O w n e r ’s M a n u a l EN
SPECIAL MESSAGE SECTION PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section. CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK. DO NOT REMOVE COVER (OR BACK).
Explanation of Graphical Symbols The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING * Please keep this manual in a safe place for future reference. WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following: Power supply/Power cord Water warning • Only use the voltage specified as correct for the instrument.
Connections Saving data • Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level. Maintenance • When cleaning the instrument, use a soft, dry cloth.
Welcome Thank you for choosing the Yamaha CP1 Stage Piano. This stage piano features a rich spectrum of piano voices, amplifier simulators, and effectors that faithfully reproduce the characteristics of classic instruments, and by combining these building blocks in whatever way you desire, you can easily create a vast range of piano sounds — from the standard to the truly unique — with this one single instrument.
Principal Features of the CP1 Authentic acoustic-piano sounds of unparalleled quality Building on Yamaha’s decades of accomplishment in the production of stage pianos, we have delicately adjusted of the sound of each individual key, realized perfect balance over the full length of the keyboard, and even reproduced the harmonic action of the strings and soundboards of authentic acoustic pianos in response to pedal operation.
Contents Setting Up 10 Connecting the Power Cord . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 Connecting Audio Equipment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 Monitoring with Amplifiers or Powered Speakers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 Listening via a Mixer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Storing Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 Memory Structure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 Storing Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 Exchanging Files with USB Flash-Memory Devices . . . . . . . . . . . . . . . . . . . . . . . . . .
Connecting the Power Cord Setting Up Setting Up Connecting the Power Cord 1 Ensure that the [P] (power) switch on the rear panel is set to the OFF position. 2 Insert the appliance end of the power cord (included) into the [AC IN] socket, also on the rear panel. 3 Plug the other end of the power cord into a domestic-use, AC wall socket. Make sure your CP1 meets the voltage requirement for the country or region in which it is being used.
Connecting Audio Equipment Connecting Audio Equipment Setting Up The CP1 does not come with built-in speakers. In order to hear what you play, therefore, you will need to connect it to a stereo system or to an amplifier and speakers. You can also plug a set of headphones into the headphones jack in order to monitor the sound directly. External audio equipment can be connected in a number of different ways as described below.
Connecting Pedals Connecting Pedals Setting Up The pedal unit included with your CP1 is to be connected via the [SUSTAIN], [SOSTENUTO], and [SOFT] foot-switch jacks located on the rear panel. The unit’s three plugs are color coded, with the light grey plug connected to the Sustain pedal (located on the right), the dark grey plug connected to the Sostenuto pedal (located in the middle), and the black plug connected to the Soft pedal (located on the left).
Turning on the CP1 Turning on the CP1 1 2 Press the [P] (power) switch on the stage piano’s rear panel. 3 Turn on any keyboard amplifiers or powered speakers connected to the CP1. 1 Setting Up After you have made all of the required connections as described above, ensure that the [MASTER VOLUME] dial on the left of the CP1 control panel and the volume of any connected keyboard amplifiers or powered speakers are fully turned down (to MIN or 0), and also ensure that all equipment is turned off.
Adjusting the Display Brightness Adjusting the Display Brightness Setting Up The correct way to adjust the brightness of the CP1’s built-in display is as follows. 1 Press the [UTILITY] button on the right-hand side of the CP1 control panel to call up the Utility screen. 2 Use the [PAGE R] button, also on the right-hand side of the control panel, to navigate to this screen’s fifth page. 3 Adjust the display brightness by turning Knob 1 and changing the value of the Brightns parameter.
Playing Demonstration Songs Your stage piano comes preloaded with a number of specially prepared demonstration songs. Follow the procedure described below to play these songs using a range of different CP1 sounds. 1 Hold down the [UTILITY] button and press the [FILE] button to open the Demo Song screen.
Top Surface Component Names & Functions Top Surface ! 3 4 5 6 7 8 9 @ Component Names & Functions ) 1 A-1 B-1 C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 2 1 Pitch bend wheel (see page 31) Use this controller to shift the pitch of notes temporarily upward or downward. 2 Headphones jack (see page 11) Use this standard audio jack to connect a pair of stereo headphones.
