User Manual
Table Of Contents
- How to Use This Reference Manual
- Table of contents
- Function Tree
- SELECTED CHANNEL section
- Centralogic section
- Input and output patching
- Input channels
- Signal flow for input channels
- Specifying the channel name/icon
- HA (head amp) settings
- Sending the signal from an input channel to the STEREO/MONO bus
- Sending a signal from an input channel to a MIX/ MATRIX bus
- Channel name display indication
- Correcting delay between channels (Input Delay)
- Surround output for input channels
- Channel library operations
- OUTPUT channels
- EQ and Dynamics
- Channel Job
- Scene memory
- Monitor and Cue functions
- Talkback and Oscillator
- Meters
- Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK
- I/O devices and external head amps
- MIDI
- Recorder
- Setup
- About the SETUP screen
- User settings
- Preferences
- USER DEFINED keys
- Functions that can be assigned to USER DEFINED keys
- USER DEFINED knobs
- Functions that can be assigned to USER DEFINED knobs
- Assignable encoders
- Functions that can be assigned to the assignable encoders
- GAIN/PAN/ASSIGN knob (assignable encoder) functions
- Custom fader bank
- Master fader
- Custom fader bank functions
- Console Lock
- Saving and loading setup data to and from a USB flash drive
- Formatting a USB flash drive
- Word clock and slot settings
- Using cascade connections
- Basic settings for MIX buses and MATRIX buses
- Switching the entire phantom power supply on/off
- Specifying the brightness of the touch screen, LEDs, channel name displays, and lamps
- Setting the date and time of the internal clock
- Setting the network address
- Dante audio network settings
- Using GPI (General Purpose Interface)
- Help function
- Other functions
- Initializing the unit to factory default settings
- Adjusting the detection point of the touch screen (Calibration function)
- Adjusting the faders (Calibration function)
- Fine-tuning the input and output gain (Calibration function)
- Adjusting the channel color (Calibration function)
- Adjusting the brightness of the channel name display
- Adjusting the contrast of the channel name display
- Initializing the console settings and Dante audio network settings
- Warning/Error Messages
- Index
- Data List
- Table of Contents
- EQ Library List
- DYNAMICS Library List
- Dynamics Parameters
- Effect Type List
- Effects Parameters
- Premium Rack Processor Parameters
- Parameters That Can Be Assigned to Control Changes
- NRPN Parameter Assignments
- Mixing Parameter Operation Applicability
- MIDI Data Format
- Input/output characteristics
- Electrical Characteristics
- Mixer Basic Parameters
- Pin Assignment
- MIDI Implementation Chart
Data List
12
DYNA.PHASER
Two input, two output dynamically controlled phaser.
HQ.PITCH
One input, two output high-quality pitch shifter.
DUAL PITCH
Two input, two output pitch shifter.
TREMOLO
Two input, two output tremolo effect.
Parameter Range Description
SOURCE INPUT, MIDI
Control source:
input signal or MIDI Note On velocity
SENSE 0-100 Sensitivity
DIR. UP, DOWN Upward or downward frequency change
DECAY
*1
*1. 6.0 ms-46.0 s (fs=44.1 kHz), 5.0 ms-42.3 s (fs=48 kHz)
Decay speed
OFFSET 0-100 Lowest phase-shifted frequency offset
FB.GAIN -99 to +99%
Feedback gain (plus values for normal-phase feedback, minus values for
reverse-phase feedback)
STAGE 2, 4, 6, 8, 10, 12, 14, 16 Number of phase shift stages
LSH F 21.2 Hz-8.00 kHz Low shelving filter frequency
LSH G -12.0 to +12.0 dB Low shelving filter gain
HSH F 50.0 Hz-16.0 kHz High shelving filter frequency
HSH G -12.0 to +12.0 dB High shelving filter gain
Parameter Range Description
PITCH -12 to +12 semitones Pitch shift
FINE -50 to +50 cents Pitch shift fine
DELAY 0.0-1000.0 ms Delay time
FB. GAIN -99 to +99%
Feedback gain (plus values for normal-phase feedback, minus values for
reverse-phase feedback)
MODE 1-10 Pitch shift precision
SYNC OFF/ON Tempo parameter sync on/off
NOTE
*1
*1. (Maximum value depends on the tempo setting)
Used in conjunction with TEMPO to determine DELAY
Parameter Range Description
PITCH 1 -24 to +24 semitones Channel #1 pitch shift
FINE 1 -50 to +50 cents Channel #1 pitch shift fine
LEVEL 1 -100 to +100%
Channel #1 level (plus values for normal phase, minus values for reverse
phase)
PAN 1 L63 to R63 Channel #1 pan
DELAY 1 0.0-1000.0 ms Channel #1 delay time
FB. G 1 -99 to +99%
Channel #1 feedback gain (plus values for normal-phase feedback, minus
values for reverse-phase feedback)
MODE 1-10 Pitch shift precision
PITCH 2 -24 to +24 semitones Channel #2 pitch shift
FINE 2 -50 to +50 cents Channel #2 pitch shift fine
LEVEL 2 -100 to +100%
Channel #2 level (plus values for normal phase, minus values for reverse
phase)
PAN 2 L63 to R63 Channel #2 pan
DELAY 2 0.0-1000.0 ms Channel #2 delay time
FB. G 2 -99 to +99%
Channel #2 feedback gain (plus values for normal-phase feedback, minus
values for reverse-phase feedback)
SYNC OFF/ON Tempo parameter sync on/off
NOTE 1
*1
*1. (Maximum value depends on the tempo setting)
Used in conjunction with TEMPO to determine Channel #1 delay
NOTE 2
*1
Used in conjunction with TEMPO to determine Channel #2 delay
Parameter Range Description
FREQ. 0.05-40.00 Hz Modulation speed
DEPTH 0-100% Modulation depth
WAVE Sine, Tri, Square Modulation waveform
SYNC OFF/ON Tempo parameter sync on/off
NOTE
*1
*1.
Used in conjunction with TEMPO to determine FREQ
LSH F 21.2 Hz-8.00 kHz Low shelving filter frequency
LSH G -12.0 to +12.0 dB Low shelving filter gain
EQ F 100 Hz-8.00 kHz EQ (peaking type) frequency
EQ G -12.0 to +12.0 dB EQ (peaking type) gain
EQ Q 10.0-0.10 EQ (peaking type) bandwidth
HSH F 50.0 Hz-16.0 kHz High shelving filter frequency
HSH G -12.0 to +12.0 dB High shelving filter gain