Specifications

èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ËÌÒÚÛÏÂÌÚÛ
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301
184
чÊ ÂÒÎË Á‡ Ô‰‡ÎflÏË Á‡ÍÂÔÎÂÌ˚ ÙÛÌ͈ËË Sostenuto Ë Portamento, ÓÌË Ì ·Û‰ÛÚ ‚ÎËflÚ¸ ̇ ÚÂÏ·˚ Organ Flutes.
ê„ÛÎËÛÂÏ˚ ԇ‡ÏÂÚ˚ ‰Îfl ͇ʉÓÈ ÙÛÌ͈ËË
èÂ˜ËÒÎÂÌÌ˚ ÌËÊ ԇ‡ÏÂÚ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÍÌÓÔÍ‡Ï [2 π† ]–[8 π† ], ‡ Ëı ‰ÓÒÚÛÔÌÓÒÚ¸ Á‡‚ËÒËÚ ÓÚ ‚˚·‡ÌÌÓ„Ó ÚËÔ‡
Ô‡‡ÏÂÚ‡. ç‡ÔËÏÂ, ÂÒÎË ‚ ͇˜ÂÒÚ‚Â ÚËÔ‡ ‚˚·‡Ì SUSTAIN, ̇ ˝Í‡Ì ‡‚ÚÓχÚ˘ÂÒÍË ÔÓfl‚Îfl˛ÚÒfl Ô‡‡ÏÂÚ˚ HALF PEDAL
POINT, RIGHT 1, RIGHT 2 Ë LEFT.
чÊ ÂÒÎË Á‡ Ô‰‡ÎflÏË Á‡ÍÂÔÎÂÌ˚ ÙÛÌ͈ËË Sostenuto Ë Portamento, ÓÌË Ì ·Û‰ÛÚ ‚ÎËflÚ¸ ̇ ÚÂÏ·˚ Organ Flutes.
FING/ON BASS
(í‡‰ËˆËÓÌÌ˚È Ò ·‡ÒÓÏ)
艇θ ÒÎÛÊËÚ ÔÂÂÍβ˜‡ÚÂÎÂÏ ÏÂÊ‰Û ‡ÔÔÎË͇ÚÛ‡ÏË Fingered Ë On Bass (ÒÚ. 97).
BASS HOLD (ᇉÂÊ͇ ·‡Ò‡) èÓ͇ Ô‰‡Î¸ ̇ʇڇ, ·‡ÒÓ‚‡fl ÌÓÚ‡ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ·Û‰ÂÚ ÔÓ‰ÓÎʇڸ Á‚Û˜‡Ú¸,
‰‡Ê ÂÒÎË ÒÏÂÌËÚÒfl ‡ÍÍÓ‰. ùÚ‡ ÙÛÌ͈Ëfl Ì ‡·ÓÚ‡ÂÚ, ÂÒÎË ‰Îfl ‡ÔÔÎË͇ÚÛ˚ ‚˚·‡Ì
Ô‡‡ÏÂÚ AI FULL KEYBOARD.
PERCUSSION (èÂÍÛÒÒËfl) ë ÔÓÏÓ˘¸˛ Ô‰‡ÎË ÏÓÊÌÓ Ë„‡Ú¸ ̇ Û‰‡ÌÓÏ ËÌÒÚÛÏÂÌÚÂ, ‚˚·‡ÌÌÓÏ ÍÌÓÔ͇ÏË
[4
π† ]–[8 π† ]. ÑÎfl ‚˚·Ó‡ Û‰‡ÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ Í·‚ˇÚÛÛ.
RIGHT1 ON/OFF
(ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ԇÚËË RIGHT1)
ÑÂÈÒÚ‚ÛÂÚ Ú‡Í ÊÂ, Í‡Í ÍÌÓÔ͇ PART ON/OFF [RIGHT 1].
RIGHT2 ON/OFF
(ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ԇÚËË RIGHT2)
ÑÂÈÒÚ‚ÛÂÚ Ú‡Í ÊÂ, Í‡Í ÍÌÓÔ͇ PART ON/OFF [RIGHT 2].
LEFT ON/OFF
(ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ԇÚËË LEFT)
ÑÂÈÒÚ‚ÛÂÚ Ú‡Í ÊÂ, Í‡Í ÍÌÓÔ͇ PART ON/OFF [LEFT].
OTS+ (ëÎÂ‰Û˛˘‡fl ̇ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË») Ç˚ÁÓ‚ ÒÎÂ‰Û˛˘ÂÈ ÔÓ ÔÓfl‰ÍÛ Ì‡ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË».
OTS– (è‰˚‰Û˘‡fl ̇ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË») Ç˚ÁÓ‚ Ô‰˚‰Û˘ÂÈ Ì‡ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË».
SONG, STYLE, MIC, LEFT, RIGHT1, RIGHT2 ëÎÛÊ‡Ú ‰Îfl Û͇Á‡ÌËfl Ô‡ÚËÈ, ÛÔ‡‚ÎflÂÏ˚ı Ô‰‡Î¸˛.
