Setting Up Reference Appendix Before using the instrument, be sure to read “PRECAUTIONS” on pages 5-7.
FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions.
The model number, serial number, power requirements, etc., may be found on or near the name plate, which is at the bottom of the unit. You should note this serial number in the space provided below and retain this manual as a permanent record of your purchase to aid identification in the event of theft. Model No. Serial No.
PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING Please keep this manual in a safe and handy place for future reference. For the AC adaptor WARNING CAUTION • This AC adaptor is designed for use with only Yamaha electronic instruments. Do not use for any other purpose. • Indoor use only. Do not use in any wet environments. • When setting up, make sure that the AC outlet is easily accessible.
- Do not attempt to recharge batteries that are not designed to be charged. - Keep the batteries separate from metallic objects such as necklaces, hairpins, coins, and keys. - Use the specified battery type (page 85) only. - Use new batteries, all of which are the same type, same model, and made by the same manufacturer. - Always make sure all batteries are inserted in conformity with the +/- polarity markings.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed. Always turn the power off when the instrument is not in use. Even when the [ ] (Standby/On) switch is in standby status (display is off), electricity is still flowing to the instrument at the minimum level. When you are not using the instrument for a long time, make sure you unplug the power cord from the wall AC outlet.
About the Manuals In addition to this Owner’s Manual, the following Online materials (PDF files) are available. Drum Kit List This contains detailed information of the Drum Kit Voices (Voice No. 242-263; page 70). When you select these Voices, various drum, percussion and SFX sounds listed here are assigned to each key. MIDI Reference This contains MIDI-related information, such as the MIDI Implementation Chart. Computer-related Operations This contains instructions about computer-related functions.
Setting Up Thank you for purchasing this Yamaha Digital Keyboard! This instrument is loaded with various sounds, preset Songs and may convenient functions— so that even beginners can enjoy playing it right away. We recommend that you read this manual carefully so that you can fully take advantage of the advanced and convenient functions of the instrument. We also recommend that you keep this manual in a safe and handy place for future reference. Contents About the Manuals..................................
Setting Up Panel Controls and Terminals Front Panel NOTE Setting Up • The illustrations and displays as shown in this manual are based on the PSR-E373. • Please note that the PSR-EW310, PSR-E373 and YPT-370 have different numbers of keys: the PSR-EW310 has 76 keys, and the PSR-E373 and YPT-370 have 61 keys.
Panel Controls and Terminals [ ] (Standby/On) switch .................... page 13 [MASTER VOLUME] dial ...................... page 14 [DEMO] button ......................................page 31 [METRONOME] button ......................... page 16 [TEMPO/TAP] button ............................page 30 Rear Panel #0 #1 #2 Setting Up q w e r t #3 In the Lesson mode y PART [L] button ..............................................page 38 [R] button ..............................................
Setting Up Setting Up Power Requirements Using Batteries Although the instrument will run either from an AC adaptor or batteries, Yamaha recommends use of an AC adaptor whenever possible. An AC adaptor is more environmentally friendly than batteries and does not deplete resources. This instrument requires six “AA” size, Alkaline (LR6)/ Manganese (R6) batteries, or rechargeable nickelmetal hydride batteries (rechargeable Ni-MH batteries).
Setting Up • This instrument cannot charge the batteries. Use only the specified charger device when charging. • Power will be automatically drawn from the AC adaptor if an AC adaptor is connected while batteries are installed in the instrument. Setting the battery type Depending on the battery type to be used, you may need to change the battery type setting on this instrument. Alkaline (and manganese) batteries are chosen by default.
Setting Up Adjusting the Master Volume Using a Pedal Setting Up To adjust the volume of the entire keyboard sound, use the [MASTER VOLUME] dial while playing the keyboard. CAUTION • Do not use the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss.
Display Items and Basic Operations Display Items Function status Arpeggio (page 20) Dual (page 17) Registration Memory Split (page 17) is not displayed alone. It is always displayed with or . appears for functions whose settings can be changed with the numeric buttons and [+/YES] / [-/NO] buttons. Touch Indication Lesson Indication This area indicates the Lesson related status is on.