Top Surface # ^& ( A B $% * G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 Component Names & Functions C C7 # [L PAGE] and [PAGE R] buttons (see page 24) * [STORE/ASSIGN] button (see pages 29 and 40) Use these left and right buttons whenever a setting screen comprises a number of different pages in order to navigate between these pages.
Rear Panel Rear Panel 1 2 1 [P] (power) switch (see page 13) Use this button to turn the CP1 on and off. Component Names & Functions 2 [AC IN] socket (see page 10) Use this socket to connect the power cord. Note that only the power cord provided with the CP1 should be used to supply power. 3 MIDI [IN], [OUT], and [THRU] connectors (see page 35) Use the three MIDI connectors to link up your CP1 with other MIDI devices.
Principal Components Internal Design of the CP1 Principal Components The CP1 primarily comprises a tone generator and a controller section. Controller section Keyboard Input devices (i.e., knobs, pitch bend wheel, foot pedals, etc.) Tone generator Performance MIDI output MIDI input USB, MIDI USB, MIDI Tone Generator Internal Design of the CP1 The CP1’s tone generator produces sounds based on performance data that you create by playing the keyboard and operating various controllers.
Tone Generator Roles the Tone Generator’s Blocks & Parameters The role of each of the blocks and the Common Settings area making up CP1 Performances are described below. Piano Block Each Piano block comprises two functional units — namely, the Piano Type unit and the Pre-Amplifier unit.
Tone Generator Makeup of Performance Memory The CP1 can store Performances in three main memory areas — namely, the Preset Performance memory, the User Performance memory, and an External Performance memory. The specific roles of each of these memory areas are described below. Preset Performance Memory Accessed using the [PRESET] button, the Preset Performance memory is used to hold the Performance presets that come ready-made with the CP1.
Tone Generator TIP Using External Performance Memories In order to store your Performance data in an External Performance memory or to use an External Performance memory already saved on a USB flash-memory device, the USB flash-memory device in question must be plugged into the CP1. When you do so, the instrument will behave in a number of different ways depending on whether or not it already contains an External Performance memory and when it was last plugged in. Each of these actions is described below.
Controller Section TIP Plugging in a USB flash-memory device Use the [USB TO DEVICE] port at the right end of the control panel for plugging in USB flash-memory devices. Before plugging in a flash-memory device, ensure that its connector matches the port and that both are oriented in the same direction. NOTE Although the CP1’s connector is compatible with the USB 1.1 standard, you can connect and use USB 2.0 flash-memory devices. In such a case, however, data will be transferred at the USB 1.1 speed only.
Basic CP1 Operations Basic CP1 Operations In this section, you will find a description both of the basic methods used to operate the CP1 and of the display content. Changing Pages The following screens presented on the CP1 display extend over a number of individual pages.
Basic CP1 Operations Setting Names A name can be freely assigned to each Performance that you create or modify on the CP1 (see page 51). Furthermore, it is also possible to specify names for files saved from the CP1 to a USB flash-memory device and for directories created on these memory devices (see page 60).
Basic CP1 Operations Edit Indicator Whenever you modify any of a Performance’s parameters, the Edit Indicator (E) will appear at the top left of the display to remind you to store it. Unsaved modifications will be lost whenever the CP1 is turned off or a new Performance is selected. The correct way to store Performances is described on page 40. Edit Indicator EONoteShf TNoteShf ODetune -24 +24 -12.7 TDetune +12.
Using CP1 Performances Quick Start Guide Using CP1 Performances In terms of the CP1, each of the completed piano sounds available for playing via the keyboard is referred to as a “Performance”, and these may be freely selected from the main Performance screen. Performances each comprise two different piano parts — namely, Part 1 and Part 2 — and they can be either overlaid along the full length of the keyboard or separated into two specific zones based on keyboard position or playing velocity.
