MUSIC SYNTHESIZER Owner’s Manual EN
SPECIAL MESSAGE SECTION PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section. CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK. DO NOT REMOVE COVER (OR BACK).
Explanation of Graphical Symbols The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions.
PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING Please keep this manual in a safe and handy place for future reference. WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards.
CAUTION Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following: Power supply/Power cord Connections • Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.
Explication des symboles graphiques L'éclair avec une flèche à l'intérieur d'un triangle équilatéral est destiné à attirer l'attention de l'utilisateur sur la présence d'une « tension dangereuse » non isolée à l'intérieur de l'appareil, pouvant être suffisamment élevée pour constituer un risque d'électrocution. ATTENTION RISQUE D'ÉLECTROCUTION NE PAS OUVRIR ATTENTION : POUR RÉDUIRE LES RISQUES D'ÉLECTROCUTION, NE PAS RETIRER LE CAPOT (OU LE DOS).
PRÉCAUTIONS D'USAGE PRIÈRE DE LIRE ATTENTIVEMENT AVANT DE PROCÉDER À TOUTE MANIPULATION Rangez ce manuel en lieu sûr et à portée de main afin de pouvoir le consulter ultérieurement. AVERTISSEMENT Veillez à toujours observer les précautions élémentaires énumérées ci-après pour éviter de graves blessures, voire la mort, en raison d'une électrocution, d'un court-circuit, de dégâts, d'un incendie ou de tout autre risque.
ATTENTION Observez toujours les précautions élémentaires reprises ci-dessous pour éviter tout risque de blessures corporelles, pour vous-même ou votre entourage, ainsi que la détérioration de l'instrument ou de tout autre bien. La liste de ces précautions n'est pas exhaustive : Alimentation/cordon d'alimentation Connexions • N'utilisez pas de connecteur multiple pour brancher l'instrument sur une prise secteur. Cela risque d'affecter la qualité du son, voire de provoquer la surchauffe de la prise.
NOTICE Information To avoid the possibility of malfunction/damage to the product, damage to data, or damage to other property, carefully observe the notices below. About copyrights Handling • Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument itself, and/or the nearby device may generate noise.
MEMO MONTAGE Owner’s Manual S10
MUS M US SIC SI IC S SYNTHES YN NTHESI SIZE SIZ S IZER ER A message from the MONTAGE Development Team Thank you for purchasing the Yamaha MONTAGE6/7/8 Music Synthesizer. Since the first MOTIF was launched in 2001, the MOTIF series has reached fourth-generation status and has finally been remodeled— for the first time in 15 years—as the new MONTAGE.
About This Manual Owner’s Manual (this book) Provides overall explanations of the basic functions of the instrument. Please use this Owner’s Manual for an overview of the fundamental operations of the MONTAGE. If you need more detailed information or instructions on specific functions, use the Reference Manual described below. PDF documentation Reference Manual Explains in detail about the internal structure and connection examples.
Main Features High-quality, enhanced sounds covering a wide range of music styles The MONTAGE is loaded with 5 GB (in 16-bit linear format) of preset Advanced Wave memory (AWM2) — more than seven times the size of the previous MOTIF XF6/7/8. The MONTAGE has a huge variety of sounds, including highly realistic Piano sounds, with largevolume waveform data. Unlike its predecessors, the MONTAGE features 1.7 GB of User flash memory built in, for storing various Performance libraries.
Contents A message from the MONTAGE Development Team ................. 2 About This Manual ...................................................................... 3 Accessories................................................................................. 3 Main Features.............................................................................. 4 Controls and Functions 6 Top Panel ................................................................................... 6 Rear Panel ........................
Controls and Functions Top Panel ! % ( ) 9 A @ E * B 8 #$ 2 3 & ^ C D 5 6 7 4 A-1 B-1 C0 D0 E0 F0 G0 A0 B0 C1 C2 C3 1 1 Keyboard The MONTAGE6 features a 61-key keyboard, while the MONTAGE7 has 76 keys and the MONTAGE8 has 88 keys. All are equipped with a touch response feature (both initial touch and aftertouch).
Controls and Functions The illustration shows the MONTAGE8, but the information applies to all models. L Q F R S T d a gh M H G N O e b c ij JI C4 K P f C5 9 A/D INPUT [GAIN] knob (page 44) Use this to adjust the input gain of the audio signals at the A/D INPUT [L/MONO]/[R] jacks. Turning the knob clockwise increases the gain level. Detects the peak level and lights up the PEAK LED in red when the level is just short of clipping.
