User Manual

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Table Of Contents

How to Use This Reference Manual
Table of contents
Function Tree
SELECTED CHANNEL section
- Operations in the SELECTED CHANNEL Section
Centralogic section
- Operations in the Centralogic section
Input and output patching
- CL console internal patching and Dante audio network patching
- Changing the input patching
- Changing the output patching
- Inserting an external device into a channel
- Directly outputting an INPUT channel
Input channels
- Signal flow for input channels
- Specifying the channel name/icon
- HA (head amp) settings
- Sending the signal from an input channel to the STEREO/MONO bus
- Sending a signal from an input channel to a MIX/ MATRIX bus
- Channel name display indication
- Correcting delay between channels (Input Delay)
- Surround output for input channels
- Channel library operations
OUTPUT channels
- Signal flow for output channels
- Specifying the channel name/icon
- Sending signals from MIX channels to the STEREO/ MONO bus
- Sending signals from MIX channels and STEREO/ MONO channels to MATRIX buses
- Correcting delay between channels (Output Delay)
- Channel library operations
EQ and Dynamics
- Using EQ
- Using dynamics
- Using the EQ/Dynamics libraries
Channel Job
- DCA group
- DCA Roll-out function
- Mute group
- Using the Recall Safe function
- Channel Link function
- Copying, moving, or initializing a channel
- About Mix Minus
Scene memory
- Storing and recalling scenes
- Editing scene memories
- Using the Global Paste function
- Using the Focus Recall function
- Using the Fade function
- Outputting a control signal to an external device in tandem with scene recall (GPI OUT)
- Playing back an audio file that links to a scene recall
- Using Preview mode
Monitor and Cue functions
- Using the Monitor function
- Using the Cue function
Talkback and Oscillator
- Using Talkback
- Using the Oscillator function
Meters
- Operations in the METER screen
- Using an MBCL meter bridge (optional) on the CL3 or CL1 console
Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK
- About the virtual rack
- Virtual rack operations
- Graphic EQ operations
- About AUTOMIXER
- Editing the internal effects
- Effects and tempo synchronization
- Using the Premium Rack
- Using the graphic EQ, parametric EQ, effect, and Premium Rack libraries
I/O devices and external head amps
- Using an I/O device
- Remotely controlling an R series unit
- Remotely controlling an amp
- Remotely controlling WIRELESS unit
- Using an external head amp
MIDI
- MIDI functionality on the CL series console
- Basic MIDI settings
- Using program changes to recall scenes and library items
- Using control changes to control parameters
- Using Parameter Changes to control parameters
Recorder
- About the USB memory recorder
- Assigning channels to the input/output of the recorder
- Recording audio to a USB flash drive
- Playing back audio files from a USB flash drive
- Editing the title list
- Recording or playing back using a computer DAW
- Using the CL console with Nuendo Live
Setup
- About the SETUP screen
- User settings
- Preferences
- USER DEFINED keys
- Functions that can be assigned to USER DEFINED keys
- USER DEFINED knobs
- Functions that can be assigned to USER DEFINED knobs
- Assignable encoders
- Functions that can be assigned to the assignable encoders
- GAIN/PAN/ASSIGN knob (assignable encoder) functions
- Custom fader bank
- Master fader
- Custom fader bank functions
- Console Lock
- Saving and loading setup data to and from a USB flash drive
- Formatting a USB flash drive
- Word clock and slot settings
- Using cascade connections
- Basic settings for MIX buses and MATRIX buses
- Switching the entire phantom power supply on/off
- Specifying the brightness of the touch screen, LEDs, channel name displays, and lamps
- Setting the date and time of the internal clock
- Setting the network address
- Dante audio network settings
- Using GPI (General Purpose Interface)
Help function
- Loading a Help/text file from a USB flash drive
- Viewing Help
- Using USER DEFINED keys to recall Help directly
Other functions
- Initializing the unit to factory default settings
- Adjusting the detection point of the touch screen (Calibration function)
- Adjusting the faders (Calibration function)
- Fine-tuning the input and output gain (Calibration function)
- Adjusting the channel color (Calibration function)
- Adjusting the brightness of the channel name display
- Adjusting the contrast of the channel name display
- Initializing the console settings and Dante audio network settings
Warning/Error Messages
Index
Data List
- Table of Contents
- EQ Library List
- DYNAMICS Library List
- Dynamics Parameters
- Effect Type List
- Effects Parameters
- Premium Rack Processor Parameters
- Parameters That Can Be Assigned to Control Changes
- NRPN Parameter Assignments
- Mixing Parameter Operation Applicability
- MIDI Data Format
- Input/output characteristics
- Electrical Characteristics
- Mixer Basic Parameters
- Pin Assignment
- MIDI Implementation Chart

Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK

Reference Manual

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 Buss Comp 369

Buss Comp 369 emulates a standard bus compressor that has been used in recording studios

and broadcasting stations since the 1980s. It produces a smooth and natural compression

that does not interfere with the expression in the source signal, in contrast with the aggressive

compression of the U76. Buss Comp 369 includes both a compressor and a limiter. You can

use both functions individually or in combination, according to your needs. Further, the rich

overtones generated by the audio transformers on the input/output circuits and the discrete

Class A amplifier add depth and unity to the sound quality.

STEREO mounting

DUAL mounting

1 INPUT ADJUST

Used to adjust the input gain. However, the output gain is linked to change in the

opposite direction, to prevent changes in pass-through volume (the volume when

COMP IN and LIMIT IN are off). For example, if INPUT ADJUST is +5dB, the input gain

is +5dB and the output gain is -5dB.

See below for more information about how to use INPUT ADJUST.

• If the level of the input signal sent to effects is too low to reach the threshold,

increase the input gain.

• Adjust the sound quality by changing the input level sent to the input circuitry (audio

transformer and Class A amplifier).

INPUT ADJUST structure

2 LINK (STEREO mounting)

Stereo link on/off

3 COMP IN

Compressor on/off

4 COMP THRESHOLD

Compressor threshold. However, the changing value is linked to INPUT ADJUST.

5 COMP RECOVERY

Compressor release time. The release times for a1 (auto 1) and a2 (auto 2) change

automatically. a1: Changes automatically between 100 ms and 2 sec. a2: Changes

automatically between 50 ms and 5 sec.

8>ABC

42567

9>ABC

43567

dBFSdBFS

COMPTHRESHOLD LIMITTHRESHOLD

BussComp369

COMPRESSOR/LIMITERSECTION

INPUT

CIRCUIT

OUTPUT

CIRCUIT

OUTPUTGAININPUTGAIN

INPUTADJUST

COMPRESSOR LIMITER

OUT

IN IN

Since there are substantial changes in threshold, the changing display

values are linked. However, the internal conditions of the COMPRESSOR/

LIMITER SECTION do not actually change.

Linked in reverse