User Manual
Table Of Contents
- How to Use This Reference Manual
- Table of contents
- Function Tree
- SELECTED CHANNEL section
- Centralogic section
- Input and output patching
- Input channels
- Signal flow for input channels
- Specifying the channel name/icon
- HA (head amp) settings
- Sending the signal from an input channel to the STEREO/MONO bus
- Sending a signal from an input channel to a MIX/ MATRIX bus
- Channel name display indication
- Correcting delay between channels (Input Delay)
- Surround output for input channels
- Channel library operations
- OUTPUT channels
- EQ and Dynamics
- Channel Job
- Scene memory
- Monitor and Cue functions
- Talkback and Oscillator
- Meters
- Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK
- I/O devices and external head amps
- MIDI
- Recorder
- Setup
- About the SETUP screen
- User settings
- Preferences
- USER DEFINED keys
- Functions that can be assigned to USER DEFINED keys
- USER DEFINED knobs
- Functions that can be assigned to USER DEFINED knobs
- Assignable encoders
- Functions that can be assigned to the assignable encoders
- GAIN/PAN/ASSIGN knob (assignable encoder) functions
- Custom fader bank
- Master fader
- Custom fader bank functions
- Console Lock
- Saving and loading setup data to and from a USB flash drive
- Formatting a USB flash drive
- Word clock and slot settings
- Using cascade connections
- Basic settings for MIX buses and MATRIX buses
- Switching the entire phantom power supply on/off
- Specifying the brightness of the touch screen, LEDs, channel name displays, and lamps
- Setting the date and time of the internal clock
- Setting the network address
- Dante audio network settings
- Using GPI (General Purpose Interface)
- Help function
- Other functions
- Initializing the unit to factory default settings
- Adjusting the detection point of the touch screen (Calibration function)
- Adjusting the faders (Calibration function)
- Fine-tuning the input and output gain (Calibration function)
- Adjusting the channel color (Calibration function)
- Adjusting the brightness of the channel name display
- Adjusting the contrast of the channel name display
- Initializing the console settings and Dante audio network settings
- Warning/Error Messages
- Index
- Data List
- Table of Contents
- EQ Library List
- DYNAMICS Library List
- Dynamics Parameters
- Effect Type List
- Effects Parameters
- Premium Rack Processor Parameters
- Parameters That Can Be Assigned to Control Changes
- NRPN Parameter Assignments
- Mixing Parameter Operation Applicability
- MIDI Data Format
- Input/output characteristics
- Electrical Characteristics
- Mixer Basic Parameters
- Pin Assignment
- MIDI Implementation Chart
Data List
43
Input/output characteristics
ANALOG INPUT CHARACTERISTICS
*1. Sensitivity is the lowest level that will produce an output of +4dBu (1.23V) or the nominal
output level when the unit is set to maximum gain. (all faders and level controls are
maximum position.)
*2. XLR-3-31 type connectors are balanced. (1= GND, 2= HOT, 3= COLD)
* In these specifications, 0dBu= 0.775 Vrms.
* All input AD converters are 24bit linear, 128times oversampling.
* +48V DC ( phantom power ) is supplied to ONI IN (1-8) and TALKBACK XLR type
connectors via each individual software controlled switches.
ANALOG OUTPUT CHARACTERISTICS
*1. XLR-3-32 type connectors are balanced. (1= GND, 2= HOT, 3= COLD)
*2. PHONES stereo phone jack is unbalanced. (Tip= LEFT, Ring= RIGHT, Sleeve= GND)
*3. There are switches inside the body to preset the maximum output level.
*4. The position of the level control is 10dB lowered from Max.
* In these specifications, 0dBu= 0.775 Vrms.
* All output DA converters are 24bit, 128times oversampling.
DIGITAL INPUT & OUTPUT CHARACTERISTICS
DIGITAL OUTPUT CHARACTERISTICS
*1. Channel Status of DIGITAL OUT
*2. XLR-3-32 type connectors are balanced. (1= GND, 2= HOT, 3= COLD)
Input
Terminals
GAIN
Actual
Load
Impedance
For Use
With
Nominal
Input Level
Connector
Sensitivity
*1
Nominal
Max. before
clip
OMNI IN
1-8
+66dB
7.5kΩ
50-600Ω
Mics &
600Ω
Lines
-82dBu
(61.6μV)
-62dBu
(0.616mV)
-42dBu
(6.16mV)
XLR-3-31 type
(Balanced)
*2
-6dB
-10dBu
(245mV)
+10dBu
(2.45V)
+30dBu
(24.5V)
TALKBACK
+64dB
10kΩ
50-600Ω
Mics &
600Ω
Lines
-70dBu
(0.245mV)
-60dBu
(0.775mV)
-40dBu
(7.75mV)
XLR-3-31 type
(Balanced)
*2
+20dB
-26dBu
(38.8mV)
-16dBu
(0.123V)
+4dBu
(1.23V)
Output
Terminals
Actual
Source
Impedanc
e
For Use
With
Nominal
GAIN
SW
*3
Output Level
Connector
Nominal
Max. before
clip
OMNI
OUT 1-8
75Ω
600Ω
Lines
+24dB
(default)
+4dBu
(1.23V)
+24dBu
(12.3V)
XLR-3-32 type
(Balanced)
*1
+18dB
-2dBu
(616mV)
+18dBu
(6.16V)
PHONES 15Ω
8Ω
Phones
-
75mW
*4
150mW
Stereo Phone Jack
(TRS)
(Unbalanced)
*2
40Ω
Phones
-
65mW
*4
150mW
Terminal Format
Data
length
Level Audio Connector
Primary/
Secondary
Dante
24bit or
32bit
1000Base
-T
64ch Input/64ch Output
@48kHz
EtherCON Cat5e
Terminal Format
Data
Length
Level Connector
DIGITAL
OUT
*1
AES/EBU
AES/EBU Professional Use
24bit RS422
XLR-3-32 type (Balanced)
*2
Byte Bit Field Name Fixed/Variable Data Description
0
0 Block Format
fixed
1 professional use
1Mode 0 audio
2-4 Emphasis 0x4 off
5 Fs Lock 0 lock
6-7 Sampling Frequency variable
0x0 others
0x3 32 kHz
0x2 44.1 kHz
0x1 48 kHz
1
0-3 Channel Mode
fixed
0x1 2ch mode
4-7 Users Bit Management 0x0 -
2
0-2 Use of AUX
fixed
0x1 24 bits Audio Data
3-7 Source 0x00 -
3 0-7 Multi Channel fixed 0x00 -
4
0-1 Digital Audio Reference Signal
fixed
0x0
-
2- 0
3-6 Sampling Frequency variable 0x0 others
7 Sampling Frequency Scan Flag fixed 0 -