an AW2400 song to an acoustic instrument, or to adjust the length of a song.
Wordclock and Cascade Settings • Check the Status Of the Digital Input Signal 4 Move the cursor to the STEREO BUS CASCADE field. Cascade connection settings are made in the STEREO BUS CASCADE field. 5 Move the cursor to the STEREO BUS CASCADE button and press the [ENTER] key. This connects the digital audio signal received from the external device directly to the AW2400 stereo bus. 6 Use the ATT knob to adjust the level of the received digital signal as required.
Check the Status Of the Digital Input Signal • Plug-in Card Settings • CATEGORY Indicates the status of “Category Code Bit” included in the IEC958 Part 2 (S/PDIF-Consumer) format.
Chapter 24 USB This chapter explains operation and use of the AW2400 USB interface. What You Can Do With USB The AW2400 USB interface can be connected to a personal computer to allow data transfer between the AW2400 and the computer. The following types of operation are possible.
WAV File Transfer (USB Storage Mode) WAV File Transfer (USB Storage Mode) In this mode you can directly access the AW2400 hard disk from the computer to manipulate and manage the audio data (WAV files). The following two methods can be used. ■ Using the Transport Folder ■ Directly Accessing AW2400 Audio Data This method uses the “Transport” folder on the AW2400 as the transit point for transferring files to and from the computer.
WAV File Transfer (USB Storage Mode) 3 Turn on the AW2400. No driver installation is necessary for WAV file transfer. If it is the first time you have connected a USB cable on a Windows machine, however, you may see a message prompting you to install a USB MIDI driver. Even if you will not send and receive MIDI messages via the USB cable, install the USB MIDI driver as described on page 266. 7 Display the AW2400 internal hard disk on the computer screen.
WAV File Transfer (USB Storage Mode) 8 Open the appropriate drive/folder and copy the required WAV files or directly edit the WAV files using a waveform editor application. To access the Transport folder open the “AW2400-2” drive. To directly access WAV files on the AW2400 open the “Song1” folder on the “AW2400-1” drive and the “Song2” folder on the “AW2400-2” drive. These folders contain folders bearing the names of the recorded songs (extension .
WAV File Transfer (USB Storage Mode) Copying Exported WAV Files To the Computer The WAV files corresponding to the audio tracks you want to transfer to a computer must first be exported to the “Transport” folder on the internal hard disk drive. Once these files have been exported they can be edited using appropriate waveform editing software, or imported into a DAW application for further processing or integration with other projects.
WAV File Transfer (USB Storage Mode) 6 When you have finished setting the param- eters, move the cursor to the EXECUTE button and press the [ENTER] key. If a source other than “ALL” is selected the NAME EDIT popup window will appear, allowing you to enter a file name. If you select “ALL” as the source the NAME EDIT popup window will appear, allowing you to enter a folder name. The WAV files (“TRACK_01.WAV”– “TRACK_24.
WAV File Transfer (USB Storage Mode) 1 File list This shows the WAV files and folders (directories) in the “Transport” folder. Move the cursor to the list, and use the [DATA/JOG] dial or the [INC]/[DEC] keys to specify the WAV file that you want to import. B FILE This indicates the name of the WAV file or folder. The icons shown here have the following meaning. • .............Indicates a WAV file. • .............Indicates a folder in the same level.
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Appendix Mastering library list No. Description Initial Data Initialize to a state in which EQ and DYN are not applied. 01 VITAL MIX Standard mastering effect that enhances the overall loudness, creating a mix with extended low and high ranges. Use on the two-track mix for any type of song. 02 SOFT COMP Soft compressor that enhances the overall loudness without greatly changing the original nuances (dynamics). Ideal for songs in which the mid and low ranges are important.
EQ Parameter list EQ Parameter list # Parameter Title 01 Bass Drum 1 LOW L-MID H-MID HIGH PEAKING PEAKING PEAKING H.SHELF G +3.5 dB -3.5 dB 0.0 dB +4.0 dB F 100 Hz 265 Hz 1.06 kHz 5.30 kHz Q 02 Bass Drum 2 1.2 10 0.9 — PEAKING PEAKING PEAKING LPF G +8.0 dB -7.0 dB +6.0 dB ON F 80 Hz 400 Hz 2.50 kHz 12.5 kHz Q 03 Snare Drum 1 0.0 dB +3.0 dB +4.5 dB 132 Hz 1.00 kHz 3.15 kHz 5.00 kHz 1.2 4.5 0.11 — L.SHELF PEAKING PEAKING PEAKING G +1.5 dB -8.
