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Table of contents Table of contents EQ and Dynamics ..................................................................... 58 How to Use This Reference Manual .......................................................................... 1 Using EQ ................................................................................................................ 58 Using dynamics ......................................................................................................
Table of contents Using cascade connections ................................................................................... Basic settings for MIX buses and MATRIX buses .................................................... Switching the entire phantom power supply on/off.............................................. Specifying the brightness of the touch screen, LEDs, channel name displays, and lamps .................................................................................................
Function Tree Function Tree MIX SEND/MATRIX SEND Page numbers in parentheses ( ) are the page numbers of the Owner's Manual(booklet).
Function Tree SETUP OUTPUT PORT MIDI/GPI PATCH 56 165, 237 PORT SELECT 23, 25, 106, 113, 155, 222 CH SELECT 20, 126, 174, 209 MIDI SETUP 166 PROGRAM CHANGE 168 CONTROL CHANGE 171 GPI 238 Others FADER START 241 CONFIRMATION 196 BUS SETUP 223 SOFT KEYBORD (21) CONSOLE LOCK 210 LOGIN 191 DATE/TIME 225 NETWORK 226 Startup Menu DANTE SETUP 226 MODE SELECT SCENE SCENE LIST 88 GLOBAL PASTE 93 Fade time 97 SONG SELECT 100 FOCUS RECALL 95 RECORDER 245 INITIALIZE ALL MEM
SELECTED CHANNEL section SELECTED CHANNEL section • Even if a different screen is selected, the channel selected with the [SEL] key can be set using the knobs of the SELECTED CHANNEL section. In this case, a window indicating the value of that parameter will appear on screen when you operate a knob.
SELECTED CHANNEL section SELECTED CHANNEL VIEW screen If the destination bus channels are two mono channels: 1 2 3 1 SEND knob Adjusts the send level to the corresponding bus. 2 PRE indicator The type of the corresponding bus is indicated. If the type is VARI [PRE EQ] or VARI [PRE FADER], and if the PRE button on the MIX SEND 8ch screen is turned ON, the type is displayed. 3 ON button Switches the send signal to the corresponding bus on or off.
SELECTED CHANNEL section GAIN/PATCH field PAN/BALANCE field This field enables you to make HA (head amp) analog or digital gain settings. You can also view the operational status of the head amp. This field enables you to switch the on/off status of the signal sent from the selected channel to the STEREO/MONO bus, and adjust the pan and balance. The view and the function of the controllers in this field vary depending on the type of the selected channel.
SELECTED CHANNEL section EQ parameter field When using Surround mode (MIX1- MIX6) 3 DOWN MIX This field enables you to view the downmix coefficient and L/R button settings. Press this field to open the TO STEREO/MONO window. This field displays the 4-band EQ parameter settings. Press each knob to open the HPF/EQ 1ch window. 3 1 Q knob Specifies the Q for each band. If the HIGH band filter type is set to LPF or H.SHELF (highshelving), or the LOW band filter type is set to L.
SELECTED CHANNEL section EQ graph field INSERT field This field graphically indicates the approximate response of the EQ. Press this field to open the HPF/EQ 1ch window, in which you can set the attenuator, HPF, and EQ. This field enables you to make insert settings. 1 1 Popup button 2 Press this button to open the INSERT/DIRECT OUT 1ch window. 2 ON button 3 4 Switches the insert on or off. 3 RACK EDIT button Appears if an effect or Premium Rack is inserted.
SELECTED CHANNEL section FADER field When the mute group tab is selected: This field enables you to make settings for the channel on/off status and the level. 4 Mute group select buttons 1 Fader Displays the current level. Use the faders on the top panel to set the levels. 2 Level indicator 5 Select the mute group to which the channel is assigned. 2 NOTE 1 If the dimmer level is set to the mute group, this button lights orange.
Centralogic section Centralogic section Operations in the Centralogic section The Centralogic section located below the touch screen lets you recall and simultaneously control a set of eight input channels, output channels, or DCA groups. If you press one of the Bank Select keys, the channels or DCA groups corresponding to that key will be assigned to the Centralogic section, and can be controlled using the faders, [ON] keys, and [CUE] keys in the Centralogic section. STEP 1.
Centralogic section GAIN/PATCH field OVERVIEW Screen This field enables you to make HA (head amp) analog or digital gain settings. You can also view the operational status of the head amp. The view and the function of the controllers in this field vary depending on the type of the selected channel. If the head amp is patched: 2 3 4 1 1 GAIN knob Sets the analog gain of the head amp.
Centralogic section DYNAMICS 1/2 field If the slot is patched: The slot name will appear. This field displays the threshold value and meter for Dynamics 1/2. Press this field to open the DYNAMICS 1/2 1ch window. NOTE If the rack is connected: The patch and module name will appear. If DCA or monitor has been selected, this field will be blank. SEND field If the output is connected: Only the patch will appear.
Centralogic section If the destination bus is set to FIXED: The SEND ON/OFF button for each bus is shown instead of the knob. DCA group field TO STEREO/MONO field Mute group field This field displays the on/off status and pan/balance setting of the signal sent to the STEREO/ MONO bus. This field varies depending on the type of the selected channel. A mute group (1-8) to which the channel is assigned is displayed on the third row in this field.
Input and output patching Input and output patching Output port (jack/port) This chapter explains how to edit the input patching and output patching, how to connect inserts, and how to use direct outputs. When the CL series is in the initial state, the following input ports (jacks/ports) are patched to each input channel.
Input and output patching Changing the input patching Input patching CL series consoles and I/O devices feature two types of patching: Dante audio network patching and CL console internal patching. For Dante audio network patching, you will use the DANTE INPUT PATCH window. In this window, you can patch the CL console and I/O device inputs. Sixty-four (64) channels can be input from a Dante audio network to a CL series console.
Input and output patching PATCH/NAME screen 2 • PREMIUM RACK...PR1L(A) - PR2R(B) 3 5 Port select buttons 7 Select the input port that is assigned to the currently-selected channel. 6 Tabs Enable you to switch between items. 1 7 Close button Closes the screen.
Input and output patching 7 Port select buttons PATCH/NAME screen 3 4 From the category, these buttons let you select the port to patch. To cancel the selection, press the button once again. 5 9 8 Tabs Enable you to switch between items. 1 9 Close button Closes the screen. Selecting the output channel for each output port 2 7 STEP 1. In the Function Access Area, press the SETUP button. 2. Press the OUTPUT PORT button in the SYSTEM SETUP field located in the center of the SETUP screen. 3.
Input and output patching Inserting an external device into a channel CH SELECT screen You can insert an effect processor or other external device into the signal path of an INPUT, MIX, MATRIX, STEREO, or MONO channel. When doing so, the type of input/output port used for the insertion and the location of the insertion in/out can be specified individually for each channel. STEP 1. Connect your external equipment to an OMNI IN/OUT jack or to an I/O card installed in slots 1 - 3. 2.
Input and output patching • If you exceed the INSERT OUT or INSERT IN limitation, the INSERT/DIRECT OUT screen (1ch) indicator will light up on the left. 3 < 6 78 < 9 1 2 4 5 INSERT field This field enables you to make insert settings. Press one of three fields to choose PRE EQ (immediately before the EQ), PRE FADER (immediately before the fader), or POST ON (immediately after the [ON] key) as the insert position. NOTE You can set the I/O ports to function as an insert for each block.
Input and output patching INSERT IN HA field INSERT/DIRECT OUT screen (8ch) This field will appear if you have selected an input port (that features a head amp) as the insert-in. 1 6 +48V button Switches head amp phantom power (+48V) (currently-selected for insert 1 and insert 2) on or off. 2 7 A.GAIN knob 3 Indicates the currently-selected head amp analog gain setting for insert 1 and insert 2. Press these knobs to control the parameter values using the multifunction knobs.
Input and output patching PORT SELECT screen Directly outputting an INPUT channel Displayed when you press either the INSERT OUT or INSERT IN button in the one-channel or the eight-channel INSERT/DIRECT OUT window. Set the input/output port used for insertion. The signal of an INPUT channel can be output directly from an OUTPUT jack on the I/O device, from the desired OMNI OUT jack, or from the output channel of a desired slot. STEP 1.
Input and output patching INSERT/DIRECT OUT screen (1ch) INSERT/DIRECT OUT screen (8ch) 4 6 1 2 3 1 2 4 3 5 1 DIRECT ON button Switches the Direct Out on or off. The currently-selected Direct Out point is indicated above the button. 1 DIRECT OUT field Enables you to make settings for direct output.
Input and output patching PORT SELECT screen Displayed when you press the DIRECT OUT PATCH button in the one-channel or the eightchannel INSERT/DIRECT OUT window. Set the output port used for direct output. 2 1 3 1 Category select list Selects the category of output port. The categories correspond to the following output ports. The displayed categories vary depending on the channel type. • OMNI/REC .............OMNI1-OMNI8, REC IN(L), REC IN(R) • SLOT1....................SLOT1(1) - SLOT1(16) • SLOT2.....
Input channels Input channels STEREO channels These channels are used to process stereo signals. When the CL series console is in the default state, the input signal from the EFFECT RACK 1 - 8 is assigned. This chapter explains various operations for input channels.
Input channels Specifying the channel name/icon • Pan Adjusts the panning of signals sent from the input channel to the STEREO bus. For the STEREO channel, you can switch between PAN and BALANCE. The BALANCE parameter adjusts the volume balance of the left/right signals sent from the STEREO channel to the STEREO bus. You can turn on PAN LINK in the BUS SETUP window so that the setting of the PAN parameter will also be applied to signals sent to two MIX or MATRIX buses that are set to stereo.
Input channels When selecting the ICON tab PATCH/NAME screen When selecting the PATCH tab 2 3 5 1 1 2 3 1 Channel color select buttons Select a channel color. 4 2 Icon select buttons 1 PATCH button Select a channel icon. Indicates the currently-patched port. If you press this button when another tab is active, a window will appear, enabling you to select the network and port. 3 Sample name setup buttons Select a preset sample name. You can edit the name on the NAME tab later.
Input channels When selecting the NAME tab You can directly enter a channel name on the keyboard screen. OVERVIEW screen GAIN/PATCH window (1 ch) NOTE • The PAD will be switched on or off internally when the HA gain is adjusted between +17 dB and +18 dB. • Keep in mind that noise may be generated if there is a difference between the Hot and Cold output impedance of the external device connected to the INPUT connector when using phantom power.
Input channels 9 AG-DG LINK button NOTE • If a slot is patched to the channel, the type of the slot/MY card and the slot meter will be displayed. • If a rack is patched, the type of rack and type of effect will be displayed. If this button is turned on and GC (Gain Compensation) is enabled, you can link the digital gain to the analog gain operation.
Input channels 1 Channel select button 3 HA section Indicates the channel icon, number, and name. When you press this button, the corresponding channel will become a target for operations in the SELECTED CHANNEL section, and the corresponding [SEL] key will light. Appears if the head amp is patched to the input channel. NOTE If the slot (for which the connection to the head amp is not recognized) is patched, the type of the MY card will be displayed.
Input channels 2 OVER indicator GAIN/PATCH window (1-48, 49-72/ST IN (CL5), 49-64/ST IN (CL3), ST IN (CL1)) Lights when a signal at the input port or from the rack output exceeds the full scale level. This indicator is available only if an input channel is selected. This window displays the head amp settings of the corresponding input channels. Here you can also adjust the head amp gain in groups of the selected eight channels by using the multifunction knobs in the Centralogic section.
Input channels Relationship between analog and digital gain while Gain Compensation is on • The panning of a signal sent from an input channel to the STEREO bus L/R is controlled by the TO ST PAN knob. (Signals sent to the MONO bus are not affected by this knob.) • The left/right volume balance of a signal sent from an ST IN channel to the STEREO bus is controlled by this knob.
Input channels TO STEREO/MONO window (8ch) STEP 1. Set the phantom power, gain, and phase of the input channel from which you want to send the signal to the STEREO/MONO bus. 2. Use the Bank Select keys in the Centralogic section to select the input channel from which you want to send the signal to the STEREO/MONO bus. 3. In the STEREO/MONO field, press a knob to select the channel you want to adjust in the OVERVIEW screen, and then press the knob once again. 4.
Input channels 6 TO ST PAN/TO ST BALANCE knob TO STEREO/MONO window (CH 1-48, CH 49-72/ST IN (CL5), CH 49-64/ST IN (CL3), ST IN (CL1)) For MONO channels, this acts as a PAN knob that adjusts the left/right panning of signals sent to the STEREO bus. For STEREO channels, this acts as a PAN knob, and also as a BALANCE knob that adjusts the volume of the left and right signals sent to the STEREO bus. To adjust the value, press the knob to select it, and then operate the corresponding multifunction knob.
Input channels When the CSR knob is set to 100% Signal level when LCR mode is selected If LCR mode is selected, the signal level sent to the STEREO (L/R) bus and MONO (C) bus will vary according to the settings of the CSR knob and the TO ST PAN knob. Signal level Signal sent to the MONO (C) bus When the CSR knob is set to 0% (MONO channel) The TO ST PAN knob operates as a conventional PAN knob, and no signal is sent to the MONO (C) bus.
Input channels Sending a signal from an input channel to a MIX/ MATRIX bus The MIX buses are used mainly for the purpose of sending signals to foldback speakers on stage, or to external effect processors. The MATRIX buses are used to produce a mix that is independent of the STEREO bus or MIX buses, and is typically sent to a master recorder or to a backstage monitoring system. You can send a signal from an input channel to a MIX/MATRIX bus in the following three ways.
Input channels If the MIX/MATRIX bus is a stereo bus You can link the main parameters of two adjacent odd/even-numbered MIX/MATRIX buses. If the send-destination MIX/MATRIX bus is assigned as stereo, the left knob of the two adjacent TO MIX/MATRIX SEND LEVEL knobs will operate as the TO MIX/MATRIX PAN knob. (If BALANCE mode is selected in the TO STEREO/MONO window, it will operate as a BALANCE knob).
Input channels 4 Send destination select buttons Using the faders (SENDS ON FADER mode) Select MIX/MATRIX buses as the send destination. You can use the faders on the top panel to adjust signals that are sent from all input channels to a specific MIX/MATRIX bus. 5 Channel select button Selects the send-source channel that you wish to control. The current channel icon, number, and color appear on the button, and the channel name appears below the button. STEP 1.
Input channels Channel name display indication • You can assign the SENDS ON FADER function to a USER DEFINED key. This lets you quickly switch to SENDS ON FADER mode for a specific MIX/MATRIX bus, and quickly switch back again. In SENDS ON FADER mode, ON/OFF is indicated for the channel. SENDS ON FADER mode CHANNEL ON 1 3 CHANNEL OFF On the PREFERENCE page in the USER SETUP pop-up window, the channel number is shown if NAME DISPLAY is set to “NAME ONLY”.
Input channels SELECTED CHANNEL VIEW screen 2 Channel select button INPUT DELAY screen The currently-selected input channel is indicated in blue. Press the button to select the channel. NOTE 3 Delay setting knob (input channels only) If you are viewing the 8 ch INPUT DELAY screen, you can use the Bank Select keys in the Centralogic section to switch the channels being controlled in groups of eight. You can use the multifunction knob to adjust the delay.