Using CP1 Performances 4 Press one of the Number buttons, [1] to [16]. With the Performance selection process now complete, the corresponding Memory, Bank, and Number buttons will stop flashing and stay lit. NOTE For a list of all Preset Performances, see the Data List booklet. 5 Use the keyboard to play the selected Performance. TIP The procedure for using an External Performance memory previously saved to a USB flash-memory device is as follows.
Using CP1 Performances To move from the first page to the second page of the Performance screen, press the [PAGE R] button. Here, you can see both the names of the parameters assigned to each of the Knobs 1 to 6 and their current setting values, as shown below. As such, the second page can be useful when editing a number of parameters together. You can press the [L PAGE] button to return to the first page. Performance Screen (second page) Functions assigned to Knobs 1 to 6 OBass +0.5dB OMid +0.
Using CP1 Performances Using Pedals To use the pedal unit that came with your CP1, each of the three pedals should be connected via the rear panel’s [SUSTAIN], [SOSTENUTO], and [SOFT] foot-switch jacks (see page 12). Black plug Light grey plug Dark grey plug Pedal unit As described below, the way in which a pedal functions will depend on which of these jacks it is connected to.
Using CP1 Performances Bending Notes Using the pitch bend wheel located at the left of the keyboard, you can bend the pitch of notes up and down as you play. Notes are bent upward when you push the pitch bend wheel away from you and vice versa. This wheel is self-centering and will, therefore, automatically return to the neutral position when released. Why not take a moment now to see how the pitch bend wheel can change the sound of the notes you play.
Using CP1 Performances TIP Button Lighting Patterns As shown below, the way in which the buttons for each of the elements making up a Performance (with the exception of the Common Settings area) light up and turn off depends on the current CP1 setting condition. (The buttons in question are [PIANO 1], [PIANO 2], [PRE-AMPLIFIER 1], [PRE-AMPLIFIER 2], [MODULATION EFFECT 1], [MODULATION EFFECT 2], [POWER-AMPLIFIER/COMPRESSOR 1], [POWER-AMPLIFIER/COMPRESSOR 2], [REVERB], and [MASTER EQUALIZER].
Creating Original Performances Creating Original Performances Original piano sounds can be easily created on your CP1 by configuring the various blocks and units that make up Performances and the Common Settings area. The following procedure can be applied to modify each of these Performance elements while listening to how parameter changes actually affect the sound being produced.
Creating Original Performances 8 9 Turn Knobs 2 to 6 to set parameters as required. For details on the parameters that can be set within this parameter setting screen, see Reverb from the Reference section (page 50). Press the [COMMON] button. The Common Settings screen will be displayed. 10 Use the [L PAGE] and [PAGE R] buttons to navigate to the page containing the parameter(s) you wish to set. Page number EONoteShf TNoteShf ODetune 0 0 0.0 11 12 13 TDetune 0.
Using the CP1 with Other MIDI Devices Using the CP1 with Other MIDI Devices You can connect your CP1’s MIDI [IN], [OUT], and [THRU] connectors to MIDI connectors on other MIDI devices using standard MIDI cables (sold separately). The following section will describe how MIDI devices connected in this way can then be controlled from the CP1.
Using the CP1 with a Computer 7 Press Knob 6 (ZoneEdit [PUSH]). The Zone Edit screen will be displayed. 8 Turn Knob 1 and select the zone to be edited. Zone 1 corresponds to Part 1, and Zone 2 corresponds to Part 2; meanwhile, Zones 3 and 4 are for playing other MIDI devices. The MIDI channel for each zone is permanently set and cannot be changed. For details, see Zone Edit from the Reference section (page 52). 9 Turn Knobs 2 to 6 to set parameters for the zone selected in the previous step.
Using the CP1 with a Computer 2 Install the USB MIDI driver on your computer. For instructions on installing, see the Installation Guide included in the downloaded file package. When asked to connect the [USB TO HOST] port on your instrument (i.e., the CP1) to the computer using a USB cable, do so as shown below. USB cable USB TO HOST connector CP1 3 USB connector Computer Setup the CP1 to allow MIDI data to be exchanged via the [USB TO HOST] port.