Playing a Variety of Instrument Voices Reference In addition to piano, organ, and other “standard” keyboard instruments, this instrument has a large range of Voices that includes guitar, bass, strings, sax, trumpet, drums and percussion, and even sound effects—giving you a wide variety of musical sounds. Selecting a Main Voice Playing the “Grand Piano” 1 Press the [VOICE] button. The Voice number and name will be shown.
Playing a Variety of Instrument Voices Layering a Dual Voice In addition to the Main Voice, you can layer a different Voice over the entire keyboard as a “Dual Voice.” 1 Press the [DUAL] button to turn Dual on. 001CncertGP Appears when Dual is on Playing a Split Voice in the Left Hand area By dividing the keyboard into the two separate areas, you can play a different Voice between the Left hand and Right hand areas. 1 Press the [SPLIT] button to turn on Split.
Playing a Variety of Instrument Voices Changing the Touch Response of the Keyboard The keyboard of this instrument is equipped with a Touch Response feature that lets you dynamically and expressively control the level of the Voices according to your playing strength. 1 Press the [FUNCTION] button several times until “TouchRes” (Function 004; page 52) appears. After a few seconds, the current Touch Response appears.
Playing a Variety of Instrument Voices Articulation is an effect that reproduces the sounds of playing methods that are unique to specific instruments. The Articulation effect is applied to the sound only while holding down the [ARTICULATION] button. The Articulation effect is enabled only for S.Art Lite Voices (Super Articulation Lite Voices). The S.Art Lite Voices are indicated by “***” in Voice List (page 68).
Playing a Variety of Instrument Voices Adding Harmony or Arpeggio Reference You can add harmony or arpeggio notes to the Voice played on the keyboard. By specifying the Harmony Type, you can apply harmony parts, such as duet or trio, or add tremolo or echo effects to the played sound of the Main Voice. Also, when the Arpeggio Type is selected, arpeggios (broken chords) are automatically played back when you simply play the appropriate notes on the keyboard.
Playing a Variety of Instrument Voices To adjust the Harmony Volume: The method of sounding the Harmony effect (01–26) differs depending on the selected type. For Types 01–05, turn the Auto Accompaniment on and play it by pressing a chord in the auto accompaniment section of the keyboard, then play some keys in the right-hand side to produce the Harmony effect. For Types 06–26, turning auto accompaniment on or off has no effect. However, it is necessary to play two notes simultaneously for Types 06–12.
Playing the keyboard with two persons (Duo mode) When the Duo mode is activated on this instrument, two different players can play the instrument simultaneously, with the same sound, over the same octave range—one person on the left and the other on the right. This is useful for learning applications, in which one person (a teacher, for example) plays a model performance and the other person watches and practices while sitting at the first person’s side.
Playing Rhythm and Accompaniment (Style) This instrument includes an Auto Accompaniment feature that automatically plays appropriate “Styles” (rhythm + bass + chord accompaniment), controlled simply by playing root notes or chords with your left hand. You can select how you want to play the chords from two ways: “SmartChord,” which lets you play chords by playing a key with only one finger, and “Multi,” which lets you play them normally, with all the constituent notes.
Playing Rhythm and Accompaniment (Style) Playing Styles 02216Beat 1 Press the [STYLE] button, then use the number buttons [0]–[9], [+/YES], [-/NO] to select the desired Style. The Style List is provided on the front panel, or in the Style List (page 76). Flashes when sync start is on. 4 Play a key in the Auto Accompaniment range to start playback. Style Number 001BritRock Style Name Reference Appears when Style mode is active.
Playing Rhythm and Accompaniment (Style) 6 Play a chord with your left hand to start Style Variations playback of the Intro. Each Style consists of "Sections" that allow you to vary the arrangement of the accompaniment to match the song you are playing. For example, play a C major chord. For information on how to enter chords, refer to page 26. Split Point ... default setting: 054 (F#2) This is used for the beginning of the Song. When the Intro finishes, Style playback shifts to the Main section.
