User Manual
Table Of Contents
- 1.0 System Requirements
- 2.0 Wi-Fi Settings
- 3.0 Getting Started
- 4.0 Mixer Window
- 4.1 Channel Bank Navigation
- 4.2 Layer Navigation
- 4.3 Channel Names and Colors
- 4.4 Faders
- 4.5 Channel ON
- 4.6 CUE
- 4.7 Dual Cue Mode
- 4.8 SOLO Mode
- 4.9 Master Bank
- 4.10 GAIN
- 4.10.1 Digital Gain
- 4.10.2 Gain Compensation Mode
- 4.10.3 Analog Gain / Digital Gain Link
- 4.10.4 ALL GC ON
- 4.10.5 ALL GC OFF
- 4.10.6 Input Port
- 4.10.7 Phantom Power
- 4.10.8 Phase
- 4.10.9 Dante Wireless Microphone Control and Monitoring
- 4.10.10 Non-Dante Wireless Microphone Control and Monitoring
- 4.10.11 Input Port Patching
- 4.10.12 Input Port Patch Options
- 4.10.13 Multi-Channel Input Patching
- 4.11 SENDS ON FADERS
- 4.12 DCA FADERS
- 5.0 EQ / PAN / 5.1 / DYNAMICS
- 6.0 OUTPORTS
- 7.0 UTILITY
- 8.0 RACK
- 8.1 GEQ Racks
- 8.2 EFFECT Rack
- 8.3 EFFECT EDITING
- 8.3.1 Current Effect
- 8.3.2 Effect Type Selection
- 8.3.3 Effect Library
- 8.3.4 Input and Output Patch Assignments
- 8.3.5 Input and Output Meters
- 8.3.6 Effect Bypass
- 8.3.7 Effect Cue
- 8.3.8 Close Effect Editor
- 8.3.9 Parameter Editing using Sliders
- 8.3.10 Numerical Parameter Editing
- 8.3.11 Multi-Segment Buttons
- 8.3.12 Accessing Parameters
- 8.3.13 Additional Parameters
- 8.3.14 Wet/Dry Mix
- 8.4 GRAPHICAL EFFECT EDITING
- 8.4.1 REV-X Time/Level Parameters
- 8.4.2 REV-X Space Parameters
- 8.4.3 REV-X Filter Parameters
- 8.4.4 REVERB Time/Level Parameters
- 8.4.5 REVERB Space Parameters
- 8.4.6 REVERB Filter Parameters
- 8.4.7 REVERB Dynamics Parameters
- 8.4.8 STEREO REVERB Program
- 8.4.9 MONO/STEREO/MOD DELAY Parameters
- 8.4.10 DELAY LCR Parameters
- 8.4.11 ECHO Parameters
- 9.0 SCENE MEMORY
- 10.0 SETUP
- 10.1 Fader Delay
- 10.2 Filled EQ Graph
- 10.3 Enable Inc/Dec Scene Recall
- 10.4 Show Send Levels in Meter Bridge
- 10.5 Enable Phantom Power Switching
- 10.6 Set EQ band to 0dB with Double-Tap
- 10.7 Show dB Markings on Mixer
- 10.8 Set DCA to 0dB with Double-Tap
- 10.9 Disable Screen Auto-Lock
- 10.10 Cue Operation Mode
- 10.11 Cue A Mode
- 10.12 Cue B Mode
- 10.13 Solo in Place Mode
- 10.14 Channel Select – StageMix Follows Console
- 10.15 Channel Select – Console Follows StageMix
- 10.16 Input Meter Point
- 10.17 Output Meter Point
- 10.18 Display Key Input for Dynamics Meters
- 10.19 RTA Peak Hold Mode
- 10.20 RTA Input Gain
- 10.21 RTA Number of Bands
- 11.0 Troubleshooting
Yamaha Professional Audio CL StageMix V7 User Guide
Page 30
If there is a limited number of input ports available for the selected input port
type above the starting port, this will also limit the number of channels that can
be patched. i.e. If Dante input 50 is selected as the starting port for the Multi-
Patch, the maximum number of channels that can be patched is 15, as there
are 15 Dante ports available including and above the selected port (Dante IN
50 to 64).
4.11 SENDS ON FADERS
Press the [SENDS ON FADERS] button in the left column of the Mixer screen
to access sends to Mix and Matrix Busses. In “SENDS ON FADERS” mode,
each fader controls the send level from its channel to the currently selected
Mix or Matrix Bus. The fader level indicators in the “Navigation/Meter Bridge”
will show the positions of all the Mix Send Levels if the appropriate Preference
is On in the Setup screen (refer to 10.4).
The large [MIX ON FADERS] button displays the currently selected Mix or
Matrix Bus number and its name. The color of this button matches those used
in the CL console.
[CUE] and [ON] buttons appear below the [SENDS ON FADERS] button,
allowing the currently active Mix Bus to be Cued and turned On/Off.
There are two ways to select a target Mix Bus: