User Manual
Table Of Contents
- 1.0 System Requirements
- 2.0 Wi-Fi Settings
- 3.0 Getting Started
- 4.0 Mixer Window
- 4.1 Channel Bank Navigation
- 4.2 Layer Navigation
- 4.3 Channel Names and Colors
- 4.4 Faders
- 4.5 Channel ON
- 4.6 CUE
- 4.7 Dual Cue Mode
- 4.8 SOLO Mode
- 4.9 Master Bank
- 4.10 GAIN
- 4.10.1 Digital Gain
- 4.10.2 Gain Compensation Mode
- 4.10.3 Analog Gain / Digital Gain Link
- 4.10.4 ALL GC ON
- 4.10.5 ALL GC OFF
- 4.10.6 Input Port
- 4.10.7 Phantom Power
- 4.10.8 Phase
- 4.10.9 Dante Wireless Microphone Control and Monitoring
- 4.10.10 Non-Dante Wireless Microphone Control and Monitoring
- 4.10.11 Input Port Patching
- 4.10.12 Input Port Patch Options
- 4.10.13 Multi-Channel Input Patching
- 4.11 SENDS ON FADERS
- 4.12 DCA FADERS
- 5.0 EQ / PAN / 5.1 / DYNAMICS
- 6.0 OUTPORTS
- 7.0 UTILITY
- 8.0 RACK
- 8.1 GEQ Racks
- 8.2 EFFECT Rack
- 8.3 EFFECT EDITING
- 8.3.1 Current Effect
- 8.3.2 Effect Type Selection
- 8.3.3 Effect Library
- 8.3.4 Input and Output Patch Assignments
- 8.3.5 Input and Output Meters
- 8.3.6 Effect Bypass
- 8.3.7 Effect Cue
- 8.3.8 Close Effect Editor
- 8.3.9 Parameter Editing using Sliders
- 8.3.10 Numerical Parameter Editing
- 8.3.11 Multi-Segment Buttons
- 8.3.12 Accessing Parameters
- 8.3.13 Additional Parameters
- 8.3.14 Wet/Dry Mix
- 8.4 GRAPHICAL EFFECT EDITING
- 8.4.1 REV-X Time/Level Parameters
- 8.4.2 REV-X Space Parameters
- 8.4.3 REV-X Filter Parameters
- 8.4.4 REVERB Time/Level Parameters
- 8.4.5 REVERB Space Parameters
- 8.4.6 REVERB Filter Parameters
- 8.4.7 REVERB Dynamics Parameters
- 8.4.8 STEREO REVERB Program
- 8.4.9 MONO/STEREO/MOD DELAY Parameters
- 8.4.10 DELAY LCR Parameters
- 8.4.11 ECHO Parameters
- 9.0 SCENE MEMORY
- 10.0 SETUP
- 10.1 Fader Delay
- 10.2 Filled EQ Graph
- 10.3 Enable Inc/Dec Scene Recall
- 10.4 Show Send Levels in Meter Bridge
- 10.5 Enable Phantom Power Switching
- 10.6 Set EQ band to 0dB with Double-Tap
- 10.7 Show dB Markings on Mixer
- 10.8 Set DCA to 0dB with Double-Tap
- 10.9 Disable Screen Auto-Lock
- 10.10 Cue Operation Mode
- 10.11 Cue A Mode
- 10.12 Cue B Mode
- 10.13 Solo in Place Mode
- 10.14 Channel Select – StageMix Follows Console
- 10.15 Channel Select – Console Follows StageMix
- 10.16 Input Meter Point
- 10.17 Output Meter Point
- 10.18 Display Key Input for Dynamics Meters
- 10.19 RTA Peak Hold Mode
- 10.20 RTA Input Gain
- 10.21 RTA Number of Bands
- 11.0 Troubleshooting
Yamaha Professional Audio CL StageMix V7 User Guide
Page 41
When the [RTA ON] button is highlighted with a green background, a
61-band or 121-band Real-Time Analyzer will be displayed as part of
the EQ editing graph. The number of bands used for the RTA can be
selected on the Setup screen (refer to 10.21). This function is primarily
intended to allow the sound engineer to move around the stage and
identify problem frequencies in different locations, which could then be
corrected using the parametric or graphic EQs.
5.2.9 RTA HOLD
Press the [HOLD] button to enable this function. The button will be
highlighted with a yellow background. The RTA HOLD mode is
selected in the Setup Screen (refer to 10.19
).
5.2.10 BAND BYPASS
With V4 CL console firmware, each of the PEQ bands can be
independently bypassed using the buttons labelled 1-4 above the
editing area. The buttons will be highlighted in orange when a band is
bypassed.
To exit from the EQ window and return to the Mixer window, press the
[MIXER] button at the top-right of the display.