User Manual

Instructions for TXn / Amp Editor
Saving the Library Data
Decompress the folder and then copy it into the Amp Editor Library folder as explained below.
When proceeding, be careful not to overwrite any of your own library data.
1. Open the Amp Editor Library folder
\\Program Files\YAMAHA\Amp Editor\V1.x\Library\SpeakerProcessor\Speaker Processor 1 Way
*_\V1.x\must be replaced by corresponding software version of your Amp Editor
2. Copy to the appropriate folder
Copy the needed folder from the decompressed folder into the "\Speaker Processor 1 Way" folder of the Amp Editor.
For information about how to save library data into the TXn unit,
refer to the section entitled "Speaker Processor Library Manager" within the Amp Editor Manual
Library File names
Library file names are as follows:
"model name"_"drive mode"_"subwoofer use"_"frequency".cel2.
"_pa": Passive mode
"_bi": Bi-amped mode
"_tri": Tri-amped mode
"_sub": Full-range speaker settings, when used in combination with subwoofer
"+subwoofer model": Combination of specific full range and subwoofer
"_moni": Settings for use as floor monitor.
"_H": HF channel. (In descending order of frequency: H, H-M, M, M-L, L, S-L. H=High, M=Mid, L=Low, S=Sub)
Example: IF211595_bi_sub_L.cel
This file is a library which drives the IF2115/95 in bi-amp mode, with a sub-woofer, LF channel
(you should also recall a library for your subwoofer and HF channel respectively).
Limiter settings
Default threshold levels were calculated from Noise (Continuous) power [W] and nominal impedance [Ω] (with the exceptions of a few models).
Attack time and release time are as below.
Attack auto Mid = HPF wave length * 1/2
Release auto Mid = Attack time *16
The limiter within the Speaker Processor is applied in the signal chain before the attenuator.
This means that if the attenuator level is lowered, the limiter will apply at a lower output level.
The TXn has separate Voltage Limiters and Power Limiters with independent settings not included in this library data.
These limiters are applied at the last stage of the amplifier, after the attenuator.
Note: The use of a limiter does not guarantee the protection of your speakers!
The use of recommended limiters should be considered only the first step toward protecting your system.
Subwoofer Polarity, Positioning and Level
Normal polarity is appropriate where the subwoofer and full-range speakers are equidistant from the listening point.
In this case, the phase match will boost the bass level in the crossover range.
If the subwoofer and full-range speakers are not equally distant from the listening point,
however, then you may find that you get stronger bass-range energy and better results by reversing the polarity.
Try using both normal and reverse polarities, and then select the one which provides the best sound measurements
or subjective results at the listening point.
Note that the level required from the subwoofer will vary according to the application, the equipment mix, and the number of units.
Set the level to get the best result for your particular application and setup.
Also Note...
Data in this Library were originally made in DME format using the SP2060 processor (Fs 96kHz).
They have been converted for use with Amp Editor and TXn amplifiers.