User Guide

Using the internal effects
86
Chapter
5
Operation section
Switching between pre-fader/
post-fader
Here’s how to select the output position (pre-fader/
post-fader) from which the signal will be sent from
each channel to AUX bus 5.
1
Press the [AUX 5] key [F3] key.
The AUX5/EFF1 screen Pre/Post page will appear.
Here you can select either pre-fader or post-fader
as the point from which the signal will be output
from each channel to AUX bus 5 and sent to
effect 1.
A Input channels
B Monitor channels
C Return channel
D PRE/POST button
E ON/OFF button
2
To switch between pre-fader and post-
fader, move the cursor to the PRE/POST
button of the corresponding channel, and
press the [ENTER] key.
Each time you press the [ENTER] key, the display
will alternate between PRE (pre-fader) and POST
(post-fader). (With the default settings of the
song, all channels will be set to POST.)
If PRE (pre-fader) is selected, the signal can be
sent to AUX bus 5/effect 1 without regard to the
position of the channel faders. If POST (post-
fader) is selected, the signal that has passed
through the faders will be sent to AUX bus 5/
effect 1. (This means that no effect will be
applied to a channel whose fader is turned
down.)
Tip!
If you move the cursor to the PRE button or POST
button in the GBL area at the right of the display
and press the [ENTER] key, all channels will switch
to pre-fader or post-fader.
It is not possible to send the signal from return
channel 1 to effect 1 (AUX bus 5), or from return
channel 2 to effect 2 (AUX bus 6). This is to prevent
a loop from occurring between the return channel
and the effect.
Because of the reason described above, return chan-
nel 1 (return channel 2) is not displayed in the
AUX5/EFF1 screen (AUX6/EFF2 screen) Pre/Post
page.
3
Make sure that the ON/OFF button is
turned ON for each channel to which you
want to apply the effect.
The ON/OFF buttons are used to switch the AUX
send on/off for each channel. If a button is turned
OFF, move the cursor to that button and press the
[ENTER] key.
2
3
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