Controls and Functions % Knobs 1 – 8 NOTE These eight highly versatile knobs let you adjust various important parameters, such as the current Part, Arpeggio tempo, and the Motion Sequencer. Pressing the knob function [TONE]/[EQ/FX]/[ARP/MS] button, the Multi part control [MULTI] button, or the Assign [ASSIGN] button in the upper left corner changes the functions assigned to the knobs. You can also control the Super Knob by using the foot controller (FC7). For details, refer to page 28.
Controls and Functions G [INC/YES] button P [SHIFT] button For increasing the value of the currently selected parameter (INC: increment). This button can also be used to execute a Job or Store operation. Simultaneously hold down the [SHIFT] button and press the [INC/YES] button to quickly increase the parameter value in 10-step jumps. Pressing this button along with another button enables you to execute various commands. For details, refer to the “Shift Function List” (page 55).
Controls and Functions Number buttons PART [MUTE] button and PART [SOLO] are OFF PART [MUTE] button ON PART [SOLO] button ON Number A [1] – [8] buttons (upper line) Part select (1 – 8) Part mute (1 – 8) Part select (1 – 8) Number A [9] – [16] buttons (lower line) Part select (9 – 16) Part mute (9 – 16) Part solo (9 – 16) Number B [1] – [8] buttons Motion Sequencer for each Part ON/OFF (1 – 8 / 9 – 16) Number C [1] – [8] buttons Arpeggio for each Part ON/OFF (1 – 8 / 9 – 16) a [AUDITION] but
Controls and Functions Rear Panel Left side of Rear Panel 1 The illustration shows the MONTAGE8, but the information applies to all models.
Controls and Functions Left side of Rear Panel NOTE 1 [STANDBY/ON] switch • The term “FC3” in this Owner’s Manual refers collectively to the FC3 and other footswitches compatible with the FC3, such as the FC3A. Press to set the power to On or Standby. 2 [AC IN] (AC Power Cord Socket) Plug the AC power cord supplied with this instrument. 3 [USB TO DEVICE] terminal Used to connect this instrument to a USB flash memory device.
Controls and Functions NOTE • A guitar or bass having active pickups can be directly connected. However, when using passive pickups, connect the instrument via an effect device. • The Vocoder/Envelope Follower can be controlled from all Part outputs, and not just the A/D INPUT [L/MONO]/[R] jack. ABS (Audio Beat Sync) is a function for detecting the beat of the audio signal input from these jacks and synchronizing the beat with the Motion Sequencer or Arpeggio. Use 1/4" mono phone plugs.
Setting Up Power Supply Connect the supplied AC power cord in the following order. Make sure the [STANDBY/ON] switch on the instrument is set to the Standby position. 1 Connect the supplied power cord to the AC IN on the instrument’s rear panel. 2 Connect the other end of the power cord to Connecting Speakers or Headphones Since the instrument has no built-in speakers, you will need to monitor the sound of the instrument by using external equipment.
Setting Up Auto Power Off function To prevent unnecessary power consumption, this instrument features an Auto Power Off function that automatically turns the power off if the instrument is not operated for a specified period of time. Adjusting the Master Volume output Adjust the overall level of this instrument by using the [MASTER VOLUME] slider. Max. Auto Power Off Setting The amount of time that elapses before the power is automatically turned off can be set.
Basic Operation and Displays The MONTAGE features a convenient touch panel display. You can operate various settings and select desired parameters by directly touching the screen. Furthermore, you can use the data dial and other buttons for display operations. Display (touch panel) configuration This section explains the navigation bar and the display selecting tabs which are common to all types of displays.
Basic Operation and Displays Changing (editing) parameter values Rotating the Data dial to the right (clockwise) increases the value, while rotating it to the left (counter-clockwise) decreases it. Pressing the [INC/YES] button increases a parameter value by one step, and pressing [DEC/NO] button decreases it. For parameters with large value ranges, you can increase the value by 10 by simultaneously holding down the [SHIFT] button and pressing the [INC/YES] button.
Quick Guide — Selecting Performances The MONTAGE has 16 Parts and basic musical instrument sounds are assigned to each Part. A single set of these sounds is called a “Performance.” You can change sounds as desired by selecting the appropriate Performance. Multiple Performances This instrument features Banks for memorizing Performances. There are basically four different types of Banks: Preset, User, Library, and GM. The contained Performances and features depend on the Bank as described below.