Using the CP1 with a Computer Activating and Deactivating Local Control Normally, when playing the CP1 in order to record its MIDI messages on a computer, those messages are sent directly to the computer, and from there, they are returned to the instrument in order to play the built-in tone generator. If local control of the CP1 is turned on (i.e.
Storing Settings Storing Settings Memory Structure The following diagram shows the structure of the CP1’s internal memory and how data is exchanged with external devices.
Storing Settings Storing Settings When you have finished editing a Performance, you can either store it within the CP1’s User Performance memory or save it in an External Performance memory. Master Equalizer and Utility settings, on the other hand, are stored in User Memory as part of the instrument’s system settings. Furthermore, the Bulk Dump function can be used to transfer the Performance currently being edited in the Edit Buffer to a connected MIDI device or DAW application for saving.
Exchanging Files with USB Flash-Memory Devices Saving Performances on Another Device Using the Bulk Dump function, you can conveniently transfer the Performance currently being edited within the Edit Buffer to a connected MIDI device or computer as MIDI data. This data can then be saved on the MIDI device or using a DAW application running on the computer. The following procedure describes how to use this function in combination with a DAW application.
Restoring Initial Settings Restoring Initial Settings The following procedure describes how to use the Factory Set function to restore the User Memory to its initial condition. CAUTION Whenever the Factory Set function is used to restore initial settings, the current content of the User Performance memory and system settings will be overwritten. Care should, therefore, be taken to avoid overwriting irreplaceable data.
Piano Reference This section provides a detailed description of the parameters used to configure the CP1. Piano Each of the Piano blocks allows a piano type and associated pre-amplifier to be selected for its respective part — that is, Part 1 or Part 2.
Piano Parameters from the Piano Type Unit Editing Sequence: Press and hold the [PIANO 1] or [PIANO 2] button (for at least one second) Turn Knobs 2 to 6 Each of the different types of piano that your CP1 can replicate uses a different mechanism to realize its characteristic sound, and for that reason, is configured using different parameters. In the following table, you will find a description of all of the parameters used with different piano types.
Piano Parameters from the Pre-Amplifier Unit Editing Sequence: Press and hold the [PRE-AMPLIFIER 1] or [PRE-AMPLIFIER 2] button (for at least one second) Turn Knobs 1 to 6 Pre-amplifiers are set automatically based on the type of piano selected; however, the following parameters can be used to modify the way in which each Pre-Amplifier unit affects the corresponding piano sound. Each different preamp type is configured using a different set of parameters.
Modulation Effect Modulation Effect In each Modulation Effect block, a modulation-type effect is applied to the piano sound of either Part 1 or Part 2 to modify its spatial characteristics. Modulation Effect Types Editing Sequence: Press and hold the [MODULATION EFFECT 1] or [MODULATION EFFECT 2] button (for at least one second) Turn Knob 1 (MdEffect) The following table identifies and describes the different types of effect that can be selected in each Modulation Effect block.
Modulation Effect Parameters from the Modulation Effect Block Editing Sequence: Press and hold the [MODULATION EFFECT 1] or [MODULATION EFFECT 2] button (for at least one second) Turn Knobs 2 to 6 Each type of modulation effect is configured using a different set of parameters, which adjust the sound of the effect in various ways. In the following table, you will find a description of all such parameters in alphabetic order.
Power-Amplifier / Compressor Power-Amplifier / Compressor Using a Power-Amplifier / Compressor block, you can adjust the piano sound of Part 1 or Part 2 either using faithful reproductions of electric-piano power amps and speakers, or alternatively, using a compressor.
Power-Amplifier / Compressor Parameters from the Power-Amplifier / Compressor Block Editing Sequence: Press and hold the [POWER AMPLIFIER/COMPRESSOR 1] or [POWER AMPLIFIER/COMPRESSOR 2] button (for at least one second) Turn Knobs 2 to 6 Each power-amplifier / compressor type is configured using a different set of parameters, which adjust the sound produced by the block in various ways. In the following table, you will find a description of all such parameters in alphabetic order.