Input channels INPUT DELAY (CH 1-48, CH 49-72/ST IN (CL5), CH 49-64/ST IN (CL3), ST IN (CL1)) Additional functions for stereo input channels With V3, you can temporarily set the signals sent to a stereo input channel as mono. You can select from the following three settings. 1 L-MONO 2 3 Only the L channel is temporarily set as a mono signal. ON PAN/BAL ON PAN/BAL STEREO L STEREO R STEREO IN Lch STEREO IN Rch R-MONO Only the R channel is temporarily set as a mono signal.
Input channels 1 LR-MONO SELECT field LR-MONO Select one of the four buttons. The button you select lights up, and the others go off. The signals sent to both channels are temporarily set as mono signals. ON PAN/BAL STEREO L STEREO R Normal STEREO setting STEREO IN Lch L-MONO R-MONO ON PAN/BAL STEREO IN Rch LR-MONO If a stereo input channel is selected, the OVERVIEW screen will appear as shown below.
Input channels Surround output for input channels SELECTED CHANNEL VIEW screen If you set a bus to Surround mode in BUS SETUP, the SELECTED CHANNEL VIEW screen appears as shown below. Setting Surround mode 3 You can enable surround mixes by changing bus settings to Surround mode. STEP 1. In the Function Access Area, press the SETUP button. 2. In the SETUP screen, press the SURROUND SETUP button (page 187). 3. Press the 5.1 SURROUND button. 4. Assign channels to MIX 1 - 6 for surround output. 5.
Input channels 4 DIV knob This determines how the Center signal is fed to the Left, Right, and Center channels. When set to 0, the Center signal is fed only to the Left and Right channels. When set to 50, the Center signal is fed equally to the Left, Right, and Center channels. When set to 100, it’s fed to only the Center channel (i.e., Real Center). Use the SEND knob (MIX 5) of the Selected Channel section to make adjustments. 5 LFE knob 1 This sets the level of the LFE (Low Frequency Effects) Channel.
Input channels 6 DIV knob SURROUND PAN 1CH screen This determines how the Center signal is fed to the Left, Right, and Center channels. When set to 0, the Center signal is fed only to the Left and Right channels. When set to 50, the Center signal is fed equally to the Left, Right, and Center channels. When set to 100, it’s fed to only the Center channel (i.e., Real Center). Use the SEND knob (MIX 5) of the Selected Channel section to make adjustments.
Input channels TO STEREO/MONO screen 1 If you set a bus to Surround mode in BUS SETUP, the TO STEREO/MONO 8CH screen for MIX 1-8 appears as shown below. MIX 1-6 are for setting downmixes. 2 1 2 Adjusting F/R 1 L/R buttons 1 Surround graph Use these buttons to set the output destination. This graph shows the surround positions. 2 Coefficient Setting fader 2 L/R F/R switch button Use this toggle button to switch between the screen for adjusting L/R and the screen for adjusting F/R.
Input channels The TO STEREO/MONO OUTPUT screen appears as shown below. Parameters cannot be set for MIX 1 - 6; this screen is only for displaying parameters. Channel library operations The “INPUT CHANNEL LIBRARY” enables you to store and recall various parameters (including the head amp settings) for input channels. To recall a library item, press the corresponding LIBRARY button in the SELECTED CHANNEL VIEW screen.
OUTPUT channels OUTPUT channels STEREO channel/MONO (C) channel Each of these channels process the signal sent from the input channels to the STEREO bus or MONO (C) bus, and send it to the corresponding output port or MATRIX bus. If input channels are in LCR mode, the STEREO (L/R) channels and the MONO (C) channel can be used together as a set of three output channels. This chapter explains output channels (MIX channels, MATRIX channels, STEREO channels, MONO channels).
OUTPUT channels Specifying the channel name/icon • MATRIX ON/OFF (MATRIX send on/off) This is an on/off switch for signals sent from the MIX channels, STEREO (L/R) channel, or MONO (C) channel to each MATRIX bus. STEP 1. Use the Bank Select keys in the Centralogic section to select the output channels. 2. On the OVERVIEW screen, press the channel number/channel name field of the channel for which you want to specify a channel name/icon. 3. Follow the steps for the input channels (page 27).
OUTPUT channels Sending signals from MIX channels to the STEREO/ MONO bus There are two ways to send signals to the STEREO bus or MONO bus: ST/MONO mode and LCR mode. You can select the mode individually for each channel. Features of each mode are the same as for input channels. STEP 1. Use the Bank Select keys in the Centralogic section to select the MIX channel from which you want to send the signal to the STEREO/MONO bus. 2.
OUTPUT channels 3 MODE select button TO STEREO/MONO screen (CH 1-48, CH 49-72/ST IN (CL5), CH 49-64/ST IN (CL3), ST IN (CL1), OUTPUT) Press this button repeatedly to toggle between ST/MONO and LCR. 4 ST/MONO buttons These buttons are individual on/off switches for signals that are sent from each channel to the STEREO bus/MONO bus when the MONO button is set to ST/MONO mode. Adjusts the status of a signal sent from the corresponding channel to the STEREO/MONO bus.
OUTPUT channels Sending signals from MIX channels and STEREO/ MONO channels to MATRIX buses You can send a signal from a MIX or STEREO/MONO channel to MATRIX buses 1 - 8 in the following two ways. Using the Selected Channel section With this method, you use the knobs in the SELECTED CHANNEL section to adjust the send levels to the MATRIX buses. This method allows you to simultaneously control signals sent from a specific MIX, STEREO (L/R), or MONO (C) channel to all MATRIX buses.
OUTPUT channels 2 ALL POST button Sets the send point to POST. (The send point is the point at which signals are sent from all send-source channels - including the input and output channels - to the selected send destination.) 3 Send destination indicator Indicates the currently-selected send destination. 4 Send destination select buttons Select MIX/MATRIX buses as the send destination. 5 Channel select button OVERVIEW screen Selects the send-source channel that you wish to control.
OUTPUT channels Using the faders (SENDS ON FADER mode) NOTE • Alternatively, press a SEND LEVEL knob in the SELECTED CHANNEL section to display a popup window, from which you can select a MIX/MATRIX bus. • You can also select a MIX/MATRIX bus by using the Bank Select keys and the [SEL] keys in the Centralogic section. If you switch buses by pressing the [SEL] keys, the setting of the MIX 1-16 and MIX 17-24/MATRIX ON FADER switch buttons will also change automatically.
OUTPUT channels Correcting delay between channels (Output Delay) OUTPUT PORT screen 2 This Output Delay function is useful when you want to correct the timing of output signals sent to speakers that are located at a distance from each other. STEP 1. In the Function Access Area, press the SETUP button. 2. Press the OUTPUT PORT button in the SYSTEM SETUP field located in the center of the SETUP screen. 3. Specifies the delay time, and turns on the DELAY button.
OUTPUT channels 6 DELAY button Switches the output port delay on or off. 7 Ø (Phase) button Switches the phase of the signal assigned to the output port between normal phase (black) and reverse phase (yellow). 8 GAIN knob Adjusts the output gain of the output port. To adjust this value, press the knob in the screen to select it, and then operate multifunction knobs 1 - 8. Rotate the knob to set the value in 1.0 dB steps. Rotate the knob while pressing and holding it down to set the value in 0.1 dB steps.
EQ and Dynamics EQ and Dynamics NOTE • The EQ field in the OVERVIEW screen shows the response of the EQ. In this OVERVIEW screen, you can edit the parameter settings by using the EQ knobs in the SELECTED CHANNEL section. • EQ settings can be saved and recalled at any time using the dedicated library. You can also take advantage of a wide variety of presets suitable for various instruments or situations.
EQ and Dynamics 4 EQ type select button H EQ ON/OFF button Switches between TYPE I (an algorithm used in previous Yamaha digital mixers) and TYPE II (an algorithm that reduces interference between bands). Switches the EQ on or off. I EQ IN/OUT level meters 5 ATT knob Indicates the peak level of signals before and after the EQ. For a stereo channel, these meters indicate the level of both the L and R channels. Indicates the attenuation value before the signal enters the EQ.
EQ and Dynamics HPF/EQ window (8ch) HPF/EQ window (CH 1-48, CH 49-72/ST IN (CL5), CH 49-64/ST IN (CL3), ST IN (CL1), OUTPUT) This window displays the input channel or output channel EQ settings in groups of 8 channels simultaneously. Use the knobs in the SELECTED CHANNEL section to edit the EQ settings. This window displays the corresponding input channels (or output channels) simultaneously. This window is only for display, and does not allow the parameters to be edited.
EQ and Dynamics Using dynamics DYNAMICS 1/2 window (1ch) All dynamics parameters can be viewed and edited by channel. This is convenient when you want to make detailed dynamics settings for a specific channel. Input channels feature two dynamics processors; output channels feature one dynamics processor. 8 STEP 1. Use the Bank Select keys to select the channel for which you want to control the dynamics. 2. Press the DYNAMICS 1/2 field in the OVERVIEW screen. 3.
EQ and Dynamics 7 Dynamics type buttons A KEY IN SOURCE select button Enables you to select the dynamics type. You can choose from the following dynamics types. Press this button to display the KEY IN SOURCE window, in which you can select a keyin signal that will trigger the dynamics.
EQ and Dynamics 3 Dynamics graph DYNAMICS1/2 window (8ch) Indicates the dynamics parameter values. The currently-selected dynamics type appears below the graph. Press the graph to access the DYNAMICS 1ch window for that channel. This window displays the input channel or output channel dynamics settings in groups of 8 channels simultaneously. This window is convenient if you want to adjust the threshold or certain other parameters while watching the adjacent channels to the left and the right.
EQ and Dynamics Using the EQ/Dynamics libraries DYNAMICS 1/2 window (CH 1-48, CH 49-72/ST IN (CL5), CH 4964/ST IN (CL3), ST IN (CL1), OUTPUT) This window enables you to make settings of the global dynamics parameters for the corresponding channel. You can use dedicated libraries to store and recall EQ and dynamics settings. For details on using the EQ and dynamics libraries, refer to the “Using the library” section in the separate Owner's Manual.
Channel Job Channel Job This chapter explains the DCA Group and Mute Group functions that enable you to control the level or muting of multiple channels together, the Channel Link function that links the parameters of multiple channels, and the operations that enable you to copy or move parameters between channels. DCA group CL series consoles feature sixteen DCA groups that enable you to control the level of multiple channels simultaneously.
Channel Job 5 CLEAR ALL button DCA/MUTE GROUP ASSIGN MODE window Clears all channels that are assigned to the currently-selected DCA group. Here you can specify the channels that will be assigned to each DCA group. 6 DCA ROLL-OUT button Enter the DCA ROLL OUT mode. This function enables flexible fader operations.
Channel Job Selecting the DCA groups to which a specific channel will belong Using DCA groups Use the Centralogic section to operate the DCA group. • Level adjustment: Faders .... The level of the channels assigned to that DCA group can be adjusted while preserving the level differences of each channel. The input faders will not operate at this time. • On/Mute switch: [ON] key....
Channel Job Setting the DCA Roll-out function DCA Roll-out function You can now access all of the channels assigned to a DCA group simultaneously through the fader banks. This function enables flexible fader operations. For example, while controlling the DCA fader in the Centralogic section, you can use the Roll-out function to access (roll-out) and control the faders (assigned to the corresponding DCA group) through the fader bank located to the left of the Centralogic section.
Channel Job DCA ROLL-OUT screen Using the temporary unmute function If one of the DCA group buttons on a channel is OFF (muted), press the [ON] key for that channel to temporarily unmute the channel. However, in Preview mode, any operation during mute with pressing of the [ON] key is disabled. Example 1: CH 1 is OFF. Assigned to DCA GROUP 1. Operation Example 1 2 1 1. Press the ON key for DCA 1. The indicator lamp goes off. The indicator lamp for the ON key for CH 1 remains off. DCA 1 is muted. 2.
Channel Job Mute group NOTE • You may assign a single channel to more than one mute group. • The DCA/MUTE GROUP field of the OVERVIEW screen indicates the mute group(s) to which each channel is assigned. Numbers that are lit red in the lower line of this field indicate the mute groups to which that channel belongs. CL series consoles feature eight mute groups. Mute groups enable you to use USER DEFINED keys [1]-[16] to mute or unmute multiple channels in a single operation.
Channel Job 2 Mute group assign field Selecting the mute groups to which a specific channel will belong This area displays the channels assigned to the currently-selected mute group. While this window is displayed, press the [SEL] key for the channel that you want to assign to the mute group. The channel will be assigned to the mute group, and the onscreen fader for that channel will turn red. Press the same [SEL] key once again if you want to remove the channel from the group.
Channel Job Using mute groups NOTE The USER SETUP window enables you to limit available functionality by user, and also to make system-wide settings. This window includes several pages, which you can switch between using the tabs located at the bottom of the window. To control mute groups, you can use the MUTE GROUP MASTER buttons in the MUTE GROUP ASSIGN window. In addition, it may prove convenient if you assign the Mute On/Off function for a mute group 1 - 8 to a USER DEFINED key.
Channel Job CH JOB menu DCA/MUTE GROUP ASSIGN MODE window Function Access Area NOTE CH JOB menu NOTE The [SEL] key of the channel set for Mute Safe will light, and the on-screen fader for that channel will be highlighted in green. You can cancel the Mute Safe status by pressing a lit [SEL] key once again to make it go dark. • Simply selecting a parameter in step 4 does not enable Recall Safe. To turn Recall Safe on or off, you must also perform the operation described in step 5.
Channel Job RECALL SAFE MODE window 2 These buttons correspond to the following parameters.
Channel Job • Input channel Button name NOTE ST IN channels do not feature INSERT, INSERT PATCH, and DIRECT OUT button. WITH MIX SEND Send level to the MIX bus WITH MATRIX SEND Send level to MATRIX bus *1 • MIX channel • MATRIX channel • STEREO channel • MONO channel If Recall Safe is turned on for global parameters, the safe parameter select buttons of the selected channel will light green, as follows.
Channel Job 9 Safe parameter select button (DCA) • • • • • For each DCA group, selects the parameters for which Recall Safe is enabled. If the ALL button is on, all DCA master parameters will be subject to Recall Safe. If LEVEL/ON is on, Recall Safe will apply to the DCA master level and on/off status. If NAME is on, Recall Safe will apply to the DCA group name. Although you can turn on both the LEVEL/ON button and the NAME button, they will then both be switched off if you turn on the ALL button.
Channel Job CH LINK MODE window (input channels) You can view the input channels that are linked and specify the parameters that will be linked. 5 Function Access Area 1 2 CH JOB menu NOTE 3 • You can also access the CH LINK MODE window by simultaneously pressing and then releasing the [SEL] keys of two or more channels that will be linked.
Channel Job 3 LINK PARAMETER field 4 SEND PARAMETER field Use the buttons in this field to select the parameters that you want to be linked. You can do this independently for each link group. The table below lists the parameters you can select in the LINK PARAMETER field. If you have turned on the MIX ON, MIX SEND, MATRIX ON, or MATRIX send buttons in the LINK PARAMETER field, use the buttons in this field to specify the send-destination bus(es).
Channel Job 3 LINK PARAMETER field CH LINK MODE window (output channels) Use the buttons in this field to select the parameters that you want to be linked. You can do this independently for each link group. The table below lists the parameters you can select in the LINK PARAMETER field. You can view the output channels that are linked and specify the parameters that will be linked.