Quick Guide — Selecting Performances When you turn on your instrument for the first time, a Live Set of the Preset Banks will be displayed in the top display. The Live Set is a list in which Performances can be freely arranged. Up to 16 Performances can be arranged over a single page. You can play various Performances selected from the Preset Live Sets. 2 Touch the desired Performance on the screen.
Quick Guide — Selecting Performances Using the Category Search function 3 Touch and select the desired sub category (5). The Performances are conveniently divided into specific Categories, irrespective of their bank locations. The categories are divided based on the general instrument type or sound characteristics. The Category Search function gives you quick access to the sounds you want. 1 Press the [CATEGORY SEARCH] button while the Performance Play display is shown.
Quick Guide — Selecting Performances Selecting an Initialized Performance Follow the steps below to select an Initialized Performance. 1 Touch [Init] of the main category in the Category Search display. 2 Only initialized Performances are Playback Audition phrase You can hear a sample of Performance sounds. The sample sound is referred to as “Audition phrase.” 1 Touch [Audition] in the Category Search display. The sample of the currently selected Performance plays. displayed in the Performance list.
Quick Guide — Playing the Keyboard You can mix several different parts together in a layer, or split them across the keyboard, or even set up a combination layer/ split. Each Performance can contain up to eight different Parts. Press the [PERFORMANCE] button before playing the keyboard. Performance Play display In this condition, playing the keyboard sounds the Performance indicated in the display. The parameters shown in the Performance Play display are briefly explained below.
Quick Guide — Playing the Keyboard Switching a Part on/off 4 Press any of the dimly lit Number A [1] – [16] You can turn the eight Parts of the current Performance on or off as desired. Turning specific Parts on/off (Mute function) You can turn individual Parts on/off by using the Mute function. 1 buttons. The pressed button will fully light again and the Mute function for that Part will be disengaged.
Quick Guide — Playing the Keyboard Using the Arpeggio function This function lets you trigger rhythm patterns, riffs and phrases using the current Part by simply playing notes on the keyboard. It not only provides inspiration and full rhythmic passages in your live performances, but it gives you fully formed instrumental backing parts of various music genres for ease in creating songs.
Quick Guide — Playing the Keyboard Using the Motion Sequencer function The powerful Motion Sequencer feature lets you dynamically change sounds by operating Parameters depending on sequences created in advance. It provides real time control for changing sounds depending on various sequences such as Tempo, Arpeggio, or the rhythm of external connected devices. You can assign up to eight desired Sequence types for one Lane.
Quick Guide — Playing the Keyboard Using controllers to change the sound The MONTAGE gives you an amazing amount of control options. In addition to the conventional Pitch Bend and Modulation Wheels, it also features an extensive array of special real time controls—including the Knobs, Super Knob, Sliders, Ribbon Controller and Assignable Switch buttons.
Quick Guide — Playing the Keyboard Using the Knobs to change the sound Knobs 1 – 8 let you adjust a variety of parameters for the current Performance or Part, such as effect depth, attack/release characteristics, timbre, and others. The functions assigned to each Knob can be alternatively selected via the Knob Function buttons, the Multi Part Control button, or the Assign buttons.
Quick Guide — Playing the Keyboard Using the Super Knob to change the sound The Super Knob lets you simultaneously control all parameter values of the functions assigned to Knobs 1 – 8. You can create complex sounds by using the Super Knob together with the Motion Sequencer. The Super Knob is always available for use. You don’t have to press the Knob function button or the Knob Assign button before using the Super Knob.
Quick Guide — Playing the Keyboard Using the Scene function You can store all parameter settings such as Arpeggio type, Motion Sequencer type, and the Part parameter values together as a “Scene.” There are eight Scenes and you can select them by pressing the [SCENE] button. This is useful for simultaneously and drastically changing the Arpeggio type and the Motion Sequencer type while you are playing a single Performance.
Quick Guide — Creating Your Own Live Sets The Live Set is ideal for live performance situations since it lets you instantly switch among desired Performances. You can create your own Live Set by simply grouping together your favorite Performances. Registering a Performance to a Live Set Live Set display The performance registered in the slot An empty slot Follow the instructions below to store Performances to Live Sets.