Playing Rhythm and Accompaniment (Style) Chord Types for Style Playback For users who are new to chords, this chart conveniently shows how to play common chords in the Auto Accompaniment range of the keyboard. Since there are many useful chords and many different ways to use them musically, refer to commercially available chord books for further details. When Multi is selected, play the notes that make up the chord in the automatic accompaniment range.
Playing Rhythm and Accompaniment (Style) Chords Heard When Smart Chord is Selected When you select Smart Chord and set Smart Chord Key based on the composition of the score (page 23), play the root note in the automatic accompaniment range. This lets you hear the respective chords below.
Playing Rhythm and Accompaniment (Style) Looking Up Chords Using the Chord Dictionary The Dictionary function is useful when you know the name of a certain chord and want to quickly learn how to play it. Dict. 001 2-2. 1 Press and hold the [1 LISTENING 2 TIMING 3 WAITING] button for longer than a second to call up “Dict.” Press the key labeled “M7” in the section between “ ” and “ .” The notes you should play for the specified chord are shown in the keyboard display. “Dict.
Playing Rhythm and Accompaniment (Style) If you have difficulty finding and selecting the desired Style and Voice, use this feature. From the Music Database, just selecting the favorite music genre calls up the ideal settings. 1 Press the [MUSIC DATABASE] button. Both the Auto Accompaniment and Synchro Start are automatically turned on. 001Jude 2 Hey Use the number buttons [0]–[9], [+/YES], [-/NO] to select the desired Music Database.
Playing Rhythm and Accompaniment (Style) Changing the Tempo Press the [TEMPO/TAP] button to call up the Tempo value, then use the number buttons, [-/NO] and [+/ YES] buttons to adjust the Tempo value. 090Tempo Current Tempo value Press the [+/YES] and [-/NO] buttons simultaneously to reset the value to the default tempo of the current Style or Song. Reference Using the Tap function While a Song or Style is playing back, press the [TEMPO/TAP] button just twice at the desired tempo to change the tempo.
Playing Songs You can simply enjoy listening to the internal Songs, or use them with just about any of the functions, such as Lesson. Song Category The Songs are organized by category as listed below. These demonstration songs showcase the various sounds of the instrument. Each of these songs has two variations: an easy one which even beginners can practice with ease, and another more challenging version.
Playing Songs BGM Playback With the default setting, pressing the [DEMO] button will play back only three internal Demo Songs repeatedly. This setting can be changed so that, for example, all internal Songs automatically play back, letting you use the instrument as a background music source. Song Fast Forward, Fast Reverse, and Pause Like the transport controls on an audio player, this instrument lets you fast forward (FF), rewind (REW) and pause (PAUSE) playback of the Song.
Playing Songs A-B Repeat Turning Each Part On/Off You can play back only a specific section of a Song repeatedly by setting the A point (start point) and B point (end point) in one-measure increments. A As indicated above the panel buttons (shown below), Songs other than Song numbers 125 to 154 consist of two Parts, which can be turned on or off individually by pressing the corresponding button, L or R. B Repeat playback of this section 1 Start playback of the Song (page 31).
Using the Song Lesson Feature Use these convenient features to practice the preset Songs and improve your playing skills. The lessons are arranged for optimum, enjoyable learning, so select the one suitable for you, and take your keyboard skills higher, step by step. You can refer to the music score in the Song Book (free downloadable scores). To obtain the SONG BOOK, access the Yamaha website and download it from the product web page. https://www.yamaha.
Using the Song Lesson Feature In addition, various learning functions are provided for your enjoyable playing experience as follows: Touch Tutor (page 40) Lets you learn how hard or soft to play the keys for more expressive performances. Chord Study (page 41) Lets you hear and experience the sound of the chords to use styles efficiently. Chord Progressions (page 42) Lets you hear and experience standard chord progressions.