EQ Parameter list 29 Parameter Title Chorus & Harmo LOW L-MID H-MID HIGH PEAKING PEAKING PEAKING PEAKING G -2.0 dB -1.0 dB +1.5 dB +3.0 dB F 90 Hz 850 Hz 2.12 kHz 4.50 kHz Q 30 Total EQ 1 0.0 dB +3.0 dB +6.5 dB 95 Hz 950 Hz 2.12 kHz 16.0 kHz 7 2.2 5.6 — PEAKING PEAKING PEAKING H.SHELF G +4.0 dB +1.5 dB +2.0 dB +6.0 dB F 95 Hz 750 Hz 1.80 kHz 18.0 kHz 7 2.8 5.6 — L.SHELF PEAKING PEAKING H.SHELF G +1.5 dB +0.5 dB +2.0 dB +4.
Dynamics Parameters Dynamics Parameters Dynamics processors are generally used to correct or control signal levels. However, you can also use them creatively to shape the volume envelope of a sound. The AW2400 features comprehensive dynamics processors for all the input channels, tape returns, and the bus and stereo outputs. These processors allow you to compress, expand, compress-expand (compand), gate, or duck the signals passing through the mixer, giving you unparalleled sonic quality and flexibility.
Dynamics Parameters ■ Expander ■ Compander dB dB +20 +10 +20 Expansion ratio = 2:1 +10 Width Knee = knee5 0 –10 –20 Output Level Threshold = –10dB –30 –40 –50 –10 –20 Threshold –30 –40 –50 –60 –60 –70 –70 dB –70 –60 –50 –40 –30 –20 –10 0 dB +10 +20 –70 –60 –50 –40 –30 –20 –10 0 +10 +20 Input Level Input Level An expander is another form of automatic level control.
Dynamics Parameters • Range — controls the level to which the gate closes. It can be used to reduce the signal level rather than cut it completely. At a setting of -70 dB, the gate closes completely when the input signal falls below the threshold. At a setting of -30 dB, the gate only closes so far allowing an attenuated signal through. At a setting of 0 dB, the gate has no effect. When signals are gated abruptly, the sudden cutoff can sound odd.
Gate Parameter list • Compressor Parameter list Gate Parameter list (fs = 44.1 kHz) # 1 2 Title Gate Type GATE Ducking DUCKING Parameter Value # Title Type Parameter Value Threshold (dB) -26 Threshold (dB) -11 Range (dB) -56 Range (dB) -53 Attack (ms) 0 Hold (ms) 2.56 Decay (ms) Threshold (dB) Range (dB) Attack (ms) 3 A. Dr. BD GATE Attack (ms) 0 Hold (ms) 1.93 331 Decay (ms) 400 -19 Threshold (dB) -8 -22 Range (dB) -23 93 4 A. Dr.
Compressor Parameter list # 15 16 Title Piano1 Piano2 Type COMP COMP Parameter COMP A. Guitar COMP COMP 4 Attack (ms) 17 Attack (ms) 8 Out gain (dB) 1.0 Strings2 COMP COMP BrassSection COMP 238 Release (ms) 354 Threshold (dB) -18 Threshold (dB) -23 Ratio ( :1) 3.5 Ratio ( :1) 20 Attack (ms) 7 Attack (ms) 15 Out gain (dB) 0.
Effects Parameters Effects Parameters ■ REVERB HALL, REVERB ROOM, REVERB STAGE, REVERB PLATE One input, two output hall, room, stage, and plate reverb simulations, all with gates. Parameter Range Description REV TIME 0.3–99.0 s Reverb time INI. DLY 0.0–500.0 ms Initial delay before reverb begins HI. RATIO 0.1–1.0 High-frequency reverb time ratio LO. RATIO 0.1–2.4 Low-frequency reverb time ratio DIFF.
