Yamaha Absolute Hybrid Maple Series Kit

98
| OCTOBER 2014 WWW.RHYTHMMAGAZINE.CO.UK
GEAR REVIEW
However, Gavin reveals that Yamaha has
taken another step, pinpointing unwanted
shell frequencies. So the lugs are actually
mounted slightly beyond the nodal points,
effectively to eq’ the drum.
Next, the tom holders, where we nd
the third generation YESS system (the fi rst
came in 1993). Where earlier YESS brackets
were attached just at the top, this has an
additional xing point at the bottom.
Despite appearances there is no shell-to-
metal contact whatsoever. The mounting
plate is attached to the shell by special
grommets of extremely high-grade rubber,
as used on Japan’s ‘bullet’ train. The
grommet passes through the shell and is
xed on the inside and outside by two quite
separate screws which make no contact. The
result is that the tom is held just by the
exible high-grade rubber and is free to
bounce around a little.
There is a single snare drum with a
14"x6" shell and 20 hook lugs. It’s tted
with Yamahas new piston strainer, seen
previously on the Live Custom, an
admirably chunky device which inspires
confi dence. Attached by cords are
Yamahas own 25-strand high carbon steel
snare wires.
Hands On
With the whole kit set up, the fi rst time I
rattle round the four toms – woah! the whole
room shakes. As for the bass drum, it’s a real
chest thumper. With a fi rm mid-tuning, there
is so much depth and rounded tone. Though
Yamaha is keen to push the broad ranging
tonal sensitivity of the drums, this is also
undoubtedly one of the most lively of kits.
To gauge the impact of all those technical
resonance innovations, I mount my own
1982 RC9000 (birch) 10"x8" tom on a dual
stand next to the Maple Hybrid 10"x7". The
RC has a birch shell with a pre-YESS clamp,
so you’d expect a difference, but what I hear
is dramatic. The RC produces a (beautiful)
focused tone, a fast peak and good sustain.
The Hybrid has much more sustain and of a
quite different kind. After the initial impact
and momentary lull the note seems to
amplify, to stretch out and grow, before
slowly petering out. It’s an all-round fuller
sound with a more complex tone.
At Gavin’s suggestion I also put my foot on
VERDICT: Calling on expertise in
various areas of instrument
manufacture, the Absolute Hybrid
Maple exemplifi es Yamaha’s pursuit of
excellence. Extending boundaries on
several levels, this is a beautifully
designed, versatile sounding kit.
BUILD QUALITY
PLAYABILITY
VALUE FOR MONEY
RATING
Also try…
1
SJC CUSTOM
HYBRID SHELL
KIT
We say: “With the truest
shells and the silkiest
bearing edges I have
seen in a long while, SJC
proves its commitment
to quality.”
2
DW ECO-X
PROJECT SERIES
We say: An impressive
set of drums, with the
added bonus of being
environmentally
sound.”
Gavin, the Absolute Hybrid
Maple shows Yamaha
continuing at the cutting edge.
“We have just spent $10million
on a new factory in Hangzhou,
two hours from Shanghai, China. No one else is
doing that in the drum industry.”
This is a serious high-end kit.
“Where the rst kit from the factory, the Live
Custom, was all about power, punch and live
playing, this is more about expression and tonal
dynamics. What we wanted was to create a
really resonant sound with a wide spectrum of
tonal qualities. Good for lighter, sensitive
playing, but it has power as well and does
not choke whatsoever.”
What is the background?
“The idea came through from the Phoenix,
where we wanted to push the envelope in terms
of how the instrument works. Yamaha thinks
futuristically, always trying to improve the
instrument. We also have guitar and piano
divisions etc, and people who look after
manufacturing and materials, and we went to
them to nd new materials with different
qualities. This is all about being innovative and
creating the most resonant drum.”
Gavin Thomas is the UK Product
Manager for Yamaha Drums
They say…
THE ISOLATION OF THE YESS MOUNTS
IS SO EFFECTIVE AND THE BASS DRUM
YIELDS SO MUCH ‘OOMPH’, THERE’S NO
INDICATION OF ITS BEING CONSTRICTED
ABSOLUTE
Absolute Hybrid
Maple is the fourth
generation of Yamaha’s
Absolute series
SHELLS
Shells are a 7-ply
hybrid of North
American maple with
a single inner core ply
of extra-hard and
resonant African
wenge
1
2
the tripod of the dual tom stand. With the RC
you could feel the vibrations – the energy
lost through the stand. But with the Absolute
tom (and YESS III) the energy is released
through the shell, you don’t feel any
dissipation through the stand.
Maybe paradoxically, theres no problem
with the small toms being mounted off the
bass drum. The isolation of the YESS mounts
is so effective and the bass drum yields so
much oomph’, there is no indication of its
being constricted at all.
The aluminium die-cast hoops really
come into their own with the snare drum.
Being lightweight but solid they give the
drum bright and ringy rim-shots and
cross-sticks with just the right mixture of
clang and sweet tone. Like the toms the
snare is resonant and expressive, crisp but
with a fat tone, never losing that softer
warm tinge of wood, sounding equally
good whether tuned for heavy slogging
or nimble skittering.
RHY234.gear_yamaha.indd 98 9/3/14 10:38 AM