Using the Song Lesson Feature 6 Confirm the evaluation in the current Step. When the current Step reaches the end, your performance will be evaluated and your score (from 0–100) is shown in the display. Confirming the Passing Status You can confirm the passing status of each Song simply by selecting a Song and each Step. When Step is selected 068Excellen Step01 001 Displayed when you’ve passed the Step.
Using the Song Lesson Feature Practicing two or more Phrases Phrase Repeat You can practice a difficult phrase repeatedly by selecting a specific number of the Phrase Marks preprogrammed in the Preset Songs (excepting the Song numbers 001–003, 103–154). You can confirm the Phrase Mark location in the Song Book (page 8). NOTE • Phrase Mark is a pre-programmed marker in certain Song data, which indicates a specific location in the Song.
Using the Song Lesson Feature Listening, Timing and Waiting Lesson 1—Listening In this Lesson, you need not play the keyboard. The model melody/chords of the part you selected will sound. Listen to it carefully and remember it well. Lesson 2—Timing In this Lesson, simply concentrate on playing the notes with the correct timing. Even if you play wrong notes, the correct notes shown in the display will sound. Reference Lesson 3—Waiting In this Lesson, try playing the correct notes shown on the display.
Using the Song Lesson Feature When the “Guide” function is on, you can hear the Guide note while you are practicing with Lesson 3 (Waiting), and this is ideal when you are not sure of which keys to play next. The Guide note will sound slightly behind the timing to indicate the correct note, when you fail to play the correct note with the correct timing. When you play the correct note with the correct timing, the Guide note will not sound and the playback continues.
Learning How to Use “Touch” Control (Touch Tutor) This learning feature lets you practice how hard or soft to play the keys for musical expression, referred to as “Touch” in this chapter, by playing back Song numbers 103 to 112 (in the “Touch Tutor” category). Playing back Songs from this category shows indications for the appropriate playing strength. Try playing according to the level displayed in the LCD as the Song progresses.
Hearing and Experiencing the Sound of the Chords (Chord Study) You can hear and experience the sound of the chords used in a typical performance by playing back Song numbers 113 to 124 (in the “Chord Study” category). Song numbers 113 to 119 are very simple songs consisting of a single chord (C, Dm, Em, F, G, Am, Bm; respectively) played in various positions, letting you listen to and master the chords one by one.
Playing Chords along with Chord Progressions of a Song Song numbers 125 to 154 in the “Chord Progression” category are constructed from typical chord progressions. You can listen to and get a feel for the chord progressions by playing back the Song and playing the keyboard while looking at the keyboard indications shown on the display.
Recording Your Performance You can record up to 5 of your performances as User Songs (User 1–5: Song numbers 155–159). The recorded User Songs can be played back on the instrument. The recorded User Song can be played back in the same way as the preset Songs. You can record your performance to the following two tracks of a User Song individually or simultaneously. Track 1: Your melody performance is recorded to this track.
Recording Your Performance Recording to a Specified Track 1 Make the desired settings, such as those When playing back the recorded song, pressing [REC TRACK 1] or [REC TRACK 2] button allows you to mute Track 1 or Track 2. Each time the button is pressed, playback/mute is switched. of Voice or Style. The L (TRACK 1) and R (TRACK 2) indicators light when the respective track contains data. They are unlit when the respective track is muted, even if the track contains data.
Memorizing Your Favorite Panel Settings This instrument has a Registration Memory feature that lets you memorize your favorite settings for easy recall whenever they’re needed. Up to nine complete setups can be memorized and assigned to each number button 1–9. (Factory settings are recorded to 1-9.) 1 Press the [REGIST MEMORY] button. “LoadNo.?” appears on the display. LoadNo.? Factory settings Registration Memory Number Voice Name in Memory R01 S.Art Lite Nylon Guitar Harmonics R02 S.