Channel Job Channel link operations CH LINK SET window Displayed when you press the channel display field in the CH LINK MODE window. You can also link channels in this window. • Linking three or more channels Hold down the link-source [SEL] key and successively press the [SEL] key of each output channel you want to add to the link group. • Adding a new channel to an existing link group Hold down any [SEL] key within the group and press the [SEL] key that you want to add to the group.
Channel Job 5 CLOSE button Closes the window. NOTE If you use CL5 settings data on the CL3/CL1, or CL3 settings data on the CL1, buttons will be shown crossed-out if they are assigned to a channel that does not exist on that model. Copying, moving, or initializing a channel You can copy or move mix parameters between channels, or restore the parameters of a specific channel to their default settings.
Channel Job 1 SOURCE CH field NOTE In the case of the CL3/CL1, faders that do not exist on those models will not be shown. Displays the copy-source channel. While this window is displayed, press a [SEL] key on the top panel to select a channel. The selected channel will be highlighted in this field. If you want to re-select the copy-source channel, press this field. Before selection 3 COPY button Executes the copy operation.
Channel Job Function Access Area CH JOB menu NOTE In the case of the CL3/CL1, faders that do not exist on those models will not be shown. 3 MOVE button CH MOVE MODE window Executes a move operation. After selecting the move-source channel and movedestination channel, the channel settings move from the move-source to the movedestination. The settings of all channels between the move-source and movedestination will shift toward the move-source by one channel.
Channel Job 3 CLOSE button Press this button to close the window and return to the previous screen. About Mix Minus The Mix Minus function removes a specific channel signal from the signals sent to the MIX/ MATRIX buses. You can use this function to quickly send monitoring signals to a performer or announcer simply by removing his or her audio signal. Function Access Area NOTE CH JOB menu This Mix Minus function is a shortcut for settings, rather than an operation to switch between modes.
Channel Job NOTE You can also access the MIX MINUS popup window by pressing the CH JOB button in the Function Access Area, then pressing the MIX MINUS button.
Scene memory Scene memory 3 Scene title On CL series consoles, you can assign a name to a set of mix parameter and input/output port patch settings, and store the mix settings in memory (and later recall them from memory) as a “scene.” Each scene is assigned a number in the range of 000-300. Scene 000 is a read-only scene used to initialize the mix parameters. Scenes 001-300 are writable scenes.
Scene memory Using the SCENE LIST window NOTE • If you press and hold down either of the SCENE MEMORY [INC]/[DEC] keys, the scene number will increment or decrement continuously. • If you press the SCENE MEMORY [INC] and [DEC] keys simultaneously, the SCENE field indication will return to the number of the currently-loaded scene. • You can make settings such that the Store Confirmation dialog box will not appear (page 195).
Scene memory SCENE LIST window • Protect (lock) symbol You will be unable to overwrite the scene. Here you can perform various scene-related operations. This window will appear when you press the SCENE field. C • R (READ ONLY) symbol Not only will the scene be protected, it will also not be overwritten by any file loaded from a USB flash drive. You can only apply the protect setting to scenes with consecutive scene numbers starting with scene #001. 1 • No symbol No scene will be protected.
Scene memory Recalling a scene 1 RECALL SCENE button Using the keys of the SCENE MEMORY/MONITOR section 2 RECALL UNDO button Recalls the currently-selected scene. Undoes the Recall operation. This button is valid only immediately after you perform a Recall operation. STEP 1. Use the SCENE MEMORY [INC]/[DEC] keys to select the scene number you want to recall. 2. Press the SCENE MEMORY [RECALL] key. 3. Press the OK button to execute the recall.
Scene memory Editing scene memories This section explains how to sort the scenes stored in scene memory, edit their titles, and copy and paste them. STEP 1. In the Function Access Area, press the SETUP button. 2. Press the USER SETUP button in the upper left of the SETUP screen. 3. In the USER SETUP window, press the USER DEFINED KEYS tab. 4. Press the button corresponding to the USER DEFINED key to which you want to assign a function. 5. In the FUNCTION column, select “SCENE.” 6.
Scene memory • COMMENT Sorted in numeric/alphabetical order of comment. 1 COPY button • TIME STAMP Sorts the list in order of date of creation. 2 PASTE button Press this button to copy the scene to buffer memory. Press this button to overwrite the selected scene with the scene in buffer memory. NOTE 3 CLEAR button By pressing the same location again, you can change the sorting order (ascending or descending). Press this button to erase the selected scene.
Scene memory Clearing a scene Inserting a scene You can insert a scene copied to buffer memory at a desired scene number location. To insert a scene, sort the scene list in order of scene number. STEP 1. Press the SCENE field in the Function Access Area. 2. Rotate one of the multifunction knobs to select the scene number that you want to clear, and then press the CLEAR button in the SCENE LIST window. 3. Press the OK button in the CONFIRMATION dialog box to execute the Clear operation. STEP 1.
Scene memory Using the Global Paste function GLOBAL PASTE window “Global Paste” is a function that lets you copy and paste settings for the desired channel or parameter from the current scene to scene data in memory (multiple selections are allowed). This can be convenient if you want to apply changes (that you made to the current scene) to multiple scenes that have already been stored.
Scene memory • RACK tab Enables you to choose from GEQ RACK, EFFECT RACK, or PREMIUM RACK. You can select an individual rack for each effect used in dual mode.
Scene memory FOCUS RECALL window Sets the parameters that will be recalled. STEP 1. Press the SCENE field in the Function Access Area. 2. Press the FOCUS tab at the bottom of the SCENE LIST window. 3. In the SCENE LIST window, press the SET button for the scene you want to set. 4. Follow the procedure starting with step 3 in the “Using the Recall Safe function” (page 73) to make settings. 5.
Scene memory 4 FOCUS PARAMETER display section Using the Fade function Indicates the parameters and racks that will be affected by Recall operations for any scene. Procedures and contents are the same as those in the RECALL SAFE MODE window (page 74). “Fade” is a function that smoothly changes the faders of specified channels and DCA groups to their new values over a specified duration when you recall a scene. The settings of the Fade function are made independently for each scene.
Scene memory SCENE LIST window (FADE TIME field) FADE TIME window You can select the channels to which Fade will be applied, and adjust the fade time. To display this window, press the SET button in the FADE TIME field in the SCENE LIST window. 1 3 4 2 1 3 2 4 1 Channel display field The channels or DCA groups to which Fade is applied are highlighted. To select the channels or DCA groups to which Fade is applied, press the [SEL] keys for the channels or DCA groups.
Scene memory Outputting a control signal to an external device in tandem with scene recall (GPI OUT) SCENE LIST window (GPI OUT field) A control signal can be output to an external device connected to the GPI connector of the CL series console when you recall a specific scene. Proceed as follows. NOTE For more information on GPI OUT settings, refer to “Using GPI OUT” (page 239). 1 STEP 1. Press the SCENE field in the Function Access Area. 2. Press the GPI OUT tab at the bottom of the SCENE LIST window.
Scene memory Playing back an audio file that links to a scene recall NOTE • After a scene has been recalled and until the offset time has elapsed, a countdown will appear in the Function Access Area. • If another song is playing during a scene recall, the song playback will stop when the scene is recalled, regardless of the offset time setting. You can also specify an audio file that you want to play back from a USB flash drive when a specific scene is recalled.
Scene memory 7 OFFSET knob SONG SELECT window You can use the multifunction knob 8 to set the time interval from scene recall until the start of audio file playback. The offset time can be adjusted in the range of 0.0-99.0 in 0.5 sec steps. You can select an audio file you want to link with the scene, and set the offset time. This window will appear when you press the song select button. 2 3 8 Scroll knob Use the multifunction knob to scroll the list.
Scene memory Functions in Preview mode NOTE The scene titles shown in StageMix will be changed to the titles used when using the store operation on a CL series console operated in PREVIEW mode. The current scene will be modified by the following software and external operations. • CL Editor • StageMix • MIDI Rx • GPI IN Similarly, edits for the current scene will be conveyed to the following software and external devices.
Monitor and Cue functions Monitor and Cue functions The Monitor function lets you monitor various outputs through your nearfield monitors or headphones. Below the front pad of the CL series console is a PHONES out jack which always outputs the monitor source signal that you've selected for monitoring. By assigning the MONITOR OUT L/R/C channels to the desired output jacks, you can also monitor the same signal through external speakers. You can select the following signals as the monitor source.
Monitor and Cue functions Using the Monitor function • MONITOR LEVEL Adjusts the output level of the MONITOR OUT L/R/C channels. If PHONES LEVEL LINK is ON, this setting will also affect the level at the PHONES Out jack. This section explains how to select the desired monitor source, and monitor it from the PHONES Out jack or external monitor speakers. • MONITOR FADER Use the STEREO MASTER fader or MONO MASTER fader to adjust the output level of the MONITOR OUT L/R/C channels.
Monitor and Cue functions 4 MONITOR FADER field MONITOR screen Enables you to set and view the monitor fader that adjusts the monitor level. In the MONITOR screen, the MONITOR field lets you check the current monitor settings, and turn monitoring on/off. 2 3 4 • MONITOR FADER LEVEL knob Adjusts the monitor fader level. Pressing this knob will enable you to use the multifunction knobs in the Centralogic section to adjust the level.
Monitor and Cue functions MONITOR window DIMMER field You can make detailed settings for monitoring. This window appears when you press the MONITOR display button or meter field in the MONITOR screen. This field enables you to make settings for the Dimmer function, which temporarily attenuates monitor signals. 2 3 4 6 B 7 8 2 DIMMER knob Adjusts the amount by which monitor signals will be attenuated when the Dimmer function is on.
Monitor and Cue functions E MONITOR OUT PATCH button MONITOR FADER field Press this button to open the PORT SELECT window, in which you can select an output port to patch to the monitor out L/R/C channels. 0 MONITOR FADER LEVEL knob Indicates the monitor level. Press this knob to adjust the monitor level using the multifunction knob. Or, press the Centralogic section bank select [STEREO] key, and then use the monitor fader to adjust the level.
Monitor and Cue functions MONITOR screen (Monitor field in Surround mode) SURROUND MONITOR window (Surround mode) If you set a bus to Surround mode in BUS SETUP, the Monitor field in the MONITOR screen appears as shown below. You can make detailed settings for surround monitoring. If Surround mode is set for the bus settings in BUS SETUP, this window appears when you press the MONITOR display button or meter field in the MONITOR screen.
Monitor and Cue functions 3 DOWNMIX field MONITOR SOURCE SETUP screen Select in which field to perform downmixes. Press the MONITOR SOURCE SETUP button in the SURROUND MONITOR screen to open this screen. •STEREO button Downmix in stereo mode. 1 2 •MONO button Downmix in mono mode. 4 DOWNMIX SETUP button Use this button to open the DOWNMIX SETUP screen. Set the parameters for downmixes. 5 Meter field Shows the meters for the surround signal being monitored.
Monitor and Cue functions DOWNMIX SETUP screen Using the Cue function Press the DOWNMIX SETUP button in the SURROUND MONITOR screen to open this screen. The layout of the channels is the same as the layout set in the SURROUND SETUP screen. About Cue groups Cue signals on the CL series console can be categorized into the following four groups. 3 1 INPUT CUE group The cue signals of input channels make up this group. To enable Cue for this group, press the [CUE] key for any input channel to turn Cue on.
Monitor and Cue functions Operating the Cue function This section explains how to use the [CUE] key for a channel or DCA group to monitor cue signals. NOTE The cue signal is sent to the same output destination as the monitor signal. Be aware that for this reason, the cue signal will not be sent to the connected monitor speakers if you turn off the Monitor function. However, the PHONES Out jack below the front pad will always output cue signals regardless of the Monitor on/off setting.
Monitor and Cue functions MONITOR screen NOTE • The cue signal is sent to the monitor output and PHONES Out jacks regardless of whether the CUE OUTPUT button is on or off. However, the cue signal will no longer be sent to monitor output if CUE INTERRUPTION is turned off. The cue signal is always sent to the PHONES Out jack, regardless of the CUE INTERRUPTION setting.
Monitor and Cue functions CUE window DCA CUE field You can make detailed settings for the cue. This window will appear when you press the INPUT/DCA/OUTPUT CUE field. This section enables you to make settings related to DCA cue. 1 2 4 7 A B 4 Cue point select button C Sets the cue point for the DCA group to PRE PAN (immediately before PAN) or POST PAN (immediately after PAN). 5 DCA TRIM knob Indicates the monitor level of cue signals from a DCA group.
Monitor and Cue functions D CUE OUT PATCH button MONITOR screen (CUE field in Surround mode) Press this button to open the PORT SELECT window, in which you can select an output port to patch to the cue out L/R channels. If you set a bus to Surround mode in BUS SETUP, the CUE field in the MONITOR screen appears as shown below. 1 1 5.1. SOLO Button Used to cue only the input channels to be used in the 5.1 channel mix. Outputs, PLAYBACK OUT, and EFFECT cannot be cued.
Talkback and Oscillator Talkback and Oscillator Using Talkback The Talkback function sends the signal (that is input at the input jacks) to the desired bus. Talkback is a function that sends the signal of a mic connected to the TALKBACK jack to the desired bus. This is used mainly to convey instructions from the operator or sound engineer to the performers and staff. If necessary, you can also use a mic connected to an INPUT jack on the I/O device or the OMNI IN jack on the CL unit for talkback.
Talkback and Oscillator 4 TALKBACK ASSIGN field MONITOR screen An indicator lights to indicate the currently-selected output destination of the talkback signal. In the MONITOR screen, the TALKBACK field enables you to check the current talkback settings, and turn talkback on or off. 5 TALKBACK ON button Switches talkback on or off. TALKBACK window You can make detailed settings for talkback. This window appears when you press the TALKBACK display button in the MONITOR screen.
Talkback and Oscillator 4 +48V button This is an on/off switch for the phantom power (+48V) supplied to the selected input port. NOTE This button will not appear if no input port is selected. 5 ANALOG GAIN knob Indicates the analog gain value for the selected input port. Press this knob to control the level using the multifunction knobs. 6 Level meter Indicates the input level of a mic connected to the selected input port.
Talkback and Oscillator 2 OSCILLATOR LEVEL field 1 OSCILLATOR MODE buttons Indicates the frequency and level of the currently-selected oscillator. A meter in this field indicates the output level of the oscillator. Press the LEVEL knob to adjust the oscillator level using the multifunction knob. Select one of the following four operating modes when the oscillator is turned on: 3 OSCILLATOR MODE field Indicates the currently-selected oscillator mode.
Talkback and Oscillator 3 ASSIGN section Mode = PINK NOISE Enables you to select a channel to which the oscillator signal will be sent. Press one of the three tabs below to select the type of channels displayed, and then press the button(s) for the desired channel(s) (multiple selections are allowed). The “ASSIGNED” indicator is lit green for a tab that contains a selection.
Meters Meters INPUT METER screen This screen shows the meters and faders for all input channels. This chapter explains the METER screen that shows the input and output level meters for all channels, and operations related to the optional MBCL meter bridge. Operations in the METER screen By accessing the METER screen, you can view the input and output levels of all channels on the screen, and switch the level meter's metering points (the points in the signal route at which the level is detected).
Meters Fader level and meter display METERING POINT field This area displays the meter and fader for each channel. Select one of the following as the metering point at which the level will be detected. The metering point for the level meter can be specified independently for input channels and output channels. 1 2 3 4 For INPUT METER • PRE GC .................Immediately before GAIN COMPENSATION • PRE D.GAIN ..........Immediately before DIGITAL GAIN • POST D. GAIN .......