Effects Parameters ■ MONO DELAY One input, two output basic repeat delay. Parameter Range Description DELAY 0.0–2730.0 ms FB. GAIN -99 to +99% Delay time Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) HI. RATIO 0.1–1.0 High-frequency feedback ratio HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency ■ STEREO DELAY Two input, two output basic stereo delay.
Effects Parameters ■ ECHO Two input, two output stereo delay with crossed feedback loop. Parameter Range Description DELAY L 0.0–1350.0 ms Left channel delay time DELAY R 0.0–1350.0 ms Right channel delay time FB.DLY L 0.0–1350.0 ms Left channel feedback delay time FB.DLY R 0.0–1350.0 ms Right channel feedback delay time FB. G L -99 to +99% Left channel feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) FB.
Effects Parameters ■ SYMPHONIC Two input, two output symphonic effect. Parameter Range Description FREQ. 0.05–40.00 Hz Modulation speed DEPTH 0–100% Modulation depth MOD. DLY 0.0–500.0 ms Modulation delay time WAVE Sine, Tri Modulation waveform LSH F 21.2 Hz–8.00 kHz Low shelving filter frequency LSH G -12.0 to +12.0 dB Low shelving filter gain EQ F 100 Hz–8.00 kHz EQ (peaking type) frequency EQ G -12.0 to +12.0 dB EQ (peaking type) gain EQ Q 10.0–0.
Effects Parameters ■ TREMOLO Two input, two output tremolo effect. Parameter Range Description FREQ. 0.05–40.00 Hz Modulation speed DEPTH 0–100% Modulation depth WAVE Sine, Tri, Square Modulation waveform LSH F 21.2 Hz–8.00 kHz Low shelving filter frequency LSH G -12.0 to +12.0 dB Low shelving filter gain EQ F 100 Hz–8.00 kHz EQ (peaking type) frequency EQ G -12.0 to +12.0 dB EQ (peaking type) gain EQ Q 10.0–0.10 EQ (peaking type) bandwidth HSH F 50.0 Hz–16.
Effects Parameters ■ RING MOD. Two input, two output ring modulator. Parameter Range Description SOURCE OSC, SELF OSC FREQ 0.0–5000.0 Hz Modulation source: oscillator or input signal Oscillator frequency FM FREQ. 0.05–40.00 Hz Oscillator frequency modulation speed FM DEPTH 0–100% Oscillator frequency modulation depth ■ MOD. FILTER Two input, two output modulation filter. Parameter Range Description FREQ. 0.05–40.00 Hz Modulation speed DEPTH 0–100% Modulation depth PHASE 0.00–354.
Effects Parameters ■ DYNA. FILTER Two input, two output dynamically controlled filter. Parameter Range Description SOURCE INPUT, MIDI Control source: input signal or MIDI Note On velocity SENSE 0–100 Sensitivity DIR. UP, DOWN Upward or downward frequency change DECAY *1 Filter frequency change decay speed TYPE LPF, HPF, BPF Filter type OFFSET 0–100 Filter frequency offset RESO. 0–20 Filter resonance LEVEL 0–100 Output Level *1. 6 ms–46.0 s (fs=44.1 kHz), 5 ms–42.
Effects Parameters ■ REV+CHORUS One input, two output reverb and chorus effects in parallel. Parameter Range Description REV TIME 0.3–99.0 s INI. DLY 0.0–500.0 ms Reverb time Initial delay before reverb begins HI. RATIO 0.1–1.0 High-frequency reverb time ratio DIFF. 0–10 Spread DENSITY 0–100% Reverb density HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency LPF 50.0 Hz–16.
Effects Parameters ■ REV->FLANGE One input, two output reverb and flanger effects in series. Parameter Range Description REV TIME 0.3–99.0 s INI. DLY 0.0–500.0 ms Reverb time Initial delay before reverb begins HI. RATIO 0.1–1.0 High-frequency reverb time ratio DIFF. 0–10 Spread DENSITY 0–100% Reverb density HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency REV.
Effects Parameters ■ REV->PAN One input, two output reverb and autopan effects in parallel. Parameter Range Description REV TIME 0.3–99.0 s INI. DLY 0.0–500.0 ms Reverb time Initial delay before reverb begins HI. RATIO 0.1–1.0 High-frequency reverb time ratio DIFF. 0–10 Spread DENSITY 0–100% Reverb density HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency REV.