Memorizing Your Favorite Panel Settings Memorizing Panel Settings to the Registration Memory 1 Make the desired settings such as those for Voice and Style. 2 Deleting the Registration Memory 1 Hold down the [REGIST MEMORY] button for longer than a second. “MemNo?” is shown in the display. Press and hold down the [REGIST MEMORY] button for longer than a second. MemNo.? “MemNo.?” appears on the display. MemNo.? Reference Hold for longer than a second.
Selecting an EQ Setting for your Favorite Sound Six different master equalizer (EQ) settings let you create the optimum sound when listening through different reproduction systems—the instrument’s internal speakers, headphones, or an external speaker system. 1 Press the [FUNCTION] button several times until the “MasterEQ” (Function 025; page 53) item appears on the display. “MasterEQ” is shown in the display for a few seconds, and the current Master EQ type appears.
Playing an Device with the Built-in Speakers CAUTION • Before connecting, turn off the power of both this instrument and the external audio device. Also, before turning the power on or off, make sure to set all volume levels to minimum (0). Otherwise, damage to the devices, electrical shock, or even permanent hearing loss may occur. You can output the sound of an audio device, such as a smartphone, with the built-in speakers of this instrument by connecting it via a cable.
Playing an Device with the Built-in Speakers Lowering the volume of a melody part (Melody Suppressor function) When you output the audio sound of an external audio device or a computer connected to the [AUX IN] jack or the [USB TO HOST] terminal through this instrument, you can cancel or lower the volume of the melody part of audio playback. You can use the function to practice the melody part along with the audio playback.
Using with a Computer or Smart Device Connecting to a computer Connecting the [USB TO HOST] terminal of this instrument and the computer via a USB cable allows you to do the following. USB terminal Operation method Operate on a computer. Refer to “Computer-related Operations” on the website (page 8). Files that can be transferred [USB TO HOST] terminal computer File transfer when Storage Mode is set to on instrument Reference USB cable When Storage Mode (Function 056; page 55) is set to on.
Backup and Initialization Backup Parameters The following Backup parameters will be maintained even if the power is turned off. Initialization You can initialize your original data via the following two methods.
The Functions The Functions settings provide access to a range of detailed instrument parameters such as Tuning, Split Point, Voices and Effects. 1 Press the [FUNCTION] button several 2 Set the value by using the number but- times until the desired item appears. tons [0]–[9], [+/YES], [-/NO]. Each time the [FUNCTION] button is pressed, the Function number increases one by one. To decrease the Function number by one, simultaneously hold down the [FUNCTION] button and press the [-/NO] button briefly.
The Functions Function Number Function name Display Range/Settings Default Value Descriptions Dual Voice (page 17) 008 Dual Voice D.Voice 001–622 * Determines the Dual Voice. 009 Volume D.Volume 000–127 * Determines the volume of the Dual Voice. 010 Octave D.Octave -2 – +2 * Determines the octave range for the Dual Voice. 011 Chorus Depth D.Chorus 000–127 * Determines how much of the Dual Voice’s signal is sent to the Chorus effect. Split Voice (page 17) 012 Split Voice S.
The Functions Function Number Function name Display Range/Settings Default Value Descriptions Metronome (page 16) 030 Time Signature Numerator TimeSigN 00–60 ** Determines the time signature of the Metronome. 031 Time Signature Denominator TimeSigD Half note, Quarter note, Eighth note, Sixteenth note ** Determines the length of each metronome beat. 032 Metronome Volume MetroVol 000–127 100 Determines the volume of the Metronome.
The Functions Function Number 047 Function name Voice Freeze Display Range/Settings Default Value Descriptions VoiceFrz ON/OFF OFF When you want to call up the Registration Memory without overwriting the current Voice setting, select “ON.” ON/OFF OFF Select “ON” to divide the keyboard range into the left section and right section.
Troubleshooting Appendix Problem Possible Cause and Solution When the instrument is turned on or off, a popping sound is temporarily produced. This is normal and indicates that the instrument is receiving electrical power. When using a mobile phone, noise is produced. Using a mobile phone in close proximity to the instrument may produce interference. To prevent this, turn off the mobile phone or use it further away from the instrument.
