User Manual
Table Of Contents
- 1.0 System Requirements
- 2.0 Wi-Fi Settings
- 3.0 Getting Started
- 4.0 Mixer Window
- 4.1 Channel Bank Navigation
- 4.2 Layer Navigation
- 4.3 Channel Names and Colors
- 4.4 Faders
- 4.5 Channel ON
- 4.6 CUE
- 4.7 Dual Cue Mode
- 4.8 SOLO Mode
- 4.9 Master Bank
- 4.10 GAIN
- 4.10.1 Digital Gain
- 4.10.2 Gain Compensation Mode
- 4.10.3 Analog Gain / Digital Gain Link
- 4.10.4 ALL GC ON
- 4.10.5 ALL GC OFF
- 4.10.6 Input Port
- 4.10.7 Phantom Power
- 4.10.8 Phase
- 4.10.9 Dante Wireless Microphone Control and Monitoring
- 4.10.10 Non-Dante Wireless Microphone Control and Monitoring
- 4.10.11 Input Port Patching
- 4.10.12 Input Port Patch Options
- 4.10.13 Multi-Channel Input Patching
- 4.11 SENDS ON FADERS
- 4.12 DCA FADERS
- 5.0 EQ / PAN / 5.1 / DYNAMICS
- 6.0 OUTPORTS
- 7.0 UTILITY
- 8.0 RACK
- 8.1 GEQ Racks
- 8.2 EFFECT Rack
- 8.3 EFFECT EDITING
- 8.3.1 Current Effect
- 8.3.2 Effect Type Selection
- 8.3.3 Effect Library
- 8.3.4 Input and Output Patch Assignments
- 8.3.5 Input and Output Meters
- 8.3.6 Effect Bypass
- 8.3.7 Effect Cue
- 8.3.8 Close Effect Editor
- 8.3.9 Parameter Editing using Sliders
- 8.3.10 Numerical Parameter Editing
- 8.3.11 Multi-Segment Buttons
- 8.3.12 Accessing Parameters
- 8.3.13 Additional Parameters
- 8.3.14 Wet/Dry Mix
- 8.4 GRAPHICAL EFFECT EDITING
- 8.4.1 REV-X Time/Level Parameters
- 8.4.2 REV-X Space Parameters
- 8.4.3 REV-X Filter Parameters
- 8.4.4 REVERB Time/Level Parameters
- 8.4.5 REVERB Space Parameters
- 8.4.6 REVERB Filter Parameters
- 8.4.7 REVERB Dynamics Parameters
- 8.4.8 STEREO REVERB Program
- 8.4.9 MONO/STEREO/MOD DELAY Parameters
- 8.4.10 DELAY LCR Parameters
- 8.4.11 ECHO Parameters
- 9.0 SCENE MEMORY
- 10.0 SETUP
- 10.1 Fader Delay
- 10.2 Filled EQ Graph
- 10.3 Enable Inc/Dec Scene Recall
- 10.4 Show Send Levels in Meter Bridge
- 10.5 Enable Phantom Power Switching
- 10.6 Set EQ band to 0dB with Double-Tap
- 10.7 Show dB Markings on Mixer
- 10.8 Set DCA to 0dB with Double-Tap
- 10.9 Disable Screen Auto-Lock
- 10.10 Cue Operation Mode
- 10.11 Cue A Mode
- 10.12 Cue B Mode
- 10.13 Solo in Place Mode
- 10.14 Channel Select – StageMix Follows Console
- 10.15 Channel Select – Console Follows StageMix
- 10.16 Input Meter Point
- 10.17 Output Meter Point
- 10.18 Display Key Input for Dynamics Meters
- 10.19 RTA Peak Hold Mode
- 10.20 RTA Input Gain
- 10.21 RTA Number of Bands
- 11.0 Troubleshooting
Yamaha Professional Audio CL StageMix V7 User Guide
Page 40
5.2.6 EQ TYPE
With V3 CL console firmware, the default EQ Type for every PEQ is
Type I. This can be changed to Type II by pressing the [II] button at the
top of the EQ editing screen.
With V4 CL console firmware, there are five different EQ Types
available. To change the EQ Type, tap on the button to open a popup:
5.2.7 PEQ COPY/PASTE
Parametric EQ parameter settings can be copied and pasted from one
PEQ to another. Press the [COPY] button to capture the parameter
settings of the current PEQ. Navigate to another channel and press
[PASTE].
Note: the [PASTE] button will only be available when a suitable channel
has been selected. PEQs for Input Channels can only be copied to
other Input Channels, and PEQs for Output Channels can only be
copied to other Output Channels.
5.2.8 RTA ON
A Real-Time Analyzer function is integrated into the PEQ editing
screen. The iPad’s built-in microphone is used as the input source for
the RTA. Alternatively, an external mic connected to the headset jack
can be used. Gain level is selected in the Setup Screen (refer to
10.20).