Effects Parameters ■ DELAY->ER. One input, two output delay and early reflections effects in series. Parameter Range Description DELAY L 0.0–1000.0 ms DELAY R 0.0–1000.0 ms Left channel delay time Right channel delay time FB. DLY 0.0–1000.0 ms Feedback delay time FB. GAIN -99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) HI. RATIO 0.1–1.0 High-frequency feedback ratio HPF THRU, 21.2 Hz–8.
Effects Parameters ■ DIST->DELAY One input, two output distortion and delay effects in series. Parameter Range Description DST TYPE DST1, DST2, OVD1, OVD2, CRUNCH Distortion type (DST = distortion, OVD = overdrive) DRIVE 0–100 Distortion drive MASTER 0–100 Master volume TONE -10 to +10 Tone control N. GATE 0–20 Noise reduction DELAY 0.0–2725.0 ms Delay time FB. GAIN -99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) HI.
Effects Parameters ■ GATE This is a 2-in/2-out gate that attenuates signals below the specified threshold level. Parameter Range Description GATE ON ON, OFF THRESH -54 to 0 dB Turns the gate function on or off. Sets the threshold level at which the gate begins to affect the input signal. RANGE -70 to 0 dB Sets the level when the gate is closed. ATTACK 0–120 ms Sets the time it take for the gate to actually open after the threshold level is exceeded.
Troubleshooting Troubleshooting Power does not turn on, operation not possible ■ Power does not turn on ■ Input sound is not output • Is the signal from the external device being input? • The connection cable from the external device may be broken.
Troubleshooting ■ Noise is present in the recorded signal • The oscillator may be functioning. • Does the word clock setting match for the AW2400 and the external device(s)? • Go to the RECORD screen and check the recordingsource and recording-destination. ■ Can’t select a record track • The number of 24-bit song tracks that can be recorded or played simultaneously is limited.
Troubleshooting Recorder operations ■ When you press the [PLAY] key it blinks, and playback does not occur • Is the AW2400 set to MTC SLAVE? → Access the MIDI screen Setting 2 page, and check the setting. ■ Can’t edit a recorded track • The song may be protected.
Troubleshooting Song operations ■ Can’t save a file • Is there sufficient space on the internal hard disk to create a new song? • Did you perform the correct shut-down procedure when you last turned off the power? → Disconnecting the power without performing the shutdown operation will shorten the lifespan of the hard disk and CDRW drive, may damage the hard disk and CD-RW drive and disc, and may result in loss of data.
Troubleshooting Pitch Fix operations ■ Can’t hear any pitch change? • Make sure that RATE is NOT set to 0. • Make sure that BYPASS is off. ■ The voice is not recognized • When the voice is high, set TYPE to FEMALE; when it is low, set TYPE to MALE. ■ Pitch correction doesn’t sound right • In some cases, pitch correction may sound unnatural — especially for parts sung with vibrato.
Display message list Display message list A/B POINTS NOT FOUND Repeat Playback cannot be performed because A/B points are not specified. AUTOMIX ABORTED! Automix recording has been aborted. AUTOMIX DISABLED! Automix is currently disabled. Please set to ENABLE. AUTOMIX MEMORY FULL! Not enough memory available for automix. AUTOMIX RUNNING! That operation cannot be performed while automix is running.
Display message list THIS SONG IS PROTECTED. This song is protected, and cannot be edited or recorded. TOO MANY REGIONS!! The maximum allowable number of regions* has been exceeded. TRIGGER TRACK MODE NOW Since the AW2400 is in Trigger Track mode, this operation cannot be executed. UNDO COMPLETED Undo (cancellation of the previous operation) has been executed. USB STORAGE MODE NOW Since the AW2400 is in USB Storage mode, this operation cannot be executed.
Marker Interval Under 4 sec! Since the song length divided by the markers would be less than four seconds, you cannot divide it with a marker. Media Too Small. Cannot Save! The medium does not have enough space available to save the data. No Data to Backup! No data is selected for backup. No Data to Restore! No data is selected for restore. No Data! No data exists, or there is no data (region*) in the selected area. No File! Can’t save, erase, or edit the title because no file is found.