Meters SHOW SEND LEVEL button RTA METER screen If you switch to SENDS ON FADER mode when this button is on, the color and position of the faders in the INPUT METER screen show the type of send destination bus, the send level to that bus, and ON/OFF status. This is the real time analyzer screen. The results of a frequency analysis for the selected source are shown in the 1/6 octave band (61 band).
Meters 5 CUE OVERRIDE button METER screen (Surround mode) If this button is switched on, the cue signal set in the CUE screen is sent to the real time analyzer, and an analysis is displayed. If you set a bus to Surround mode in BUS SETUP, the METER screen appears as shown below. • If CUE MODE is set to MIX CUE, the frequency analysis is performed on a signal that is a mix of all channels selected in the CUE screen. • If CUE MODE is set to 5.1 SOLO, the signal is treated as LAST CUE.
Meters Function Access Area screen If you set a bus to Surround mode in BUS SETUP, the METER screen in the Function Access Area appears as shown below. The display specifications are as follows. • The meter for the SURROUND signal is shown on the left side, and the meter for the STEREO signal is shown on the right side. The layout for L R C LFE Ls and Rs is the same as the layout set in the SURROUND SETUP screen. When cue is operating • EFFECT CUE is shown on the right side, as usual. • The 5.
Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK This chapter explains how to use the built-in graphic EQ, parametric EQ, effects, and Premium Rack. About the virtual rack CL series consoles enable you to use the built-in graphic EQ (subsequently abbreviated as “GEQ” ), parametric EQ (subsequently abbreviated as “PEQ” ), and effects/processors to modify signals.
Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK Virtual rack operations VIRTUAL RACK screen 1 This section explains how to mount a GEQ, PEQ, or effect in the virtual rack, and patch the input and output of the rack as an example. STEP 1. In the Function Access Area, press the RACK button. 2. In the upper part of the VIRTUAL RACK window, press the GEQ 1-8, GEQ 9-16, or EFFECT tab. 3. To mount a GEQ, PEQ, or effect in the rack, press the rack mount button for that rack. 4.
Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK 4 INPUT PATCH button 5 OUTPUT PATCH button If the type is EFFECT, two buttons (L/R) will appear. If the type is Flex15GEQ or 8BandPEQ, two buttons (A/B) will appear. If the type is 31BandGEQ, one button will appear. Press this button to open the CH SELECT window, in which you can select the path of the signal patched to the rack input. If the type is EFFECT, two buttons (L/R) will appear.
Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK 6 Rack container • If 16ch Automixer is mounted (GEQ rack 1-8): Indicates the contents of the rack. This container varies depending on the rack type you selected in the RACK MOUNTER window. • If nothing is mounted: Press this area to open the RACK MOUNTER window, in which you can select the GEQ or effect that will be mounted in the rack.
Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK NOTE • Input/output patching will be defeated when you change the item mounted in a rack. • The 16ch Automixer is used in racks 1 to 8, and the 8ch Automixer is used in racks 1 to 4. 7 4 CANCEL button 7 Link indicator Cancels the changes you made in the RACK MOUNTER window, and closes the window. Indicates that an odd-numbered rack and even-numbered rack of the 31BandGEQ, A and B of the Flex15GEQ, or A and B of the 8BandPEQ are linked to each other.
Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK 2 INPUT button Inserting a GEQ in a channel Press this button to open the CH SELECT window, in which you can select the input source of the rack. The operating procedure is the same as for the INPUT button in the GEQ field. This section explains how to insert a GEQ into the selected channel for use. STEP 1. Refer to steps 1-8 in “Virtual rack operations” (page 125) to mount a GEQ in a rack and set its input source and output destination. 2.
Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK For GEQ EDIT window (31BandGEQ, Flex15GEQ) • With CL version 2.0 or later, pressing the [ON] key again for this band will restore the adjusted gain value. In this way, comparison is easy and quick. However, please note that if the [ON] key for this band is off and if you press the [ON] key for the fader of a different frequency band, the adjusted gain value will be canceled and will return to ± 0dB.
Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK When you press one of these buttons, the faders for the bands selected on screen will turn white, and the numbers of the corresponding faders in the Centralogic section will be displayed. Now you can use the faders in the Centralogic section to control the bands. • With CL version 2.0 or later, pressing the [ON] key again for this band will restore the adjusted gain value. In this way, comparison is easy and quick.
Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK Parametric EQ operations PEQ EDIT window 12 In addition to the standard 4-band EQ, CL series consoles also feature an 8-band parametric EQ (PEQ) that can be rack mounted. You can mount this PEQ in GEQ racks 1-16 and patch it to the insert-out/in of an input channel (GEQ 1-8 rack only), a MIX/MATRIX channel, or a STEREO/MONO channel.
Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK 6 COPY button B PEQ IN/OUT level meters All EQ parameter settings will be copied in buffer memory. Indicate the peak level of signals before and after the PEQ. 7 PASTE button C Rack select tabs Press this button to paste the copied settings from buffer memory to the current EQ. If no valid data has been copied in the buffer memory, nothing will happen. Switch among GEQ 1-8, GEQ 9-16, or EFFECT 1-8.
Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK 1 BYPASS button 3 HPF/LPF frequency knob You can bypass each band. This knob is used to adjust the HPF/LPF frequency. 2 HPF/LPF NOTCH button 4 ON button Press this button to switch to the screen for operating HPF/LPF/notch filters. There is an ON button for the HPF, LPF, and each of the three notch filters. 3 EQ parameter setting knobs 5 Notch Filter Q knob Indicates the Q, FREQUENCY, and GAIN parameters for the BAND1 - BAND8 bands.
Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK About AUTOMIXER Inserting Automixer in channels post-fader This section explains how to mount Automixer in a virtual rack, and insert Automixer input and output into channels (excluding ST IN channels) post-fader (POST ON). For details on Automixer operations, refer to the following section “Using Automixer.” Automixer is included as a standard feature on the CL series.
Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK 3 weight Channel control field Adjusts the correlative sensitivity between input channels. When there is no input, adjust the weight setting so that all auto mix gain meters are at about the same level. For example, if you can hear noise near one mic (such as noise from a computer ventilation fan or an air conditioner), you can suppress the noise by reducing the weight setting for that channel.
Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK 6 Channel number Editing the internal effects Displays the channel number and channel name of the channel to be inserted. The internal effects of the CL series console can be mounted in EFFECT racks 1-8, and patched to an output channel's output or input channel's input, or inserted into a channel. For each effect mounted in a rack, you can choose one of 54 types of effect.
Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK STEREO type effects NOTE INPUT L EFFECT L L RETURN INPUT R EFFECT R R RETURN • If you're using a stereo source, assign the L/R signals of the stereo MIX channels to the L/R inputs of the rack. • If you're using the output of the effect in stereo, assign the R input of the ST IN channel selected in step 3 to the R output of the rack. • You can select more than one output destination for the effect.
Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK Adjusting the master level of the effect send NOTE To adjust the MIX channel you specified as the input source for the rack, first call it up to the Centralogic section and then make adjustments by operating the fader. Set the level as high as possible without allowing the post-effect signal to reach the overload point.
Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK EFFECT EDIT window Allows you to adjust the effect parameters. NOTE For details on the parameters of each effect type, refer to the data list at the end of this manual. 3 42 5 0 6 7 1 NOTE • You can also change the effect type by recalling a library setting. • Effect types “HQ.PITCH” and “FREEZE” can be used only in rack 1, 3, 5, or 7. Also, even if you copy these two effect types, you will not be able to paste them to rack 2, 4, 6, or 8.
Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK 8 Effect parameter field PLAY/REC This area indicates parameters for the currently-selected effect type. When you press a knob in this field, you will be able to use the multifunction knobs to control the corresponding horizontal row of knobs. You can also make fine adjustments by rotating a knob while pressing and holding it down. This field appears if FREEZE is selected as the effect type.
Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK Using the Tap Tempo function The average interval (BPM) at which you press the USER DEFINED key will be calculated, and that value will be applied to the BPM parameter. The average interval will be input to the parameter. (the average of a, b, and c) a SETUP screen b c USER SETUP window First tap Second tap Third tap Fourth tap NOTE • If the average value is outside the range of 20-300 BPM, it will be ignored.
Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK DELAY = NOTE x 4 x (60/TEMPO) sec FREQ. = (TEMPO/60) / (NOTE x 4) Hz Example 1: When SYNC=ON, DELAY=250 ms, TEMPO=120, you change NOTE from 8th note to quarter note DELAY= new NOTE x 4 x (60/TEMPO) = (1/4) x 4 x (60/120) = 0.5 (sec) = 500 ms Thus, the DELAY will change from 250 ms to 500 ms. Example 2: When SYNC=ON, DELAY=250 ms, NOTE=8th note, you change TEMPO from 120 to 121 DELAY= NOTE x 4 x (60/new TEMPO) = (1/8) x 4 x (60/121) = 0.2479 (sec) = 247.
Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK Using the Freeze effect EFFECT EDIT window (when FREEZE is selected) This section explains how to use the “FREEZE” effect type, which provides the functionality of a simple sampler. When this effect type is selected, you can perform operations on screen to record (sample) and play back a sound. If the “FREEZE” effect type is selected, a PLAY button, REC button, and progress bar will appear in the special parameter field.
Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK Using the Premium Rack NOTE • If you are inserting a processor into a channel that handles a stereo source, assign the R channel insert-out and insert-in to the R input and output of the processor in the same way as steps 5 and 6. • For details on editing the parameters, refer to the next section “Editing the Premium Rack parameters.
Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK Editing the Premium Rack parameters Portico 5033 Each Premium Rack window includes the following items: Portico 5033 is a processor that emulates a 5-band analog EQ developed by Rupert Neve Designs (RND). 5033EQ features a unique tone control response. It inherited the history of the “1073,” which was praised as one of the greatest devices developed by Mr. Rupert Neve.
Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK 6 LMF/MF/HMF IN button The FF circuit is used in most contemporary compressors. This type is useful when you want to apply consistent compression while maintaining a consistent tonal color. The FB circuit is used in vintage compressors. This type is suitable when you want to apply a smooth compression while adding a tonal character that is characteristic of such devices. Turn LMF/MF/HMF EQ on or off respectively.
Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK 1 INPUT knob Opt-2A Adjusts the input level. As the input level gets higher, more compression is applied. Opt-2A is a processor that emulates a popular vintage model of tube optical compressors. To control the level, it uses optical components such as a CdS cell and an EL panel to apply smooth compression, with beautiful high-range overtones generated by warm-sounding vacuum tube distortion, delivering an elegant and sophisticated sound.
Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK 7 (HIGH) BOOST knob EQ-1A Sets the amount of boost applied to the frequency band specified by the HIGH FREQUENCY knob. EQ-1A is a processor that emulates a famous passive-type vintage EQ. It features a unique style of operation, allowing you to individually boost and attenuate (cut) each of two frequency ranges (high and low).
Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK 2 SIDECHAIN CUE button B THRESHOLD meter Turn this button on to monitor the sidechain signal sent to the CUE bus. At this time, the graph indicates the response of the sidechain filters. Indicates the sidechain signal level in relation to the threshold level. C Graph area 3 SIDECHAIN LISTEN button Displays the equalizer response.
Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK 1 INPUT ADJUST Buss Comp 369 Used to adjust the input gain. However, the output gain is linked to change in the opposite direction, to prevent changes in pass-through volume (the volume when COMP IN and LIMIT IN are off). For example, if INPUT ADJUST is +5dB, the input gain is +5dB and the output gain is -5dB. See below for more information about how to use INPUT ADJUST.
Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK 6 COMP GAIN Compressor make-up gain. Applied before the limiter. 7 COMP RATIO Compressor ratio 8 METER SELECT (STEREO mounting) Selects the signal source for the meter. You can select from IN (input level), GR (gain reduction), and OUT (output level). When the source is switched, the design of the meter also switches as follows: VU/GR/VU. 8 When“METER” is OUT 9 VU SELECT (DUAL mounting) Selects the signal source for the VU meter.
Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK Premium Rack library Using the graphic EQ, parametric EQ, effect, and Premium Rack libraries You can use the Premium Rack library to store and recall Premium Rack settings. The library contains 101 items (from #000 through #100). Item #000 is a preset. All library items other than #000 can be freely read and written. To recall an item from the Premium Rack library, press the LIBRARY button located at the top of the window for the corresponding type.
I/O devices and external head amps I/O devices and external head amps I/O DEVICE screen (DANTE PATCH page) This chapter explains how to use an I/O device or an external head amp that is connected to the CL series console. Before you proceed, use DANTE SETUP to specify the I/O devices that will be mounted. For details, refer to “Mounting an I/O device on the Dante audio network” (page 231).
I/O devices and external head amps DANTE INPUT PATCH window NOTE • If you've connected a device other than an I/O device supported by the CL series, the upper line of the button will show the first four letters of the Device Label, a dash “-” , and the channel number (decimal). • If a CL series console is mounted, the display for the upper row of buttons will be “CL#X” (where X is the ID number of the mounted CL unit).
I/O devices and external head amps OUTPUT PATCH window I/O DEVICE screen (I/O page) 1 Displayed when you press the device in the I/O DEVICE screen (DANTE PATCH page). Set the output patch. 2 3 4 1 1 Port select buttons Press one of the buttons to open the PORT SELECT popup window. Remotely controlling an R series unit This section explains how to remotely control an R series unit that's connected to the Dante connector.
I/O devices and external head amps HA display RMio64-D display This shows the HA settings of the I/O device. Press this area to open the I/O DEVICE HA window, in which you can make detailed head amp settings. Displays the RMio64-D panel. You can press the buttons to change settings. 1 7 2 3 4 5 6 5 8 If you press the [SEL] key of an input channel, the corresponding port will light. (It does not light for external CL series consoles.) 5 Analog GAIN knob 9 Indicates the analog gain setting.
I/O devices and external head amps 5 MADI STATUS INPUT status I/O DEVICE HA window MADI STATUS OUTPUT status Display information regarding the MADI input and output signals (frame frequency/ number of channels). Displayed when you press the rack in which the I/O device on the head amp side is mounted. In this window, you can remotely control the head amp of the I/O device from the CL series console by using the on-screen knobs and buttons or the multifunction knobs.
I/O devices and external head amps Remotely controlling from the input channels I/O DEVICE screen (AMP page) To remotely control the I/O device's head amp from an input channel of the CL series console, operate the GAIN/PATCH window for the channel for which you want to control. 1 2 3 Remotely controlling an amp This section explains how to remotely control an AMP unit that's connected to the Dante connector. STEP 1. Press the AMP tab in the upper part of the I/O DEVICE screen. 2.
I/O devices and external head amps 3 DANTE SETUP button Remotely controlling WIRELESS unit Press this button to open the DANTE SETUP window, in which you can make settings for the audio network. This section explains how to remotely control a WIRELESS unit that's connected to the Dante connector. Using an external head amp STEP 1. Press the WIRELESS tab in the upper part of the I/O DEVICE screen. 2. Press the I/O device displayed in the I/O DEVICE screen (WIRELESS page). 3.
I/O devices and external head amps Connecting the CL series console to an SB168-ES CL5 Audio signal To remotely control the SB168-ES from the CL series console, install an MY16-ES64 EtherSound card in Slot 1 of the CL, then use an Ethernet cable to connect the CL to the SB168-ES. This connection enables you to remotely control the SB168-ES from the CL series console.