Troubleshooting Possible Cause and Solution The volume is too soft. The sound quality is poor. The rhythm stops unexpectedly or will not play. The recorded data of the song, etc. does not play correctly. • The LCD display suddenly goes dark, and all panel settings are reset. The batteries are low or dead. Replace all six batteries with completely new ones, or use the included AC adaptor. Power suddenly and unexpectedly turns off.
Song Book Sample This score is provided with the part of the song book (free downloadable scores). The song book contains not only the scores for all internal songs (excepting Songs 1–3) but also music terms and important points for your practice. To obtain this SONG BOOK, access the Yamaha website and download it from the product web page. Yamaha Global Site https://www.yamaha.com * The Song book is provided in English, French, German and Spanish. This example introduces part of the English song book.
Song Book Sample Before Playing... Sit Correctly Finger Numbering 3 2 4 3 2 4 5 5 1 1 Left Right Sit near the middle of the keyboard.
Song Book Sample Song No.004 Song No.004 Basic Für Elise With Step Map Play with both hands as if gently telling a story. It might help to sing or hum the melody as you play. Similar melody lines and rhythms are repeated in this song, so there aren’t as many sections to practice as you might think. Enjoy learning each section as you build proficiency. Appendix From here...
Song Book Sample Song No.004 Song No.004 Für Elise Basic From here... Appendix ...to here Für Elise Basic ...
Song Book Sample Für Elise Basic Song No.004 Für Elise Basic Let’s start with a warm-up exercise using three fingers of the right hand. ise Warm-up Exercise - “The Semitone Mystery” ed for this us erc ex Finge rs Song No.004 Right We’ll start by ascending and descending the white and black keys. Check out the illustrations until you understand how the fingers are supposed to move, then get started! You’ll find it easier to play if you bend your fingers slightly.
Song Book Sample Song No.004 Song No.004 Für Elise Basic Für Elise Basic Diligent Practice Time Right! Now that we’re warmed up let’s try playing along with the orchestra in 3/4 time. The melody will be built up little by little. Appendix Compare each line... notice that many of the shapes formed by the notes are very similar.
Song Book Sample Song No.004 Für Elise Basic Song No.004 Für Elise Basic M i d d l e Left hand Warm-up Exercise - “Basic Accompaniment” E A E A And now a warm-up exercise for the left hand. It’s important to spread your fingers widely from the start. Don’t play the black keys too strongly. Appendix Diligent Practice Time Connect the notes smoothly, as if the left hand were passing them to the right hand.
Song Book Sample Für Elise Basic Song No.004 Song No.004 Für Elise Basic First Half Review You’ve reached the halfway step! Have you learned all the material provided in the preceding steps? Now let’s go back and play through all the first-half exercises. If you find that you’re having trouble Appendix playing any of the material, go back and review the steps using the Step Map as a guide.
Song Book Sample Song No.004 Für Elise Basic Song No.004 Für Elise Basic Left hand Jump to the next E! And again! Warm-up Exercise - “The Jump Competition” The first note has a staccato dot. Spread your fingers wide and jump quickly to the next note! M i d d l e E fingers! You can play t with only se the his Appendix “EEEEE!” The only note in this step is E! Make the connection between the left and right hands as smooth as possible.
Song Book Sample Für Elise Basic Song No.004 Song No.004 Für Elise Basic “Left! Right! Left! Right!” Play “D E” repeatedly, alternating the left and right hands. Have the next hand ready in position to play D so you won’t have to rush. Right Appendix Left Second Half Review Try playing all the way through the second half. As we did after the first half, if there are places you can’t play with confidence go back and review the steps.
Voice List Maximum Polyphony The instrument has 48-note maximum polyphony. This means that it can play a maximum of up to 48 notes at once, regardless of what functions are used. Auto accompaniment uses a number of the available notes, so when auto accompaniment is used the total number of available notes for playing on the keyboard is correspondingly reduced. The same applies to the Split Voice and Song functions.