About the CD-ROM included with the AW2400 About the CD-ROM included with the AW2400 Special Notices Installing USB MIDI driver • The software and this owner’s manual are the exclusive copyrights of Yamaha Corporation. • Copying of the software or reproduction of this manual in whole or in part by any means is expressly forbidden without the written consent of the manufacturer.
About the CD-ROM included with the AW2400 9 When the installation is complete, the system displays “Completing the Found New Hardware Wizard.” Click [Finish]. 5 Click [Continue]. The “Select a Destination” is displayed. 6 Select a destination for the driver installation, then click [Continue]. The message “Installing this software requires 100MB of disk space” may appear. However, the actual required free disk space is 2MB.
About the CD-ROM included with the AW2400 Restoring the internal hard disk to the factory-set condition In order to restore the internal hard disk to the factory-set condition, you will need to perform the following two procedures. 5 Move the cursor to the RESTORE button and press the [ENTER] key. 6 A popup window will ask you for confirmation, so move the cursor to the OK button or CANCEL button, and press the [ENTER] key.
About the CD-ROM included with the AW2400 ■ Windows users NOTE 5 6 Click the [Import] button. 7 Close the Device Setup window. Fader and [ON] key operations can be used to control Cubase/Nuendo audio tracks. Create new projects with more than 16 audio tracks. • In order to use a remote file, the corresponding software must be installed. • Please be aware that the menu names and screens that appear in the explanation below may differ depending on the software you are using.
About the CD-ROM included with the AW2400 ● Installing the SONAR template file 1 2 3 4 Copy the SONAR template file from the included CD-ROM to the folder in which SONAR is installed. ■ Macintosh users NOTE • In order to use a remote file, the corresponding software must be installed. Start up SONAR. • Please be aware that the menu names and screens that appear in the explanation below may differ depending on the software you are using. In the menu bar, select [File] menu ➝ [Open].
About the CD-ROM included with the AW2400 ● Setting Pro Tools remote control You can remotely control the Pro Tools software from the AW2400. No special setting file is required. Use the following procedure to make settings. 1 In the menu bar, select [Setup] ➝ [Peripherals...]. 2 The Peripherals window will open. Click the [MIDI Controllers] button. In the MIDI Controllers window, make the following settings. In the Receive From field and the Send To field, specify the MIDI device you are using.
MIDI data format MIDI data format 1. Functions 2. MIDI data flow diagram 1.1. Scene Change The settings of the [MIDI PROGRAM CHANGE TABLE] specify the scene that is recalled when a Program Change message is received. The settings of the [MIDI PROGRAM CHANGE TABLE] specify the program number that is transmitted when a scene is recalled. If more than one program number has been assigned to that scene memory number, the lowest-numbered program number will be transmitted.
MIDI data format 3.1.7. OTHER 4.4. SYSTEM EXCLUSIVE MESSAGE If this is set to ECHO, the received MIDI data will be echoed at the transmission port. However, Program Change and Control Change will follow their own settings. 4.4.1. REALTIME SYSTEM EXCLUSIVE 4.4.1.1. MMC Command 3.1.8. REMOTE PORT Rx/Tx function 01 STOP Rx/Tx Transport stop 02 PLAY Rx Transport play 03 DEFERRED PLAY Rx/Tx Transport play 04 FAST FORWARD Rx/TX Transport fast-forward 05 REWIND Rx/Tx Transport rewind 3.
MIDI data format 5.4. PROGRAM CHANGE (Cn) 5.10. STOP (FC) < Reception > < Transmission > If [Program Change Rx] is On, program change messages will be received when [MIDI Rx Ch] matches. However, if [MIDI Rx Ch] is OMNI, this message is received regardless of the channel. A scene memory will be recalled according to the [PROGRAM CHANGE TABLE] settings. If [SYNC OUT] is MIDI CLOCK, this message is transmitted when the recorder stops.
MIDI data format 5.13.1.4. MMC FAST FORWARD 5.13.1.8. MMC RESET < Transmission > < Transmission > This message is transmitted with a device number of 7F when the FF key is pressed and the Cue mode is engaged. This message is transmitted with a device number of 7F when song loading is finished. < Reception > < Reception > If the AW2400 is operating as an MMC Slave, the transport will begin fast-forward when this message is received with a matching device number or a device number of 7F.