I/O devices and external head amps Ring connection Remotely controlling an external head amp An external head amp ( “external HA” ) connected via MY16-ES64 or NAI48-ES can be remotely controlled from the CL series console. For details on how to connect a CL series console with an external head amp, refer to “Using an external head amp” (page 160) and the external head amp's operating manual. CL5 Audio signal Remote signal MY16ES64 MY16EX STEP 1. Connect the CL series console to an external HA. 2.
I/O devices and external head amps 5 VIEW switch buttons VIRTUAL RACK screen (EXTERNAL HA page) 5 Switch the virtual rack display between SB168-ES and AD8HR. Select the view that's appropriate for the connected device. 6 6 COMM PORT switch buttons Specify whether the external HA connected to the slot will be controlled remotely. Select “SLOT1” if you want to remotely control the external HA. EXTERNAL HA PORT SELECT window Select the input port for the external head amp.
I/O devices and external head amps Remotely controlling an external HA from the input channels on a CL series console EXTERNAL HA window Remotely control the external head amp. Display this window by pressing the virtual rack in the I/O DEVICE screen (EXTERNAL HA page). You will be able to use the external HA in the same way as the head amp on an I/O device or on the CL console. For details on the GAIN/PATCH window, refer to “HA (head amp) settings” (page 29). 1 STEP 1.
MIDI MIDI NOTE As the port used for transmission and reception of MIDI messages, you can select either the rear panel MIDI IN/OUT connectors or an I/O card installed in slot 1. All of the functionality described in this section will be available on the port you select. This chapter explains how to transmit MIDI messages from an external device to the CL series console to control the CL console's parameters, and how to send out MIDI messages from the CL console as you operate the unit.
MIDI 3 PROGRAM CHANGE MODE field MIDI/GPI screen (MIDI SETUP page) Enables you to select the Program Change transmit/receive mode. • SINGLE.............. If this button is on, Program Changes will be transmitted and received on a single MIDI channel (Single mode). • MULTI ................ If this button is on, program changes will be transmitted/received on multiple MIDI channels (Multi mode). • OMNI..................
MIDI MIDI SETUP window (for port selection) MIDI SETUP window (for channel selection) Here you can select the port that will be used to transmit and receive MIDI messages. This window appears when you press the port select button for transmission (Tx) or reception (Rx) in the PORT/CH field. This parameter row enables you to specify MIDI Channels for MIDI message transmission and reception. This window appears when you press the channel select button in the PORT/ CH field.
MIDI Using program changes to recall scenes and library items 1 The CL series console lets you assign a specific event (scene recall or effect library recall) to each Program Change number, so that when this event is executed on the CL console, a Program Change message of the corresponding number will be transmitted to an external device. Conversely, the corresponding event can be executed when a Program Change message is received from an external device. STEP 1.
MIDI • Single mode (when the SINGLE button is on): Only Program Changes of the transmit (Tx) and receive (Rx) channels specified in the MIDI SETUP page will be transmitted and received. When a program change on the Rx channel is received, the event assigned to that program number of the corresponding channel in the list will be executed.
MIDI 1 TYPE field STEP 1. Connect the CL series console to an external device. 2. As described in “Basic MIDI settings” (page 165), select the ports and MIDI channels that will be used to transmit/receive control changes. 3. Press the CONTROL CHANGE tab in the MIDI/GPI screen. 4. Switch Control Change transmission/reception on or off, select transmission/ reception mode, and set echo output. 5.
MIDI MIDI/GPI screen (CONTROL CHANGE page) NOTE The channel on which Control Changes are transmitted and received is specified by the PORT/ CH field on the MIDI SETUP page (page 166). You can specify how Control Changes will be transmitted and received, and specify the event (fader/knob operation, [ON] key on/off operation, etc.) assigned to each control number. 3 List 1 Shows the event (fader/knob operation, [ON] key on/off operation, etc.) assigned to each control number. • NO.......................
MIDI Using Parameter Changes to control parameters MIDI CONTROL CHANGE window Display this window by pressing any event in the CONTROL CHANGE page. In this window, you can specify the event assigned to each control number. On the CL series console, you can use a type of system exclusive messages called “Parameter Changes” to control specific events (fader/knob operations, [ON] key on/off operations, system and user settings, etc.) as an alternative to using Control Changes or NRPN messages.
Recorder Recorder Assigning channels to the input/output of the recorder This chapter explains the functionality and operation of the recorder. Follow the steps below to patch the desired channels to the input and output of the USB memory recorder. You can patch any desired output channel or the direct output of an INPUT channel to the recorder input, and you can patch the recorder output to any desired input channel.
Recorder 7 PLAYBACK OUTPUT CUE button RECORDER screen (when selecting the USB tab) Press this button to monitor the signal output from the recorder. In this screen you can assign signals to the input and output of the USB memory recorder, and perform recording and playback operations. NOTE You cannot turn on this button and the RECORDER INPUT CUE button simultaneously. 8 Meters Indicate the level of the signals output to the recorder.
Recorder Recording audio to a USB flash drive RECORDER screen (when selecting the USB tab) You can record the signal of the desired output channels as an audio file (MP3) onto the USB flash drive inserted in the USB connector located to the right of the display. STEP 1. Refer to “Assigning channels to the input/output of the recorder” (page 173) to assign channels to the input/output of the recorder. 2. Connect a USB flash drive with sufficient free capacity to the USB connector. 3.
Recorder 5 REC RATE button Directory structure of a USB flash drive Switches the recording rate. You can choose 96 kbps, 128 kbps, or 192 kbps. Higher bit rates will improve the audio quality, but will increase the size of the data. When you connect a USB flash drive to the USB connector, a YPE folder and a SONGS folder within that YPE folder will be created automatically in the root directory of the USB flash drive.
Recorder Playing back audio files from a USB flash drive RECORDER screen 35 You can play back audio files that have been saved on your USB flash drive. In addition to files that were recorded on the CL series console, you can also play files that were copied from your computer to the USB flash drive. The three types of file format that can be played are MP3 (MPEG-1 Audio Layer-3), WMA (Windows Media Audio), and AAC (MPEG-4 AAC). The playable sampling rates are 44.1 kHz and 48 kHz.
Recorder 4 Sub-directory C REPEAT button Indicates each song's track number, the name of upper level directory, and whether a sub-directory exists (in the case that the directory has been selected). • Upper level............Press this to move up to the directory that is one level higher than the current one.
Recorder Recording or playing back using a computer DAW RECORDER screen (when selecting the USB tab) 3 4 1 If you plan to add DAW software, such as Steinberg Nuendo, to an audio network that includes a CL console and I/O devices, you must use Dante Virtual Soundcard (DVS) driver software. DVS works as an audio interface, making it possible to transmit signals between a DAW and an audio network (that includes a CL series console and I/O devices).
Recorder Word clock settings Setting up Dante Virtual Soundcard In a Dante network, the master device supplies accurate word clock to other devices on the network. If the master device is removed from the network or breaks down, another device will automatically take over as the clock master. To make this setting, in the Function Access Area, press the SETUP button, then the WORD CLOCK/SLOT SETUP button to access the WORD CLOCK/SLOT SETUP window. Install Dante Virtual Soundcard (DVS) and V3.
Recorder Setting up Dante Controller Setting up DAW software Connect the network port of the computer to a GbE-compatible network switch. Configure the computer to obtain an IP address automatically (this is the default setting). You must make the following settings for Dante Controller. • For multi-track recording, patch audio signals from the I/O device to DVS or the Dante Accelerator card.
Recorder Using the CL console with Nuendo Live RECORDER screen (when selecting the Nuendo Live tab) The CL series consoles can operate in an integrated manner with Steinberg's Nuendo Live DAW software. The “Yamaha Console Extension” software which integrates the CL series and Nuendo Live can be installed in your computer, allowing you to operate Nuendo Live from the CL series console to easily perform multi-track recording operations. Here we explain how to operate Nuendo Live from the CL series console.
Recorder Transport field Specifying DVS or Dante Accelerator Here you can operate the transport of Nuendo Live. Before you proceed, use DANTE SETUP to specify the I/O devices that will be mounted. For details, refer to “Mounting an I/O device on the Dante audio network” (page 231). 7 GO TO PROJECT START button Returns the location to the start of the project. STEP 1. In the Nuendo Live screen, press the NUENDO Live SETUP button. 2.
Recorder 1 Setup method select buttons When setup method selection button = SPECIFIED IP ADDRESS Choose one of the following methods by which to specify DVS or Dante Accelerator. • NO ASSIGN ........................ Not assigned • DVS ..................................... Select a DVS from the device list • SPECIFIED IP ADDRESS .. When using Dante Accelerator, specify the IP address of the computer When using Dante Accelerator, specify the IP address of the computer in the SPECIFIED IP ADDRESS field.
Recorder NOTE • Depending on the firmware version, Dante Accelerator might not support redundant networking. Refer to the following website to check whether your version of the Dante Accelerator firmware supports redundant networking. http://www.yamahaproaudio.com/ Playing a multi-track project STEP 1. Press the DANTE INPUT PATCH button in the RECORDER screen (Nuendo Live page). 2.
Setup Setup 4 PASSWORD CHANGE button About the SETUP screen 5 SAVE KEY button Press this button to open the PASSWORD CHANGE window, in which you can change the password. Press this button to open the SAVE KEY window, in which you can overwrite (save) the user authentication key (page 193). The SETUP screen enables you to set various parameters that apply to the entire CL console. To access the SETUP screen, press the SETUP button in the Function Access Area. The screen contains the following items.
Setup BUS SETUP field This field enables you to make bus-related settings. D BUS SETUP button Press this button to open the BUS SETUP window, in which you can make MIX bus/ MATRIX bus-related settings. E SURROUND SETUP button Press this button to call up the SURROUND SETUP screen. In this screen, you can switch the bus settings from Stereo mode to Surround mode. If set to Stereo mode, the bus settings for MIX1-6 will be grayed out. If you press the 5.
Setup CONSOLE LOCK button If you set Surround mode, the BUS SETUP screen appears as shown below. This button executes the Console Lock function. If the console password has been set, pressing this button will open the AUTHORIZATION window. Enter the correct password to execute Console Lock. If the console password has not been set, pressing this button will execute Console Lock immediately. CONTRAST/BRIGHTNESS field This field enables you to set the LCD brightness and contrast.
Setup User types and user authentication keys Setting the Administrator password There are three types of user, as follows. To operate the CL series console, you must log-in as a user. • Administrator ...... The administrator of the CL console can use all of its functionality. Only one set of Administrator settings is internally maintained in the console. The Administrator can create user authentication keys for other users. • Guest......
Setup CREATE USER KEY window STEP 1. To create a user authentication key on a USB flash drive, connect a USB flash drive to the USB connector. 2. In the Function Access Area, press the SETUP button. 3. In the SETUP screen, press the CREATE USER KEY button. 4. In the CREATE USER KEY window, when you have specified the user name, comment, password, power user privileges on/off, and user rights, press the CREATE button. 5.
Setup Logging-in as Guest Logging-in To operate the CL series console, you must log in as the Administrator, Guest, or a User. User settings for the Administrator and Guest are saved in the console itself. However, to log in as a User you must either select a key that is saved in the console itself, or connect the USB flash drive in which a user authentication key has been saved.
Setup NOTE SETUP screen • If no password has been set, you will simply be logged-in in step 6 when you press the LOAD button. • If the password was incorrect, a message of “WRONG PASSWORD” will appear near the bottom of the screen. • If you have selected a user authentication key that was created on a different CL series console, a keyboard window will appear, allowing you to enter the Administrator password of the CL series console that you will be using.
Setup Editing a user authentication key Changing the user level If you are logged-in as a user, you can edit your USER DEFINED keys, preference settings, comments and password, and save them onto your user authentication key. If you are loggedin as a Power User, you can also change the user level. You can view or change the user level. • Administrator................The Administrator does not have a user level setting, but can change the user level setting of the Guest account. • Guest..................
Setup USER SETUP window • WITH SEND........................ Restricts operation of that channel's send parameters. (From MIX, From MATRIX) • DCA MASTER .................... Restricts operation of that channel's DCA group fader, ON/OFF, and ICON/COLOR/NAME. • DCA GROUP ASSIGN........ Restricts changes of assignment to that DCA group. • SET BY SEL .......................
Setup 5 FILE LOAD Preferences Specifies the types of file that can be loaded from USB flash drives. The user authentication key contains the user level, USER DEFINED keys, and Preference settings. Other data is saved in an “ALL” file. The “ALL” file also includes the USER SETUP settings of the Administrator and the Guest.
Setup • STORE CONFIRMATION • RECALL CONFIRMATION If these ON buttons are lit, a confirmation message will appear when you perform a Store or Recall operation respectively. If this ON button is lit, pressing a [SEL] key on the panel will cause the signal indicator to flash for the port of the I/O device that is assigned to the corresponding channel by the INPUT PATCH/OUTPUT PATCH settings.
Setup GR meter indicator Highlighted display - The channel is off in SENDS ON FADER mode. - The channel is assigned to a DCA group, and that DCA [ON] key is off. - The channel is assigned to a mute group, and that mute group master is on.
Setup In Alternate mode, the following knobs change their behavior. Use the four BANK SELECT buttons on the left to select a bank. You can press the CLEAR ALL button on the top right side to clear the content of the selected bank. • [GAIN] knob Rotate the knob to adjust the digital gain value. If DIGITAL GAIN has been selected for HA KNOB FUNCTION on the PREFERENCE page in the USER SETUP window, rotate this knob to adjust the analog gain value of the head amp.
Setup Functions that can be assigned to USER DEFINED keys FUNCTION PARAMETER 1 LAST DCA SEL FUNCTION NO ASSIGN PARAMETER 1 PARAMETER 2 - Toggle ALTERNATE FUNCTION each time it is pressed. It goes OFF when the bank is switched. DCA16 - MASTER - - Switch to ALTERNATE FUNCTION only while pressed. It goes OFF when the bank is switched. SENDS ON FADER UNLATCH - Apply a fade-in to the channels in group a where the override button is on, until the level drops to 0 dB (the unity gain).
Setup FUNCTION PARAMETER 1 PARAMETER 2 Description FUNCTION PARAMETER 1 PARAMETER 2 Portico5043 LIBRARY LATCH - - Assign the function of the GAIN knob (ANALOG GAIN/DIGITAL) to DIGITAL GAIN only while held down. * However if the GAIN KNOB FUNCTION is switched to DIGITAL GAIN in the PREFERENCE screen etc., this will remain lit until the next time it is pressed. It goes OFF when the bank is switched. - Adds or removes a frequency bank in the GEQ EDIT screen.
Setup FUNCTION PARAMETER 1 PARAMETER 2 Description FUNCTION STEREO L/R PARAMETER 1 OSCILLATOR ON PARAMETER 2 Switch the OSC on/off. SELECTED CH ASSIGN - While holding down this key, press a SEL key of a channel to switch the assignment on/off. During this time, the [SEL] LED will be lit if assign is ON, or dark if OFF. It goes OFF when the bank is switched. DIRECT ASSIGN *1) Assign the oscillator to the channel selected from list 1).
Setup FUNCTION PARAMETER 1 PARAMETER 2 MIX1-MIX24 MTRX 1-MTRX 8 SENDS ON FADER MIX ON FADER MATRIX ON FADER NORMAL/WITH CUE SENDS ON FADER Description FUNCTION This function switches between the normal function on/off (NORMAL), and the function with cue on/off (WITH CUE). With the WITH CUE option, cue will be enabled if SENDS ON FADER mode is engaged or if you switch mode during SENDS ON FADER mode.
