User Manual
Table Of Contents
- このリファレンスマニュアルの使い方
- 目 次
- 機能ツリー図
- セレクテッドチャンネルセクション
- Centralogicセクション
- 入出力のパッチング
- インプット系チャンネル
- アウトプット系チャンネル
- EQ/ダイナミクス
- チャンネルジョブ
- シーンメモリー
- モニター/キュー
- トークバック/オシレーター
- メーター
- グラフィックEQ/パラメトリックEQ/エフェクト/ PREMIUM RACK
- I/Oデバイスと外部ヘッドアンプ
- MIDI
- レコーダー
- AFC IMAGEコントロール
- セットアップ
- SETUP画面について
- ユーザー設定
- プリファレンス設定
- USER DEFINEDキー
- USER DEFINEDキーに割り当て可能な機能
- USER DEFINEDノブ
- USER DEFINEDノブに割り当て可能な機能
- アサイナブルエンコーダー
- ASSIGNABLE ENCODERに割り当て可能な機能
- GAIN/PAN/ASSIGNノブ(アサイナブルエンコーダー)の機能
- カスタムフェーダーバンク
- メインフェーダー
- カスタムフェーダーバンクの機能について
- コンソールロック
- 設定データをUSBメモリーにセーブ/ロードする
- USBメモリーをフォーマットする
- ワードクロック/スロットの設定
- カスケード接続を利用する
- MIXバス/MATRIXバスの基本設定
- ファンタム電源全体のオン/ オフを切り替える
- タッチスクリーン/LED/ネーム表示/ランプの輝度を設定する
- 内蔵時計の日時を合わせる
- ネットワークアドレスを設定する
- Danteオーディオネットワークの設定
- Dante Device Lock
- Dante Domain Manager (DDM)対応
- GPI (汎用インターフェース)を使う
- ヘルプ機能
- そのほかの機能
- ワーニング/エラーメッセージ
- 索引
- Data List
- EQ Library List
- DYNAMICS Library List
- Dynamics Parameters
- Effect Type List
- Effects Parameters
- Premium Rack Processor Parameters
- Parameters That Can Be Assigned to Control Changes
- NRPN Parameter Assignments
- Mixing Parameter Operation Applicability
- MIDI Data Format
- Input/Output Characteristics
- Electrical Characteristics
- Mixer Basic Parameters
- Pin Assignment
- MIDI Implementation Chart
Data List
18
AMP SIMULATE
One input, two output guitar amp simulator.
COMP276
This effect emulates the characteristics of analog compressors that are widely used in
recording studios. It produces a thick, strong frame sound suitable for drums and bass. You
can control two monaural channels independently.
COMP276S
This effect emulates the characteristics of analog compressors that are widely used in
recording studios. It produces a thick, strong frame sound suitable for drums and bass. You
can link and control the L and R channel parameters.
COMP260
This effect emulates the characteristics of mid 70's compressors/limiters that are the standard
for live SR. You can control two monaural channels independently. You can also link several
parameters via stereo links.
COMP260S
This effect emulates the characteristics of mid 70's compressors/limiters that are the standard
for live SR. You can link and control the L and R channel parameters.
Parameter Range Description
AMP TYPE
*1
*1. STK-M1, STK-M2, THRASH, MIDBST, CMB-PG, CMB-VR, CMB-DX, CMB-TW, MINI, FLAT
Guitar amp simulation type
DST TYPE
DST1, DST2, OVD1,
OVD2, CRUNCH
Distortion type (DST = distortion, OVD = overdrive)
DRIVE 0-100 Distortion drive
MASTER 0-100 Master volume
BASS 0-100 Bass tone control
MIDDLE 0-100 Middle tone control
TREBLE 0-100 High tone control
N. GATE 0-20 Noise reduction
CAB DEP 0-100% Speaker cabinet simulation depth
EQ F 100 Hz-8.00 kHz EQ (peaking type) frequency
EQ G -12.0 to +12.0 dB EQ (peaking type) gain
EQ Q 10.0-0.10 EQ (peaking type) bandwidth
Parameter Range Description
INPUT 1 -180 to 0 dB Adjusts the CH1 input level
OUTPUT 1 -180 to 0 dB Adjusts the CH1 output gain
RATIO 1 2:1, 4:1, 8:1, 12:1, 20:1 Ratio for CH1 compressor
ATTACK 1 0.022-50.4 ms Attack time of CH1 compressor
RELEASE1 10.88-544.22 ms Release time of CH1 compressor
MAKE UP1 OFF, ON
Automatically corrects output gain reduction when CH1 compressor is
applied
SIDEHPF1 OFF, ON
When the HPF in the side chain of the CH1 compressor is turned on, the
compression applied to the low range will be weakened, thus emphasizing
the low range.
INPUT 2 -180 to 0 dB Adjusts the CH2 input level
OUTPUT 2 -180 to 0 dB Adjusts the CH2 output gain
RATIO 2 2:1, 4:1, 8:1, 12:1, 20:1 Ratio of CH2 compressor
ATTACK 2 0.022-50.4 ms Attack time of CH2 compressor
RELEASE2 10.88-544.22 ms Release time of CH2 compressor
MAKE UP2 OFF, ON
Automatically corrects output gain reduction when the CH2 compressor is
applied
SIDEHPF2 OFF, ON
When the HPF in the side chain of the CH2 compressor is turned on, the
compression applied to the low range will be weakened, thus emphasizing
the low range.
Parameter Range Description
INPUT -180 to 0 dB Adjusts the input level
OUTPUT -180 to 0 dB Adjusts the output gain
RATIO 1:2, 4:1, 8:1, 12:1, 20:1 Ratio of the compressor
ATTACK 0.022-50.4 ms Attack time of the compressor
RELEASE 10.88-544.22 ms Release time of the compressor
MAKE UP OFF, ON
Automatically corrects output gain reduction when the compressor is
applied
SIDE HPF OFF, ON
When the HPF in the side chain of the compressor is turned on, the
compression applied to the low range will be weakened, thus emphasizing
the low range.
Parameter Range Description
THRE.1 -60 to 0.0 dB Threshold of CH compressor
KNEE1 SOFT, MEDIUM, HARD Knee of CH1 compressor
ATTACK1 0.01-80.0 ms Attack time of CH1 compressor
RELEASE1 6.2-999 ms Release time of CH1 compressor
RATIO1 1.0-500, ∞ Ratio for CH1 compressor
OUTPUT1 -20 to 40 dB Adjusts the CH1 output gain
THRE.2 -60 to 0.0 dB Threshold of CH2 compressor
KNEE2 SOFT, MEDIUM, HARD Knee of CH2 compressor
ATTACK2 0.01-80.0 ms Attack time of CH2 compressor
RELEASE2 6.2-999 ms Release time of CH2 compressor
RATIO2 1.0-500, ∞ Ratio of CH2 compressor
OUTPUT2 -20 to 40 dB Adjusts the CH2 output gain
ST LINK OFF, ON
Links CH1 and CH2 as a stereo pair. THRE., KNEE, ATTACK, RELEASE, and
RATIO parameters are linked; OUTPUT parameter is not linked
Parameter Range Description
THRE. -60 to 0.0 dB Threshold of the compressor
KNEE SOFT, MEDIUM, HARD Knee of the compressor
ATTACK 0.01-80.0 ms Attack time of the compressor
RELEASE 6.2-999 ms Release time of the compressor
RATIO 1.0-500, ∞ Ratio of the compressor
OUTPUT -20 to 40 dB Adjusts the output gain