User Manual

Yamaha Professional Audio CL StageMix V7 – Bedienungsanleitung
Seite 4
5.6.1 Surround-Pan-Bearbeitung – Mono-Eingangskanäle ...............................49
5.6.2 Surround-Pan-Bearbeitung – Stereo-Eingangskanäle ..............................50
5.6.3 L/R und F/R Lock ......................................................................................50
5.6.4 Divergenz und LFE-Pegel.........................................................................50
5.7 Dynamikprozessoren (DYNAMICS) ...............................................................51
5.8 Bearbeiten von Dynamikprozessoren .............................................................52
5.8.1 DEFAULT (Vorgabe) ................................................................................52
5.8.2 COPY/PASTE (Kopieren/Einfügen) ..........................................................52
5.8.3 DYN ON (Dynamik Ein) ............................................................................53
5.8.4 Dynamiktyp ...............................................................................................53
5.8.5 THRES (Schwellenwert) ...........................................................................53
5.8.6 RANGE (Bereich) und RATIO (Verhältnis) ...............................................53
5.8.7 Weitere Dynamikparameter ......................................................................54
5.8.8 Key In .......................................................................................................54
6.0 OUTPORTS (Ausgangs-Ports) ..........................................................................55
6.1 Navigation ......................................................................................................55
6.2 Ausgangsport-Bezeichnung ...........................................................................55
6.3 DELAY ON (Verzögerung Ein) .......................................................................56
6.4 Anzeige der Verzögerungszeit .......................................................................56
6.5 Output-Port-Phase .........................................................................................56
6.6 Output-Port-Gain (Verstärkung) .....................................................................56
6.7 Delay-Time-Editor ..........................................................................................57
6.7.1 Delay-Skala ..............................................................................................57
6.7.2 Zifferntasten ..............................................................................................57
6.7.3 Verzögerungszeitwerte anpassen ............................................................58
6.7.4 Verzögerungszeitwert kopieren ................................................................58
6.7.5 Verzögerungszeitwert einfügen ................................................................58
6.7.6 Delay-Time-Editor schließen ....................................................................58
6.7.7 Ausgangs-Port-Zuordnung .......................................................................58
7.0 UTILITY ...............................................................................................................61
7.1 MUTE GROUP MASTERS (Mute-Gruppen-Master) ......................................61
7.1.1 MUTE GROUP DIM LEVELS (Mute-Gruppen-Dämpfungspegel) .............62
7.2 TAP TEMPO (Tempo vorgeben) ....................................................................63
7.2.1 MULTI-SELECT (Mehrfachauswahl) ........................................................63
7.3 OSCILLATOR .................................................................................................64
7.3.1 Oszillator-Zuweisung ................................................................................64
7.3.2 OUTPUT (Oszillator-Ausgang) .................................................................64
7.3.3 LEVEL (Oszillatorpegel) ...........................................................................64
7.3.4 FREQ (Oszillatorfrequenz) .......................................................................65
7.3.5 Oszillatormodus ........................................................................................65
7.4 RECORDER ...................................................................................................65
7.4.1 Titelliste ....................................................................................................66
7.4.2 Transporttasten ........................................................................................66
7.4.3 Darstellungsort der Timeline .....................................................................66
7.4.4 Wiedergabemodus ...................................................................................66
7.4.5 INPUT (Recorder-Eingang) ......................................................................66
7.4.6 OUTPUT (Recorder-Ausgang) .................................................................66
8.0 RACK ...................................................................................................................67
8.1 GEQ-Racks ....................................................................................................67
8.1.1 Rack-Steckplatz-Zuweisungen .................................................................67
8.1.2 Zuordnungen der Eingangssignale ...........................................................68