MIDI Implementation Chart MIDI Implementation Chart YAMAHA [ Professional Audio Workstation ] Model AW2400 MIDI Implementation Chart Transmitted Date :21-JUL-2004 Version : 1.0 Recognized Remarks Function...
Specifications Specifications ■ General Specifications Frequency Response 0 +1/-3 dB @20 Hz–20 kHz (MIC/LINE INPUT to STEREO OUT, GAIN: max.) Master Section (Total 16 Bus) BUS : 4 CH (stereo x 2) AUX : 4 CH STEREO : 2 CH (stereo x 1) SOLO : 2 CH (stereo x 1) Total Harmonic Distortion (measured with 20 kHz LPF) Less than 0.05 % @20 Hz to 20 kHz/+4 dBu (MIC/LINE INPUT to STEREO OUT, GAIN: min.) Built-in Hard Disk Drive 40 GB, 3.5" IDE Dynamic Range (measured with IHF-A) 115 dB typ.
Specifications ■ Mixer Section ● Digital Mixing Functions ● Input/Output Input Channels (INPUT 1–16) Phase (Normal/Reverse), Gate, Compressor, Attenuation, Equalizer (4-Band PEQ), Pan, Bus Assign (STEREO, SOLO, BUS 1–2, AUX 1–4, EFF 1–4) MIC/LINE INPUT 1–8 (balanced XLR & phone) Phantom Power Supply : +48 ± 3 V Input Impedance : 3 kΩ Nominal Input Level : -46 dBu to + 4 dBu Minimum Input Level : -56 dBu Maximum Input Level : +24 dBu INSERT I/O 1, 2 (unbalanced phone) Input Impedance : 10 kΩ Nom
Dimensions Dimensions 153 145 13 503 497 533 Unit: mm * Specifications and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with your Yamaha dealer. Appendix For European models Purchaser/User Information specified in EN55103-1 and EN55103-2.
Index Index A B D A/B keys ................................ 27, 89 Backing up ................................. 177 DATA/JOG dial.............................25 A/B points .................................... 88 Bit depth..................................... 165 Demo song ...................................41 A-B repeat ................................... 93 Block diagram ............................ 284 DETECT .....................................125 ABS .......................................
Index G GAIN knobs ................................. 21 GATE ................................. 151, 242 Gate Library ............................154 Mastering Library ......................75 LOCATE keys ............25, 32, 88, 89 I Locate points/Markers..................88 A/B points .................................88 Adjusting the position..........91, 92 Erasing......................................93 In/Out points .............................88 Locate points ............................
Index MIDI Data Format ...................... 272 MIDI Implementation Chart........ 276 MIDI IN connector ....................... 29 MIDI key ...................................... 21 MIDI OUT/THRU connector......... 29 P Pairing.......................................... 58 Pan ............................................ 147 PAN/EQ key................................. 24 MIDI screen Setting 1 page ........................ 194 Setting 2 page ........................ 198 PAN/EQ screen EQ Lib. page ......
Index Loading .................................. 170 New song ......................... 47, 168 Optimizing .............................. 172 Protection ............................... 172 Restoring................................ 178 Saving .............................. 57, 170 Tempo map ............................ 175 Sound Clip ................................... 43 SOUND CLIP key ........................ 27 TRACK screen Stereo TR page ...................... 131 Trigger page .........................
SLOT Stereo Track In Sound Clip In RECORDER RECORDER INPUT 1(...24) INSERT SEND EFFECT1(...4) 54 24 2 ON [DIGITAL STEREO IN] [SLOT] [INSERT I/O] (1-2 ONLY) [MIC/LINE INPUT] (1-8) OFF AD PEAK CD-RW DRIVE RECORDER to INSERT RETURN 2 2 24 CD Playback CD-RW DRIVE Stereo Track Out Sound Clip Out RECORDER INPUT RECORDER REPRO 1(...24) MONITOR Connection Type Select METER EFFECT 1(...
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For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante. NORTH AMERICA THE NETHERLANDS/ BELGIUM/LUXEMBOURG U.S.A. Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A.
Yamaha Web Site (English only) http://www.yamahasynth.com/ Yamaha Manual Library http://www.yamaha.co.jp/manual/ U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation © 2005 Yamaha Corporation This document is printed on chlorine free (ECF) paper with soy ink. WE25170 507POCP15.
