User Manual
Table Of Contents
- このリファレンスマニュアルの使い方
- 目 次
- 機能ツリー図
- セレクテッドチャンネルセクション
- Centralogicセクション
- 入出力のパッチング
- インプット系チャンネル
- アウトプット系チャンネル
- EQ/ダイナミクス
- チャンネルジョブ
- シーンメモリー
- モニター/キュー
- トークバック/オシレーター
- メーター
- グラフィックEQ/パラメトリックEQ/エフェクト/ PREMIUM RACK
- I/Oデバイスと外部ヘッドアンプ
- MIDI
- レコーダー
- AFC IMAGEコントロール
- セットアップ
- SETUP画面について
- ユーザー設定
- プリファレンス設定
- USER DEFINEDキー
- USER DEFINEDキーに割り当て可能な機能
- USER DEFINEDノブ
- USER DEFINEDノブに割り当て可能な機能
- アサイナブルエンコーダー
- ASSIGNABLE ENCODERに割り当て可能な機能
- GAIN/PAN/ASSIGNノブ(アサイナブルエンコーダー)の機能
- カスタムフェーダーバンク
- メインフェーダー
- カスタムフェーダーバンクの機能について
- コンソールロック
- 設定データをUSBメモリーにセーブ/ロードする
- USBメモリーをフォーマットする
- ワードクロック/スロットの設定
- カスケード接続を利用する
- MIXバス/MATRIXバスの基本設定
- ファンタム電源全体のオン/ オフを切り替える
- タッチスクリーン/LED/ネーム表示/ランプの輝度を設定する
- 内蔵時計の日時を合わせる
- ネットワークアドレスを設定する
- Danteオーディオネットワークの設定
- Dante Device Lock
- Dante Domain Manager (DDM)対応
- GPI (汎用インターフェース)を使う
- ヘルプ機能
- そのほかの機能
- ワーニング/エラーメッセージ
- 索引
- Data List
- EQ Library List
- DYNAMICS Library List
- Dynamics Parameters
- Effect Type List
- Effects Parameters
- Premium Rack Processor Parameters
- Parameters That Can Be Assigned to Control Changes
- NRPN Parameter Assignments
- Mixing Parameter Operation Applicability
- MIDI Data Format
- Input/Output Characteristics
- Electrical Characteristics
- Mixer Basic Parameters
- Pin Assignment
- MIDI Implementation Chart
Data List
7
COMPANDER HARD (COMPANDER-H), COMPANDER SOFT (COMPANDER-S)
The hard and soft companders combine the effects of the compressor, expander and limiter.
The companders function differently at the following levels:
1 0 dB and higher ..................................Functions as a limiter.
2 Exceeding the threshold ....................Functions as a compressor.
3 Below the threshold and width .........Functions as an expander.
The hard compander has an expansion ratio of 5:1, while the soft compander has an
expansion ratio of 1.5:1. The expander is essentially turned off when the width is set to
maximum. The compressor has a fixed knee setting of 2.
* The gain is automatically adjusted according to the ratio and threshold values, and can be increased by up to 18 dB.
* The OUT GAIN parameter enables you to compensate for the overall level change caused by the compression and
expansion processes.
DE-ESSER
This detects and compresses only the sibilants and other high-frequency consonants of the
vocal.
Effect Type List
Parameter Range Description
THRESHOLD (dB) -54 to 0 (55 points)
This determines the level at which compression is
applied.
RATIO
1.0:1, 1.1:1, 1.3:1, 1.5:1, 1.7:1, 2.0:1,
2.5:1, 3.0:1, 3.5:1, 4.0:1, 5.0:1, 6.0:1,
8.0:1, 10:1, 20:1 (15 points)
This determines the amount of compression.
ATTACK (ms) 0-120 (121 points)
This determines how soon the signal is compressed or
expanded once the compander has been triggered.
RELEASE (ms)
44.1kHz: 6 ms - 46.0 sec
48kHz: 5 ms - 42.3 sec (160 points)
This determines how soon the compressor or
expander returns to the normal gain once the trigger
signal level drops below or exceeds the threshold
respectively. The value is expressed as the duration
required for the level to change by 6 dB.
OUT GAIN (dB) -18.0 to 0.0 (181 points) This sets the compressor's output signal level.
WIDTH (dB) 1-90 (90 points)
This determines how far below the threshold
expansion will be applied. The expander is activated
when the level drops below the threshold and width.
Parameter Range Description
THRESHOLD -54 to 0 (55 points) Threshold level at which the de-esser effect is applied.
FREQUENCY 1kHz-12.5kHz (45 points)
Cutoff frequency of the filter used to detect the high
frequencies.
TYPE HPF, BPF Type of filter used to detect the frequency band.
Q 10.0-0.10 (41 points) Q (steepness) of the filter when TYPE is BPF.
0dB
Input Level
Output Level
WIDTH
THRESHOLD
Title Type Description
REV-X Hall REV-X HALL New reverb algorithm that delivers dense and rich reverberation, smooth decay,
and provides a spaciousness and depth that enhances the original sound.
Choose from three types depending on your location and needs: REV-X HALL,
REV-X ROOM, and REV-X PLATE.
REV-X Room REV-X ROOM
REV-X Plate REV-X PLATE
Reverb Hall REVERB HALL Concert hall reverberation simulation with gate
Reverb Room REVERB ROOM Room reverberation simulation with gate
Reverb Stage REVERB STAGE Reverb designed for vocals, with gate
Reverb Plate REVERB PLATE Plate reverb simulation with gate
Stereo Reverb ST REVERB Stereo reverb
Early Ref. EARLY REF. Early reflections without the subsequent reverb
Gate Reverb GATE REVERB Gated early reflections
Reverse Gate REVERSE GATE Gated reverse early reflections
Mono Delay MONO DELAY Simple mono delay
Stereo Delay STEREO DELAY Simple stereo delay
Mod.Delay MOD.DELAY Simple repeat delay with modulation
Delay LCR DELAY LCR 3-tap (left, center, right) delay
Echo ECHO Stereo delay with crossed left/right feedback
Chorus CHORUS Chorus
Flange FLANGE Flanger
Symphonic SYMPHONIC
Proprietary Yamaha effect that produces a richer and more complex modulation
than normal chorus
Phaser PHASER 16-stage stereo phase shifter
Dyna.Flange DYNA.FLANGE Dynamically controlled flanger
Dyna.Phaser DYNA.PHASER Dynamically controlled phase shifter
HQ. Pitch HQ.PITCH Mono pitch shifter, producing stable results
Dual Pitch DUAL PITCH Stereo pitch shifter
Tremolo TREMOLO Tremolo
Auto Pan AUTO PAN Auto-panner
Rotary ROTARY Rotary speaker simulation
Ring Mod. RING MOD. Ring modulator
Mod.Filter MOD.FILTER Modulated filter
Dyna.Filter DYNA.FILTER Dynamically controlled filter
Rev+Chorus REV+CHORUS Reverb and chorus in parallel
Rev→Chorus REV→CHORUS Reverb and chorus in series
Rev+Flange REV+FLANGE Reverb and flanger in parallel
Rev→Flange REV→FLANGE Reverb and flanger in series
Rev+Sympho. REV+SYMPHO. Reverb and symphonic in parallel
Rev→Sympho. REV→SYMPHO. Reverb and symphonic in series
Rev→Pan REV→PAN Reverb and auto-pan in series
Delay+Er. DELAY+ER. Delay and early reflections in parallel
Delay→Er
. DELAY→ER
. Delay and early reflections in series