Setup FUNCTION USER DEFINED KEYS PARAMETER 1 PARAMETER 2 BANK A BANK B When selected, the lamp for the corresponding key comes on. BANK C When selected, the lamp for the corresponding key comes on. BANK D When selected, the lamp for the corresponding key comes on. PREVIOUS BANK Switches to the previous bank. If the current bank is BANK A, it switches to BANK D. NEXT BANK Switches to the next bank. If the current bank is BANK D, it switches to BANK A.
Setup Functions that can be assigned to USER DEFINED knobs NOTE • If you are logged-in as the Administrator, you can also turn on the FOR GUEST button to access the USER DEFINED KNOBS and ASSIGNABLE ENCODER for Guest page and make USER DEFINED knob settings for the Guest account. • The 4 knobs in the USER DEFINED KNOBS and ASSIGNABLE ENCODER page correspond to USER DEFINED knobs [1]-[4] on the top panel.
Setup Function PARAMETER 1 Function PARAMETER 2 ATT RECORDER PARAMETER 2 - OUTPUT GAIN - LOW FREQUENCY SCENE SELECT - LOW GAIN TO MIX LEVEL MIX1-MIX24 *3) LOW MID Q TO MATRIX LEVEL MATRIX1-MATRIX8 *7) LOW MID FREQUENCY TO MIX PAN MIX1/2-MIX15/16 *3) MATRIX1/2-MATRIX7/8 *7) LOW Q EQ PARAMETER 1 INPUT GAIN LOW MID GAIN TO MATRIX PAN *2) HIGH MID Q TO ST/MONO HIGH MID FREQUENCY TOUCH AND TURN HIGH MID GAIN PAN/BAL CSR - *5) - HIGH Q *1) SELECTED CH, Automixer ch1-16 *2)
Setup Assignable encoders • The CL3 and CL1 have only one [GAIN/PAN/ASSIGN] key, so the function of all GAIN/PAN/ASSIGN knobs will change simultaneously. On the CL5, you can switch the knob function in block A (left side) and block C/Master fader section (right side) independently by using the corresponding [GAIN/ PAN/ASSIGN] keys. • This assignment does not apply to the multifunction knobs in the Centralogic section, since these knobs are used to control on-screen parameters.
Setup Functions that can be assigned to the assignable encoders PAN GAIN ASSIGN O Function PAN/BALANCE HPF FREQUENCY HPF *4 DYNAMICS1 THRESHOLD THRE1 *5 PAN O DYNAMICS2 THRESHOLD THRE2 *6 BAL O DIGITAL GAIN D.GAIN O EQ ATT ATT A.GAIN *1 D.GAIN *1 MTRX8 PARAMETER 2 O PARAMETER 2 DIGITAL GAIN SELECTED SEND PARAMETER 1 O PARAMETER 1 ANALOG GAIN O Function ASSIGN MATRIX8 SEND O NO ASSIGN GAIN O O O PAN *3 Units of scale are m, ms, ft, and fr.
Setup GAIN/PAN/ASSIGN knob (assignable encoder) functions Custom fader bank Groups that organize channels routed to the top-panel faders are called “fader banks.” There are input and output channel banks, as well as custom fader banks. Custom fader banks enable you to select various combinations of channels, regardless of channel types. This section explains how to set up a custom fader bank. In CL V1.7 and later, the following functions have been added to SENDS ON FADER mode. STEP 1.
Setup FADER field USER SETUP screen (CUSTOM FADER BANK/MASTER FADER page) 4 Fader select button Selects the target fader. Press this button to select it, then press [SEL] keys on the top panel to add the corresponding channels to the selected fader bank. 5 Fader assign select button 1 3 Opens the Fader assign select window, in which you can change the channel assigned to the fader. 6 CLEAR ALL button 2 Clears all the current fader bank assignment.
Setup Custom fader bank functions Console Lock Custom fader bank settings can be stored/recalled for individual scenes. Custom fader bank settings are stored in scene data in separate regions for each model. You can temporarily prohibit console operations in order to prevent unwanted operation. This setting disables operations of the panel, so that controllers cannot be operated by an accidental touch or by an unauthorized third party while the operator is taking a break.
Setup Saving and loading setup data to and from a USB flash drive You can connect a commercially-available USB flash drive to the USB connector located to the right of the display, and save the internal settings and user authentication keys of the CL series console to the USB flash drive or load them from the USB flash drive. CAUTION An ACCESS indicator is shown in the Function Access Area while data is being accessed (saved, loaded, or deleted).
Setup SAVE/LOAD window The file list contains the following items. When you press an item name, it will turn orange, and the list will be sorted by that item. Each time you press the item name, the sorting order will alternate between ascending and descending order. • FILE NAME................. Indicates the file name or directory name, and shows an icon indicating its type. • COMMENT ................. The comment added to the CL console setting file is displayed here.
Setup 1 TYPE field Saving the CL console's internal data on a USB flash drive Specifies the types of data to be saved. The view of the TYPE field will vary depending on the tab you select. All of the CL series console’s internal data can be saved on a USB flash drive as a setting file. The saved file will have an extension of “.CLF”. • ALL tab This button selects all the items. STEP 1. In the SAVE/LOAD window, press the SAVE button. 2.
Setup Loading a file from a USB flash drive • SETUP tab The following table lists the items that you can select. Button Follow the steps below to load a CL settings file (extension .CLF) from the USB flash drive into the CL series console. You can use the same procedure to load the following files as well as settings files. Data content MIXER SETUP Mixer setup OUTPUT PORT Output port MONITOR CUE/MONITOR/OSCILLATOR/TALKBACK .CLF ALL CL console internal setting file MIDI SETUP MIDI setup .
Setup LOAD SELECT screen • EFFECT/GEQ tab The following table lists the items that you can select. Button EFFECT LIB 1 Data content Effect library GEQ LIB GEQ library 8PEQ LIB 8Band PEQ library • PREMIUM tab The following table lists the items that you can select.
Setup Editing the files saved on the USB flash drive • ADMIN tab The following table lists the items that you can select. Type Follow the steps below to perform editing operations such as sorting the files and directories on the USB flash drive, editing the file names or comments, copying, and pasting.
Setup Copying and pasting a file Formatting a USB flash drive Follow the steps below to copy a desired file into buffer memory, and then paste it with a different file name. Follow the steps below to format a USB flash drive. A USB flash drive with a capacity of 4GB or larger will be formatted in FAT32, and a USB flash drive with a capacity of 2GB or smaller will be formatted in FAT16. STEP 1.
Setup Word clock and slot settings Recovering after overcurrent at the USB port Even if the connection with the USB device was stopped because an overcurrent condition occurred at the USB port, it is possible to use the USB device again without turning the console power off and back on. “Word clock” refers to the clock that provides the basis of timing for digital audio signal processing. To send and receive digital audio signals between devices, those devices must be synchronized to the same word clock.
Setup WORD CLOCK/SLOT SETUP window • DANTE 48 k • DANTE 44.1 k The word clock supplied from the Dante jack on the rear panel of the console will be used as the clock source. 4 1 NOTE With CL V2.03 and later, if you initialize the console to factory settings, the default value for the word clock is set to DANTE 48k. This allows you to synchronize word clock even when using multiple CL and QL consoles at their default settings.
Setup Using cascade connections • UNKNOWN (black) This indicates that the clock status cannot be detected because no external device is connected or because there is no valid clock input. You will be able to select this connector/slot, but successful synchronization cannot occur until a valid connection is established. Using multiple CL series consoles, or a CL console and an external mixing console (such as a Yamaha PM5D) in a cascade connection enables buses to be shared among the devices.
Setup CASCADE window (CASCADE OUT PATCH page) NOTE • In Surround mode, you cannot use cascade output on MIX buses1-6. In addition, if you have selected 5.1 SOLO in CUE mode, you cannot monitor CUE from the cascade slave at the cascade master. • If you are making a cascade connection between the CL unit and the PM5D, you can use the CL unit as the cascade slave by setting the PM5D's CASCADE IN PORT SELECT to a slot. However, only the audio signals will be cascaded, and the control signals cannot be linked.
Setup Operations on the cascade master CL unit • DIMMER (MONITOR screen) operations • Panel LED and display brightness (SETUP screen) operations • Master mute group operations STEP 1. In the Function Access Area, press the SETUP button. 2. In the SYSTEM SETUP field of the SETUP screen, press the CASCADE button. 3. In the CASCADE window, press the CASCADE IN PATCH tab. 4. In the CASCADE IN PATCH page, press the IN PATCH button for the bus to which you want to assign the port. 5.
Setup Basic settings for MIX buses and MATRIX buses BUS SETUP window You can make various settings for MIX buses and MATRIX buses. Follow the steps below to change the basic settings for MIX buses and MATRIX buses, such as switching between stereo and monaural, and selecting the send point from which the signal of an input channel will be sent. The settings you make in the following procedure are saved as part of the scene. 1 2 4 1 3 4 STEP 1. In the Function Access Area, press the SETUP button.
Setup 4 PAN LINK button Specifying the brightness of the touch screen, LEDs, channel name displays, and lamps This button appears if SIGNAL TYPE is set to STEREO and VARI is set. If the button is on, the pan setting of signals sent from input channels to the corresponding two buses will link with the STEREO bus pan setting. Follow the steps below to specify the brightness of the touch screen, top panel LEDs, channel name displays, and lamps connected to the rear panel LAMP connectors.
Setup 5 SCREEN 3 FORMAT (Display format) This knob adjusts the brightness of the touch screen. If you have set the brightness to lower than level 2, the CL will start up next time with a brightness setting of 2 so that you will be able to see the screen. Specifies the format in which the date and time of the internal clock are displayed. You can select from the following display formats.
Setup NETWORK window 1 3 2 4 SETUP screen 1 IP ADDRESS DANTE SETUP window DANTE SETUP window (SETUP page) Specifies an address that identifies an individual device on the Internet or LAN network. 2 GATEWAY ADDRESS Specifies an address that identifies a device (gateway) that converts data between different media or protocols to allow communication within the network.
Setup 4 CANCEL button • DANTE patch information is applied to the device if the CL settings file (file name extension .CLF) is loaded under the following conditions. Otherwise, the information is not applied and the current state will be maintained. • In the SAVE/LOAD window (page 211), the WITH DANTE SETUP AND I/O DEVICE button is on. • Either #1, #2, #3, or #4 CONSOLE ID select button is on. • The THIS CONSOLE button of the DANTE PATCH BY select buttons is on. • With CL V2.
Setup Switching the CONSOLE ID and SECONDARY PORT • When the CONSOLE ID is set to OFF, the DANTE PATCH BY field is fixed to “DANTE CONTROLLER.” Also, patching cannot be changed in the DANTE INPUT PATCH window. • When the CONSOLE ID is set to OFF, all the mounted devices will be “virtual.” You can edit HA GAIN and other settings for R series units, but notification of the settings will not be sent to the device. This is the same as when the devices are not connected. STEP 1.
Setup Connection examples and latency settings Redundant connections Simple 64-in/48-out Daisy chain connections Simple 64-in/48-out 3 3 2 4 2 3 1 1 2 1 4 hops = 0.5 ms 3 hops = 0.25 ms 3 hops = 0.25 ms Redundant connections FOH and monitor consoles are sharing 64-in/48-out. Daisy chain connections FOH and monitor consoles are sharing 64-in/48-out. 3 4 2 3 4 2 3 1 1 4 hops = 0.5 ms 1 2 4 hops = 0.5 ms 3 hops = 0.
Setup Daisy chain connections 256-ch HA remote (maximum size) Redundant connections Two CL series consoles are sharing 256-ch HA remote (maximum size) 9 8 3 4 7 6 5 4 5 4 2 3 3 2 1 9 hops = 1.0 ms 1 1 4 hops = 0.5 ms 2 5 hops = 0.
Setup 3 I/O device select buttons Mounting an I/O device on the Dante audio network Press one of the buttons to open the DEVICE SELECT window. The upper line of the button shows the device label. The lower line of the button shows the model name and the number of inputs and outputs. If no device has been mounted, the upper row will indicate “---” and the lower row will show nothing. For more information on VIRTUAL/CONFLICT/DUPLICATE shown below these buttons, refer to P.154, (1) “I/O device list.
Setup When the setup method select button is DEVICE LIST When the setup method select button is SUPPORTED DEVICE To mount by choosing from a list of the I/O devices on the Dante audio network, press the DEVICE LIST button to display the DEVICE LIST field. If you want to select and mount an I/O device that is supported by the CL series, press the SUPPORTED DEVICE button to see the SUPPORTED DEVICE field. These settings can be made even when not connected to a Dante audio network.
Setup NOTE When the setup method select button is DVS or MANUAL • If there is one I/O device, set the I/O device's UNIT ID to “1.” • If multiple devices are connected, assign the ID numbers so that there is no conflict between devices. • For devices other than the R series, it is possible for devices of differing models to be assigned to the same ID as an R series unit or the same ID as a different model of device.
Setup 3 HA device select buttons REMOTE HA settings Press one of these buttons to open the REMOTE HA SELECT window. The upper line of the button shows the device label. The lower line of the button shows the model name and the number of inputs and outputs. If no device has been mounted, the upper row will indicate “---” and the lower row will show nothing. For more information on VIRTUAL/CONFLICT/DUPLICATE shown below these buttons, refer to P.154, (1) “I/O device list.
Setup Displaying the device status R-series You can use the touch screen to verify the status of a connected CL series or R-series unit (except the Ro8-D) or the Dante status. In order to verify the status of an R-series unit from the console, it must be assigned to REMOTE HA in DANTE SETUP. The I/O field of the I/O DEVICE screen shows indicators for the status of the R-series units and the Dante network. For firmware that predates support for V1.
Setup Error messages Warning messages The SYSTEM indicators will remain lit/blinking cyclically as follows until the problem has been resolved. If service is necessary, please contact the Yamaha service center listed in the CL5/CL3/CL1 Owner's Manual. The indicators will remain lit/blinking cyclically until the problem has been resolved. If the green [SYNC] indicator is not lit, the device's word clock is not defined.
Setup Using GPI (General Purpose Interface) Lit or blinking Flash x2 An abnormality has occurred on the circuit connected to the SECONDARY connector during redundant network operation. The rear panel GPI (General Purpose Interface) connector can be used as an input/output connector. This connector provides five GPI IN ports and five GPI OUT ports. For example you can use an external switch to control internal parameters of the CL series console or to switch scenes.
Setup 3 GPI IN SETUP button NOTE • With latched operation, the function will switch between active and inactive each time a trigger is input from the external switch. In this case, we recommend that you use a non-locking type of external switch. • With unlatched operation, the function will be active only while the signal from the external switch is at the high level or low level. In this case, you may use either a non-locking or a locking type of external switch as appropriate for your needs.
Setup Using GPI OUT MIDI/GPI screen (GPI page) 4 The GPI OUT ports of the GPI OUT connector allow you to control an external device by performing operations on the CL series console. STEP 1. Connect an external device to the CL series console's GPI connector. 2. In the Function Access Area, press the SETUP button. 3. In the SETUP screen, press the MIDI/GPI button. 4. In the MIDI/GPI screen, press the GPI tab. 5.