Voice List 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 Bank Select MIDI Program Voice Name MSB LSB Change# (0–127) (0–127) (1–128) 0 112 46 Pizzicato Strings 0 116 46 Orchestra Pizzicato Strings 0 113 41 Sweet! Violin 0 112 41 Violin 0 112 43 Cello 0 112 44 Contrabass 0 112 47 Harp 0 112 56 Orchestra Hit CHOIR 8 96 55 S.
Voice List Voice No.
Voice List XGlite Voice List 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 Bank Select MIDI Program Voice Name MSB LSB Change# (0–127) (0–127) (1–128) XG PIANO 0 0 1 Grand Piano 0 1 1 Grand Piano KSP 0 40 1 Piano Strings 0 41 1 Dream 0 0 2 Bright Piano 0 1 2 Bright Piano KSP 0 0 3 Electric Grand Piano 0 1 3 Electric Grand
Voice List Voice No.
Voice List 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 Bank Select MIDI Program Voice Name MSB LSB Change# (0–127) (0–127) (1–128) 0 0 96 Sweep Pad XG SYNTH EFFECTS 0 0 97 Rain 0 64 97 Harmo Rain 0 65 97 African Wind 0 66 97 Carib 0 0 98 Sound Track 0 27 98 Prologue 0 0 99 Crystal 0 12 99 Synth Drum Comp 0 14 99 Popc
Standard Kit 1 List • For drum kits other than Standard Kit 1, refer to “Drum Kit List” on the website (page 8).
Song List 001 002 003 004 005 006 007 008 009 010 011 012 013 014 015 016 017 018 019 020 021 022 023 024 025 026 027 028 029 030 031 032 033 034 035 036 037 038 039 040 041 042 043 044 045 046 047 048 049 050 051 052 053 054 055 056 057 058 059 060 Song Name TOP PICK Demo 1 (Yamaha Original) Demo 2 (Yamaha Original) Demo 3 (Yamaha Original) LEARN TO PLAY Für Elise (Basic) (L. v. Beethoven) Für Elise (Advanced) (L. v.
Style List Style No.
Style List 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 Style Name GoanPop Rajasthan Dandiya Qawwali FolkHills ModernDangdut1 Keroncong ModernDangdut2 DangdutUmum DangdutSlowLegend Dangdut3/4 KoploRampak LanggamModern DangdutJawa Congdut VietnamesePopBallad Vietnamese6/8Ballad XiQingLuoGu YiZuMinGe JingJuJieZou BALLROOM VienneseWaltz EnglishWaltz Slowfox Foxtrot Quickstep Tango Pasodoble Samba ChaChaCha Rumba Jive TRADITIONAL US March 6/8M
Music Database List MDB No. MDB Name MDB No. MDB No.
Music Database List MDB No.
Effect Type List Harmony Types No. Harmony Type 001 Duet 002 Trio 003 Block 004 Country 005 Octave 006 Trill 1/4 note 007 Trill 1/6 note Description If you want to sound one of the harmony types 01–05, play keys to the right side of the Split Point while playing chords in the left side of the keyboard after turning Auto Accompaniment on. One, two or three notes of harmony are automatically added to the note you play.