Quick Guide — Creating Your Own Live Sets Switching Performances stored in a Live Set by using the footswitch You can switch the Performances by using a connected footswitch (FC4 or FC5). The setting for this operation is as follows. 1 Connect the footswitch (FC4 or FC5) to the FOOT SWITCH [ASSIGNABLE] jack. 2 Press the [UTILITY] button to call up the Utility display, and then touch [Settings] tab [MIDI I/O] tab at the left side of the screen. 3 Set “FS Assign” to “Live Set +” or “Live Set -.
Quick Guide — Editing the Settings This instrument has various edit displays for Parts, Performances, effects, and Arpeggios. This chapter explains how to create an original Performance by combining multiple Parts. Performance Editing “Performance Editing” refers to the process of creating a Performance by changing the parameters that make up the Performance. This can be done in the Performance Edit display. 1 Press the [STORE] button to call up the Store display.
Quick Guide — Editing the Settings Part Editing Drum Part Edit “Part Editing” refers to the process of creating a Part by changing the parameters that make up the Part. This can be done in the Element Common/Key Common/Operator Common Edit display and the Element/Key/Operator Edit display. The actual parameters that are available differ depending on the Part type.
Quick Guide — Editing the Settings Element Common Edit display Part Effect Editing Indicates that the Element Common Edit display is active. This instrument features a wide variety of Effects, letting you add Variation and Reverb processing to the selected Part for your keyboard performance. Simply changing the Effect type applied to the preset Part lets you instantly come up with different sounds.
Quick Guide — Editing the Settings 8 Touch the [Ins A] tab at the left side of the screen. The display for editing effect parameters selected in Step 4 appears. How Parts are assigned to a Performance By default (when shipped from the factory), various types of Performances are provided in the Preset Banks. For some of these Performances, it may not be immediately obvious how to play them or use them, since they are quite complicated.
Quick Guide — Editing the Settings Performance Structure Using Arpeggios With this method, you can play all the parts of a band by yourself. This type of Performance also uses different Arpeggio types assigned to the individual Parts, making it even easier to sound like a full band.
Quick Guide — Editing the Settings Split 8 Turn the [PART CONTROL] button on and You can play different Parts with the left and right hands by assigning one Part to Part 1, with a note range in the lower section of the keyboard, and a different Part to Part 2, with a note range in the higher section of the keyboard. adjust the volume settings of Parts 1 and 2 by using Control Sliders 1 and 2.
Quick Guide — Editing the Settings [Common] tab 3 Touch the [Individual] tab to call up the setting display for each Arpeggio Type. 4 Touch the Arpeggio type and select the [Search] menu at the left side of the screen. (Alternately, you can press the [CATEGORY SEARCH] button.) The Category determines the instrument type and the Sub Category determines the music type. Setting of Arpeggio type Go on and assign other Arpeggio types in the same way as desired. 5 Store the Performance as necessary.
Recording and Playback You can record MIDI data as Songs on this instrument itself or record your performance (audio data) on a USB flash memory device plugged into the MONTAGE. Terminology 3 Press the [I] (Record) button. The Record Setup display appears. Song NOTE A Song on this instrument is effectively the same as a song on a MIDI sequencer, and playback automatically stops at the end of the recorded data. The MONTAGE can store up to 64 Songs.
Recording and Playback Recording with the click Follow the steps below to use the click during MIDI recording. 1 Press the [UTILITY] button and touch [Tempo Settings] on the screen to call up the Tempo setting display. Set the Click “Mode” to “Rec.” 3 Punch Out: 006:01 Recording ends at this point and normal playback of the recording Track starts. 1 2 3 NOTE When “Rec/Play” is set, the click sounds during MIDI recording and playback. When “Always” is set, the click will always sound.
Recording and Playback Playing a Song In this section, you’ll learn how to use convenient mute/solo functions while playing back a recorded song. Song playback 1 Press the [R] (Play) button to start the Song. Recording your performance as audio Your performances on the MONTAGE can be recorded as WAV format (44.1-kHz, 24-bit, stereo) audio files to a USB flash memory device.
Recording and Playback 6 Press the [R] (Play) button. If you have set the trigger level to “manual,” recording will begin immediately right after you press the [R] (Play) button. While the recording, the [I] (Record) button will light red and the [R] (Play) button will light green. If you have set a value between 1 and 127 as the trigger level, the recording will begin automatically whenever the playback volume exceeds that level. 7 Play the keyboard.
