User Manual
Table Of Contents
- 1.0 System Requirements
- 2.0 Wi-Fi Settings
- 3.0 Getting Started
- 4.0 Mixer Window
- 4.1 Channel Bank Navigation
- 4.2 Layer Navigation
- 4.3 Channel Names and Colors
- 4.4 Faders
- 4.5 Channel ON
- 4.6 CUE
- 4.7 Dual Cue Mode
- 4.8 SOLO Mode
- 4.9 Master Bank
- 4.10 GAIN
- 4.10.1 Digital Gain
- 4.10.2 Gain Compensation Mode
- 4.10.3 Analog Gain / Digital Gain Link
- 4.10.4 ALL GC ON
- 4.10.5 ALL GC OFF
- 4.10.6 Input Port
- 4.10.7 Phantom Power
- 4.10.8 Phase
- 4.10.9 Dante Wireless Microphone Control and Monitoring
- 4.10.10 Non-Dante Wireless Microphone Control and Monitoring
- 4.10.11 Input Port Patching
- 4.10.12 Input Port Patch Options
- 4.10.13 Multi-Channel Input Patching
- 4.11 SENDS ON FADERS
- 4.12 DCA FADERS
- 5.0 EQ / PAN / 5.1 / DYNAMICS
- 6.0 OUTPORTS
- 7.0 UTILITY
- 8.0 RACK
- 8.1 GEQ Racks
- 8.2 EFFECT Rack
- 8.3 EFFECT EDITING
- 8.3.1 Current Effect
- 8.3.2 Effect Type Selection
- 8.3.3 Effect Library
- 8.3.4 Input and Output Patch Assignments
- 8.3.5 Input and Output Meters
- 8.3.6 Effect Bypass
- 8.3.7 Effect Cue
- 8.3.8 Close Effect Editor
- 8.3.9 Parameter Editing using Sliders
- 8.3.10 Numerical Parameter Editing
- 8.3.11 Multi-Segment Buttons
- 8.3.12 Accessing Parameters
- 8.3.13 Additional Parameters
- 8.3.14 Wet/Dry Mix
- 8.4 GRAPHICAL EFFECT EDITING
- 8.4.1 REV-X Time/Level Parameters
- 8.4.2 REV-X Space Parameters
- 8.4.3 REV-X Filter Parameters
- 8.4.4 REVERB Time/Level Parameters
- 8.4.5 REVERB Space Parameters
- 8.4.6 REVERB Filter Parameters
- 8.4.7 REVERB Dynamics Parameters
- 8.4.8 STEREO REVERB Program
- 8.4.9 MONO/STEREO/MOD DELAY Parameters
- 8.4.10 DELAY LCR Parameters
- 8.4.11 ECHO Parameters
- 9.0 SCENE MEMORY
- 10.0 SETUP
- 10.1 Fader Delay
- 10.2 Filled EQ Graph
- 10.3 Enable Inc/Dec Scene Recall
- 10.4 Show Send Levels in Meter Bridge
- 10.5 Enable Phantom Power Switching
- 10.6 Set EQ band to 0dB with Double-Tap
- 10.7 Show dB Markings on Mixer
- 10.8 Set DCA to 0dB with Double-Tap
- 10.9 Disable Screen Auto-Lock
- 10.10 Cue Operation Mode
- 10.11 Cue A Mode
- 10.12 Cue B Mode
- 10.13 Solo in Place Mode
- 10.14 Channel Select – StageMix Follows Console
- 10.15 Channel Select – Console Follows StageMix
- 10.16 Input Meter Point
- 10.17 Output Meter Point
- 10.18 Display Key Input for Dynamics Meters
- 10.19 RTA Peak Hold Mode
- 10.20 RTA Input Gain
- 10.21 RTA Number of Bands
- 11.0 Troubleshooting
Yamaha Professional Audio CL StageMix V7 User Guide
Page 25
receiver). Touch here to mute or un-mute the receiver output – a
confirmation popup will be displayed.
Please note, when a Dante based Wireless Microphone is patched to
the channel, there is no analog gain as it is replaced by the Receiver
output gain control.
Above the battery and mute indicators, is the RF Intensity meter and
the diversity A/B indication.
All other controls in the GAIN channel stripe remain the same as with
other input types. With the exception of GC and Analog Gain/Digital
Gain Link controls, which do not apply to Wireless Microphone inputs
via Dante.
4.10.10 Non-Dante Wireless Microphone Control and Monitoring
If a non-Dante based Wireless Microphone is patched to an input
channel, the HA channel strip will show a RF button above the input
meter to the left of the HA fader.