Effect Type List Arpeggio Types Arpeggio Name UpOct DownOct UpDwnOct SynArp1 SynArp2 SynArp3 SynArp4 SyncEcho PulsLine StepLine Random Down&Up SuperArp AcidLine TekEcho VelGruv Planet Trance1 Trance2 Trance3 ChordAlt SynChrd1 SynChrd2 Syncopa Hybrid1 Hybrid2 Hybrid3 Hybrid4 Hybrid5 PfArp1 PfArp2 PfArp3 PfArp4 PfClub1 PfClub2 PfBallad PfChd8th EPArp PfShufle PfRock Clavi1 Clavi2 RocknPf 70RockPf SlowflPf SoulPf ChordUp ChdDance LatinRck Salsa1 Salsa2 Reggae1 Reggae2 Reggae3 6/8R&B Gospel BalladEP Strum1 Str
Effect Type List Reverb Types No. 01–04 Reverb Type Description Hall 1–4 Concert hall reverb. 05 Cathedral Rich reverb simulating the acoustics of a cathedral. Good for pipe organ sounds. 06–08 Room 1–3 Small room reverb. 09–10 Stage 1–2 Reverb for solo instruments. 11–12 Plate 1–2 Simulated steel plate reverb. Off No effect. 13 Chorus Types No. 1–3 4–5 6 Chorus Type Description Chorus 1–3 Conventional chorus program with rich, warm chorusing.
Effect Type List No. DSP Type Description Tempo Auto Pan Tempo-synchronized auto pan. 34 Echo Two delayed sounds (L and R), and independent feedback delays for L and R. 35 Cross Delay The feedback of the two delayed sounds is crossed. 36 Compressor Medium Compressor with medium setting. 37 3Band EQ A mono EQ with adjustable LOW, MID, and HIGH equalization. 38 Harmonic Enhancer Adds new harmonics to the input signal to make the sound stand out.
Specifications Product Name Dimensions (W x D x H) Size/Weight Weight Keyboard Control Interface Display Panel Tone Generation Number of Keys Touch Response Type Backlight Language Language Tone Generation Technology Polyphony (max.
Specifications AC Adaptor Power Supply Power Supply Batteries Power Consumption Auto Power Off Included Accessories Users within U.S or Europe: PA-130 or an equivalent recommended by Yamaha Others: PA-3C,PA-130 or an equivalent recommended by Yamaha Six 1.5 V “AA” size alkaline (LR6), manganese (R6) or six 1.
Index Appendix A F A-B Repeat ..............................33 AC Adaptor .............................. 12 Accessories .............................85 ACMP ......................................24 Arpeggio ..................................20 Arpeggio Type .........................81 Arpeggio Velocity.....................53 Articulation............................... 19 audio........................................48 Audio data communication by USB .................................50 Audio Device .....
Index U USB TO HOST ........................50 User Songs..............................43 V Voice........................................ 16 Voice List .................................68 Volume.....................................14 Volume (Dual Voice) ................53 Volume (Harmony)...................53 Volume (Main Voice)................52 Volume (Metronome) ...............54 Volume (Split Voice) ................53 W Waiting.....................................38 X XGlite.........................
Information for users on collection and disposal of old equipment and used batteries: These symbols on the products, packaging, and/or accompanying documents mean that used electrical and electronic products and batteries should not be mixed with general household waste. For proper treatment, recovery and recycling of old products and used batteries, please take them to applicable collection points, in accordance with your national legislation.
LIMITED 1-YEAR WARRANTY ON PORTABLE KEYBOARDS (NP, PSRE, PSREW, PSRF, PSRI, PSS, SHS, EZ, DGX230, DGX530, YPG AND YPT SERIES) Thank you for selecting a Yamaha product. Yamaha products are designed and manufactured to provide a high level of defect-free performance. Yamaha Corporation of America (“Yamaha”) is proud of the experience and craftsmanship that goes into each and every Yamaha product.
For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below. FRANCE NORTH AMERICA OTHER REGIONS Yamaha Music Europe 7 rue Ambroise Croizat, Zone d'activités de Pariest, 77183 Croissy-Beaubourg, France Tel: +33-1-6461-4000 CANADA Yamaha Canada Music Ltd. 135 Milner Avenue, Toronto, Ontario M1S 3R1, Canada Tel: +1-416-298-1311 ITALY U.S.A. Yamaha Corporation of America 6600 Orangethorpe Avenue, Buena Park, CA 90620, U.S.A.
Yamaha Global Site https://www.yamaha.com/ Yamaha Downloads https://download.yamaha.com/ Manual Development Group © 2020 Yamaha Corporation Published 10/2020 POTY*.