Setup 3 GPI OUT SETUP button Using FADER START The button shows the name of the currently-selected function or parameter. Press this button to display the GPI OUT SETUP window. Make FADER START settings if you want a device connected to a GPI OUT port to operate in tandem with fader operations. STEP 1. Connect an external device to the CL series console's GPI connector. 2. In the Function Access Area, press the SETUP button. 3. In the SETUP screen, press the MIDI/GPI button. 4.
Setup THRESHOLD field MIDI/GPI screen (FADER START page) 1 4 UPSTROKE/DOWNSTROKE These specify the level that will be the threshold for outputting a trigger signal. A trigger signal will be output when the fader exceeds the UPSTROKE level, or when the fader falls below the DOWNSTROKE level. You can use the multifunction knobs to operate this. NOTE • The THRESHOLD values specified by the UPSTROKE/DOWNSTROKE knobs are common to all channels (faders) and all GPI OUT ports.
Setup The following illustration shows how the signal that is output from the GPI PORT will change in each fader mode when a fader is operated. In this example, UPSTROKE in the THRESHOLD field is set to -60.00, and DOWNSTROKE is set to -∞. (This illustration shows the case in which is selected as the polarity of the GPI OUT port. If the polarity is , the polarity of the output signal will be reversed.
Help function Help function NOTE By default, the character code set of the text file will be detected as UTF-8. However, by adding a line consisting of [ISO-8859-1] or [Shift_JIS] at the beginning of the file, you can force recognition of the file using that character code set. You can specify the desired character code set when using your text editor to save the text file. The Help function is able to display the following text files (character code sets /languages).
Help function Directly recalling the Help for a specific panel controller Using USER DEFINED keys to recall Help directly While holding down the USER DEFINED key to which you have assigned the Help function, press (or rotate) the panel controller for which you want to recall Help. If the explanation is available for the controller, the help for the corresponding item will appear. To close the window, once again press the USER DEFINED key to which the Help function is assigned.
Other functions Other functions NOTE • Do not press any buttons until initialization is complete. • Once initialization is complete, you can continue operation by selecting a different menu instead of pressing the EXIT button. This chapter explains various functions of CL series consoles that are not covered in other chapters.
Other functions Adjusting the faders (Calibration function) NOTE • Faders for which a problem was detected at start-up will already be selected in step 3. • If the RESTART button appears, calibration has failed. Press the RESTART button to execute calibration once again. • Once initialization is complete, you can continue operation by selecting a different menu instead of pressing the EXIT button.
Other functions • INPUT PORT TRIM (Fine adjustment of the analog input gain) Access the INPUT PORT TRIM window, and make fine adjustments to the gain of the specified analog input port in 0.1 dB steps. • SLOT OUTPUT TRIM (Fine adjustment of the slot output port gain) Access the SLOT OUTPUT TRIM window, and make fine adjustments to the gain of the output ports of the specified slot in 0.01 dB steps.
Other functions Adjusting the channel color (Calibration function) Adjusting the brightness of the channel name display If necessary, you can adjust the channel colors. Adjust the channel colors one by one. If necessary, you can adjust the brightness of the channel name display. STEP 1. While holding down the SCENE MEMORY [STORE] key on the panel, turn on the power to the CL unit. 2. On the startup menu screen, press the LED COLOR CALIBRATION button. 3.
Other functions Adjusting the contrast of the channel name display Initializing the console settings and Dante audio network settings If necessary, you can adjust the contrast of the channel name display. It is possible for Dante-related settings to be initialized to their factory-set state when an error occurs on the Dante audio network. STEP 1.
Warning/Error Messages Warning/Error Messages Message Message Meaning Meaning Different File Format! Some Data was not Loaded. Data in an unsupported format was loaded. xxx Parameters Copied. Parameter xxx was copied to the copy buffer. Directory Not Empty! You attempted to delete a directory, but failed because there were files remaining in the directory. xxx Parameters Initialized. Parameter xxx was initialized. Parameter xxx was pasted from the copy buffer.
Warning/Error Messages Message Meaning Loading Aborted. Loading from USB flash drive was aborted. Loading Finished. Finished loading from USB flash drive. Low Battery! The backup battery voltage is low. Maximum Number of Audio Files Exceeded! The number of songs that can be managed by the USB memory recorder has been exceeded. Memory Error. The R series backup memory is corrupted. MIDI: Data Framing Error! MIDI: Data Overrun! An inappropriate signal is being input to the MIDI input port.
Warning/Error Messages Message Meaning SURROUND MODE ON. The console has switched to Surround mode. Sync Error! [xxx] The CL series console is not synchronized to the [xxx] signal. Tap Operation Ignored. Tap operation was ignored because the TAP TEMPO button is not displayed in the screen. This Operation is Not Allowed. This operation has been ignored because the current user does not have permission. This Operation is Not Allowed in This View. This function is not allowed in this screen.
Appendices Index F M S Factory set ................................................... 245 Fade function ................................................. 96 Focus Recall function..................................... 94 Function Tree................................................... 4 Functions that can be assigned to the assignable encoders............................. 207 Gain ............................................................... 29 Analog gain ............................................
Table of Contents Data List EQ Library List.................................................................... DYNAMICS Library List ...................................................... Dynamics Parameters......................................................... Effect Type List.................................................................... Effects Parameters.............................................................. Premium Rack Processor Parameters ................................
EQ Library List # LOW L-MID H-MID HIGH PEAKING PEAKING PEAKING H.SHELF G +3.5 dB -3.5 dB 0.0 dB +4.0 dB F 100 Hz 265 Hz 1.06 kHz 5.30 kHz Q 02 Bass Drum 2 1.25 10.0 0.90 - PEAKING PEAKING PEAKING LPF G +8.0 dB -7.0 dB +6.0 dB ON F 80.0 Hz 400 Hz 2.50 kHz 12.5 kHz Q 03 Snare Drum 1 0.0 dB +3.0 dB +4.5 dB 1.00 kHz 3.15 kHz 5.00 kHz 1.25 4.5 0.11 - L.SHELF PEAKING PEAKING PEAKING G +1.5 dB -8.5 dB +2.5 dB +4.0 dB F 180 Hz 335 Hz 2.36 kHz 4.
# 33 Bass Drum 3 34 Snare Drum 3 35 Tom-tom 2 38 Piano High 40 Narrator H-MID HIGH PEAKING PEAKING PEAKING +3.5 dB -10.0 dB +3.5 dB 0.0 dB F 118 Hz 315 Hz 4.25 kHz 20.0 kHz Q 2.0 10.0 0.40 0.40 PEAKING L.SHELF PEAKING PEAKING G 0.0 dB +2.0 dB +3.5 dB 0.0 dB F 224 Hz 560 Hz 4.25 kHz 4.00 kHz Q - 4.5 2.8 0.10 H.SHELF L.SHELF PEAKING PEAKING G -9.0 dB +1.5 dB +2.0 dB 0.0 dB F 90.0 Hz 212 Hz 5.30 kHz 17.0 kHz - 4.5 1.25 - PEAKING PEAKING PEAKING H.
# Title Type 18 E. B. Slap COMPRESSOR 19 Syn. Bass COMPRESSOR 20 Piano1 COMPRESSOR 21 Piano2 COMPRESSOR 22 E. Guitar COMPRESSOR 23 A.
DUCKING Dynamics Parameters Ducking is commonly used for voice-over applications in which the background music level is reduced automatically when an announcer speaks. When the KEY IN source signal level exceeds the specified THRESHOLD, the output level is attenuated by a specified amount (RANGE). Dynamics Parameters are the following types.
COMPRESSOR EXPANDER The COMP processor attenuates signals above a specified THRESHOLD by a specified RATIO. The COMP processor can also be used as a limiter, which, with a RATIO of ∞:1, reduces the level to the threshold. This means that the limiter's output level never actually exceeds the threshold. An expander attenuates signals below a specified THRESHOLD by a specified RATIO. Parameter THRESHOLD (dB) Range Parameter Description This determines the level at which compression is applied.
COMPANDER HARD (COMPANDER-H), COMPANDER SOFT (COMPANDER-S) Effect Type List Output Level The hard and soft companders combine the effects of the compressor, expander and limiter. THRESHOLD WIDTH 0dB Input Level The companders function differently at the following levels: 1 0 dB and higher ..................................Functions as a limiter. 2 Exceeding the threshold ....................Functions as a compressor. 3 Below the threshold and width ..........Functions as an expander.
Title Type Delay+Rev DELAY+REV Delay and reverb in parallel Effects Parameters Description DelayRev DELAYREV Delay and reverb in series REV-X HALL, REV-X ROOM, REV-X PLATE DistDelay DISTDELAY Distortion and delay in series Multi Filter MULTI FILTER 3-band parallel filter (24 dB/octave) Freeze FREEZE Simple sampler Distortion DISTORTION Distortion Newly-developed two input, two output reverb algorithm.
STEREO REVERB GATE REVERB, REVERSE GATE Two input, two output stereo reverb. One input, two output early reflections with gate, and early reflections with reverse gate. Parameter Range Description Parameter Range 0.3-99.0 s Reverb time TYPE REV TYPE Hall, Room, Stage, Plate Reverb type ROOMSIZE 0.1-20.0 INI. DLY 0.0-100.0 ms Initial delay before reverb begins LIVENESS 0-10 Early reflections decay characteristics (0 = dead, 10 = live) HI. RATIO 0.1-1.
MOD. DELAY ECHO One input, two output basic repeat delay with modulation. Two input, two output stereo delay with crossed feedback loop. Parameter Range Description Parameter Range Description DELAY 0.0-2725.0 ms Delay time DELAY L 0.0-1350.0 ms Left channel delay time FB. GAIN -99 to +99% Feedback gain DELAY R 0.0-1350.0 ms Right channel delay time HI. RATIO 0.1-1.0 High-frequency feedback ratio FB.DLY L 0.0-1350.0 ms Left channel feedback delay time FREQ. 0.05-40.
FLANGE PHASER Two input, two output flange effect. Two input, two output 16-stage phaser. Parameter Range FREQ. 0.05-40.00 Hz DEPTH MOD. DLY Description Parameter Range Description Modulation speed FREQ. 0.05-40.00 Hz Modulation speed 0-100% Modulation depth DEPTH 0-100% Modulation depth 0.0-500.0 ms Modulation delay time FB. GAIN -99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) FB.
DYNA.PHASER DUAL PITCH Two input, two output dynamically controlled phaser. Two input, two output pitch shifter. Parameter Range Description SOURCE INPUT, MIDI Control source: input signal or MIDI Note On velocity SENSE 0-100 Sensitivity DIR.
AUTOPAN RING MOD. Two input, two output autopanner. Two input, two output ring modulator. Parameter Range FREQ. 0.05-40.00 Hz DEPTH DIR. Description Parameter Range Description Modulation speed SOURCE OSC, SELF 0-100% Modulation depth OSC FREQ 0.0-5000.0 Hz Oscillator frequency *1 Panning direction FM FREQ. 0.05-40.
REV+CHORUS REV+FLANGE One input, two output reverb and chorus effects in parallel. One input, two output reverb and flanger effects in parallel. Parameter Range Description Parameter Range Description REV TIME 0.3-99.0 s Reverb time REV TIME 0.3-99.0 s Reverb time INI. DLY 0.0-500.0 ms Initial delay before reverb begins INI. DLY 0.0-500.0 ms Initial delay before reverb begins HI. RATIO 0.1-1.0 High-frequency reverb time ratio HI. RATIO 0.1-1.
REV+SYMPHO. REVPAN One input, two output reverb and symphonic effects in parallel. This is a 1-in/2-out series-connected reverb and auto-pan effect. Parameter Range Parameter Description Range Description REV TIME 0.3-99.0 s Reverb time REV TIME 0.3-99.0 s Reverb time INI. DLY 0.0-500.0 ms Initial delay before reverb begins INI. DLY 0.0-500.0 ms Initial delay before reverb begins HI. RATIO 0.1-1.0 High-frequency reverb time ratio HI. RATIO 0.1-1.
DELAYER. Parameter One input, two output delay and early reflections effects in series. NOTE L *1 Used in conjunction with TEMPO to determine left channel DELAY NOTE R *1 Used in conjunction with TEMPO to determine right channel DELAY NOTE FB *1 Used in conjunction with TEMPO to determine feedback DELAY Parameter Range Description Range Description DELAY L 0.0-1000.0 ms Left channel delay time DELAY R 0.0-1000.0 ms Right channel delay time FB. DLY 0.0-1000.
DISTDELAY FREEZE One input, two output distortion and delay effects in series. One input, two output basic sampler. Parameter Range Description Parameter Range Description REC MODE MANUAL, INPUT In MANUAL mode, recording is started by pressing the REC and PLAY buttons. In INPUT mode, Record-Ready mode is engaged by pressing the REC button, and actual recording is triggered by the input signal. REC DLY -1000 to +1000 ms Recording delay.
AMP SIMULATE COMP276S One input, two output guitar amp simulator. This effect emulates the characteristics of analog compressors that are widely used in recording studios. It produces a thick, strong frame sound suitable for drums and bass. You can link and control the L and R channel parameters.
EQUALIZER601 OPENDECK This effect emulates the characteristics of 70's analog equalizers. Re-creating the distortion of typical analog circuits will add drive to the sound. It emulates the tape compression created by two open reel tape recorders (a recording deck and a playback deck). You can change the sound quality by adjusting various elements, such as the deck type, tape quality, playback speed, etc.
Parameter LIM.ATK Range 0-120 ms Premium Rack Processor Parameters Description Attack time of the limiter LIM.REL *1 Release time of the limiter LIM.KNEE 0-5 Knee of the limiter LIM.BYP OFF/ON Bypasses the limiter PRESENCE -10 to +10 Positive (+) values lower the threshold of the high band and raise the threshold of the low band. Negative (-) values do the opposite. If this is set to 0, the high, mid, and low bands will be affected in the same way.
U76 Dynamic EQ This models a well-known vintage compressor/limiter used in a wide range of situations. This is a newly developed equalizer that dynamically changes the EQ gain in response to the input signal, controlling the amount of EQ cut or boost in a way similar to a compressor or expander. Parameter Range Description INPUT -96.0 to 0.0 dB Input level OUTPUT -96.0 to 0.0 dB Output level ATTACK 5.50 to 0.10 ms Attack time of the compressor.