Reverb Reverb The Reverb block can be used to apply a reverberation type effect to both Part 1 and Part 2. Editing Sequence: Press and hold the [REVERB] button (for at least one second) Turn Knobs 1 to 5 RevType (Reverb Type) This parameter is used to select the type of reverb to be applied. Setting values: RichHall, RichPlt, RichRoom, WoodRoom, Room1, Room2, Stage1, or Stage2 RichHall (Rich Hall) Emulation of hall acoustics with a rich, deep reverb sound.
Common Settings Common Settings The Common Settings screen is used to set parameters affecting both Part 1 and Part 2, and it extends over four individual pages. First page: Performance name and keyboard playing mode Editing Sequence: Press the [COMMON] button Navigate to the first page using the [L PAGE] button Turn Knobs 1 to 6 Name This field contains the name of the current Performance.
Common Settings Zone Edit Screen The Zone Edit screen can be accessed in order to setup keyboard zones whenever KbdMode has been set to “zone” (see page 51). This screen extends over two individual pages. First page: Note limits and program-change settings Editing Sequence: Press the [COMMON] button Turn Knob 5 to set KbdMode to “zone” Press Knob 6 (ZoneEdit) Zone This parameter is used to select the zone to be edited.
Common Settings Second page: Pitch and pan for each part Editing Sequence: Press the [COMMON] button Navigate to the second page using the [L PAGE] and [PAGE R] buttons Turn Knobs 1 to 6 1NoteShf (Note Shift 1) 2NoteShf (Note Shift 2) These parameters are used to adjust the pitch of Part 1 and Part 2, respectively, in steps of one semitone. 1Detune (Detune 1) 2Detune (Detune 2) These parameters are used to fine tune the pitch of Part 1 and Part 2, respectively, in steps of 0.1 Hertz.
Common Settings Fourth page: Controller settings Editing Sequence: Press the [COMMON] button Navigate to the fourth page using the [PAGE R] button Turn Knobs 1 to 4 Source This parameter is used to select the controller to be edited. Setting values: PtchBend (Pitch Bend wheel), FC1 (Foot Controller 1), FC2 (Foot Controller 2), FSAssign (assignable foot switch), Soft (Soft pedal), or Sostnuto (Sostenuto pedal) FC1/FC2 .......Foot controllers connected to the [1] and [2] foot-controller jacks.
Master Equalizer Master Equalizer The Master Equalizer block is used to adjust the overall tone of the entire Performance. Specifically, it can boost or cut the signal level in the vicinity of a center frequency in five individual frequency bands. The Master Equalizer screen extends over six individual pages.
Utility Q (Resonance) This parameter is used to create a range of different frequency curve characteristics in the vicinity of the frequency set using the Freq parameter. If you set a large value, a narrower band of frequencies will be boosted or cut, and the tone will change markedly around the center frequency. If you set a smaller value, a wider band of frequencies will be boosted or cut, and the tone will change gradually around the center frequency. Setting values: 0.1 to 12.0 + 0.1 12.
Utility Second page: Tuning system and pedal settings Editing Sequence: Press the [UTILITY] button Navigate to the second page using the [L PAGE] and [PAGE R] buttons Turn Knobs 2 to 6 Scale This parameter is used to select a musical tuning system. While the Equal Temperament tuning system has now become standard for pianos, a wide number of other systems were developed over the years before it was adopted, and these systems invariably paved the way for the birth of new musical styles.
Utility Fourth page: MIDI settings Editing Sequence: Press the [UTILITY] button Navigate to the fourth page using the [L PAGE] and [PAGE R] buttons Turn Knobs 1 to 6 RecvCh (Receive Channel) This parameter is used to set the channel on which to receive MIDI messages. Setting values: 1 to 16, omni, or off omni .............Messages will be received on all MIDI channels.