HALF PEDAL POINT* åÓÊÌÓ Û͇Á‡Ú¸, ̇ÒÍÓθÍÓ ÒËθÌÓ ÒΉÛÂÚ Ì‡Ê‡Ú¸ ̇ Ô‰‡Î¸, ˜ÚÓ·˚ Ò‡·ÓڇΠÔÂÂÍβ˜‡ÚÂθ
(ÒÚ. 183). èËÏÂÌËÏÓ ÚÓθÍÓ Í Ô‡‚ÓÈ Ô‰‡ÎË Ë Í Ô‰‡ÎË, ÔÓ‰ÒÓ‰ËÌÂÌÌÓÈ Í ˆËÙÓ‚ÓÏÛ
ÔˇÌËÌÓ ˜ÂÂÁ „ÌÂÁ‰Ó AUX PEDAL („ÌÂÁ‰Ó ‚ÒÔÓÏÓ„‡ÚÂθÌÓÈ Ô‰‡ÎË).
DEPTH éÔ‰ÂÎflÂÚ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ Ô‰‡ÎË.
UP/DOWN ÖÒÎË ‚˚·‡Ì‡ ÙÛÌ͈Ëfl GLIDE ËÎË PITCH BEND, ˝ÚÓÚ Ô‡‡ÏÂÚ ÓÔ‰ÂÎflÂÚ, ·Û‰ÂÚ ÎË ‚˚ÒÓÚ‡
ÚÓ̇ ÔÓ‚˚¯‡Ú¸Òfl ËÎË ÔÓÌËʇڸÒfl.
RANGE (ÑˇԇÁÓÌ) ÖÒÎË ‚˚·‡Ì‡ ÙÛÌ͈Ëfl GLIDE ËÎË PITCH BEND, ˝ÚÓÚ Ô‡‡ÏÂÚ ÓÔ‰ÂÎflÂÚ ‰Ë‡Ô‡ÁÓÌ ËÁÏÂÌÂÌËfl
‚˚ÒÓÚ˚ Á‚Û͇ ‚ ÔÓÎÛÚÓ̇ı. í‡ÍÊ Á‡‰‡ÂÚÒfl Ò ÔÓÏÓ˘¸˛ ̇ÒÚÓÈÍË → Pitch Bend Range (ÒÚ. 82).
ON SPEED (ëÍÓÓÒÚ¸ ‚Íβ˜ÂÌËfl) ÖÒÎË ‚˚·‡Ì‡ ÙÛÌ͈Ëfl GLIDE, ˝ÚÓÚ Ô‡‡ÏÂÚ ÓÔ‰ÂÎflÂÚ ÒÍÓÓÒÚ¸ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ ÔË
̇ʇÚËË Ô‰‡ÎË.
OFF SPEED (ëÍÓÓÒÚ¸ ‚˚Íβ˜ÂÌËfl) ÖÒÎË ‚˚·‡Ì‡ ÙÛÌ͈Ëfl GLIDE, ˝ÚÓÚ Ô‡‡ÏÂÚ ÓÔ‰ÂÎflÂÚ ÒÍÓÓÒÚ¸ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇,
ÍÓ„‰‡ Ô‰‡Î¸ ÓÚÔÛ˘Â̇.
KIT (燷Ó Û‰‡Ì˚ı) ÖÒÎË Ô‰‡ÎË ÔËÒ‚ÓÂ̇ ÙÛÌ͈Ëfl PERCUSSION, ÔË Ì‡Ê‡ÚËË Ì‡ Ô‰‡Î¸ ÓÚÓ·‡Ê‡˛ÚÒfl ‚ÒÂ
Ëϲ˘ËÂÒfl ̇·Ó˚ Û‰‡Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚. í‡ÍËÏ Ó·‡ÁÓÏ, ‚˚ ÏÓÊÂÚ ‚˚·‡Ú¸ ÓÔ‰ÂÎÂÌÌ˚È
̇·Ó Û‰‡Ì˚ı, ÛÔ‡‚ÎflÂÏ˚È Ò ÔÓÏÓ˘¸˛ Ô‰‡ÎË.
PERCUSSION (èÂÍÛÒÒËfl) ÖÒÎË Ô‰‡ÎË ÔËÒ‚ÓÂ̇ ÙÛÌ͈Ëfl PERCUSSION, ÔË Ì‡Ê‡ÚËË Ì‡ Ô‰‡Î¸ ÓÚÓ·‡Ê‡˛ÚÒfl ‚ÒÂ
Á‚ÛÍË ‚˚·‡ÌÌÓ„Ó Ì‡·Ó‡ Û‰‡Ì˚ı (ÒÏ. ÙÛÌÍˆË˛ KIT ‚˚¯Â). í‡ÍËÏ Ó·‡ÁÓÏ, ‚˚ ÏÓÊÂÚ ‚˚·‡Ú¸
Á‚ÛÍ ÓÔ‰ÂÎÂÌÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡, ÔËÒ‚ÓÂÌÌ˚È Ô‰‡ÎË.
àÒÔÓθÁÓ‚‡ÌË Ô‰‡Î¸ÌÓ„Ó ÔÂÂÍβ˜‡ÚÂÎfl ËÎË ÌÓÊÌÓ„Ó ÍÓÌÚÓÎÎÂ‡ (‡Á˙ÂÏ [AUX PEDAL])