Automixer Parameters Parameter Range Parameters That Can Be Assigned to Control Changes Description Group a, b, c Channel control field group Override OFF, ON Turns on/off overriding of the channel control field ChMode man, auto, mute Channel control field mode (man/auto/mute) ChModePreset man, auto, mute Preset setting of the channel control field Weight -100 to 15 Relative sensitivity among input channels in the channel control field MeterType gain, input, output Meter type of the ma
Mode INPUT ATT Parameter 1 INPUT Parameter 2 Mode LCR ON MIX 1 ON - MIX24 ON THRESHOLD MATRIX 1 ON - MATRIX 8 ON RANGE MIX 1 POINT - MIX 24 POINT HOLD L DECAY/RELEASE H MIX/MATRIX SEND MIX 1 H - MIX24H MATRIX1 H - MATRIX8 H DECAY/RELEASE L MIX 1 L - MIX24L RATIO MATRIX1 L - MATRIX8 L KNEE MIX 1/2 PAN - MIX 23/24 PAN GAIN H MATRIX1/2 PAN - MATRIX7/8 PAN GAIN L MATRIX 1 POINT - MATRIX 8 POINT MATRIX 1 LEVEL H - MATRIX 8 LEVEL H MATRIX 1/2 PAN - MATRIX 7/8 PAN RELEASE H TO STEREO ON CH
Mode Parameter 1 Mode LOW Q BAND4 FREQ LOW FREQ BAND4 Q LOW GAIN BAND5 BYPASS LOW MID Q BAND5 GAIN H LOW MID FREQ BAND5 GAIN L LOW MID GAIN BAND5 FREQ HIGH MID FREQ HIGH MID GAIN BAND6 BYPASS BAND6 GAIN H HIGH Q BAND6 GAIN L HIGH FREQ BAND6 FREQ HIGH GAIN BAND6 Q LOW TYPE BAND7 BYPASS HIGH TYPE BAND7 GAIN H LOW HPF ON BAND7 GAIN L INPUT BAND7 FREQ BAND7 Q CH 1-CH 72*1 STIN1L-STIN8R BAND8 BYPASS A/B LINK BAND8 GAIN H ON PEQ PEQ BAND8 GAIN L BAND1 BYPASS BAND8 FREQ BAN
Mode RECALL SAFE Parameter 1 ON Parameter 2 CH 1-CH 72*1 STIN1L-STIN8R MIX 1-MIX 24 MATRIX 1-MATRIX 8 STEREO L-MONO(C) GEQ RACK 1A-16B EFFECT RACK 1A-8B PREMIUM RACK 1A-8B DCA 1-DCA16 MATRIX 1 POINT - MATRIX 8 POINT MATRIX 1 ON - MATRIX 8 ON STEREO TO MATRIX MATRIX 1 LEVEL H - MATRIX 8 LEVEL H STEREO L-MONO(C) MATRIX 1 LEVEL L - MATRIX 8 LEVEL L MATRIX 1/2 PAN - MATRIX 7/8 PAN SOURCE SELECT 2CH MONITOR ASSIGN DOWNMIX SURROUND SPEAKER SOLO SURROUND MONITOR SURROUND SPEAKER L SURROUND SPEAKER R — S
NRPN Parameter Assignments Parameter INPUT FADER MIX1-20, MATRIX, STEREO LR MIX9 SEND MIX10 SEND MIX11 SEND MIX12 SEND INPUT to MIX9-16 LEVEL MIX13 SEND MIX14 SEND MIX15 SEND MIX16 SEND MATRIX1 SEND MATRIX2 SEND INPUT to MATRIX1 - 4 LEVEL MATRIX3 SEND MATRIX4 SEND MATRIX1 SEND MATRIX2 SEND MATRIX3 SEND MATRIX4 SEND MIX1-20, STEREO LR to MATRIX LEVEL MATRIX5 SEND MATRIX6 SEND MATRIX7 SEND MATRIX8 SEND INPUT ON MIX1-20, MATRIX, STEREO LR MIX9 SEND MIX10 SEND MIX11 SEND MIX12 SEND INPUT to MIX9-16 ON MIX13 SEN
Parameter MIX9/10 INPUT to MIX9/10-15/16 MIX11/12 PAN MIX13/14 MIX15/16 MATRIX1/2 INPUT to MATRIX1/2, 3/4 PAN MATRIX3/4 MATRIX1/2 MATRIX3/4 MIX1-20, STEREO LR to MATRIX PAN MATRIX5/6 MATRIX7/8 MIX1-8 to STEREO PAN MIX TO ST MIX1-20, MATRIX, BALANCE STEREO LR MATRIX1 SEND MATRIX2 SEND MATRIX3 SEND MIX, STEREO LR, MONO MATRIX4 SEND to MATRIX PRE/POST MATRIX5 SEND MATRIX6 SEND MATRIX7 SEND MATRIX8 SEND MATRIX1 SEND MATRIX2 SEND MATRIX3 SEND MATRIX4 SEND MIX21-24, MONO to MATRIX ON MATRIX5 SEND MATRIX6 SEND MAT
Parameter MATRIX1 SEND MATRIX2 SEND MATRIX3 SEND MATRIX4 SEND MIX21-24, MONO to MATRIX LEVEL MATRIX5 SEND MATRIX6 SEND MATRIX7 SEND MATRIX8 SEND ON MIX21-24, MONO MIX1 SEND MIX2 SEND MIX3 SEND MIX4 SEND INPUT1-56, STIN1-4 to MIX1-8 ON MIX5 SEND MIX6 SEND MIX7 SEND MIX8 SEND MATRIX5 SEND MATRIX6 SEND INPUT1-56, STIN1-4 to MATRIX5-8 ON MATRIX7 SEND MATRIX8 SEND MIX9-24 to STEREO ON MIX TO ST INSERT MIX21-24, MONO MIX1 SEND MIX2 SEND MIX3 SEND MIX4 SEND INPUT1-56, STIN1-4 to MIX1-8 PRE/POST MIX5 SEND MIX6 SEND
Parameter EXTERNAL GAIN1 INPUT GAIN 1 EXTERNAL GAIN2 INPUT GAIN 2 EXTERNAL GAIN3 INPUT GAIN 3 EXTERNAL GAIN4 INPUT GAIN 4 EXTERNAL GAIN5 INPUT GAIN 5 EXTERNAL GAIN6 INPUT GAIN 6 EXTERNAL GAIN7 INPUT GAIN 7 EXTERNAL GAIN8 INPUT GAIN 8 EXTERNAL +48V 1 INPUT +48V 1 EXTERNAL +48V 2 INPUT +48V 2 EXTERNAL +48V 3 INPUT +48V 3 EXTERNAL +48V 4 INPUT +48V 4 HA EXTERNAL +48V 5 INPUT +48V 5 EXTERNAL +48V 6 INPUT +48V 6 EXTERNAL +48V 7 INPUT +48V 7 EXTERNAL +48V 8 INPUT +48V 8 EXTERNAL HPF1 INPUT HPF1 EXTERNAL HPF2 INPU
Mixing Parameter Operation Applicability This table indicates which settings affect the behavior of each input channel and output channel parameter. It also indicates whether or not they can be linked as stereo, and whether or not they are relevant to the RECALL SAFE, GLOBAL PASTE, and USER LEVEL settings, and a channel library.
Parameter To Matrix DELAY Stereo*1 RECALL SAFE, FOCUS RECALL, GLOBAL PASTE*8 CHANNEL LINK ALL Parameter Select button Channel Library USER LEVEL On O INPUT MATRIX ON*3 O INPUT MATRIX ON*7 INPUT FADER/ON*4 O Level O INPUT MATRIX SEND*3 O INPUT MATRIX SEND*7 INPUT FADER/ON*4 O Pan/Balance O*11 O INPUT MATRIX SEND*7 INPUT FADER/ON*4 Pre/Post O O INPUT MATRIX SEND *7 ms O*10 INPUT O INPUT DELAY INPUT PROCESSING O ON O INPUT DELAY O INPUT DELAY INPUT PROCESSING O *
MIX Channels Parameters Linked for a stereo pair RECALL SAFE, FOCUS RECALL, GLOBAL PASTE *8, *12 CHANNEL LINK ALL Parameter Select button USER LEVEL Name, Icon, Color O MIX NAME, GLOBAL OUTPUT NAME OUTPUT NAME Output Patch O MIX OUTPUT PATCH, GLOBAL OUTPUT PATCH OUTPUT PATCH Out Patch O MIX INSERT PATCH, GLOBAL OUTPUT PATCH OUTPUT PATCH In Patch O MIX INSERT PATCH, GLOBAL OUTPUT PATCH OUTPUT PATCH +48V, Gain, Gain Compensation O MIX INSERT PATCH, GLOBAL HA MIX PROCESSING Insert1
*9 *11 *12 *13 *14 Applies to ALL only when using GLOBAL PASTE, and only to ON/OFF. Balance only For GLOBAL PASTE, the MIX, MATRIX, STEREO, and MONO settings of each channel will be set in common as the OUTPUT. Linked only for stereo MATRIX Applicable to parameters only when ALL is selected.
*7 *8 *9 *11 *12 *14 Valid when they are set for either the Send source channel or Send destination channel. Settings marked GLOBAL in this table apply to all channels; these settings are GLOBAL RECALL SAFE, FOCUS PARAMETER, and GLOBAL PASTE for PATCH/NAME. Applies to ALL only when using GLOBAL PASTE, and only to ON/OFF. Balance only For GLOBAL PASTE, the MIX, MATRIX, STEREO, and MONO settings of each channel will be set in common as the OUTPUT. Applicable to parameters only when ALL is selected.
DCA Parameters MUTE RECALL SAFE, FOCUS RECALL, GLOBAL PASTE ALL Parameter Select button Parameters USER LEVEL RECALL SAFE ALL Name, Icon, Color O DCA NAME DCA MASTER Name On O DCA LEVEL/ON DCA MASTER On MUTE GROUP MASTER Fader O DCA LEVEL/ON DCA MASTER Dimmer MUTE GROUP MASTER Fade Time, On O *9 STORE MUTE Assign MUTE GROUP ASSIGN Input DCA Assign *9 Applies to ALL only when using GLOBAL PASTE, and only to ON/OFF.
MIDI Data Format DATA This section explains the format of the data that the CL series is able to understand, send, and receive. STATUS DATA 1 CHANNEL MESSAGE If [TABLE] is selected 1.1 NOTE OFF (8n) Reception These messages are echoed to MIDI OUT if [OTHER COMMAND ECHO] is ON. They are received if [Rx CH] matches, and used to control effects. STATUS DATA 1000nnnn 8n Note off message 0nnnnnnn nn Note number 0vvvvvvv vv Velocity (ignored) 1.
2 SYSTEM REALTIME MESSAGE EOX 2.1 SONG SELECT (F3) Reception Select the track number shown in the TITLE LIST screen of the USB memory recorder. STATUS 11110011 F3 Song select Song number 0sssssss ss Song number (0-127) 2.2 TIMING CLOCK STATUS 11111000 F8 Timing clock 2.3 ACTIVE SENSING (FE) Reception Once this message has been received, MIDI communication will be initialized (e.g., Running Status will be cleared) if no message is received for an interval of 400 ms.
[Conversion from actual data to bulk data] d[0-6]: actual data b[0-7]: bulk data b[0] = 0; for( I=0; I<7; I++){ if( d[I]&0x80){ b[0] |= 1<<(6-I); } b[I+1] = d[I]&0x7F; } [Recovery from bulk data to actual data] d[0-6]: actual data b[0-7]: bulk data for( I=0; I<7; I++){ b[0] <<= 1; d[I] = b[I+1]+(0x80&b[0]); } 3.3 PARAMETER CHANGE Reception This message is echoed if [PARAMETER CHANGE ECHO] is ON.
4.2.
4.4 FUNCTION CALL - LIBRARY ATTRIBUTE - 4.4.2 Format (PARAMETER REQUEST) 4.4.1 Format (PARAMETER CHANGE) Reception The PARAMETER CHANGE will be sent with Device number [Rx CH] immediately the data is received. Reception Data will be received when [PARAMETER CHANGE Rx] is on and the Device number of both [Rx CH] and SUB STATUS match. The data will be echoed when [PARAMETER CHANGE ECHO] is on. When the message is received, the title of the specified memory/library will be edited.
4.5.2 Format (PARAMETER REQUEST) 4.6 FUNCTION CALL - COLLECTION STORE - Reception The PARAMETER CHANGE will be sent with Device number [Rx CH] immediately the data is received. 4.6.1 Format (PARAMETER CHANGE) STATUS ID No.
4.8 FUNCTION CALL - CHANNEL - 4.8.1 Pair ON/OFF Trigger Format (PARAMETER CHANGE) Reception Data will be received when [PARAMETER CHANGE Rx] is on and the Device number of both [Rx CH] and SUB STATUS match. The data will be echoed when [PARAMETER CHANGE ECHO] is on. STATUS ID No.
Input/output characteristics DIGITAL INPUT & OUTPUT CHARACTERISTICS ANALOG INPUT CHARACTERISTICS Input Terminals OMNI IN 1-8 GAIN For Use With Nominal 7.5kΩ 50-600Ω Mics & 600Ω Lines +66dB -6dB +64dB TALKBACK Input Level Actual Load Impedance 10kΩ +20dB *1 Nominal Max. before clip -82dBu (61.6μV) -62dBu (0.616mV) -42dBu (6.16mV) -10dBu (245mV) +10dBu (2.45V) +30dBu (24.5V) -60dBu (0.775mV) -40dBu (7.75mV) Sensitivity -70dBu 50-600Ω Mics & (0.245mV) 600Ω -26dBu Lines (38.
I/O SLOT (1-3) CHARACTERISTICS Each I/O Slot accepts a mini-YGDAI card. Only Slot1 has a serial interface. CONTROL I/O CHARACTERISTICS Terminal MIDI WORD CLOCK Format Level IN MIDI - OUT MIDI - IN - TTL/75Ω terminated BNC Connector OUT - TTL/75Ω BNC Connector - - IEEE802.3 10BASE-T/100Base-TX - 0V-12V*2 USB 2.
Sampling Frequency Electrical Characteristics Parameter All faders are nominal when measured. Output impedance of signal generator:150ohms Frequency Response. Input OMNI IN 1-8 Fs= 44.1 kHz or 48 kHz @20 Hz-20 kHz, referenced to the nominal output level @1 kHz Output RL OMNI OUT 1-8 600 Ω PHONES Conditions GAIN: +66dB 8Ω Total Harmonic Distortion. Input OMNI IN 1-8 Internal OSC Output 600 Ω OMNI OUT 1-8 600 Ω PHONES 8Ω Typ. Max. -1.5 0.0 0.5 -3.0 0.0 0.
Mixer Basic Parameters Function Parameter Function Libraries Name Number Total Scene Memory Preset 1 + User 300 301 Input CH Library Preset 1 + User 199 200 Output CH Library Preset 1 + User 199 200 Range= Gate: -∞ dB to 0 dB Ducking: -70 dB to 0 dB Dynamics 1 Gain= 0.0 dB to +8dB Knee= Hard to 5 (soft) Key In: Self Pre EQ/Self Post EQ/Mix Out21-24 Ch1-STIN8R (8ch block) Parameter Frequency= 20 Hz to 20 kHz Releace= 48 kHz: 5 msec to 42.3 sec 44.1 kHz: 6 msec to 46.
Pin Assignment 4 9 14 15 20 7 13 19 6 12 18 23 1 2 3 8 11 2 1 5 1 10 16 17 22 3 8 5 21 15 DC POWER INPUT 11 10 9 9 GPI 6 METER (CL3/CL1 only) Pin Signal Name Pin Signal Name Pin Signal Name Pin Signal Name Pin Signal Name Pin Signal Name 1 +24V 13 GND 1 GPO1 9 GPO2 1 RESET 6 +3.3LD 2 +24V 14 GND 2 GPO3 10 GPO4 2 SDA 7 +3.
48 :True# O: Yes X: No Mode 2: OMNI ON, MONO Mode 4: OMNI OFF, MONO Mode 1: OMNI ON, POLY Mode 3: OMNI OFF, POLY Aux Messages Effect Control *1 Bulk Dump/Request and Parameter Change/Request. *2 MMC X X X X O O X X X X X X :All Sound Off :Reset All Cntrls :Local ON/OFF :All Notes OFF :Active Sense :Reset IDI Implementation Chart Recorder Control Assignable Bank Select Data Entry NRPN LSB,MSB Assignable Cntrl Notes O X X X :Clock :Commands X O X System Real Time X X X O *1,*2 :Song Pos.
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