Using as a Master Keyboard The Master Keyboard function lets you assign up to eight separate Zones in each Performance for use as a master keyboard controller. You can call up the settings for controlling an external MIDI device instantly anytime you need by combining with the Live Sets. Accordingly, you can change and control the connected external MIDI tone generator in sequence while performing live.
Connecting a Microphone or Audio Equipment Playing the keyboard along with the sound input from the A/D INPUT [L/MONO]/[R] jacks You can have the A/D input sound—such as your voice through a microphone, a CD player, or a synthesizer— assigned as an Audio Input Part. Various parameters such as volume, pan, and effects can be set to this Part and the sound is output together with the sound of your keyboard performance.
Making Global System Settings You can set various parameters in the Utility display. In particular, you can set the parameters that apply to the entire system of this instrument by touching the [Settings] tab. The changes you make in the Utility display are activated once you press the [EXIT] button to return to the original display. This section describes some useful functions related to the entire system settings.
Making Global System Settings Turning the beep sound on/off Changing the Master Tuning You can turn the beep sound (that confirms operations, menu/parameter selection, etc.) on/off as follows. You can adjust the tuning of the MONTAGE. This is useful when playing in an ensemble to match the pitch of other instruments which cannot be easily tuned (such as a piano). 1 Press the [UTILITY] button to call up the Utility display, then touch [Settings] tab [System] tab.
Making Global System Settings Changing the Velocity Curve These five curves determine how the actual velocity will be generated and transmitted according to the velocity (strength) with which you play notes on the keyboard. The graph shown in the display indicates the velocity response curve. (The horizontal line represents the received velocity values (strength of your playing), while the vertical line represents the actual velocity values transmitted to the internal/external tone generators.
Connecting External MIDI Instruments With a standard MIDI cable (available separately), you can connect an external MIDI instrument, and control it from the MONTAGE. Likewise, you can use an external MIDI device (such as a keyboard or sequencer) to control the sounds on the MONTAGE. Below are several different MIDI connection examples; use the one most similar to your intended setup.
Using a Connected Computer By connecting the MONTAGE to your computer, you can use a DAW or sequence software on the computer to create your own original songs. NOTE The acronym DAW (digital audio workstation) refers to music software for recording, editing and mixing audio and MIDI data. The main DAW applications are Cubase, Logic, Ableton Live, and ProTools. Connecting to a computer 5 Set “MIDI IN/OUT” to “USB.
Using a Connected Computer Precautions when using the [USB TO HOST] terminal When connecting the computer to the [USB TO HOST] terminal, make sure to observe the following points. Failing to do so risks freezing the computer and corrupting or losing the data. If the computer or the instrument freezes, restart the application software or the computer OS, or turn the power to the instrument off then on again.
Using a Connected Computer Creating a Song with a computer By using the MONTAGE with DAW software on a computer connected to the MONTAGE, you can take advantage of the following functions and applications. • MIDI recording and audio recording of your MONTAGE performance to the DAW software. MONTAGE will sound the MIDI data generated by playing the keyboard as MIDI data from channel 3.
Using a Connected Computer Song playback from a computer using the MONTAGE as a tone generator The instructions below show how to use this instrument as a MIDI tone generator. In this case, actual MIDI sequence data is transmitted from DAW software on the computer, letting you take advantage of the dynamic sounds of the MONTAGE, while giving you the added benefit of saving processing power on your computer by avoiding the use of software synths.
Saving/Loading Data The Utility display provides tools for transferring the entire system setting and data (such as Performances and Live Sets) between the MONTAGE and an external USB flash memory device connected to the [USB TO DEVICE] terminal. This section explains how to save/load all the data on the user memory of this instrument as a “User” file. Saving the settings to a USB flash memory device 1 Connect a USB flash memory device to the 6 The Text input display appears.
Saving/Loading Data Precautions when using the [USB TO DEVICE] terminal This instrument features a built-in [USB TO DEVICE] terminal. When connecting a USB device to the terminal, be sure to handle the USB device with care. Follow the important precautions below. NOTE By connecting the instrument to a USB flash drive, you can save data you’ve created to the connected device, as well as read data from the connected device.
Shift Function List Some of the important functions and operations on the instrument can be executed with convenient panel control shortcuts. Simply hold down the [SHIFT] button and press the indicated button (as described below). Operation Function [SHIFT] + KNOB POSITION [1] Stores Assign 1 – 8 assigned to Knobs in Value 1. [SHIFT] + KNOB POSITION [2] Stores Assign 1 – 8 assigned to Knobs in Value 2. [SHIFT] + OCTAVE [-] Decreases the transpose value by 1.