Utility Fifth page: Other settings Editing Sequence: Brightns (Brightness) Press the [UTILITY] button Navigate to the fifth page using the [PAGE R] button Turn Knobs 1, 2, and 6 This parameter is used to set the brightness of the CP1 display. Setting values: 15 (brightest) to 1 NOTE Start Up The brightness can also be reduced by holding down the [UTILITY] button and pressing the [L PAGE] button, and it can be increased by holding down the [UTILITY] button and pressing the [PAGE R] button.
File File Using the File screen, you can perform a range of file management operations, such as saving the entire content of the CP1 User Memory on a USB flash-memory device and restoring data previously saved on such a device. This screen extends over seven individual pages.
File Third page: Loading files from a USB flash-memory device Editing Sequence: Press the [FILE] button Navigate to the third page using the [L PAGE] and [PAGE R] buttons Turn Knobs 1 and 3 to set parameters Press the [ENTER] button Press Knob 4 [YES] CAUTION Whenever data is loaded from a USB flash-memory device, all data at the specified destination will be overwritten. It is wise, therefore, to regularly create backup copies of important data on a USB flash-memory device or the like.
File Fifth page: Deleting files and directories Editing Sequence: File Press the [FILE] button Navigate to the fifth page using the [L PAGE] and [PAGE R] buttons Turn Knobs 3, 5, and 6 to set parameters Press the [ENTER] button This parameter is used to select the file or directory to be deleted. Only empty directories can be deleted. To move down into a subdirectory (i.e., to open a folder), turn Knob 3 to select that subdirectory (i.e., “directory name|DIR”), and then press the [ENTER] button.
Troubleshooting Appendix Troubleshooting If you should experience any difficulty with your CP1, such as an inability to produce sound or the output becoming distorted, work through the following checklists in order to rectify the situation. Alternatively, the Factory Set function (see page 42) can also be used to resolve problems after first creating a backup of all CP1 data on an external device (see page 41).
Troubleshooting The output from the CP1 sounds distorted. Ensure that the volume is not too high. Check the input levels of any mixer or amplifier connected to the CP1. If lowering the input gain or pressing the corresponding pad button does not remove the distortion, trying lowering the CP1’s output volume. If the distortion can be heard even at low volumes, use the following procedures to change the settings of the Pre-Amplifier units and Power-Amplifier / Compressor blocks.
Troubleshooting The Edit Indicator (E) appears even though nothing has been edited. The Edit Indicator may appear when parameter settings are changed as a result of knobs being turned or the CP1’s internal tone generator being played by an external MIDI device. Data exchange with a computer is not working. Ensure that the computer’s port settings are correct. Ensure that the interface selected for the exchange of MIDI messages (i.e.
On-screen Messages On-screen Messages Appendix Message 66 Meaning Are You Sure? This message is displayed to confirm whether or not you wish to proceed with the selected operation. Completed. This message is displayed when the selected operation has been completed. Connected USB device is not supported. This message is displayed if the USB flash-memory device plugged into the [USB TO DEVICE] port is not supported by the CP1. Connecting to USB device...
On-screen Messages Message Meaning Number of USB devices above supported limit. This message is displayed if you attempt to connect more USB flash-memory devices than supported by the CP1. Overwrite? This message is displayed when saving files to confirm whether or not you wish to overwrite a file of the same name already present on the USB flash-memory device. Read only file. This message is displayed if you attempt to delete, rename, or overwrite a read-only file. Receiving MIDI bulk...
About the accessory disk About the accessory disk SPECIAL NOTICE • The software included in the accessory disk and the copyrights thereof are under exclusive ownership by Steinberg Media Technologies GmbH. • Use of the software and this manual is governed by the license agreement which the purchaser fully agrees to upon breaking the seal of the software packaging. (Please read carefully the Software Licensing Agreement on page 69 before installing the application.