Display Messages LCD indication Description ** will be deleted. This message appears when the specified operation you are about to execute will cause the specified data to be deleted. ** will be overwritten. This message appears when a file/folder having the same name as the one you are about to save already exists. Activate the source controller to assign. You can assign the parameter to the controller you are about to activate. Advanced settings will be initialized.
Display Messages LCD indication Description No read/write authority to the file. Indicates that you do not have the authority to read/write the file. Now initializing all data… Indicates this synthesizer is restoring the factory-programmed settings. Now initializing… Indicates that the specified data is being initialized. Now loading... Indicates that a file is being loaded. Now receiving MIDI bulk data... Indicates this synthesizer is receiving MIDI bulk data. Now saving...
Troubleshooting No sound? Wrong sound? When a problem like this occurs, please check the following points before assuming that the product is faulty. Many problems can be solved by executing Data Initialization (page 15), after backing up your data to an USB flash memory device (page 53). If the problem persists, consult your Yamaha dealer. Touch panel does not respond correctly.
Troubleshooting Are the volume or expression settings too low? [UTILITY] [Settings] [Sound] Tone Generator “Volume” [EDIT] PART [COMMON] [General] “Volume” [EDIT] Part selection ELEMENT/OPERATOR [COMMON] [Part Settings] [General] “Volume” [EDIT] Part selection ELEMENT/OPERATOR [COMMON] [Part Settings] [General] “Dry Level” • In case of Normal Part (AWM2) and Drum Part [EDIT] Part selection Element/Key selection [Amplitude] [Level/Pan] “Level” • In case of Norm
Troubleshooting Playback continues without stopping. When the [ARP ON/OFF] button is turned on, press it so that the button is turned off. When in the Song display, press the [J] (Stop) button. When the effect sound such as Delay continues, check the effect setting or select the Performance again. When the click sound continues, check the following parameter setting.
Troubleshooting When the Part produces a wrong pitch, is the appropriate tuning system selected from the Micro Tuning parameter? • In case of Normal Part (AWM2) and Drum Part [EDIT] Part selection ELEMENT/OPERATOR [COMMON] [Part Settings] [Pitch] “Micro Tuning Name” • In case of Normal Part (FM-X) [EDIT] Part selection ELEMENT/OPERATOR [COMMON] [Pitch/Filter] [Pitch] “Micro Tuning Name” When the Part produces a wrong pitch, is the LFO Pitch Modulation Depth set too high? • In c
Troubleshooting Check the Arpeggio Switch parameter. If this parameter for the current Part is set to off, Arpeggio playback will not be triggered by your keyboard performance even if the [ARP ON/OFF] button is turned on. [PERFORMANCE] Part selection “Arp On” Cannot stop the Arpeggio. When Arpeggio playback does not stop even if you release the key, set the Arpeggio Hold parameter to “off.
Specifications Keyboards Tone Generator block MONTAGE8: 88 keys, Balanced Hammer Effect Keyboard (Initial Touch/Aftertouch) MONTAGE7: 76 keys, FSX Keyboard (Initial Touch/Aftertouch) MONTAGE6: 61 keys, FSX Keyboard (Initial Touch/Aftertouch) Tone Generator Motion Control Synthesis Engine AMW2: 8 Elements FM-X: 8 Operators, 88 Algorithms Polyphony AWM2: 128 (max.; stereo/mono waveforms) FM-X: 128 (max.
Index A FOOT CONTROLLER [1]/[2] jack..............................................12 A/D INPUT [GAIN] knob ............................................................. 7 FOOT SWITCH [ASSIGNABLE]/[SUSTAIN] jacks .....................12 A/D INPUT [L/MONO]/[R] jacks.......................................... 12, 44 Format .......................................................................................54 A/D INPUT [ON/OFF] button.......................................................
Index O V OCTAVE [-] and [+] button ......................................................... 8 Volume.......................................................................................15 Operator Common Edit............................................................. 33 Operator Edit ............................................................................ 33 Y Operators.................................................................................. 33 Yamaha Steinberg USB Driver ........
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Manual Development Department © 2016 Yamaha Corporation Published 01/2016 MWTO-A0 Printed in Japan 76 ZR61040 ZR61040