SOFTWARE LICENSE AGREEMENT ATTENTION SOFTWARE LICENSE AGREEMENT PLEASE READ THIS SOFTWARE LICENSE AGREEMENT (“AGREEMENT”) CAREFULLY BEFORE USING THIS SOFTWARE. YOU ARE ONLY PERMITTED TO USE THIS SOFTWARE PURSUANT TO THE TERMS AND CONDITIONS OF THIS AGREEMENT. THIS AGREEMENT IS BETWEEN YOU (AS AN INDIVIDUAL OR LEGAL ENTITY) AND YAMAHA CORPORATION (“YAMAHA”). BY BREAKING THE SEAL OF THIS PACKAGE YOU ARE AGREEING TO BE BOUND BY THE TERMS OF THIS LICENSE.
SOFTWARE LICENSE AGREEMENT 5. DISCLAIMER OF WARRANTY ON SOFTWARE You expressly acknowledge and agree that use of the SOFTWARE is at your sole risk. The SOFTWARE and related documentation are provided “AS IS” and without warranty of any kind.
MIDI MIDI Musical Instrument Digital Interface (MIDI) is a global standard designed to allow performance, voice, and other data to be transferred between musical instruments As such, data communication is assured even between musical instruments and equipment from different manufacturers. In addition to data generated by playing the keyboard or selecting a Performance, a wide range of other information types — such as tempo and instrument controls — can also be exchanged via MIDI.
MIDI are contained within Note On messages only, range from 1 to 127. Control Change MIDI Control Change messages are used to control volume, stereo panning, and many other parameters, and as shown below, each message type has its own unique control number. Bank Select MSB (Control No. 0) Bank Select LSB (Control No. 32) Bank Select MSB and LSB messages are used to remotely select a memory bank from another MIDI device. The actual bank to be selected is determined by combining the MSB and LSB values.
MIDI Channel Mode Messages System Messages 2nd byte 3rd byte Message 120 0 All Sound Off 121 0 Reset All Controllers 123 0 All Notes Off All Sound Off (Control No. 120) All Sound Off messages are used to silence all sounds being generated by both parts. Note that the status of channel messages such as Hold 1 and Sostenuto is maintained in such a case. Reset All Controllers (Control No.
Specifications Specifications Item Details Keyboard 88-key weighted wooden keyboard with synthetic ivory keytops Performances • Preset: 16 x 3 banks • User: 16 x 3 banks (initially identical to Presets) • External: 16 x 3 banks (loaded from a USB flash-memory device) Parts 2 Effects • • • • • Controllers • Pitch Bend wheel • [MASTER VOLUME] dial • Knobs 1 to 6 Display 55 character x 2 row, vacuum fluorescent display (VFD) Connectors • • • • • • • • • Pre-Amplifier Modulation Effect Power-Am
Index Index Symbols Basenote ............................................... 57 [L PAGE] and [PAGE R] buttons...17, 24 Bass....................................................... 45 Numerics [1] and [2] foot-controller jacks .............12 [1] to [16] buttons ..................................27 1Dest (Destination 1) .............................54 1Detune (Detune 1) ...............................53 1NoteShf (Note Shift 1) ..........................53 1Pan (Pan 1) ....................................
Index J N Q jump to edit ................................ 17, 26, 33 Name ............................. 25, 51, 60, 61, 62 Q (Resonance).......................................56 norm (Normal) ....................................... 56 K Normal ................................................... 45 R KbdMode (Keyboard Mode)..................51 Note Shift ............................................... 53 Rate........................................................
Index StrkPos (Striking Position)......................44 SusPedal (Sustain Pedal) ................52, 57 Sustain ...................................................57 [SUSTAIN] jack ......................................30 Sustain pedal ............................. 12, 30, 44 Switch Mode ..........................................54 Sympho (Symphonic) ............................46 T Tone Generator......................................19 Top.........................................................
FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions.
For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante. NORTH AMERICA CANADA Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311 U.S.A. Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A.
Yamaha Web Site (English only) http://www.yamahasynth.com/ Yamaha Manual Library http://www.yamaha.co.jp/manual/ U.R.G.
